Cover image for La belle sauvage
La belle sauvage

Physical Description:
11 audio discs (13 hr., 8 min.) : CD audio, digital ; 4 3/4 in.
General Note:
Compact discs.
Added Author:
A story set ten years before the events of "The Golden Compass" follows young spy Malcolm Polstead as he investigates the dangerous substance called Dust and a baby named Lyra who is threatened from a number of sides.


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Audiobook SCD FICTION PUL 11 DISCS 1 1
Audiobook SCD FICTION PUL 11 DISCS 1 1
Audiobook SCD FICTION PUL 11 DISCS 1 1
Audiobook SCD FICTION PUL 11 DISCS 1 1
Audiobook SCD FICTION PUL 11 DISCS 1 1

On Order




2018 Odyssey Honor
2018 ALSC Notable Children's Recording
The Washington Post Best Audiobook of 2017
Slate Best Audiobook of 2017
Booklist Editor's Choice Audio for Youth
AudioFile Best YA Audiobooks of 2017

"Too few things in our world are worth a seventeen year wait: The Book of Dus t is one of them." -- The Washington Post

Philip Pullman returns to the parallel world of his groundbreaking novel The Golden Compass to expand on the story of Lyra, "one of fantasy's most indelible characters." ( The New York Times Magazine )

Malcolm Polstead is the kind of boy who notices everything but is not much noticed himself. And so perhaps it was inevitable that he would become a spy....

Malcolm's parents run an inn called the Trout, on the banks of the river Thames, and all of Oxford passes through its doors. Malcolm and his daemon, Asta, routinely overhear news and gossip, and the occasional scandal, but during a winter of unceasing rain, Malcolm catches wind of something new: intrigue.

He finds a secret message inquiring about a dangerous substance called Dust--and the spy it was intended for finds him .

When she asks Malcolm to keep his eyes open, he sees suspicious characters everywhere: the explorer Lord Asriel, clearly on the run; enforcement agents from the Magisterium; a gyptian named Coram with warnings just for Malcolm; and a beautiful woman with an evil monkey for a daemon. All are asking about the same thing: a girl--just a baby--named Lyra.

Lyra is the kind of person who draws people in like magnets. And Malcolm will brave any danger, and make shocking sacrifices, to bring her safely through the storm.

"The book is full of wonder. . . . Truly thrilling." -- The New York Times

"People will love the first volume of Philip Pullman's new trilogy with the same helpless vehemence that stole over them when The Golden Compass came out." -- Slate

Note: This audiobook was recorded from the U.K. edition.

Author Notes

Philip Pullman was born in Norwich on October 19, 1946. He graduated from Oxford University with a degree in English. He taught at various Oxford middle schools and at Westminster College for eight years. He is the author of many acclaimed novels, plays, and picture books for readers of all ages. His first book, Count Karlstein, was published in 1982. His other books include: The Firework-Maker's Daughter; I Was a Rat!; Clockwork or All Wound Up; and The Good Man Jesus and the Scoundrel Christ. He is also the author of the Sally Lockhart series and the His Dark Materials Trilogy. He is the author of The Book of Dust, volume 1. He has received numerous awards including the Carnegie Medal and the Guardian Fiction Award for Northern Lights (The Golden Compass), the Whitbread Book of the Year Award for The Amber Spyglass, the Eleanor Farjeon Award for children's literature in 2002, and the Astrid Lindgren Award in 2005.

(Bowker Author Biography)

Reviews 4

Publisher's Weekly Review

For more than 15 years, fans of the His Dark Materials trilogy have longed to return to the world Pullman created. Now, finally, begins a new trilogy, the Book of Dust, that again immerses readers in a thrilling alternate landscape of animal daemons, truth-revealing alethiometers, and the mysterious particle known as Dust. Lyra, the beloved heroine of the original books, is just a baby; 11-year-old Malcolm Polstead is the hero this time, and a worthy one. Malcolm helps out at his family's inn in Oxford and at the priory where Lyra-sought by her mother, Mrs. Coulter (younger but no less chilling than in the His Dark Materials books), and her father, Lord Asriel-is being cared for by nuns. Inquisitive and observant, Malcolm gets involved with scholar-spy Dr. Hannah Relf and meets (and adores) baby Lyra. But free thinkers are at war with the oppressive religious regime, and everyone wants control of Lyra, who is "destined to put an end to destiny." Amid the roaring waters of a historic flood, Malcolm and his daemon, Asta, attempt to keep Lyra safe, braving kidnappers, government enforcers, murderers, and classmates who, chillingly, are being trained to turn in those perceived to be disloyal to the regime. Fortunately, he has a fleet canoe, the Belle Sauvage of the title, and help from Alice, a cranky and courageous 16-year-old. The new characters are as lively and memorable as their predecessors; despite a few heavy-handed moments regarding the oppressiveness of religion, this tense, adventure-packed book will satisfy and delight Pullman's fans and leave them eager to see what's yet to come. Ages 14-up. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* And so it begins again. Enthusiasts of Pullman's His Dark Materials series, which began with The Golden Compass (1996), have been hoping for a return to Lyra Belacqua's world, a parallel Oxford where people's souls are entwined with their own daemons, animal familiars, a place where the future can be discerned with alethiometers and dust has consciousness. Pullman has said this book is not a prequel but rather stands at the side of the trilogy. It is set more than a decade before The Golden Compass. Lyra is a baby being cared for by nuns, her disturbing birth story set against the ongoing estrangement of her parents, Mrs. Coulter and Lord Astriel. Eleven-year-old Malcolm, who works at his parents' inn, finds himself taking on the role of Lyra's protector as malevolent forces seek to control her. Pullman demonstrates that his talent for world building hasn't diminished, nor has his ability to draw young characters here, Malcolm, who is layered enough to carry an adventure through multiple dimensions. The book is divided into two, before and after an unprecedented flood that forces Malcolm and surly teenager Alice to take Lyra on a perilous journey to safety. The boat trip, which goes on perhaps too long, nevertheless is a swirling mix of fear, hope, and intrigue and written in language that's both elegant and earthy. The next title in the Book of Dust trilogy is reportedly set in Lyra's future, not past, and all fans can do is wait impatiently.--Cooper, Ilene Copyright 2017 Booklist

School Library Journal Review

Gr 9 Up-This first in a companion series to Pullman's "His Dark Materials" trilogy introduces listeners to a familiar world through the eyes of Malcolm Polstead, an innkeeper's son in Oxford. Malcolm, a curious, kind, and generally ordinary boy, is quickly swept up in what seems on the surface to be local intrigue-that is, until Malcolm accidentally becomes a spy in a clandestine war between the Magisterium, the religious body seeking to control the populace, and a secret government organization known as Oakley Street. With the sometimes knowing and sometimes unknowing help of many local residents, a local scholar who happens to specialize in reading the alethiometer (a mysterious truth-telling device), and a priory of nuns close to his parents' inn, Malcolm risks everything to protect Lyra Belacqua, the baby everyone is suddenly intensely interested in. Michael Sheen does a spectacular job narrating this audiobook, pulling listeners in easily and enveloping them in the detailed world that Pullman creates. VERDICT Yes, yes, and yes to anyone and everyone. Highly recommended to those even remotely interested in fantastical stories, the nature of good and evil, or the interplay between science and spirituality.-Jeremy Bright, Georgia State Univ. Lib., Atlanta © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Review

Pullman's return to the realms of His Dark Materials moves the timeline back to Lyra's infancy with a tale of young people struggling against outsized forces of both nature and evil.It's a story in two parts, as the author devotes nearly the entire first half to a slow buildup of tension around a certain baby recently consigned to the indulgent sisters of a nearby priory, to setting the cast in place, and to the founding of a network of student informants dubbed the "League of St. Alexander" (after an early convert who consigned his pagan parents to the flamesit's clear the author continues to wield his anything-but-subtle knife on organized Christianity). Then, impelled by a devastating flood and the attentions of a sinister stranger with a horribly wounded, abused hyena for a daemon, 11-year-old Malcolm Pollstead undertakes a desperate rescue. He bundles the laughing infant into his canoe (named La Belle Sauvage) along with teenage acquaintance Alice Parslow. The terrifying hazards they encounter are natural, unnatural, and even supernatural. The rescue becomes a long flightpart idyll, part nightmarethat ultimately leaves the burbling babe and her daemon, Pantalaimon, ensconced in Jordan College. First, though, come encounters with Lyra's larger-than-life parents and numerous other characters met in other books in the series, no fewer than three of the world's six alethiometers, the odd fairy or river god, and a sick, twisted villain whose relentless pursuit leads to a rape in the tale's most hideously violent episode. Save for a few "gyptians," the human cast is white. Illustrations not seen.Magisterial storytelling will sweep readers along; the cast is as vividly drawn as ever; and big themes running beneath the surface invite profound responses and reflection. (Fantasy. 13-adult) Copyright Kirkus Reviews, used with permission.



Eleven-year-old Malcolm lives with his parents at the Trout Inn near Oxford, across the river Thames from Godstow Priory, where the nuns are looking after a special guest. One night his father comes to Malcolm's bedroom. "Malcolm, you en't in bed yet--good. Come downstairs for a minute. There's a gentleman wants a word with you." "Who is it?" said Malcolm eagerly, jumping up and following his father out. "Keep your voice down. He'll tell you who he is if he wants to." "Where is he?" "In the Terrace Room. Take him a glass of Tokay." "What's that?" "Hungarian wine. Come on, hurry up. Mind your manners and tell the truth." "I always do," said Malcolm automatically. "News to me," said his father. But he ruffled Malcolm's hair before they entered the bar. The gentleman waiting gave him a start, though all he was doing was sitting still by the cold fireplace. Perhaps it was his dæmon, a beautiful silvery spotted leopard, or perhaps it was his dark, saturnine expression; in any event, Malcolm felt daunted, and very young and small. His dæmon, Asta, became a moth. "Good evening, sir," he said. "Your Tokay what you ordered. Would you like me to make up the fire? It's ever so cold in here." "Is your name Malcolm?" The man's voice was harsh and deep. "Yes, sir. Malcolm Polstead." "I'm a friend of Dr. Relf," said the man. "My name is Asriel." "Oh. Er--she hasn't told me about you," Malcolm said. "Why did you say that?" "Because if she had, I'd know it was true." Asriel gave a short laugh. "I understand," he said. "You want another reference? I'm the father of that baby in the priory." "Oh! You're Lord Asriel!" "That's right. But how are you going to test the truth of that claim?" "What's the baby's name?" "Lyra." "And what's her dæmon called?" "Pantalaimon." "All right," said Malcolm. "All right now? You sure?" "No, I en't sure. But I'm more sure than I was." "Good. Can you tell me what happened earlier this evening?" Malcolm went through it as fully as he could remember. "These men came from the Office of Child Protection, and they wanted to take her away. Take Lyra. But Sister Benedicta wouldn't let 'em." "What did they look like?" Malcolm described their uniforms. "The one who took his cap off, he seemed like he was in charge. He was more polite than the others, more sort of smooth and smiling. But it was a real smile, not a fake one. I think I'd even've liked him if he'd come in here as a customer--that sort of thing. The other two were just dull and threatening. Most people would've been dead scared, but Sister Benedicta wasn't. She faced 'em off all by herself." The man sipped his Tokay. His dæmon lay with her head up and her front paws stretched out ahead of her, like the picture of the Sphinx in Malcolm's encyclopedia. The black-and-silver patterns on her back seemed to flicker and shimmer for a moment, and then Lord Asriel spoke suddenly. "Do you know why I haven't been to see my daughter?" "I thought you were busy. You probably had important things to do." "I haven't been to see her because if I do, she'll be taken away from there and put in a much less congenial place. There'll be no Sister Benedicta to stand up for her there. But now they're trying to take her anyway. . . ." "Excuse me, sir, but I told Dr. Relf about all this. Didn't she tell you?" "Still not quite sure about me?" "Well . . . no," said Malcolm. "Don't blame you. You going to go on visiting Dr. Relf?" "Yes. Because she lends me books as well as listening to what's happened." "Does she? Good for her. But tell me, the baby--is she being well looked after?" "Oh, yes. Sister Fenella, she loves her a lot. We all-- They all do. She's very happy--Lyra, I mean. She talks to her dæmon all the time, just jabber jabber jabber, and he jabbers back. Sister Fenella says they're teaching each other to talk." "Does she eat properly? Does she laugh? Is she active and curious?" "Oh, yeah. The nuns are really good to her." "But now they're being threatened. . . ." Asriel got up and went to the window to look at the few lights from the priory across the river. "Seems like it, sir. I mean, Your Lordship." "'Sir' will do. You know them well, these nuns?" "I've known 'em all my life, sir." "And they'd listen to you?" "I suppose they would, yes." "Could you tell them I'm here and I'd like to see my daughter?" "When?" "Right now. I'm being pursued. The High Court has ordered me not to go within fifty miles of her, and if I'm found here, they'll take her away and put her somewhere else where they aren't so careful." Malcolm was torn between saying, "Well, you ought not to risk it, then," and simple admiration and understanding: of course the man would want to see his daughter, and it was wicked to try to prevent him. "Well . . ." Malcolm thought, then said, "I don't think you could see her right now, sir. They go to bed ever so early. I wouldn't be surprised if they were all fast asleep. In the morning they get up ever so early too. Maybe--" "I haven't got that long. Which room have they made into a nursery?" "Round the other side, sir, facing the orchard." "Which floor?" "All their bedrooms are on the ground floor, and hers is too." "And you know which one?" "Yes, I do, but--" "You could show me, then. Come on." There was no refusing this man. Malcolm led him out of the Terrace Room and along the corridor, and out onto the terrace before his father could see them. He closed the door very quietly behind them and found the garden brilliantly lit by the clearest full moon there'd been for months. It felt as if they were being lit by a floodlight. "Did you say there was someone pursuing you?" said Malcolm quietly. "Yes. There's someone watching the bridge. Is there any other way across the river?" "There's my canoe. It's down this way, sir. Let's get off the terrace before anyone sees us." Lord Asriel went beside him across the grass and into the lean-to where the canoe was kept. "Ah, it's a proper canoe," said Lord Asriel, as if he'd been expecting a toy. Malcolm felt a little affronted on behalf of La Belle Sauvage and said nothing as he turned her over and let her slip quietly down the grass and onto the water. "First thing," he said, "is we'll go downstream a short way, so's no one can see us from the bridge. There's a way into the priory garden on that side. You get in first, sir." Asriel did so, much more capably than Malcolm had anticipated and his leopard daemon followed, with no more weight than a shadow. The canoe hardly moved at all, and Asriel sat down lightly and kept still as Malcolm got in after him. "You been in a canoe before," Malcolm whispered. "Yes. This is a good one." "Quiet, now . . ." Malcolm pushed off and began to paddle, staying close to the bank under the trees and making no noise at all. If there was one thing he was good at, this was it. Once they were out of sight of the bridge, he turned the boat to starboard and made for the other shore. "I'm going to come up alongside a willow stump," he said very quietly. "The grass is thick there. We'll tie her up and go back across the field, behind the hedge." Lord Asriel was just as good at getting out as he'd been at getting in. Malcolm couldn't imagine a better passenger. He tied the boat to a stout willow branch growing from the stump, and a few seconds later they were moving along the edge of the meadow, under the shade of the hedge. Malcolm found the gap he knew about and forced his way through the brambles. It must have been harder for the man, being bigger, but he didn't say a word. They were in the priory orchard; the lines of plum trees and apple trees, of pear trees and damson trees, stood bare and neat and fast asleep under the moon. Malcolm led the way around the back of the priory and came to the side where the window of Lyra's nursery would be, if it hadn't been hidden by the new shutters. They did look remarkably solid. He counted once more to make sure it was the right one, and then tapped quietly on the shutter with a stone. Lord Asriel was standing close by. The moon was shining full on this side of the building, so they would both be clearly visible from some way off. Malcolm whispered, "I don't want to wake any of the other nuns, and I don't want to startle Sister Fenella because of her heart. We got to be careful." "I'm in your hands," said Lord Asriel. Malcolm tapped again a little harder. "Sister Fenella," he whispered. No response. He tapped a third time. "Sister Fenella, it's me, Malcolm," he whispered. What he was really worried about was Sister Benedicta, of course. He dreaded to think what would happen if he woke her, so he kept as quiet as he could while still trying to wake Sister Fenella, which was not easy. Asriel stood still, watching and saying nothing. Finally Malcolm heard a stirring inside the room. Lyra gave a little mew, and then it sounded as if Sister Fenella moved a chair or a small table. Her soft old voice murmured something, like a word or two of comfort to the baby. He tried again, just a little louder. "Sister Fenella . . ." A little exclamation of shock. "It's me, Malcolm," he said. A soft noise, like the movement of bare feet on the floor, and then the clock of the window catch. "Sister Fenella--" "Malcolm? What are you doing?" Like him, she was whispering. Her voice was frightened and thick with sleep. She hadn't opened the shutter. "Sister, I'm sorry, I really am," he said quickly. "But Lyra's father's here, and he's being pursued by--by his enemies, and he really needs to see Lyra before--before he goes on somewhere else. To--to say goodbye," he added. "Oh, that's nonsense, Malcolm! You know we can't let him--" "Sister, please! He's really in earnest," Malcolm said, finding that phrase from somewhere. "It's impossible. You must go away now, Malcolm. This is a bad thing to ask. Go away before she wakes up. I daren't think what Sister Benedicta--" Malcolm didn't dare think it either. But then he felt Lord Asriel's hand on his shoulder, and the man said, "Let me speak to Sister Fenella. You go and keep watch, Malcolm." Malcolm moved away to the corner of the building. From there he could see the bridge and most of the garden, and watched as Lord Asriel leaned towards the shutter and spoke quietly. It was a whisper; Malcolm could hear nothing at all. How long Asriel and Sister Fenella spoke he couldn't have guessed, but it was a long time, and he was shivering hard when he saw, to his amazement, the heavy shutter move slowly. Lord Asriel stood back to let it open, and then stepped in again, showing his open, weapon-less hands, turning his head a little to let the moonlight fall clearly on his face. He whispered again. Then there was a minute--two minutes, perhaps--in which nothing happened; and then Sister Fenella's thin arms held out the little bundle, and Asriel took it with infinite delicacy. His leopard dæmon stood up to put her forepaws on his waist, and Asriel held the baby down so she could whisper to Lyra's dæmon. How had he persuaded Sister Fenella? Malcolm could only wonder. He watched the man lift the baby again and walk along the grass between one bare flower bed and the next, holding the bundle high so he could whisper to her, rocking her gently, strolling along slowly in the brilliant moonlight. At one point he seemed to be showing the moon to Lyra, pointing up at it and holding her so she could see, or perhaps he was showing Lyra to the moon; at any rate he looked like a lord in his own domain, with nothing to fear and all the silvery night to enjoy. Up and down he strolled with his child. Malcolm thought of Sister Fenella waiting in fear--in case Lord Asriel didn't bring her back, in case his enemies attacked, in case Sister Benedicta suspected something was up. But there was no sound from the priory, no sound from the road, no sound from the man and his baby daughter in the moonlight. At one point the leopard dæmon seemed to hear something. Her tail lashed once, her ears pricked, her head turned to face the bridge. Malcolm and Asta turned immediately, ears and eyes tightly focused on the bridge, every separate stone of which was clearly outlined in black and silver; but nothing moved, and there was no sound but the call of a hunting owl half a mile away. Presently the leopard dæmon's statue-like stillness melted, and she moved away once more, lithe and silent. Malcolm realized that that was true of the man as well--during their journey over the river and through the meadow, into the orchard and up to the priory wall, he had not heard the slightest sound of footsteps. Asriel might as well have been a ghost, for all the sound he made. He was turning now at the end of the walk and making for Sister Fenella's window again. Malcolm watched the bridge, the garden, what he could see of the road, and saw nothing wrong; and when he turned, Asriel was handing the little bundle up through the window, whispering a word or two, and silently swinging the shutter closed. Then he beckoned, and Malcolm joined him. It was very difficult to make no noise at all, even on grass, and Malcolm watched to see how the man set his feet down: there was something leopardlike about it--something to practice himself, anyway. Back through the orchard, back to the hedge, through the brambles, into the meadow, across to the willow stump-- Then a stronger, yellower light than the moon stabbed the sky. Someone on the bridge had a searchlight, and Malcolm heard the sound of a gas engine. "There they are," said Asriel quietly. "Leave me here, Malcolm." "No! I got a better idea. Take my canoe and go down the river. Just get me back across to the other side first." The idea occurred to Malcolm in the same moment he said it. "You sure?" "You can go downstream a long way. They'll never think of that. Come on!" He stepped in and untied the painter, holding the boat tight to the bank while Asriel got in too; then Malcolm paddled swiftly and as quietly as he could across to the inn garden, though the current wanted to whirl him out into the open water, where they'd be visible from the bridge. Asriel caught hold of the fixed line on the little jetty while Malcolm got out; then he let Malcolm hold the boat while he got in the right way round, took the paddle, and held out his hand to shake. "I'll get her back to you," he said, and then he was gone, speeding with long, powerful strokes down the river on the swollen current, the leopard daemon like a great figurehead at the prow. La Belle Sauvage had never gone so fast, Malcolm thought. Excerpted from La Belle Sauvage by Philip Pullman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.