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Summary
Summary
"Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird."
A lawyer's advice to his children as he defends the real mockingbird of Harper Lee's classic novel--a black man charged with the rape of a white girl. Through the young eyes of Scout and Jem Finch, Harper Lee explores with rich humor and unswerving honesty the irrationality of adult attitudes toward race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence, and hypocrisy is pricked by the stamina and quiet heroism of one man's struggle for justice--but the weight of history will only tolerate so much.
One of the best-loved classics of all time, To Kill a Mockingbird has earned many dis-tinctions since its original publication in 1960. It has won the Pulitzer Prize, been translated into more than forty languages, sold more than forty million copies worldwide, and been made into an enormously popular movie. It was also named the best novel of the twentieth century by librarians across the country (Library Journal). HarperCollins is proud to celebrate the fiftieth anniversary of the book's publication with this special hardcover edition.
Author Notes
Nelle Harper Lee was born in Monroeville, Alabama on April 28, 1926. She studied law at the University of Alabama from 1945 to 1949, and spent a year as an exchange student in Oxford University, Wellington Square. She moved to New York where she worked as an airlines reservations clerk while pursuing a literary career. In 1959, she accompanied Truman Capote to Holcombe, Kansas, as a research assistant for Capote's novel In Cold Blood. Her first book, To Kill a Mockingbird, was published in 1960 and won the Pulitzer Prize for Fiction in 1961. The book was adapted as a feature film in 1962 and a London stage play in 1987. Her second book, Go Set a Watchman, was published in 2015. She died on February 19, 2016 at the age of 89.
(Bowker Author Biography)
Reviews (3)
New York Review of Books Review
MANY AMERICANS MIGHT not know the more polemical side of race writing in our history. The canon of African-American literature is well established. Zora Neale Hurston, Richard Wright, James Baldwin are familiar figures. Far less so is Samuel Morton (champion of the obsolete theory of polygenesis) or Thomas Dixon (author of novels romanticizing Klan violence). It is tempting to think that the influence of those dusty polemics ebbed as the dust accumulated. But their legacy persists, freshly shaping much of our racial discourse. On the occasion of Black History Month, I've selected the most influential books on race and the black experience published in the United States for each decade of the nation's existence - a history of race through ideas, arranged chronologically on the shelf. (In many cases, I've added a complementary work, noted with an asterisk.) Each of these books was either published first in the United States or widely read by Americans. They inspired - and sometimes ended - the fiercest debates of their times: debates over slavery, segregation, mass incarceration. They offered racist explanations for inequities, and antiracist correctives. Some - the poems of Phillis Wheatley, the memoir of Frederick Douglass - stand literature's test of time. Others have been roundly debunked by science, by data, by human experience. No list can ever be comprehensive, and "most influential" by no means signifies "best." But I would argue that together, these works tell the history of anti-black racism in the United States as painfully, as eloquently, as disturbingly as words can. In many ways, they also tell its present. 1771-1780 POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL, by Phillis Wheatley (1773) No book during the Revolutionary era stirred more debates over slavery than this first-ever book by an African-American woman. Assimilationists and abolitionists exhibited Wheatley and her poetry as proof that an "uncultivated barbarian from Africa" could be civilized, that enslaved Africans "may be refin'd, and join th' angelic train" of European civilization and human freedom. Phillis Wheatley Enslavers disagreed, and lashed out at Wheatley's "Poems." * "An Address to the Inhabitants of British Settlements, on the Slavery of the Negroes in America," by Benjamin Rush (1773) 1781-1790 NOTES ON THE STATE OF VIRGINIA, by Thomas Jefferson (1785) The author of American freedom in 1776 wrote of American slavery as a necessary evil in this book, widely regarded as the most important political portrait of the nascent United States. Jefferson indicted the "tyranny" Ibram x. kendi, a professor of history at the University of Florida, won the National Book Award for "Stamped From the Beginning: The Definitive History of Racist Ideas in America." of slavery while also supplying fellow slaveholders with a batch of prejudices to justify slavery's rapid expansion. Blacks "are inferior to the whites in the endowments both of body and mind," he wrote. And Wheatley is not "a poet." *"The Interesting Narrative of the Life of Olaudah Equiano; Or, Gustavus Vassa, the African" (1789) 1791-1800 PENNSYLVANIA, DELAWARE, MARYLAND, AND VIRGINIA ALMANAC AND EPHEMERS, by Benjamin Banneker (1792-97) After helping to survey the District of Columbia, Banneker compiled his first almanac, replacing Wheatley's "Poems" as abolitionists' finest showpiece of black capability. He enclosed the almanac in a letter to Jefferson, writing, "I apprehend you will embrace every opportunity, to eradicate that train of absurd and false ideas and opinions." Jefferson did not jump off the train, but other Americans did while reading this remarkable book. Thomas Jefferson 1801-1810 AN ESSAY ON THE CAUSES OF VARIETY OF COMPLEXION AND FIGURE IN THE HUMAN SPECIES, by Samuel Stanhope Smith (second edition, 1810) The Princeton president tried to stop the polygenesis theory that the races are created unequal, stoutly defending biblical monogenesis and the notion that first humans were white. He called for physical assimilation: In a colder climate blackened skins would revert to their original white beauty; "the woolly substance" on black heads would become "fine, straight hair" again. His racist idea of the lighter and straighter the better still demeans after all these years. 1811-1820 THOUGHTS ON THE COLONIZATION OF FREE BLACKS, by Robert Finley (1816) Blacks should be freed, trained "for self-government" and returned to Africa, according to the antislavery clergyman and former student of Samuel Stanhope Smith. Finley wrote the manifesto for colonization, a cause supported by several American leaders until Lincoln's failed schemes doomed the movement during the Civil War. *"An Appeal From the Judgments of Great Britain Respecting the United States of America," by Robert Walsh (1819) 1821-1830 AN APPEAL TO THE COLORED CITIZENS OF THE WORLD, by David Walker (1829) This Boston abolitionist viciously assailed colonization and "Mr. Jefferson's arguments" in the first booklength attack on the "inhuman system of slavery" by an African-American. Black seamen smuggled the appeal into chained Southern hands; community readers sounded the appeal to violently throw off the violent yoke. Walker's ultimatum for slaveholders: Give us freedom and rights, or you will "curse the day that you ever were born! " 1831-1840 CRANIA AMERICANA, by Samuel Morton (1839) This book revived the theory of polygenesis that dominated intellectual racial discourse until the Civil War. What reviewers hailed as an "immense body of facts" were Morton's measurements of the "mean internal capacity" of the human skulls in his renowned collection in Philadelphia, from which he concluded that whites had the "highest intellectual endowments." * "Review of the Debate in the Virginia Legislature of 1831 and 1832," by Thomas Roderick Dew (1832), and "Thoughts on African Colonization," by William Lloyd Garrison (1832) 1841-1850 THE NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS (1845) The gripping best seller earned Douglass international prestige and forced readers around the world to come to terms with slavery's brutality and blacks' freedom dreams. No other piece of antislavery literature so devastated Morton's defense of polygenesis, or John C. Calhoun's recently popularized theory that slavery was a "positive good." *"The Narrative of Sojourner Truth" (1850) 1851-1860 UNCLE TOM'S CABIN, by Harriet Beecher Stowe (1852) Inflamed by the Fugitive Slave Act of 1850, Stowe offered a fugitive slave story that made millions sympathize with slaves. Her novel - and its dramatic adaptations - turned the "hard and dominant Anglo-Saxon race" toward Christian salvation with a simple lesson: to stop enslaving quintessential Christians in all their "lowly docility of heart." From accommodating Uncle Toms to superior mulattoes to soulful Africans, the book also popularized any number of lasting racist tropes. *"On the Origin of Species," by Charles Darwin (1859) 1861-1870 THE PRINCIPLES OF BIOLOGY, by Herbert Spencer (1864) In "Principles," Spencer coined the term "survival of the fittest," becoming the ultimate amplifier of Social Darwinism in the United States. Americans fell in love with his comprehensive theory of evolution, claiming that Reconstruction policies would allow inferior blacks to evolve (or assimilate) into white civilization or lose the struggle for existence. The net effect of Spencer's Social Darwinism: the eugenics movement of the early 20th century. * "Hereditary Genius," by Sir Francis Gabon (1869) 1871-1880 THE PROSTRATE STATE: South Carolina Under Negro Government, by James Pike (1874) This prominent New York journalist blanketed the nation with fairy tales of corrupt, incompetent, lazy Black Republican politicians. Reconstruction's enfranchising policies were a "tragedy," Pike wrote, nothing but "the slave rioting in the halls of his master." His "objective" reporting caused many once sympathetic Northerners to demand a national reunion based on white rule. *"The Descent of Man," by Charles Darwin (1871) 1881-1890 OUR BROTHER IN BLACK: His Freedom and His Future, by Atticus Haygood (1881) In the 1880s, Southern segregationists marketed their region as the New South, among them this Methodist bishop and Emory College president. In his popular book, Haygood eased consciences that the end of Reconstruction meant the end of black rights. The New South will be as good for black folk as the old, Haygood declared, as new white Southerners would continue to civilize inferior black folk in their nicely segregated free-labor society. *"The Plantation Negro as a Freeman," by Philip Alexander Bruce (1889) 1891-1900 RACE TRAITS AND TENDENCIES OF THE AMERICAN NEGRO, by Frederick Hoffman (1896) Better covered than the Plessy v. Ferguson decision that year, "Race Traits" catapulted this statistician into scientific celebrity. At the time of emancipation, blacks were "healthy in body and cheerful in mind," Hoffman wrote. Thirty years later, the 1890 census forecasts their "gradual extinction," due to natural immoralities and a propensity for diseases. He blazed the trail of racist ideas in American criminology when he concluded that higher black arrest rates indicated blacks committed more crimes. * "Southern Horrors: Lynch Law in All Its Phases," by Ida B. Wells (1892) 1901-1910 THE CLANSMAN: An Historical Romance of the Ku Klux Klan, by Thomas Dixon (1905) Convinced that "Uncle Tom's Cabin" had misrepresented the South, Dixon emerged as Jim Crow's novelist laureate. "The Clansman" was the most influential of his works, particularly after it was adapted into a popular play and D. W. Griffith's 1915 film "The Birth of a Nation." In Dixon's telling, the virtuous Ku Klux Klan saved Southern whites from their "awful suffering" during Reconstruction. * "The Souls of Black Folk," by W. E. B. Du Bois (1903) 1911-1920 TARZAN OF THE APES, by Edgar Rice Burroughs (1912) With his racist colonial plot, Burroughs glued animals, savages and Africa together in the American mind, and redeemed white masculinity after the first black heavyweight champion knocked it out in 1908. Forget boxing and Jack Johnson - white men embraced Tarzan, the inspiration for comic strips, 25 sequels and dozens of motion pictures. *"The Passing of the Great Race," by Madison Grant (1916) 1921-1930 NIGGER HEAVEN, by Carl Van Vechten (1926) Van Vechten was the Harlem Renaissance's ubiquitous white patron, a man as curiously passionate about showing off black people as zookeepers are about showing off their rare species. Through this best-selling novel, he gave white Americans a racist tour of the safari of Harlem, casting assimilated blacks in the guise of tropical exotic lands being spoiled by white developers. *"The Weary Blues," by Langston Hughes (1926) 1931-1940 GONE WITH THE WIND, by Margaret Mitchell (1936) The Pulitzer Prize-winning jewel of the plantation fiction genre, this was Americans' second all-time favorite book behind the Bible, according to a 2014 f Harris Poll. Mitchell portrays white enslavers as noble, slaves as shiftless, docile and loyal. Mitchell did for slavery what Dixon did for Reconstruction and Burroughs for Africa. * "Their Eyes Were Watching God," Zora Neale Hurston (1937) and "Native Son," by Richard Wright (1940) 1941-1950 AN AMERICAN DILEMMA: The Negro Problem and Modern Democracy, by Gunnar Myrdal (1944) As Americans fought against Nazism overseas, this Swedish economist served up an encyclopedic revelation of racial discrimination in their backyards. If there was a scholarly trigger for the civil rights movement, this was it. Myrdal concluded that "a great majority" of whites would "give the Negro a substantially better deal if they knew the facts." Segregationists seethed, and racial reformers were galvanized to show the truth of Jim Crow. *"Race: Science and Politics," by Ruth Benedict (revised edition, 1943) 1951-1960 TO KILL A MOCKINGBIRD, by Harper Lee (1960) This instant classic about a white lawyer defending a black man wrongly accused of rape was the "Uncle Tom's Cabin" of the civil rights movement. "Mockingbirds don't do one thing but make music for us to enjoy," a neighbor tells the lawyer's daughter, Scout. She's talking about their reclusive white neighbor, Boo Radley, but the African-Americans of 1930s Alabama come across as singing spectators, thankful for the moral heroism of Atticus Finch. The white savior remains the most popular racist character in American letters. * "Invisible Man," by Ralph Ellison (1952) 1961-1970 THE AUTOBIOGRAPHY OF MALCOLM X, as told to Alex Haley (1965) It was the manifesto for the Black Power movement, where young black saviors arose, alienated by white saviors and the slow pace of civil rights change. Malcolm wrote black pride before James Brown sang it. His ideological transformation from assimilationist to anti-white separatist to antiracist inspired millions of all races. * "I Know Why the Caged Bird Sings," by Maya Angelou (1969) 1971-1980 ROOTS: The Saga of an American Family, by Alex Haley (1976) For African-Americans in the radiance of Black Power's turn to Pan-Africanism, the thrilling and terrifying story of Kunta Kinte and his descendants arrived right on time. The best seller inspired one of the most watched shows in American television history. "Roots" dispatched legions of racist ideas of backward Africa, of civilizing slavery, of the contented slave, of loose enslaved women. The plantation genre of happy mammies and Sambos was gone with the wind. * "The Declining Significance of Race," by William Julius Wilson (1978) 1981-1990 THE COLOR PURPLE, by Alice Walker (1982) Of the black feminist classics of the period, Walker's garnered the most prestige - a National Book Award and Pulitzer Prize - and controversy. Set in 1930s rural Georgia, the story shows a black woman finding happiness beyond abusive black patriarchs, Southern poverty and racist whites. Steven Spielberg's 1985 blockbuster adaptation cemented its legacy. * "Beloved," by Toni Morrison (1987) 1991-2000 THE BELL CURVE: Intelligence and Class Structure in American Life, by Richard Herrnstein and Charles Murray (1994) Herrnstein and Murray offered validation for Americans raging about pathological blacks and crime, welfare and affirmative action. "Inequality of endowments, including intelligence, is a reality," they wrote, sparking one of the most intense academic wars in history over whether genes or environment had caused the racial "achievement gap" in standardized test scores. * "America in Black and White," by Stephan Thernstrom and Abigail Thernstrom (1997) 2001-2010 THE NEW JIM CROW: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander (2010) Two years after Obama's election, Alexander put the entire criminal justice system on trial, exposing racial discrimination from lawmaking to policing to the denial of voting rights to exprisoners. This best seller struck the spark that would eventually Michelle Alexander light the fire of Black Lives Matter. * "Dreams From My Father," by Barack Obama (2004 reprint) ?
Guardian Review
Writer whose 1961 novel became a defining text of 20th-century literature and of racial troubles in the American south has died in Monroeville, AlabamaWhat did Harper Lee mean to you? Share your tributes and memories here Harper Lee, whose 1961 novel To Kill a Mockingbird became a national institution and the defining text on the racial troubles of the American deep south, has died at the age of 89. Lee, or Nelle as she was known to those close to her, had lived for several years in a nursing home less than a mile from the house in which she had grown up in Monroeville, Alabama -- the setting for the fictional Maycomb of her famous book. The town's mayor, Mike Kennedy, confirmed the author's death. Until last year, Lee had been something of a one-book literary wonder. To Kill a Mockingbird, her 1961 epic narrative about small-town lawyer Atticus Finch's battle to save the life of a black resident threatened by a racist mob, sold more than 40m copies around the world and earned her a Pulitzer prize. George W Bush awarded her the presidential medal of freedom in 2007. But from the moment Mockingbird was published to almost instant success the author consistently avoided public attention and insisted that she had no intention of releasing further works. That self-imposed purdah ended abruptly when, amid considerable controversy, it was revealed a year ago that a second novel had been discovered, which was published as Go Set a Watchman in July 2015. The house where Lee lived for years with her sister Alice sat quiet and empty on Friday. The inside of the house appeared unchanged from when she lived there -- antique furniture was stacked with books, audio cassettes and gift baskets. Her neighbor for 40 years, Sue Sellers, said Lee would have appreciated the quiet. "She was such a private person," she said. "All she wanted was privacy, but she didn't get much. There always somebody following her around." In recent years Lee's health had declined. Seller said the last time she spent any real time with Lee they went to breakfast together. "The whole way home she drove her big car in the turn lane," she said. "She couldn't see. I was scared to death." The last time she saw Lee was a few months ago at the Meadows nursing home. Sellers brought flowers. "She just hollered out: 'I can't see and I can't hear!'" Sellers said. "So I just told her goodbye." Lee was born in Monroeville in 1926 and grew up under the stresses of segregation. As a child she shared summers with another aspiring writer, Truman Capote, who annually came to stay in the house next door to hers and who later invited her to accompany him to Holcomb, Kansas, to help him research his groundbreaking 1966 crime book In Cold Blood. Capote informed the figure of the young boy Dill in Mockingbird, with his friend the first-person narrator Scout clearly modelled on the childhood Lee herself. Lee was the youngest child of lawyer Amasa Coleman Lee and Frances Finch Lee. Her father acted as the template for Atticus Finch whose resolute courtroom dignity as he struggles to represent a black man, Tom Robinson, accused of raping a white woman provides the novel's ethical backbone. Last year's publication of Go Set a Watchman obliged bewildered fans of the novel to reappraise the character of Finch. In that novel, which was in fact the first draft of Mockingbird that had been rejected by her publisher, Finch was portrayed as having been a supporter of the South's Jim Crow laws, saying at one point: "Do you want Negroes by the carload in our schools and -churches and theaters?" Within minutes of the announcement of the novelist's death, encomiums began to flow. Her literary agent Andrew Nurnberg said in a statement: "We have lost a great writer, a great friend and a beacon of integrity." He added: "Knowing Nelle these past few years has been not just an utter delight but an extraordinary privilege. When I saw her just six weeks ago, she was full of life, her mind and mischievous wit as sharp as ever. She was quoting Thomas More and setting me straight on Tudor history." Michael Morrison, her publisher at HarperCollins US, said: "The world knows Harper Lee was a brilliant writer but what many don't know is that she was an extraordinary woman of great joyfulness, humility and kindness. She lived her life the way she wanted to -- in private -- surrounded by books and the people who loved her." In Lee's home state of Alabama, a center of the violent upheavals over civil rights that immediately preceded the publication of Mockingbird, literary experts reflected on the power of the novel to shift the ingrained assumptions of white Alabamans. Jacqueline Trimble, president of the Alabama Writers' Forum that bequeaths the annual Harper Lee award for literary excellence, said that the book had a profound effect on white residents of the state. "She was able to take the politics of the civil rights era and make them human. She showed people that this was about their neighbors, their friends, someone they knew, not just about the issues," Trimble said. Tim Cook, the CEO of Apple, tweeted a quote from Mockingbird: "The one thing that doesn't abide by majority rule is a person's conscience." - Ed Pilkington in New York and Matthew Teague in Monroeville, Alabama.
Library Journal Review
Lee's Pulitzer Prize-winning first (and last) novel of racial injustice in a small Southern town ranks among just about everyone's favorite books. This 35th-anniversary edition contains a brief new foreword by the elusive Lee. (LJ 5/15/60) (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
To Kill a Mockingbird Chapter One When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. When it healed, and Jem's fears of never being able to play football were assuaged, he was seldom self-conscious about his injury. His left arm was somewhat shorter than his right; when he stood or walked, the back of his hand was at right angles to his body, his thumb parallel to his thigh. He couldn't have cared less, so long as he could pass and punt. When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out. I said if he wanted to take a broad view of the thing, it really began with Andrew Jackson. If General Jackson hadn't run the Creeks up the creek, Simon Finch would never have paddled up the Alabama, and where would we be if he hadn't? We were far too old to settle an argument with a fist-fight, so we consulted Atticus. Our father said we were both right. Being Southerners, it was a source of shame to some members of the family that we had no recorded ancestors on either side of the Battle of Hastings. All we had was Simon Finch, a fur-trapping apothecary from Cornwall whose piety was exceeded only by his stinginess. In England, Simon was irritated by the persecution of those who called themselves Methodists at the hands of their more liberal brethren, and as Simon called himself a Methodist, he worked his way across the Atlantic to Philadelphia, thence to Jamaica, thence to Mobile, and up the Saint Stephens. Mindful of John Wesley's strictures on the use of many words in buying and selling, Simon made a pile practicing medicine, but in this pursuit he was unhappy lest he be tempted into doing what he knew was not for the glory of God, as the putting on of gold and costly apparel. So Simon, having forgotten his teacher's dictum on the possession of human chattels, bought three slaves and with their aid established a homestead on the banks of the Alabama River some forty miles above Saint Stephens. He returned to Saint Stephens only once, to find a wife, and with her established a line that ran high to daughters. Simon lived to an impressive age and died rich. It was customary for the men in the family to remain on Simon's homestead, Finch's Landing, and make their living from cotton. The place was self-sufficient: modest in comparison with the empires around it, the Landing nevertheless produced everything required to sustain life except ice, wheat flour, and articles of clothing, supplied by river-boats from Mobile. Simon would have regarded with impotent fury the disturbance between the North and the South, as it left his descendants stripped of everything but their land, yet the tradition of living on the land remained unbroken until well into the twentieth century, when my father, Atticus Finch, went to Montgomery to read law, and his younger brother went to Boston to study medicine. Their sister Alexandra was the Finch who remained at the Landing: she married a taciturn man who spent most of his time lying in a hammock by the river wondering if his trot-lines were full. When my father was admitted to the bar, he returned to Maycomb and began his practice. Maycomb, some twenty miles east of Finch's Landing, was the county seat of Maycomb County. Atticus's office in the courthouse contained little more than a hat rack, a spittoon, a checkerboard and an unsullied Code of Alabama. His first two clients were the last two persons hanged in the Maycomb County jail. Atticus had urged them to accept the state's generosity in allowing them to plead Guilty to second-degree murder and escape with their lives, but they were Haverfords, in Maycomb County a name synonymous with jackass. The Haverfords had dispatched Maycomb's leading blacksmith in a misunderstanding arising from the alleged wrongful detention of a mare, were imprudent enough to do it in the presence of three witnesses, and insisted that the-son-of-a-bitch-had-it-coming-to-him was a good enough defense for anybody. They persisted in pleading Not Guilty to first-degree murder, so there was nothing much Atticus could do for his clients except be present at their departure, an occasion that was probably the beginning of my father's profound distaste for the practice of criminal law. During his first five years in Maycomb, Atticus practiced economy more than anything; for several years thereafter he invested his earnings in his brother's education. John Hale Finch was ten years younger than my father, and chose to study medicine at a time when cotton was not worth growing; but after getting Uncle Jack started, Atticus derived a reasonable income from the law. He liked Maycomb, he was Maycomb County born and bred; he knew his people, they knew him, and because of Simon Finch's industry, Atticus was related by blood or marriage to nearly every family in the town. Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o'clock . . . Harper Lee was born in 1926 in Monroeville, Alabama. She attended the local schools and studied law at the University of Alabama. For some years she spent most of her time in New York City, where, until she began writing, she was employed in the reservations department of an international airline. "Aside from writing," says Miss Lee, "my chief interests in life are collecting memoirs of nineteenth-century clergymen, golf, crime and music." To Kill a Mockingbird . Copyright © by Harper Lee. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from To Kill A Mockingbird Large Print by Harper Lee All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
