Cover image for Scythe
Title:
Scythe
ISBN:
9781442472426
Edition:
First edition.
Physical Description:
433 pages ; 22 cm
Reading Level:
830 L Lexile
Summary:
A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life?and they are commanded to do so, in order to keep the size of the population under control. --
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Summary

Summary

Two teens must learn the "art of killing" in the first in a chilling new series from Neal Shusterman, author of the New York Times bestselling Unwind dystology.

A world with no hunger, no disease, no war, no misery: humanity has conquered all those things, and has even conquered death. Now Scythes are the only ones who can end life--and they are commanded to do so, in order to keep the size of the population under control.

Citra and Rowan are chosen to apprentice to a scythe--a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

Scythe is the first novel of a thrilling new series by National Book Award--winning author Neal Shusterman in which Citra and Rowan learn that a perfect world comes only with a heavy price.


Author Notes

Neal Shusterman was born in Brooklyn, New York on November 12, 1962. He received degrees in psychology and drama from the University of California, Irvine. Within a year of graduating, he had his first book deal and a screenwriting job. He has written numerous books including The Dark Side of Nowhere, Red Rider's Hood, The Shadow Club, The Shadow Club Rising, The Eyes of Kid Midas, Shattered Sky, Unwind, and Antsy Does Time. He won the National Book Award for Young People's Literature in 2015 for Challenger Deep. He also writes several series including the Skinjacker Trilogy, the Star Shards Chronicles, and the Unwind Dystology. As a screen and television writer, he has written for the Goosebumps and Animorphs television series, and wrote the Disney Channel Original Movie Pixel Perfect.

(Bowker Author Biography)


Reviews 6

Horn Book Review

With new technology, mortality has become a thing of the past, with one exception: scythes are responsible for gleaningthat is to say, killingtheir fellow citizens to restrict population growth to a sustainable rate. Teens Citra Terranova and Rowan Damisch are both horrified and intrigued when Honorable Scythe Faraday selects them to be his apprentices, to train with him for one year and compete to see which one will become a scythe. Neither wants the role, but: Therein lies the paradox of the profession, Faraday said. Those who wish to have the job should not have itand those who would most refuse to kill are the only ones who should. But then a dangerously radical scythe, who does enjoy killing, insists that the winner must glean the losing apprentice, setting off a cascade of events that leads to a much more personal, and deadly, contest. Using diary entries and character musings, Shusterman explores aspects of death, including the ways mortality lends meaning to life; his canvas is large enough that he can entertain both gruesome and humorous aspects, while the central questioncould you kill if required to do so?will keep readers transfixed. As events wind up, Shustermans moral questions become more and more pointed while the stakes become higher and higher, leading to a philosophical exploration of life and death packaged as a Jason Bournelike high-action adventure. anita l. burkam (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


School Library Journal Review

Gr 8 Up-In a world where humanity has conquered death and a fraternity called Scythes are the only ones allowed to kill people in order to curb overpopulation, Citra Terranova and Rowan Damisch must cope with their newfound and terrible responsibilities as apprentices in killing. A brilliant and gripping sci-fi thriller that acutely explores the consequences of worldwide immortality and asks readers to think critically about the nature of morality. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publisher's Weekly Review

In the future Earth of this grim novel from National Book Award-winner Shusterman (Challenger Deep), the digital cloud has transformed into the self-aware Thunderhead, whose benevolent totalitarian rule has turned the planet into a utopia. There's no poverty or crime, and everyone is guaranteed immortality. Well, almost everyone. Because babies are still being born, population growth must be limited. Thus evolved the Scythes, an organization whose members are charged with "gleaning" citizens at random. Sixteen-year-old Citra and Rowan are chosen by a Scythe named Faraday to train as apprentices. Neither likes the idea, but they're given no choice. Later, Citra becomes an apprentice to Curie, a legendary Scythe, but Rowan is apprenticed to Goddard, who kills for sadistic pleasure. Calling to mind Le Guin's "The Ones Who Walk Away from Omelas," Shusterman's story forces readers to confront difficult ethical questions. Is the gleaning of a few acceptable if it maximizes the happiness of all? Is it possible to live a moral life within such a system? This powerful tale is guaranteed to make readers think deeply. Ages 12-up. Agent: Andrea Brown, Andrea Brown Literary. (Nov.) © Copyright PWxyz, LLC. All rights reserved.


Booklist Review

*Starred Review* In the year 2042, humans conquered death. Now, in the postmortal society of MidMerica, people can live for millennia, either reanimated from fatal accidents or turning the corner when they get old by resetting themselves to a younger age. But Earth remains the only habitable planet and so exist the Scythes, tasked with keeping the population in check: those who a Scythe gleans stay dead. Citra and Rowan are two teenagers in this world, chosen to apprentice the Honorable Scythe Faraday (Scythes abandon their own names and take the names of historical innovators). Neither teen wants to learn the ways of a Scythe, and neither wants to begin gleaning lives, although Faraday tells them that, actually, only the uneager have any business accepting the mantle of a Scythe. The plot, which follows Citra's and Rowan's year-long apprenticeships, is certainly interesting enough: the two are both allies and competitors, as only one will be given the dubious prize of Scythedom, and there's an inevitable hint of forbidden love. More fascinating, though, are the questions that Shusterman raises in his exploration of this seemingly perfect future. Murdering teens are nothing new, but this is not the brave new world of The Hunger Games (2008). This society isn't a totalitarian regime masquerading as a paradise, nor is it a postapocalyptic wasteland. It's an actual utopia, a place where a sentient Cloud, known as the Thunderhead, has wiped out poverty, racial inequality, and mental and physical disease a place where lives are long and death, even with the Scythes, is virtually nonexistent. (The statistics: Everyone knows the chance of being gleaned in this or even the next millennium is so low as to be ignored.) The world is at peace and tragedy has been minimized and, honestly, it's kind of boring. There have been, of course, other future-facing books that deal with the eradication of death, like Kazuo Ishiguro's Never Let Me Go (2005), and others that explore the bounds of immortality, as in Natalie Babbitt's Tuck Everlasting (1975), and this pairs wonderfully with both. But few endeavors ask the questions Shusterman faces head-on: in a world without death, what becomes of life? On a field trip of sorts, Faraday takes Rowan and Citra to a museum, and Rowan notes that postmortal art lacks the urgency and turbulence of art created before the eradication of death. Similarly, Scythes are required to keep journals, and frequent musings from Scythe Curie (The Granddameof Death) appear throughout the narrative. We are not the same beings we once were, she says. Consider our inability to grasp literature and most entertainment from the mortal age. To us, the things that stirred mortal human emotions are incomprehensible. Only stories of love pass through our postmortal filter, yet even then, we are baffled by the intensity of longing and loss that threatens those mortal tales. And then the more troubling question: If we are no longer human, what are we? Static and stale, for one. Many of Shusterman's secondary characters here come across flat and bland because their world has made them that way. There's no struggle, no desire, no vibrancy. It's not to say there's no tension in this world Citra and Rowan face increasingly higher stakes as they race toward the end of their apprenticeship. A rogue group of Scythes begins killing beyond their quota, corrupting the power they possess to take a life, and a sequel is heralded by the explosive ending. But the world around them spins contentedly on. Shusterman is no stranger to pushing boundaries. Scythe owes an obvious debt to Unwind (2007) and its sequels, and this succeeds as a sort of shadow companion to Patrick Ness' Chaos Walking trilogy: instead of exploring the ways in which men are monsters, this deals in what happens to men when there are no monsters. When our reach does not exceed our grasp, when comfort is more easily obtained than struggle, when our essential humanity doesn't burn out but becomes slowly irrelevant, what becomes of us? Readers will find many things in these pages. Answers to such unsettling questions will not be among them.--Reagan, Maggie Copyright 2016 Booklist


New York Review of Books Review

McLemore's second novel is such a lush, surprising fable, you half expect birds to fly out of its pages. But magic realism is more than special effects. "When the Moon Was Ours" is about identity - the love story of Miel, a girl whose wrist sprouts roses, and Sam, a transgender boy who paints moons and sets the canvases in trees. McLemore uses the supernatural to remind us that the body's need to speak its truth is primal and profound, and that the connection between two people is no more anyone's business than why the dish ran away with the spoon. Sam lives as a boy, inspired by his Pakistani grandmother's stories about the bacha posh custom, in which girls are raised as males to protect sisters - and he fears he will be expected revert to his "correct" gender one day. Miel's fantastical history sparks its own trauma. Still, she cares for him in a label-obliterating way: "It was his body. It was his to name. And he was under this roof of gold and darkness with a girl who would learn to call him whatever he named himself." In an author's note, McLemore talks about her transgender husband, and you realize the novel is a love letter. There's a reason Miel is so moved by Sam's lunar paintings in trees: He's hanging the moon. STILL LIFE WITH TORNADO By A. S. King 295 pp. Dutton, $17.99. (Young adult; ages 14 and up) A 16-year-old girl named Sara hands her art teacher a blank piece of paper and says, "I've lost the will to participate." It's a funny, deadpan moment - but she means it. Sara spends much of King's ninth novel skipping school and wandering around Philadelphia in an existential funk. She rides buses, tails a homeless artist she believes is living an "original" life and considers changing her name to Umbrella. In a beautifully matter-of-fact use of the supernatural that brings Haruki Murakami to mind, Sara also meets herself at the ages of 10, 23 and 40, and circles closer to some stark truths about her family. "Still Life With Tornado" is a moving, unapologetically strange, skillfully constructed novel about how sometimes the most broken home on the block is the one where the parents are still pretending their marriage works. (Spike Jonze should buy the movie rights immediately.) King's insights about parenting, denial and abuse are so raw and true, grown-ups may want to avert their eyes. But she is a witty, humane writer. Sara at 40 is the most well adjusted, so a happy ending always floats just ahead of our heroine, like a firefly. Read this book, whatever your age. You may find it's the exact shape and size of the hole in your heart. SCYTHE By Neal Shusterman 433 pp. Simon & Schuster, $17.99. (Young adult; ages 14 and up) Shusterman, who has written 36 books and won a National Book Award, writes prose with the sort of spring in its step that says: "Stand back. I know what I'm doing." "Scythe" is about a utopia just beginning to unravel. It's the deep future. A cloud computer known as the Thunderhead controls virtually all of mankind's affairs. Scientists have triumphed over disease and even death, and an elite league of reapers has been commissioned to kill to slow population growth. (What could go wrong?) Two teenagers, Citra and Rowan, are drafted as apprentices. Citra learns at the knee of a humane woman named Scythe Curie; Rowan tries not to sell his soul to a renegade psychopath who engineers mass reapings. Only one apprentice can become a scythe, so they're forced to compete horrifically, even as they contend with the capital-F feelings that teenagers in peril always have for one another. Shusterman shuffles his most intriguing character offstage too early, and the novel's dark humor sometimes makes it hard to lose yourself in the romance and peril. Still, "Scythe" is full of sly plot twists and absorbing set pieces. The novel is the first in a planned series, but one emerging theme has a nice sting to it: Maybe we should give computers the keys to what's left of the kingdom, because human beings can't be trusted. A SHADOW BRIGHT AND BURNING By Jessica Cluess 407 pp. Random House, $17.99. (Young adult; ages 14 and up) As secret talents go, Henrietta Howell's is a showstopper: When she gets furious, she bursts into flames. During the course of Cluess's gripping, graceful debut novel, Henrietta will have much to get fiery about. There's the classist, sexist paternalism of early-Victorian-era London; the gall of certain handsome young sorcerer types; and the fact that even though she can't control her powers and has chosen to name her wand Porridge, everyone seems convinced that she alone can defeat the horrifying beings known as the Ancients. Cluess can create an unnerving monster, like R'hlem the Skinless Man, and write a crackling battle scene. But she also swims deep in the thoughts of her heroine, who's simultaneously defiant and unsure of herself. Is it clear that Cluess adores the Harry Potter series and "Jane Eyre"? Yes. So do you. So does everyone. What matters is that her voice is her own. Her missteps are small and few - a slightly chaotic sequence, a sudden left turn concerning one of Henrietta's suitors. "A Shadow Bright and Burning" delivers on the promise of its title. This is a novel that gives off light and heat. LABYRINTH LOST By Zoraida Córdova 324 pp. Sourcebooks Fire. $17.99. (Young adult; ages 14 and up) Alex Mortiz dreads her coming-of-age party because all her relatives are going to be there, including the dead ones. "Labyrinth Lost," which inaugurates Córdova's new fantasy series, is a richly Latin American, giddily exciting novel about a Brooklyn girl navigating two terrifying dominions: a Dante-esque land of shape-shifters called Los Lagos, and adolescence. Alex promises to be a transcendent witch, or bruja, but she believes her magic is tainted and responsible for her father's disappearance. At her party, she renounces her powers with a disastrous spell, whereupon her family vanishes, and she must travel, via portal, to Los Lagos on a rescue mission. Córdova mixes nicely observed details ("Crazy Uncle Julio brought a lonely pink balloon, and it's already started to sag in the corner") with action-movie choreography. And she gives Alex two entirely different love interests: a cocky male mercenary, Nova, and a daring, devoted female friend, Rishi. It's a welcome bit of geometry at a time when bisexual readers are hungering for representation. "Labyrinth Lost" introduces a daunting amount of mythology, and readers may get overwhelmed. There's a line that nails the feeling exactly: "I'm dizzy, but I don't want to leave." THE DIABOLIC By S. J. Kincaid 407 pp. Simon & Schuster, $17.99. (Young adult; ages 14 and up) You start loving Kincaid's second science fiction novel on Page 2 when you learn that its protagonist is named Nemesis, and you love it even more when Nemesis gets a genetically modified dog called Deadly. Nemesis is not "relatable" in the Hollywood sense, which is to say she is not kooky and conflicted. She's a ruthless, predatory lab creation engineered to protect a senator's daughter, Sidonia. The senator outrages the emperor by refusing to kowtow to his backward religion. The emperor strikes back by summoning Sidonia to the royal space station, where he intends to hold her hostage, or worse. The senator's wife decides that Nemesis will impersonate Sidonia instead: "The emperor wishes me to send my innocent little lamb to the slaughter. No. I'll send him my anaconda." Watching Nemesis cut a violent swath through the vile, duplicitous aristocracy is a joy; watching her gradually become "real" and "human," less so. (We don't want Nemesis to be touchy-feely any more than we want the Velveteen Rabbit to be a killing machine.) But the tension is nearly always high, the characters memorable, and the bond between Nemesis and Sidonia genuinely moving. "Diabolic," itself a genetic experiment blending "I, Claudius" and "The Terminator," appeals to both our better and more devious angels. JEFF GILES'S debut Y.A. novel, "The Edge of Everything," will be published in January.


Kirkus Review

Two teens train to be society-sanctioned killers in an otherwise immortal world.On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty. The vivid and often violent action unfolds slowly, anchored in complex worldbuilding and propelled by political machinations and existential musings. Scythes journal entries accompany Rowans and Citras dual and dueling narratives, revealing both personal struggles and societal problems. The futuristic post2042 MidMerican world is both dystopia and utopia, free of fear, unexpected death, and blatant racismmultiracial main characters discuss their diverse ethnic percentages rather than puritybut also lacking creativity, emotion, and purpose. Elegant and elegiac, brooding but imbued with gallows humor, Shustermans dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions. A thoughtful and thrilling story of life, death, and meaning. (Science fiction. 14 up) Copyright Kirkus Reviews, used with permission.


Excerpts

Excerpts

Scythe 1 No Dimming of the Sun The scythe arrived late on a cold November afternoon. Citra was at the dining room table, slaving over a particularly difficult algebra problem, shuffling variables, unable to solve for X or Y, when this new and far more pernicious variable entered her life's equation. Guests were frequent at the Terranovas' apartment, so when the doorbell rang, there was no sense of foreboding--no dimming of the sun, no foreshadowing of the arrival of death at their door. Perhaps the universe should have deigned to provide such warnings, but scythes were no more supernatural than tax collectors in the grand scheme of things. They showed up, did their unpleasant business, and were gone. Her mother answered the door. Citra didn't see the visitor, as he was, at first, hidden from her view by the door when it opened. What she saw was how her mother stood there, suddenly immobile, as if her veins had solidified within her. As if, were she tipped over, she would fall to the floor and shatter. "May I enter, Mrs. Terranova?" The visitor's tone of voice gave him away. Resonant and inevitable, like the dull toll of an iron bell, confident in the ability of its peal to reach all those who needed reaching. Citra knew before she even saw him that it was a scythe. My god! A scythe has come to our home! "Yes, yes of course, come in." Citra's mother stepped aside to allow him entry--as if she were the visitor and not the other way around. He stepped over the threshold, his soft slipper-like shoes making no sound on the parquet floor. His multilayered robe was smooth ivory linen, and although it reached so low as to dust the floor, there was not a spot of dirt on it anywhere. A scythe, Citra knew, could choose the color of his or her robe--every color except for black, for it was considered inappropriate for their job. Black was an absence of light, and scythes were the opposite. Luminous and enlightened, they were acknowledged as the very best of humanity--which is why they were chosen for the job. Some scythe robes were bright, some more muted. They looked like the rich, flowing robes of Renaissance angels, both heavy yet lighter than air. The unique style of scythes' robes, regardless of the fabric and color, made them easy to spot in public, which made them easy to avoid--if avoidance was what a person wanted. Just as many were drawn to them. The color of the robe often said a lot about a scythe's personality. This scythe's ivory robe was pleasant, and far enough from true white not to assault the eye with its brightness. But none of this changed the fact of who and what he was. He pulled off his hood to reveal neatly cut gray hair, a mournful face red-cheeked from the chilly day, and dark eyes that seemed themselves almost to be weapons. Citra stood. Not out of respect, but out of fear. Shock. She tried not to hyperventilate. She tried not to let her knees buckle beneath her. They were betraying her by wobbling, so she forced fortitude to her legs, tightening her muscles. Whatever the scythe's purpose here, he would not see her crumble. "You may close the door," he said to Citra's mother, who did so, although Citra could see how difficult it was for her. A scythe in the foyer could still turn around if the door was open. The moment that door was closed, he was truly, truly inside one's home. He looked around, spotting Citra immediately. He offered a smile. "Hello, Citra," he said. The fact that he knew her name froze her just as solidly as his appearance had frozen her mother. "Don't be rude," her mother said, too quickly. "Say hello to our guest." "Good day, Your Honor." "Hi," said her younger brother, Ben, who had just come to his bedroom door, having heard the deep peal of the scythe's voice. Ben was barely able to squeak out the one-word greeting. He looked to Citra and to their mother, thinking the same thing they were all thinking. Who has he come for? Will it be me? Or will I be left to suffer the loss? "I smelled something inviting in the hallway," the scythe said, breathing in the aroma. "Now I see I was right in thinking it came from this apartment." "Just baked ziti, Your Honor. Nothing special." Until this moment, Citra had never known her mother to be so timid. "That's good," said the scythe, "because I require nothing special."  Then he sat on the sofa and waited patiently for dinner. Was it too much to believe that the man was here for a meal and nothing more? After all, scythes had to eat somewhere. Customarily, restaurants never charged them for food, but that didn't mean a home-cooked meal was not more desirable. There were rumors of scythes who required their victims to prepare them a meal before being gleaned. Is that what was happening here? Whatever his intentions, he kept them to himself, and they had no choice but to give him whatever he wanted. Will he spare a life here today if the food is to his taste, Citra wondered? No surprise that people bent over backwards to please scythes in every possible way. Hope in the shadow of fear is the world's most powerful motivator. Citra's mother brought him something to drink at his request, and now labored to make sure tonight's dinner was the finest she had ever served. Cooking was not her specialty. Usually she would return home from work just in time to throw something quick together for them. Tonight their lives might just rest on her questionable culinary skills. And their father? Would he be home in time, or would a gleaning in his family take place in his absence? As terrified as Citra was, she did not want to leave the scythe alone with his own thoughts, so she went into the living room with him. Ben, who was clearly as fascinated as he was fearful, sat with her. The man finally introduced himself as Honorable Scythe Faraday. "I . . . uh . . . did a report on Faraday for school once," Ben said, his voice cracking only once. "You picked a pretty cool scientist to name yourself after." Scythe Faraday smiled. "I like to think I chose an appropriate Patron Historic. Like many scientists, Michael Faraday was underappreciated in his life, yet our world would not be what it is without him." "I think I have you in my scythe card collection," Ben went on. "I have almost all the MidMerican scythes--but you were younger in the picture." The man seemed perhaps sixty, and although his hair had gone gray, his goatee was still salt-and-pepper. It was rare for a person to let themselves reach such an age before resetting back to a more youthful self. Citra wondered how old he truly was. How long had he been charged with ending lives? "Do you look your true age, or are you at the far end of time by choice?" Citra asked. "Citra!" Her mother nearly dropped the casserole she had just taken out of the oven. "What a question to ask!" "I like direct questions," the scythe said. "They show an honesty of spirit, so I will give an honest answer. I admit to having turned the corner four times. My natural age is somewhere near one hundred eighty, although I forget the exact number. Of late I've chosen this venerable appearance because I find that those I glean take more comfort from it." Then he laughed. "They think me wise." "Is that why you're here?" Ben blurted "To glean one of us?" Scythe Faraday offered an unreadable smile. "I'm here for dinner."   •  •  •   Citra's father arrived just as dinner was about to be served. Her mom had apparently informed him of the situation, so he was much more emotionally prepared than the rest of them had been. As soon as he entered, he went straight over to Scythe Faraday to shake his hand, and pretended to be far more jovial and inviting than he truly must have been. The meal was awkward--mostly silence punctuated by the occasional comment by the scythe. "You have a lovely home." "What flavorful lemonade!" "This may be the best baked ziti in all of MidMerica!" Even though everything he said was complimentary, his voice registered like a seismic shock down everyone's spine. "I haven't seen you in the neighborhood," Citra's father finally said. "I don't suppose you would have," he answered. "I am not the public figure that some other scythes choose to be. Some scythes prefer the spotlight, but to truly do the job right, it requires a level of anonymity." "Right?" Citra bristled at the very idea. "There's a right way to glean?" "Well," he answered, "there are certainly wrong ways," and said nothing more about it. He just ate his ziti. As the meal neared its close, he said, "Tell me about yourselves." It wasn't a question or a request. It could only be read as a demand. Citra wasn't sure whether this was part of his little dance of death, or if he was genuinely interested. He knew their names before he entered the apartment, so he probably already knew all the things they could tell him. Then why ask? "I work in historical research," her father said. "I'm a food synthesis engineer," said her mother. The scythe raised his eyebrows. "And yet you cooked this from scratch." She put down her fork. "All from synthesized ingredients." "Yes, but if we can synthesize anything," he offered, "why do we still need food synthesis engineers?" Citra could practically see the blood drain from her mother's face. It was her father who rose to defend his wife's existence. "There's always room for improvement." "Yeah--and Dad's work is important, too!" Ben said. "What, historical research?" The scythe waved his fork dismissing the notion. "The past never changes--and from what I can see, neither does the future." While her parents and brother were perplexed and troubled by his comments, Citra understood the point he was making. The growth of civilization was complete. Everyone knew it. When it came to the human race, there was no more left to learn. Nothing about our own existence to decipher. Which meant that no one person was more important than any other. In fact, in the grand scheme of things, everyone was equally useless. That's what he was saying, and it infuriated Citra, because on a certain level, she knew he was right. Citra was well known for her temper. It often arrived before reason, and left only after the damage was done. Tonight would be no exception. "Why are you doing this? If you're here to glean one of us, just get it over with and stop torturing us!" Her mother gasped, and her father pushed back his chair as if ready to get up and physically remove her from the room. "Citra, what are you doing!" Now her mother's voice was quivering. "Show respect!" "No! He's here, he's going to do it, so let him do it. It's not like he hasn't decided; I've heard that scythes always make up their mind before they enter a home, isn't that right?" The scythe was unperturbed by her outburst. "Some do, some don't," he said gently. "We each have our own way of doing things." By now Ben was crying. Dad put his arm around him, but the boy was inconsolable. "Yes, scythes must glean," Faraday said, "but we also must eat, and sleep, and have simple conversation." Citra grabbed his empty plate away from him. "Well, the meal's done, so you can leave." Then her father approached him. He fell to his knees. Her father was actually on his knees to this man! "Please,  Your Honor, forgive her. I take full responsibility for her behavior." The scythe stood. "An apology isn't necessary. It's refreshing to be challenged. You have no idea how tedious it gets; the pandering, the obsequious flattery, the endless parade of sycophants. A slap in the face is bracing. It reminds me that I'm human." Then he went to the kitchen and grabbed the largest, sharpest knife he could find. He swished it back and forth, getting a feel for how it cut through the air. Ben's wails grew, and his father's grip tightened on him. The scythe approached their mother. Citra was ready to hurl herself in front of her to block the blade, but instead of swinging the knife, the man held out his other hand. "Kiss my ring." No one was expecting this, least of all Citra. Citra's mother stared at him, shaking her head, not willing to believe. "You're . . . you're granting me immunity?" "For your kindness and the meal you served, I grant you one year immunity from gleaning. No scythe may touch you." But she hesitated. "Grant it to my children instead." Still the scythe held out his ring to her. It was a diamond the size of his knuckle with a dark core. It was the same ring all scythes wore. "I am offering it to you, not them." "But--" "Jenny, just do it!" insisted their father. And so she did. She knelt, kissed his ring, her DNA was read and was transmitted to the Scythedom's immunity database. In an instant the world knew that Jenny Terranova was safe from gleaning for the next twelve months. The scythe looked to his ring, which now glowed faintly red, indicating that the person before him had immunity from gleaning. He grinned, satisfied. And finally he told them the truth. "I'm here to glean your neighbor, Bridget Chadwell," Scythe Faraday informed them. "But she was not yet home. And I was hungry." He gently touched Ben on the head, as if delivering some sort of benediction. It seemed to calm him. Then the scythe moved to the door, the knife still in his hand, leaving no question as to the method of their neighbor's gleaning. But before he left, he turned to Citra. "You see through the facades of the world, Citra Terranova. You'd make a good scythe." Citra recoiled. "I'd never want to be one." "That," he said, "is the first requirement." Then he left to kill their neighbor.   •  •  •   They didn't speak of it that night. No one spoke of gleanings--as if speaking about it might bring it upon them. There were no sounds from next door. No screams, no pleading wails--or perhaps the Terranovas' TV was turned up too loud to hear it. That was the first thing Citra's father did once the scythe left--turn on the TV and blast it to drown out the gleaning on the other side of the wall. But it was unnecessary, because however the scythe accomplished his task, it was done quietly. Citra found herself straining to hear something--anything. Both she and Ben discovered in themselves a morbid curiosity that made them both secretly ashamed. An hour later, Honorable Scythe Faraday returned. It was Citra who opened the door. His ivory robe held not a single splatter of blood. Perhaps he had a spare one. Perhaps he had used the neighbor's washing machine after her gleaning. The knife was clean, too, and he handed it to Citra. "We don't want it," Citra told him, feeling pretty sure she could speak for her parents on the matter. "We'll never use it again." "But you must use it," he insisted, "so that it might remind you." "Remind us of what?" "That a scythe is merely the instrument of death, but it is your hand that swings me. You and your parents, and everyone else in this world are the wielders of scythes." Then he gently put the knife in her hands. "We are all accomplices. You must share the responsibility." That may have been true, but after he was gone Citra still dropped the knife into the trash. Excerpted from Scythe by Neal Shusterman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.