Cover image for The secret commonwealth
The secret commonwealth
Physical Description:
16 audio discs (approximately 19 hr., 30 min.) : CD audio, digital ; 4 3/4 in.
General Note:
Title from web page.

Compact discs.
Reading Level:
14 and up.
Added Author:
Lyra Silvertongue's adventures in the North are long over--the windows between the many worlds have been sealed, and her beloved Will is lost to her. She does still have the alethiometer: the truth-telling device given to her by the master of Jordan College, which guided her journey. Lyra doesn't know the full story of the alethiometer, though. Or the role that young Malcolm Polstead played in bringing both the instrument and baby Lyra to Jordan. She's now a twenty-year-old undergraduate at St. Sophia's College. To her, Malcolm is Dr. Polstead, an overly solicitous professor she would prefer to avoid. But intrigue is swirling around Lyra once more. Her daemon Pantalaimon is witness to a brutal murder, and the dying man entrusts them with secrets that carry echoes from their past. They learn of a city haunted by daemons, of a desert said to hold the secret of Dust. Powerful forces are about to throw Lyra and Malcolm together once again.


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The #1 New York Times Bestseller

Return to the world of His Dark Materials--now an HBO original series starring Dafne Keen, Ruth Wilson, James McAvoy, and Lin-Manuel Miranda--in the second volume of Philip Pullman's new bestselling masterwork The Book of Dust.

The windows between the many worlds have been sealed and the momentous adventures of Lyra Silvertongue's youth are long behind her--or so she thought. Lyra is now a twenty-year-old undergraduate at St. Sophia's College and intrigue is swirling around her once more. Her daemon Pantalaimon is witness to a brutal murder, and the dying man entrusts them with secrets that carry echoes from their past.

The more Lyra is drawn into these mysteries, the less she is sure of. Even the events of her own past come into question when she learns of Malcolm Polstead's role in bringing her to Jordan College.

Now Lyra and Malcolm will travel far beyond the confines of Oxford, across Europe and into the Levant, searching for a city haunted by daemons, and a desert said to hold the truth of Dust. The dangers they face will challenge everything they thought they knew about the world, and about themselves.

Praise for The Book of Dust

"It's a stunning achievement, this universe Pullman has created and continues to build on." -- The New York Times

"Pullman's writing is simple, unpretentious, beautiful, true. The conclusion to The Book of Dust can't come soon enough."-- The Washington Post

Author Notes

Philip Pullman was born in Norwich on October 19, 1946. He graduated from Oxford University with a degree in English. He taught at various Oxford middle schools and at Westminster College for eight years. He is the author of many acclaimed novels, plays, and picture books for readers of all ages. His first book, Count Karlstein, was published in 1982. His other books include: The Firework-Maker's Daughter; I Was a Rat!; Clockwork or All Wound Up; and The Good Man Jesus and the Scoundrel Christ. He is also the author of the Sally Lockhart series and the His Dark Materials Trilogy. He is the author of The Book of Dust, volume 1. He has received numerous awards including the Carnegie Medal and the Guardian Fiction Award for Northern Lights (The Golden Compass), the Whitbread Book of the Year Award for The Amber Spyglass, the Eleanor Farjeon Award for children's literature in 2002, and the Astrid Lindgren Award in 2005.

(Bowker Author Biography)

Reviews 2

Horn Book Review

Don't start here. While bibliographically this second entry in Pullman's Book of Dust trilogy follows La Belle Sauvage (rev. 10/18), biographically it picks up when Lyra is twenty, with all of the events of the initial His Dark Materials trilogy now ten years in her past. Lyra's life at Oxford is complicated by a new Master of Jordan College, who wants her out, and by changes in her relationship with her daemon, Pantalaimon. "You're a fucking stranger to me, Pan" says Lyra, and while the rift feels manufactured (Lyra is reading an Ayn Rand-like bestseller that Pullman Pan deems "dangerous"), it sets up the structure of the novel as the two go their separate ways, she in pursuit of the supernatural roses grown in a forbidding Central Asian desert; he in pursuit of Lyra's "imagination." Pullman's devotees will enjoy the often-surprising but neatly done connections to the previous volumes, with the did-they-or-didn't-they end of The Amber Spyglass (rev. 11/00) answered here, and the young hero Malcolm (of La Belle Sauvage) taking a new, grownup interest in Lyra and her quest. The novel is rich in incident, but sprawling, requiring us at one point to follow six separate characters chasing the secret roses and/or one another. The "Secret Commonwealth" of the title hints at being something even more essential than Dust, but readers will have to wait for the next volume to (perhaps) find out; indeed, this book provides no resolutions to any of the conflicts and quests it proposes. Like I said, don't start here. Roger Sutton November/December 2019 p.95(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Review

Set ten years after the events of "His Dark Materials," this work finds Lyra nearly all grown up. She's a student at Oxford and acquainted with Malcolm Polstead, who is now a professor at the university, though she doesn't know their unique history until deep into the book. She and her daemon, Pantalaimon, are at odds over her interest in a philosopher who believes daemons are merely a trick of the mind, and he leaves in the middle of the night. Lyra sets out to find him, encountering myriad wonders and terrors, including a black market where daemons are sold and a refugee crisis. Michael Sheen is a powerhouse narrator, easily juggling a multiplicity of characters, both human and daemon, and propelling listeners into Pullman's intricate world. VERDICT The popularity of the series, as well as the recent BBC/HBO adaptation, make this an autobuy whatever its quality, but a strong story combined with Sheen's outstanding narration makes it a joy to listen to.--Stephanie Klose, Library Journal



Little Clarendon Street had been adopted by Oxford's jeunesse dorée as a fashionable destination. Expensive clothes shops, chic coffeehouses, cocktail bars, and colored anbaric lights strung overhead made it seem like a corner of another city altogether--Malcolm couldn't have known what made tears come to Lyra's eyes at that point, though he did notice the tears: it was her memory of the deserted Cittàgazze, all the lights blazing, empty, silent, magi­cal, where she had first met Will. She brushed them away and said nothing.   He led the way to a mock-Italian café with candles in straw-wrapped wine bottles and red-checked tablecloths and travel post­ers in splashy colors. Lyra looked around warily.   "It's safe here," Malcolm said quietly. "There are other places where it's risky to talk, but there's no danger in La Luna Caprese."   He ordered a bottle of Chianti, asking Lyra first if that was what she'd like, and she nodded.   When the wine was tried and poured, she said, "I've got to tell you something. I'll try and keep it clear in my head. And now I know about you and your dæmon, it's something I can tell you, but no one else. Only I've heard so many things in the last couple of days and my mind's in a whirl, so please, if I don't make sense, just stop me and I'll go over it again."   "Of course."   She began with Pan's experience on the Monday night, the at­tack, the murder, the man giving him the wallet to take to Lyra. Malcolm listened in astonishment, though he felt no skepticism: such things happened, as he knew well. But one thing seemed odd.   "The victim and his dæmon knew about separating?" he said.   "Yes," said Pan at Lyra's elbow. "They weren't shocked, like most people would be. In fact, they could separate too. She must have seen me up the tree when he was being attacked, and thought it would be all right to trust me, I suppose."   "So Pan brought the wallet back to me at St. Sophia's . . . ," Lyra went on.   "And that was when Asta saw me," Pan put in.   ". . . but other things got in the way, and we didn't have a chance to look at it till the next morning."   She pulled her bag up to her lap and took out the wallet, passing it to him unobtrusively. He noticed Pan's tooth marks, and no­ticed the smell too, which Pan had called cheap cologne, though it seemed to Malcolm something other than that, something wilder. He opened the wallet and took out the contents one by one as she spoke. The Bodleian card, the university staff card, the diplomatic papers, all so familiar; his own wallet had held very similar papers in its time.   "He was coming back to Oxford, I think," Lyra said, "because if you look at the laissez-passers, you can trace his journey from Sin Kiang to here. He'd probably have gone on to the Botanic Garden, if they hadn't attacked him."   Malcolm caught another faint trace of the scent on the wallet. He raised it to his nose, and something distant rang like a bell, or gleamed like the sun on a snowy mountaintop, just for the fraction of a second, and then it was gone.   "Did he say anything else, the man who was killed?"   He addressed the question to Pan, and Pan thought hard before saying, "No. He couldn't. He was nearly dead. He made me take the wallet out of his pocket and told me to take it to Lyra--I mean, he didn't know her name, but he said to take it to your . . . I think he thought we could be trusted because he knew about separating."   "Have you taken this to the police?"   "Of course. That was almost the first thing we did next morn­ing," Lyra said. "But when we were waiting in the police station, Pan heard one of the policemen speak."   "He was the first killer, the one who wasn't wounded," said Pan. "I recognized his voice. It was very distinctive."   "So we asked about something quite different and then left," Lyra went on. "We just thought we shouldn't give the wallet to the very man who'd killed him."   "Sensible," said Malcolm.   "Oh, and there's another thing. The man who was cut on the leg. He's called Benny Morris."   "How d'you know that?"   "I know someone who works at the mail depot, and I asked him if there was anyone there who'd hurt his leg. He said yes, there was a big ugly man called Benny Morris, who sounds just like the man we saw."   "And what then?"   "In the wallet," Lyra said carefully, "there was a left-luggage key--you know, the sort you get with those lockers at the station."   "What did you do with that?"   "I thought we ought to go and get whatever was in it. So--"   "Don't tell me you did ?"   "Yes. Because he'd sort of entrusted it to us, the wallet, and what was in it. So we thought we ought to go and look after it before the men who killed him realized and went to look for it themselves."   "The killers knew he had some sort of luggage," said Pan, "be­cause they kept asking each other if he'd had a bag, if he'd dropped it, were they sure they hadn't seen it, and so on. As if they'd been told to expect one."   "And what was in the locker?" said Malcolm.   "A rucksack," Lyra said. "Which is under the floorboards in my room in Jordan."   "It's there now?"   She nodded.   He picked up his glass and drained it in one, and then stood up. "Let's go and get it. While it's there, you're in great danger, Lyra, and that's no exaggeration. Come on." Excerpted from The Book of Dust: the Secret Commonwealth (Book of Dust, Volume 2) by Philip Pullman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.