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Summary
Summary
Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America's finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.
As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.
Sanctuary (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.
Light in August (1932) incorporates Faulkner's religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry-all find their lives entangled in the inexorable succession of love, birth, and death.
Pylon (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called "the human heart in conflict with itself," it illustrates how he became one of the great humanists of twentieth-century literature.
The Library of America edition of Faulkner's work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner's intentions.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author Notes
Born in an old Mississippi family, William Faulkner made his home in Oxford, seat of the University of Mississippi. After the fifth grade he went to school only off and on-lived, read, and wrote much as he pleased. In 1918, refusing to enlist with the "Yankees," he joined the Canadian Air Force, and was transferred to the British Royal Air Force. After the war he studied a little at the University, did house painting, worked as a night superintendent at a power plant, went to New Orleans and became a friend of Sherwood Anderson, then to Europe and back home to Oxford. By this time he had written two novels.
The Sound and the Fury followed in 1929. Financial success came with Sanctuary in 1931, which he assisted in filming. Faulkner 's novels are intense in their character portrayals of disintegrating Southern aristocrats, poor whites, and African Americans. A complex stream-of-consciousness rhetoric often involves Faulkner in lengthy sentences of anguished power. Most of his tales are set in the mythical Yoknapatawpha County, Mississippi, and are characterized by the use of many recurring characters from families of different social levels spanning more than a century. His best subjects are the old, dying South and the newer materialistic South.
As I Lay Dying (1930), is a grotesquely tragicomic story about a family of poor southern whites. With Absalom, Absalom! (1936); the difficult parts of his famous short novel "The Bear" (published in Go Down, Moses, 1942); and the allegorical A Fable (1954), a non-Yoknapatawpha novel set in France during World War I; Faulkner returned to an innovative and difficult style that most readers have trouble with. Yet, interspersed among such works are collections of easily read stories originally published in popular magazines. There seems to be a growing sentiment among critics that the Snopes trilogy-The Hamlet (1940), The Town (1957), and The Mansion (1959)-for the most part an example of Faulkner's "moderate" style, could well be among his most important works.
Faulkner was awarded the 1949 Nobel Prize for literature "for his powerful and artistically independent contribution to the new American novel," but it would appear now that he also deserved to win that honor for his contribution to world literature. When reporting his death, the Boston Globe quoted Faulkner's having once told an interviewer: "Since man is mortal, the only immortality for him is to leave something behind him that is immortal since it will always move. That is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must some day pass."
In addition to the Nobel Prize, Faulkner received the Howells Medal of the American Academy of Arts and Letters in 1950, and in 1951 he was given the National Book Award for his Collected Stories Collected Stories. For his novel A Fable he received the National Book Award for the second time, as well as the Pulitzer Prize in 1955. The Reivers (1962) was awarded the Pulitzer Prize in 1963. In 1957 and 1958, he was the University of Virginia's first writer-in-residence, and in January 1959 he accepted an appointment as consultant on contemporary literature to the Alderman Library of that university.
Although Faulkner was not without honors in his lifetime and has received world recognition since then, it is surprising to learn that, when Malcolm Cowley edited The Portable Faulkner in 1946, he found that almost all of Faulkner's books were out of print. By arranging selections from the works to form a continuous chronicle, Cowley deserves much of the credit for making readers aware of the way in which Faulkner was creating a fictive world on a scale grander than that of any novelist since Balzac.
William Faulkner died in Oxford, Mississippi, in 1962.
(Bowker Author Biography)
Reviews (1)
Library Journal Review
The Library of America begins publication of 20th-century writers with corrected texts of four novels from the midpoint of Faulkner's career. The corrections eliminate past editorial adjustments and present the works according to Faulkner's original intentions, based on extant typescripts and galley revisions. For example, editors often changed Faulkner's deliberately unusual punctuation to make his texts more appealing to general audiences; restored now are the ``Faulknerian'' dashes, missing apostrophes, compound words, and lengthy unpunctuated passages. Pylon received the most extensive revision, but all the changes are significant, and at last readers can enjoy and ponder these works in the form intended by their author. A distinguished addition to a distinguished series. Starr E. Smith, Georgetown Univ. Lib., Washington, D.C. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
