Cover image for The other people : a novel
The other people : a novel
1st ed.
Physical Description:
324 pages ; 25 cm.
Driving home one night, Gabe is stuck behind a rusty old car. He sees a little girl's face appear in its rear window. She mouths one word: Daddy. It's his five-year-old daughter, Izzy. He never sees her again. Three years later, Gabe spends his days and nights traveling up and down the highway, searching for the car that took his daughter, refusing to give up hope, even though most people believe she's dead. When the car that he saw escape with his little girl is found abandoned with a body inside, Gabe must confront not just the day Izzy disappeared but the painful events from his past now dredged to the surface. --


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A gripping thriller about a man's quest for the daughter no one else believes is still alive, from the acclaimed author of The Chalk Man and The Hiding Place .

"C. J. Tudor is terrific. I can't wait to see what she does next."--Harlan Coben, #1 New York Times bestselling author

Q: Why are you called the Other People?
A: We are people just like you. People to whom terrible things have happened. We've found solace not in forgiveness or forgetting. But in helping each other find justice.

Driving home one night, stuck behind a rusty old car, Gabe sees a little girl's face appear in its rear window. She mouths one word: Daddy . It's his five-year-old daughter, Izzy. He never sees her again.

Three years later, Gabe spends his days and nights traveling up and down the highway, searching for the car that took his daughter, refusing to give up hope, even though most people believe she's dead.

When the car that he saw escape with his little girl is found abandoned with a body inside, Gabe must confront not just the day Izzy disappeared but the painful events from his past now dredged to the surface.

Q: What sort of justice?
A: That depends on the individual. But our ethos is a punishment that fits the crime.

Fran and her daughter, Alice, also put in a lot of miles on the road. Not searching. Running. Because Fran knows what really happened to Gabe's daughter. She knows who is responsible. And she knows what they will do if they ever catch up to her and Alice.

Q: Can I request to have someone killed?
A: If your Request is acceptable, and unless there are exceptional circumstances, we fulfill all Requests.

Author Notes

C. J. Tudor is the author of The Chalk Man and The Hiding Place, and lives in England with her partner and daughter. Over the years she has worked as a copywriter, television presenter, voice-over artist and dog walker. She is now thrilled to be able to write full-time, and doesn't miss chasing wet dogs through muddy fields all that much.

Reviews 3

Publisher's Weekly Review

Gabe Forman, the protagonist of this nightmarish novel from Thriller Award--winner Tudor (The Hiding Place), is running late for dinner when he spies his five-year-old daughter, Izzy, in the window of a stranger's car. He gives chase, but loses the vehicle in traffic. When he calls home, police inform him that an intruder shot and killed both Izzy and his wife. Though his father-in-law positively identifies the bodies, Gabe knows what he saw, and he abandons everything to travel England's M1 motorway in search of Izzy. Three years later, Gabe discovers the abductor's abandoned car, which contains clues pointing to a dark web group that helps wronged parties find justice. But why target Gabe's family--and where is Izzy? Tudor intersperses Gabe's hunt with scenes spotlighting a woman named Fern and seven-year-old Alice, who have spent three years on the run. Realistic characters fueled by genuine emotion carry the tale to a pat yet pleasing conclusion, though the central mystery relies too heavily on coincidence, and a supernatural subplot involving Alice's mirror-induced narcolepsy feels half-baked. Hopefully, Tudor's next book will be a return to form. Agent: Madeleine Milburn, Madeleine Milburn Literary (U.K.). (Jan.)

Kirkus Review

A few years ago, Gabe Forman's wife, Jenny, and 5-year-old daughter, Izzy, were killed in their home, but Gabe is convinced that Izzy is still alive.Traversing England's M1 in a camper van (which doubles as his home) in an endless search for clues to his daughter's whereabouts is no way to live, but Gabe, who is a shadow of his former self, sees it as penance. During the attack on his family three years ago, Gabe wasn't home. He was on the M1, where he insists he caught a glimpse of Izzy in an old car. His father-in-law identified their bodies, but Gabe's sighting of Izzy that day, and a few other things, has convinced him that she's still alive. He was a suspect for a short time but was cleared and couldn't convince the police of his sighting. A tip on Izzy from a mysterious man who calls himself the Samaritan leads to a submerged car, a dead body, and an underground network that calls itself The Other People. Its website is only accessible via the dark web, and it offers a very exclusive service for victims of crime who feel robbed of the justice they feel they deserve. But the group's help comes at a terrible price. Meanwhile, a woman named Fran is on the run with a little girl named Alice, who has terrifying visions of a girl and an eerie beachscape. Who is the girl, and what is she trying to tell Alice? Tudor's (The Hiding Place, 2019, etc.) narrative is saturated in menace, and the action, once it starts, barely lets up. Gabe's urgency becomes the reader's as he gets closer to finding out the truth about the horrible day that he lost his family, and Tudor skillfully weaves in poignant observations on the nature of justice and the power of grief. However, while the supernatural storyline is certainly creepy, it could have used a bit more meat on its bonesbut that's a quibble.Dean Koontz fans, in particular, will find much to enjoy in this sinister, unsettling treat. Tudor just keeps getting better and better. Copyright Kirkus Reviews, used with permission.

Library Journal Review

Ever since he witnessed five-year-old daughter Izzy's abduction, Gabe spends every spare moment trolling the motorway where Izzy disappeared, though most people are convinced that she's dead. It's cold comfort when Gabe finally finds a clue leading him to the Other People, who understand what real loss is like and want others to feel it, too. From rising-star Tudor, author of The Chalk Man and The Hiding Place.



1 Monday, April 11, 2016, M1 North He noticed the stickers first, surrounding the car's rear window and lining the bumper: Honk if you're horny. Don't follow me, I'm lost. When you drive like I do, you'd better believe in God. Horn broken--watch for finger. Real men love Jesus. Talk about mixed messages. Although one thing did come through loud and clear: the driver was a dick. Gabe was willing to bet he wore slogan T-shirts and had a picture at work of a monkey with its hands over its head and the caption: You don't have to be mad to work here but it helps. He was surprised the driver could see out of the back at all. On the other hand, at least he was providing reading material for people in traffic jams. Like the one they were currently stuck in. A long line of cars crawling through the M1 roadworks; it felt like they had started sometime in the last century and looked set to continue well into the next millennium. Gabe sighed and tapped his fingers on the wheel, as though this could somehow hurry along the traffic, or summon a time machine. He was almost late. Not quite. Not yet. It was still within the bounds of possibility that he might make it home in time. But he wasn't hopeful. In fact, hope had left him somewhere around Junction 19, along with all the drivers savvy enough to take their chances with their satnav and a country-lane diversion. What was even more frustrating was that he had managed to leave on time today. He should easily have made it home by six thirty, so he could be there for dinner and Izzy's bedtime, which he had promised--promised--Jenny that he would do tonight. "Just once a week. That's all I ask. One night when we eat together, you read your daughter a bedtime story and we pretend we're a normal, happy family." That had hurt. She had meant it to. Of course, he could have pointed out that he was the one who had got Izzy ready for school that morning, as Jenny had had to rush out to see a client. He was the one who had soothed their daughter and applied Savlon to her chin when their temperamental rescue cat (the one Jenny had adopted) had scratched her. But he didn't. Because they both knew it didn't make up for all the missed times, the moments he hadn't been there. Jenny was not an unreasonable woman. But when it came to family, she had a very definite line. If you crossed it, then it was a long time before she let you step back inside. It was one of the reasons he loved her: her fierce devotion to their daughter. Gabe's own mum had been more devoted to cheap vodka, and he had never known his dad. Gabe had sworn that he would be different; that he would always be there for his little girl. And yet, here he was, stuck on the motorway, about to be late. Again. Jenny would not forgive him. Not this time. He didn't want to dwell upon what that meant. He had tried to call her, but it had gone to voicemail. And now his phone had less than 1 percent battery, which meant it would die any minute and, typically, today of all days, he had left his charger at home. All he could do was sit, fighting the urge to press his foot on the accelerator and shove the rest of the traffic out of the way, tapping his fingers aggressively on the steering wheel, staring at bloody Sticker Man in front. A lot of the stickers looked old. Faded and wrinkled. But then, the car itself looked ancient. An old Cortina, or something similar. It was sprayed that color that was so popular in the seventies: a sort of grubby gold. Moldy banana. Pollution sunset. Dying sun. Dirty grey fumes puffed intermittently out of the wonky exhaust. The whole bumper was speckled with rust. He couldn't see a manufacturer's badge. It had probably fallen off, along with half of the number plate. Only the letters "T" and "N" and what could be part of a 6 or an 8 remained. He frowned. He was sure that wasn't legal. The damn thing probably wasn't even roadworthy, or insured, or driven by a qualified driver. Best not to get too close. He was just considering changing lanes when the girl's face appeared in the rear window, perfectly framed by the peeling stickers. She looked to be around five or six. Round-faced, pink-cheeked. Fine blonde hair pulled into two high pigtails. His first thought was that she should be strapped into a car seat. His second thought was: Izzy. She stared at him. Her eyes widened. She opened her mouth, revealing a tooth missing right in the front. He remembered wrapping it in a tissue and tucking it under her pillow for the tooth fairy. She mouthed: "Daddy!" Then a hand reached back, grabbed her arm and yanked her down. Out of sight. Gone. Vanished. He stared at the empty window. Izzy. Impossible. His daughter was at home, with her mum. Probably watching the Disney channel while Jenny cooked dinner. She couldn't be in the back of a strange car, going God knows where, not even strapped into a car seat. The stickers blocked his view of the driver. He could barely see the top of their head above Honk if you're horny. Fuck that. He honked anyway. Then he flashed his lights. The car seemed to speed up a little. Ahead of him, the roadworks were ending, the 50mph signs replaced by the national speed limit. Izzy. He accelerated. It was a new Range Rover. It went like shit off the proverbial shovel. And yet the battered old rust bucket in front was pulling away from him. He pressed the pedal down harder. Watched the speedometer creep up past seventy, seventy-five, eighty-five. He was gaining, and then the car in front suddenly darted into the middle lane and overtook several cars. Gabe followed, swerving in front of an HGV. The horn's blare almost deafened him. His heart felt like it might just burst right out of his chest, like bloody Alien. The car in front was weaving dangerously in and out of the traffic. Gabe was hemmed in by a Ford Focus on one side and a Toyota in front. Shit. He glanced in his mirror, pulled into the slow lane then darted back in front of the Toyota. At the same time a Jeep pulled in from the fast lane, just missing his hood. He slammed on his brakes. The Jeep driver flashed his hazards and gave him the finger. "Screw you, too, you fucking wanker!" The rust bucket was several cars in front now, still weaving, tail lights disappearing into the distance. He couldn't keep up. It was too dangerous. Besides, he tried to tell himself, he must be mistaken. Must be. It couldn't have been Izzy. Impossible. Why on earth would she be in that car? He was tired, stressed. It was dark. It must be some other little girl who looked like Izzy. A lot like Izzy. A little girl who had the same blonde hair in pigtails, the same gap between her front teeth. A little girl who called him "Daddy." A sign flashed up ahead: services ½ mile. He could pull in, make a phone call, put his mind at rest. But he was already late; he should keep going. On the other hand, what was a few more minutes? The slip road was sliding past. Keep going? Pull over? Keep going? Pull over? Izzy. At the last minute, he yanked the wheel to the left, bumping over the white hazard lines and eliciting more horn beeps. He sped up the slip road and into the services. Gabe hardly ever stopped at service stations. He found them depressing, full of miserable people who wanted to be somewhere else. He wasted precious minutes scuttling up and down, past the various food outlets, searching for a payphone, which he eventually found tucked away near the toilets. Just the one. No one used payphones any more. He wasted several more minutes looking for some change before he realized you could use a card. He extracted his debit card from his wallet, stuck it in and called home. Jenny never answered on the first ring. She was always busy, always doing something with Izzy. Sometimes she said she wished she had eight pairs of hands. He should be there more, he thought. He should help. "Hello." A woman's voice. But not Jenny. Unfamiliar. Had he called the wrong number? He didn't call it very often. Again, it was all cellphones. He checked the number on the payphone. Definitely their landline number. "Hello?" the voice said again. "Is that Mr. Forman?" "Yes. This is Mr. Forman. Who the hell are you?" "My name is Detective Inspector Maddock." A detective. In his house. Answering his phone. "Where are you, Mr. Forman?" "The M1. I mean, in the services. On my way back from work." He was babbling. Like a guilty person. But then, he was guilty, wasn't he? Of a lot of things. "You need to come home, Mr. Forman. Right away." "Why? What's going on? What's happened?" A long pause. A swollen, stifling silence. The sort of silence, he thought, that brims with unspoken words. Words that are about to completely fuck up your life. "It's about your wife . . . ​and your daughter." Excerpted from The Other People: A Novel by C. J. Tudor All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.