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Summary
Summary
When Barry Fairbrother dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty facade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils-Pagford is not what it first appears. And the empty seat left by Barry on the town's council soon becomes the catalyst for the biggest war Pagford has seen yet. Who will triumph in an election fraught with passion, duplicity, and unexpected revelations?
Blackly comic, thought provoking, and constantly surprising, The Casual Vacancy is J. K. Rowling's first novel for adults.
Author Notes
J. K. (Joanne Kathleen) Rowling was born in Gloucestershire, U. K. on July 31, 1965. She also writes fiction novels under the name of Robert Galbraith. Rowling attended Tutshill Primary and then went on to Wyedean Comprehensive where she was made Head Girl in her final year. She received a degree in French from Exeter University. She later took some teaching classes at Moray House Teacher Training College and a teacher-training course in Manchester, England. This extensive education created a perfect foundation to spark the Harry Potter series that Rowling is renowned for.
After college, Rowling moved to London to work for Amnesty International, where she researched human rights abuses in Francophone Africa, and worked as a bilingual secretary. In 1992, Rowling quit office work to move to Portugal and teach English as a Second Language. There she met and married her husband, a Portuguese TV journalist. But the marriage dissolved soon after the birth of their daughter. It was after her stint teaching in Portugal that Rowling began to write the premise for Harry Potter. She returned to Britain and settled in Edinburgh to be near her sister, and attempted to at least finish her book, before looking for another teaching job. Rowling was working as a French teacher when her book, Harry Potter and the Philosopher's Stone was published in June of 1997 and was an overnight sensation.
Harry Potter and the Philosopher's Stone won the British Book Awards Children's Book of the Year, was shortlisted for the Guardian Fiction Award, and received a Commended citation in the Carnegie Medal awards. She also received 8,000 pounds from the Scottish Arts Council, which contributed to the finishing touches on The Chamber of Secrets. Rowling continued on to win the Smarties Book Prize three years in a row, the only author ever to do so. At the Bologna Book Fair, Arthur Levine from Scholastic Books, bought the American rights to Harry Potter and the Philosopher's Stone for the unprecedented amount of $105,000.00. The book was retitled Harry Potter and the Sorcerer's Stone for it's American release, and proceeded to top the Best Seller's lists for children's and adult books. The American edition won Best of the Year in the School Library Journal, Publishers Weekly, Parenting Magazine and the Cooperative Children's Book Center. It was also noted as an ALA Notable Children's Book as well as Number One on the Top Ten of ALA's Best Books for Young Adults. The Harry Potter Series consists of seven books, one for each year of the main character's attendance at the Hogwarts School of Witchcraft and Wizardry. All of the books in the series have been made into successful movies. She is number 1 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. She has also written Fantastic Beasts and Where to Find Them, Quidditch Through the Ages, and The Tales of Beedle the Bard. She won the 2016 PEN/Allen Foundation Literary Service Award. In 2016 she, along with Jack Thorne and John Tiffany, published the script of the play Harry Potter and the cursed child. It became an instant bestseller.
Rowling's first novel for an adult audience,The Casual Vacancy, was published by Little Brown in September 2012. She made The New York Times Best Seller List with her title Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination. She published two bestselling fiction novels under the name of Robert Galbraith: The Cuckoo's Calling and The Silkworm.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
What secrets lurk in the hearts of the residents of Pagford? This is the central question in Rowling's dark novel that charts the cutthroat competition for an empty seat on the town council. In this audio edition, the challenge for narrator Tom Hollander is the book's varied cast, which features a dozen main characters and many minor ones-all requiring unique voices and accents. Additionally challenging is the fact that Rowling's characters often act one way in public and another way-a rather horrid way-in private. Much to his credit, Hollander handles all of this with great aplomb, whether he's voicing the boozy Samantha, her pompous father-in-law, or Fats, a skinny teenager who very well might be a sociopath. Hollander exhibits particular skill creating a full range of voices for the book's male characters, e.g., the timid squeaks of the commitment-phobic Gavin and the curt, deep grunts of duplicitous Simon Price. Hollander's narration captures the sardonic wit of the novel, animating the author's acerbic observations of human weakness with intelligence and style. Hollander even sings, offering a solid rendition of "Morning Has Broken" in a pivotal funeral scene. A Little, Brown hardcover. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
Booklist Review
J. K. Rowling has said that she considered writing The Casual Vacancy under a pseudonym. Had she done so, Rowling probably would have learned what it's like to be a midlist author unpublicized, unnoticed, and unhappy. Like many midlist titles, this one is perfectly fine, but in no way outstanding. Set in Pagford, a picturesque West Country village, this very British book has a clever, if arcane, centerpiece: a casual vacancy, an opening on the village council. When Barry Fairbrother drops dead of an aneurysm, his death sets off a chain reaction. A strong supporter of keeping a poor council estate as part of Pagford (he grew up there), Fairbrother is opposed by a smug, controlling businessman (Vernon Dursley, writ small) who wants to rid the village of the undesirables. Fairbrother's demise causes a crisis at the council and in the personal lives of many, including a teenager to whom he gave a helping hand. As everyone knows, Rowling is very good at creating worlds, and here she effectively shows the stifling (for some) and satisfying (for others) constraints of village life. Somewhat less successful are her characters, who wouldn't seem out of place in a British soap opera: not surprisingly, it's her several teen characters, the tortured and the torturers, who jump most from the page. As for her prose, well, that was never Rowling's strong suit, and it lumbers more than it soars. To give credit where it's due, one of the world's richest women wrote her book and is willing to take the critical lumps when she didn't have to do anything more than stay home and count her money. She must like to write.--Cooper, Ilene Copyright 2010 Booklist
Kirkus Review
Harry Potter's mommy has a potty mouth. The wires have been abuzz for months with the news that Rowling was writing a new book--and this one a departure from her Potter franchise, a book for grown-ups. The wait was worth it, and if Rowling's focus remains on tortured adolescents (as if there were any other kind), they're teenagers trapped without any magic whatsoever in a world full of Muggles. There's some clef in this roman, magic or not: The setting is a northerly English town full of council estates and leafy garden suburbs inhabited by people who, almost without exception, are not very happy and really not very likable. While a special election is in the offing, they do the usual things: They smoke and drink and masturbate, and they say and think things along the lines of "Like fuck he does, the cunt," and when they're lucky, they have sex, or at least cop a feel, best when a young woman named Krystal is involved. Ah, Krystal, a piece of work both nasty and beguiling: "She knew no fear, like the boys who came to school with tattoos they had inked themselves, with split lips and cigarettes, and stories of clashes with the police, of taking drugs and easy sex." Sometimes, as with the figure who opens the piece, Rowling's characters die--and, as with the American Henry James' oh-so-English novel The Spoils of Poynton, when they do, they set things in motion. Other times, they close things up but never neatly. The reader will be surprised at some of Rowling's victims and the ways she chooses to dispose of them, but this is less a book about mayhem than about the grimness of most lives. It is skillfully, often even elegantly written, and though its cast of characters is large and its thrills and spills few, Rowling manages to keep the story tied together and moving along nicely. Even so, it's difficult to find much purchase among some of her characters, particularly the tough, poor ones who live on the edge of town, and it often seems that Rowling doesn't like them much either. In all, when they're not sneaking off to Yarvil for relief, the residents of Pagford are Hobbesian through and through: rich hate poor, and poor hate rich; Indians hate Anglos, and Anglos hate Indians; and everyone hates the meddlesome middle-class do-gooders with suggestive names like Fairbrother who try to make things better. A departure and a revelation, though the story is dark and doesn't offer much in the way of redemption (or, for that matter, much in the way of laughs). Still, this Rowling person may have a career as a writer before her.]] Copyright Kirkus Reviews, used with permission.
Library Journal Review
Overlong and bereft of the rich brocade of invention that made "Harry Potter," well, magical, Rowling's latest novel might seem to have the critical deck stacked against it, but this, her first "book for adults," is made of stronger stuff. It tells the story of a small English town, Pagford, which loses, in the novel's first pages, one of its lynchpins: father, friend, rowing instructor, and council member Barry Fairbrother. Across the wide scope of Rowling's story, Fairbrother is the common thread, as some characters cope with his absence and others use his name to enact personal vendettas. The cast is, unsurprisingly, large, and Rowling excels with her teenage characters-who are vivid and mercurial in her hands-where the adults are often thick and one-note. She doesn't shy away from the material noticeably absent in her YA series-i.e., sex, drugs, and religion-and overall her frankness is refreshing, though there are several moments that clunk, thud, and bewilder (many of which will prompt laughter). Verdict Still, Rowling is a storyteller, and this book is no exception to her powers. Though slow to start, it has the momentum to carry readers through to the end, and they will be glad they stayed with it. A rewarding read; recommended. [See Rowling Goes Adult.-Ed.]-Molly McArdle, Library Journal (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.