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Summary
Summary
A New York Times 2016 Notable Book
An immediate national best seller and instant classic from the Pulitzer Prize-winning author of Empire Falls . Richard Russo returns to North Bath--"a town where dishonesty abounds, everyone misapprehends everyone else and half the citizens are half-crazy" ( The New York Times )--and the characters who made Nobody's Fool a beloved choice of book clubs everywhere. Everybody's Fool is classic Russo, filled with humor, heart, hard times, and people you can't help but love, possibly because their various faults make them so human.
Everybody's Fool picks up roughly a decade since we were last with Miss Beryl and Sully on New Year's Eve 1984. The irresistible Sully, who in the intervening years has come by some unexpected good fortune, is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years . . . the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends . . . Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one). We also enjoy the company of Doug Raymer, the chief of police who's obsessing primarily over the identity of the man his wife might've been about to run off with, before dying in a freak accident . . . Bath's mayor, the former academic Gus Moynihan, whose wife problems are, if anything, even more pressing . . . and then there's Carl Roebuck, whose lifelong run of failing upward might now come to ruin. And finally, there's Charice Bond--a light at the end of the tunnel that is Chief Raymer's office--as well as her brother, Jerome, who might well be the train barreling into the station.
A crowning achievement--"like hopping on the last empty barstool surrounded by old friends" ( Entertainment Weekly )--from one of the greatest storytellers of our time.
Author Notes
Richard Russo was born in Johnstown, New York on July 15, 1949. He received a Bachelor's degree, a Master of Fine Arts degree, and a Doctor of Philosophy degree from the University of Arizona. He taught at numerous colleges including Southern Illinois University Carbondale and Colby College.
He has written numerous books including Mokawk, The Risk Pool, Straight Man, Bridge of Sighs, and That Old Cape Magic, as well as a short story collection, The Whore's Child. His novel Empire Falls won the 2002 Pulitzer Prize for Fiction and Nobody's Fool was made into a movie starring Paul Newman, Bruce Willis and Melanie Griffith. His memoir was entitled Elsewhere. He also co-wrote the 1998 film Twilight with director Robert Benton and the teleplay for the HBO adaptation of Empire Falls.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
When Doug Raymer, chief of police of the forlornly depressed town of North Bath, Maine, falls into an open grave during a funeral service, it is only the first of many farcical and grisly incidents in Russo's shaggy dog story of revenge and redemption. Among the comical set pieces that propel the narrative are a poisonous snakebite, a falling brick wall, and a stigmatalike hand injury. North Bath, as readers of Nobody's Fool will remember, is the home of Sully Sullivan, the hero of the previous book and also a character here. Self-conscious, self-deprecating, and convinced he's everybody's fool, Raymer is obsessed with finding the man his late wife was about to run off with when she fell down the stairs and died. He's convinced that the garage door opener he found in her car will lead him to her lover's home. Meanwhile, he pursues an old feud with Sully; engages in repartee with his clever assistant and her twin brother; and tries to arrest a sociopath whose preferred means of communication are his fists. The remaining circle of ne'er-do-wells, ex-cons, daily drunks, deadbeats, and thieves behave badly enough to keep readers chuckling. The give-and-take of rude but funny dialogue is Russo's trademark, as is his empathy for down-and-outers on the verge of financial calamity. He takes a few false steps, such as giving Raymer a little voice in his head named Dougie, but clever plot twists end the novel on lighthearted note. 250,000-copy announced first printing. (May) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
*Starred Review* An a should be inserted into the title of Russo's (Elsewhere, 2012) triumphant return to North Bath, New York, years after the events in Nobody's Fool (1993), which introduced Donald J. Sully Sullivan and his hapless cohorts. Now everyone is older but not necessarily wiser; hence, everybody is a fool, though in the most endearing and lovable ways. Suffering from a heart condition that may prove fatal, Sully tries to take a backseat as town shenanigans heat up, but, Sully being Sully, he's still the ringleader, still the man with the plan, even if that plan is half-baked and carried out under the cloak of darkness. Former beat-cop Doug Raymer is now the chief of police, uneasily so in the best of times and downright frantically now, faced with the suspicious demolition of an old building; an ex-con terrorizing his ex-wife and her family; a drug dealer trading in exotic reptiles; and, oh yes, the ghost of his wife, who was about to leave him when she died under strange circumstances. Russo's reunion with these beloved characters is genius: silly slapstick and sardonic humor play out in a rambling, rambunctious story that poignantly emphasizes that particular brand of loyalty and acceptance that is synonymous with small-town living. HIGH-DEMAND BACKSTORY: A 250,000 print run will be backed by a major national promotion campaign including live appearances and lots of media and online ads and coverage.--Haggas, Carol Copyright 2016 Booklist
New York Review of Books Review
IN 1993, RICHARD RUSSO brought us Donald Sullivan - Sully - the bad-boy protagonist of "Nobody's Fool," a goodhearted but impulsive and violent American hero cut in the mold of Ken Kesey's Randle Patrick McMurphy or Donn Pearce's Luke Jackson (of "Cool Hand Luke"). These are men who don't care much for rules or constraints, prototypical rebels who survive on their wits and barely contained aggression and let the chips fall where they may. "Nobody's Fool" is set in the mid-1980s, in the upstate New York town of North Bath, shabby sister to the more prosperous Schuyler Springs, where all the good luck - and tourist dollars - resides. Sully, a World War II veteran, is 60, divorced, living in a rented room in the house of his eighth-grade teacher, Miss Beryl Peoples, and hobbled by a damaged knee he refuses to repair or rehabilitate. He earns his living as a laborer, often in the company of his best friend, Rub, a mentally challenged sidekick he both props up and belittles through the course of their various grunt jobs and endless nights at the local watering hole, the White Horse Tavern. The book is droll and affecting, not only in its masterly depiction of the workings of an inbred small-town society, but in its portrait of Sully, the nobody's fool of the title, "a case-study underachiever" who is "divorced from his own wife, carrying on halfheartedly with another man's, estranged from his son, devoid of selfknowledge, badly crippled and virtually unemployable - all of which he stubbornly confused with independence." If "Nobody's Fool" was built around the magnetic character of Sully, with side trips into the points of view of the subsidiary characters, its sequel is both more ambitious and more diffuse. "Everybody's Fool" returns us to the milieu of Bath and the White Horse Tavern some 10 years later. Sully, now 70, has experienced a decided change of fortune - Miss Peoples has left him her house on Main Street, he's profited from selling his late father's property and his luck has changed at the O.T.B. - but he's still hobbled by an arthritic knee and suffering now from a heart ailment he declines to have treated. He is the same man, only older, slower, more cautious and less raucous, still firmly implanted on his bar stool, still offering Rub support and filling in during the morning rush at Hattie's, the local greasy spoon, when his ex-lover needs help managing things there, but he is no longer the central focus of the narrative or even the fool of the title. That honor goes to Douglas Raymer, who has ascended from bungling officer in the first volume to chief of police. Raymer is less heroic and more buffoonish than Sully, a mountainous sad sack obsessed with his dead wife (who slipped on the loose rug at the top of the stairs, took a fall and died instantly) and the identity of the man she was about to leave him for when she had her tragic accident. Among her effects is a garage-door opener that provides the book's MacGuffin and the key to Raymer's quest: Convinced it was given to her by her lover, he reasons that if he can essay its effect on various garage doors around town, he'll be able to solve the puzzle. What to do, should that happen, hasn't yet occurred to him. He doesn't think, he reacts, and in this he's an analog of Sully, driven by and susceptible to forces beyond his control. Just as Sully, when under the spell of what he calls his "stupid streak," acts disastrously, so too does Raymer. In the book's climactic - and often hilarious - chapters, Raymer careers from one folly to the next, which includes digging up a judge's grave, unwittingly destroying the second-floor porch of his would-be lover, Charice, getting struck by lightning and forcing an inflamed coral snake back into its box with his bare hands. Finally, though, Raymer does rise to the occasion, tracking down a hit-and-run driver and putting an end (with an ophidian exclamation point) to the criminal career of one of the book's more unsavory characters. AND THIS IS where "Everybody's Fool" differs most from its predecessor: its acknowledgment of evil. There is a villain in this piece, Roy Purdy, to whose thoughts and machinations we are privy, and he is so beyond redemption as to be almost a caricature. He appeared briefly in the first volume, in a chilling scene in which he used his rifle butt to break the jaw of his ex-wife, Janey, before shooting up the house on Main Street where he thought she'd been sheltering with Sully. Janey is the daughter of Sully's married ex-lover, Ruth, and possibly, though it may be only a matter of Ruth's wishful thinking, Sully's daughter. Roy went to prison as a result of that episode, but he's out now and back in town looking to settle some scores. If there's comedy here, it's as bleak as it comes, but in Russo's universe, rest assured, deserts will be apportioned accordingly. And, finally, at least in Raymer's case, love will prevail. Still, in both these books, the humor is essentially benign, genial, and it works in service of the characters. Sully in particular emerges as one of the most credible and engaging heroes in recent American fiction. At times, however, this sequel feels unfocused, the plot drifts and the tenor of that humor verges dangerously close to that of the sitcom, especially in the scenes between Sully and Rub, and those involving Charice's brother, Jerome, and Raymer. In "Straight Man," the novel that followed "Nobody's Fool" in 1997, and which remains one of the great academic satires of all time, right up there with Kingsley Amis's "Lucky Jim" and Francine Prose's "Blue Angel," Russo showed us a comic sensibility with much sharper edges - but that novel was narrated in the first person, while the current book's method is to open up the perspective and dig deeply into the hearts and minds of its large cast of characters, some of whom are less deserving of that attention than others. Nonetheless, taken together, at over 1,000 pages, the two "Fool" books represent an enormous achievement, creating a world as richly detailed as the one we step into each day of our lives. Bath is real, Sully is real, and so is Hattie's and the White Horse Tavern and Miss Peoples's house on Main, and I can only hope we haven't seen the last of them. I'd love to see what Sully's going to be up to at 80. T. CORAGHESSAN BOYLE'S 15 til novel, "The Terranauts," will be published in October. In Russo's universe, deserts will be apportioned accordingly and love will prevail.
Kirkus Review
A sequel to the great Nobody's Fool (1993) checks in on the residents of poor old North Bath, New York, 10 years later. In his breakout third novel, Russo (Elsewhere, 2012, etc.) introduced a beat-up cast of variously broke, overweight, senile, adulterous, dissolute, and philosophical citizens of a ruined resort town, living out their luckless lives between a bar known as the Horse and a diner called Hattie's Lunch. Cock of the walk was Sully, the gruff but softhearted practical joker/construction worker played by Paul Newman in the movie. Now past 70, Sully is back with a nest egg (his trifecta came in twice; his landlady left him her house), serious health problems, and a dog named Rub. Since his best friend is a mentally challenged dwarf also named Rub, this causes confusion. Wisely, Russo moves Sully off center stage and features one of his nemeses from the first book, a pathetic police officer named Douglas Raymer (Philip Seymour Hoffman in the film). Raymer is now the chief of police, and the novel follows him and other characters through an action-packed two-day period that includes a funeral, a building collapse, an escaped cobra, a grave robbery, multiple lightning strikes, assaults, and auto thefts, strung together with the page-turning revelations about the characters' private lives Russo does so well. Now it's the 1990s, so the characters' weaknesses include hoarding, OCD, depression, sex addiction/impotence, and a mild case of multiple personality disorder. Chief Raymer is tormented by his beautiful wife's horrible death, by a sophisticated colleague from the yuppie town next door, and by the malaprop motto he accidentally had printed on his campaign cards: "We're Not Happy Until You're Not Happy." Who is this Douglas Raymer, his English teacher used to write on his papers, and it will take a whole lot of hell breaking loose for him to find the answer. For maximum pleasure, read Nobody's Fool first. Russo hits his trademark trifecta: satisfying, hilarious, and painlessly profound. Copyright Kirkus Reviews, used with permission.
Library Journal Review
A new novel from Pulitzer Prize winner Russo is always cause for celebration, even more so when it returns readers to North Bath, NY, where Sully Sullivan (Nobody's Fool) and his cronies still inhabit the same bar stools. Ten years on, Sully's circumstances have changed considerably. Landlady Miss Beryl died, willing her home to Sully, while he and his estranged son have forged a tentative peace. He's still harassing his old buddy Rub and has drummed up sympathy for the contractor Carl -Roebuck, who's struggling with the aftereffects of prostate cancer. The action turns to police chief Doug Raymer, a painfully insecure man burning with anger and grief at the betrayal and sudden death of his wife, Becka. Does everybody in town believe Raymer is the biggest fool going? Only his worldly wise office assistant, Charice, can talk him down off the ledge. Loneliness and missed connections loom large in Russo's work, but he tempers tear-inducing sentiment with laugh-out-loud moments. VERDICT Known for his keen sense of place, the blue-collar mill towns of the Northeast, Russo avoids caricature with writing that reflects his deep affection for the quotidian and for the best and worst that's found in every human heart. [See Prepub Alert, 2/21/16.]-Sally Bissell, formerly with Lee Cty. Lib. Syst., Fort Myers, FL © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Triangle Hilldale cemetery in North Bath was cleaved right down the middle, its Hill and Dale sections divided by a two-lane macadam road, originally a colonial cart path. Death was not a thing unknown to the town's first hearty residents, but they seemed to have badly misjudged how much of it there'd be, how much ground would be needed to accommodate those lost to harsh winters, violent encounters with savages and all manner of illness. Or was it life, their own fecundity, they'd miscalculated? Ironically, it amounted to the same thing. The plot of land set aside on the outskirts of town became crowded, then overcrowded, then chock-full, until finally the dead broke containment, spilling across the now-paved road onto the barren flats and reaching as far as the new highway spur that led to the interstate. Where they'd head next was anybody's guess. Though blighted by Dutch elm disease in the '70s and more recently by a mold that attacked tree roots, causing them to weaken and constrict and allowing the ground, without warning, to collapse in pits, the original Hill section was still lovely, its mature plantings offering visitors shade and cool breezes. The gentle, rolling terrain and meandering gravel pathways felt natural and comfortable, even giving the impression that those resting beneath its picturesque hummocks--some interred before the Revolutionary War--had come there by choice rather than necessity. They seemed not so much deceased as peacefully drowsing beneath tilting headstones that resembled weathered comfy hats worn at rakish angles. Given the choice of waking into a world even more full of travail than the version they left, who could blame them for punching the snooze button and returning to their slumbers for another quarter century or so? By contrast, the newer Dale was as flat as a Formica tabletop and every bit as aesthetically pleasing. Its paved pathways were laid out on a grid, the more contemporary grave sites baked and raw looking, its lawn, especially the stretch nearest the highway, a quilt of sickly yellows and fecal browns. The adjacent acreage, where the Ultimate Escape Fun Park had once been pictured, was boggy and foul. Lately, during periods of prolonged rain, its pestilential groundwater tunneled under the road, loosening the soil and tugging downhill the caskets of those most recently interred. After a good nor'easter there was no guarantee that the grave site you visited featured the same casket as the week before. To many the whole thing defied logic. With all that seeping water, the Dale should have been richly verdant, whereas everything planted there shriveled and died, as if in sympathy with its permanent, if shifty, inhabitants. There had to be contamination involved, people said. All those putrid acres had been used as an unofficial dump for as long as anybody could remember, which was why they'd been purchased so cheaply by the fun park's planners. Recently, during a prolonged drought, dozens of leaking metal drums decorated with skulls and crossbones had surfaced. Some were old and rusty, leaking God-only-knew-what; other newcomers were labeled "chrome," which cast a pall of suspicion on neighboring Mohawk, a town once rich in tanneries, but these accusations were emphatically and for the most part convincingly denied. Anybody wanting to know what those tanneries did with their dyes and carcinogenic chemicals only had to visit the local landfill, the stream that ran through town or the hospital's oncology ward. Still, didn't the drums of toxic slurry have to come from somewhere? Downstate most likely. On this point the history of New York was unambiguous. Shit--both liquid and solid, literal and metaphorical--ran uphill in defiance of physics, often into the Catskills, at times all the way to the Adirondacks. No jaunty, charming grave markers in Dale. Here the stones were laid purposefully flat so they couldn't be tipped over by teenage hooligans. Bath's legendary eighth-grade English teacher, Beryl Peoples, whose dim view of human nature she occasionally shared in acerbic letters to the North Bath Weekly Journal, had warned what would happen. With all the stones lying flat, she cautioned, and without any trees or hedgerows to provide an obstacle, visitors would treat the cemetery like a supermarket parking lot and drive directly to whatever grave they had in mind. This warning had been dismissed as perverse and outrageous, a slander on the citizenry, but the old woman had been vindicated. Not a week went by without someone calling the police station to report tire tracks across Grandma's headstone, right where her survivors imagined her upturned, beatific face to be. "How'd you like it if somebody drove a pickup over your skull?" the angry caller would want to know. Chief of Police Douglas Raymer, arriving at Hilldale late to witness the interment of Judge Barton Flatt, was always at a loss how to respond to such queries, which seemed to him so fundamentally flawed that you couldn't even tell if they were real questions. Were people inviting him to draw the obvious distinction between driving an automobile over an ancestor's grave--an insensitive, inconsiderate act, sure--and driving it over a living person's head, obviously a homicidal and criminal one? How was it helpful for him to imagine what either felt like? It was as if people expected him to make sense of both the physical world and its miscreants, the latter too numerous to count, too various to explicate, the former too deeply mysterious to fathom. When had either become part of the police chief's job description? Wasn't explaining the world's riddles and humans' behaviors what philosophers and psychiatrists and priests were paid to do? Most of the time Raymer had no idea why he himself did what he did, never mind other people. Whatever his job was, most days--and today was certainly no exception--it sucked. As a patrolman he'd imagined that, as chief, his hours would be filled with genuine police work, or at least real public service, but after two terms he now knew better. Of course in North Bath most crimes didn't demand much detective work. A woman would turn up at the hospital looking like somebody'd beaten the shit out of her, claiming she tripped over her child's toy. When you visited her husband and offered to shake, the hand he reluctantly extended looked more like a monstrous fruit, purple and swollen, the skin splitting and oozing interior juices. But even such dispiritingly mundane investigations were fascinating compared with Raymer's current duties as chief of police. When he wasn't attending the funerals of people he didn't even like or addressing groups of "concerned citizens" who seemed less interested in any solutions he might propose than how much churlish invective he could be forced to swallow, he was a glorified clerk, a mere functionary who spent his time filling out forms, reporting to selectmen, going over budgets. Some days he never got out from behind his desk. He was getting fat. Also, the pay really sucked. Okay, sure, he made more than he had as a patrolman, but not enough more to cover the endless aggravation. He supposed he could live with the fact that the job sucked if he was any good at it, but the truth was that he sucked. He had no idea what he'd have done without Charice--speaking of aggravation--and her incessant badgering. Because she was right, he was increasingly forgetful and unfocused and preoccupied. Since Becka . . . But no, he wasn't going to think about her. He would not. He would concentrate on the here and now. Which was hot as Uganda. By the time Raymer crossed the cemetery parking lot and walked the hundred or so yards to where a couple dozen mourners were clustered around Judge Flatt's open grave, he was drenched in sweat. Such punishing heat was unheard of in May. Here in the foothills of the Adirondacks, Memorial Day weekend, the unofficial beginning of summer, was almost always profoundly disappointing to the region's winter-ravaged populace, who seemed to believe they could will summer into being. They would have their backyard barbecues even when temperatures dipped into the high forties and they had to dig out their parkas. They would play softball, even after a week's worth of frigid rains made a soupy mess of the diamond. If a pale, weak sun came out they would go out to the reservoir to water-ski. But this year the town's fervent prayers had been answered, as they so often were, at least in Raymer's experience, with ironic vengeance. Midnineties for the past three days, no end in sight. Raymer would've been more than content to suffer on the periphery of today's proceedings, but he mistakenly made eye contact with the mayor, who, before he could look away, motioned for him to join the other dignitaries, which he reluctantly did. Yesterday, he'd tried his best to weasel out of this funeral, even going so far as to volunteer Charice, who was growing increasingly desperate to get away from the station house, to attend in his place. He'd explained to Gus that he not only had no particular affection for Barton Flatt but also counted him among the many banes of his existence. But the mayor was having none of it. The judge had been an important man, and Gus expected Raymer not just to attend but to be decked out in his dress blues, heat or no heat. So here he was under the punishing, unseasonable sun, honoring a man who'd disdained him for the better part of two decades. Not that Raymer was alone in this. Disdain was His Honor's default mode, and he made no secret that he considered all human beings venal (a term Raymer had to look up) and feckless (another). If he disliked criminals, he was even less fond of lawyers and policemen, who in his opinion were supposed to know better. The very first time Raymer had been summoned to the judge's chambers, after accidentally discharging his weapon, the judge had fixed him with his trademark baleful stare for what had felt like an eternity before turning his attention to Ollie North, the chief back then. "You know my thoughts on arming morons," he told Ollie. "You arm one, you have to arm them all. Otherwise it's not even good sport." Over the years Raymer had had numerous opportunities to improve the man's low estimation of him but had managed only to worsen it. But of course there was another reason Raymer had tried to weasel out of this. He hadn't been back to Hilldale since Becka's funeral, and he wasn't at all sure how he'd react to her proximity. He was pretty sure she was out of his system, but what if the shock and pain of her loss came flooding back and he broke down and started sobbing over the memory of a woman who'd made a complete fool of him? What if legitimate mourners witnessed his blubbering? Wouldn't his unmanly sorrow make a mockery of their more heartfelt grief? "You're late," Gus said out of the corner of his mouth, when Raymer joined him. Excerpted from Everybody's Fool by Richard Russo Copyright © 2016 by Richard Russo. Excerpted by permission of Knopf. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpted from Everybody's Fool by Richard Russo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
