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Searching... Hardwood Creek Library (Forest Lake) | FICTION KUK | Searching... Unknown |
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Searching... Stillwater Public Library | MYSTERY KUK | Searching... Unknown |
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Summary
Summary
NATIONAL BESTSELLER * WINNER OF THE 2023 EDGAR AWARD FOR BEST NOVEL * NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR
"Defiantly populated with living women . . . beautifully drawn, dense with detail and specificity . . . Notes on an Execution is nuanced, ambitious and compelling." --Katie Kitamura, NEW YORK TIMES BOOK REVIEW (Editors' Choice)
"A searing portrait of the complicated women caught in the orbit of a serial killer. . . . Compassionate and thought-provoking." -BRIT BENNETT, #1 New York Times bestselling author of The Vanishing Half
Recommended by New York Times Book Review * Los Angeles Times * Washington Post * Entertainment Weekly * Esquire * Good Housekeeping * USA Today * Buzzfeed * Goodreads * Real Simple * Marie Claire * Rolling Stone * Business Insider * Bustle * PopSugar * The Millions * The Guardian * and many more!
In the tradition of Long Bright River and The Mars Room, a gripping and atmospheric work of literary suspense that deconstructs the story of a serial killer on death row, told primarily through the eyes of the women in his life--from the bestselling author of Girl in Snow.
Ansel Packer is scheduled to die in twelve hours. He knows what he's done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn't want to die; he wants to be celebrated, understood.
Through a kaleidoscope of women--a mother, a sister, a homicide detective--we learn the story of Ansel's life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel's wife, inseparable since birth, forced to watch helplessly as her sister's relationship threatens to devour them all; and finally, Saffy, the detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake.
Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.
"Poetic and mesmerizing . . . Powerful, important, intensely human, and filled with a unique examination of tragedy, one where the reader is left with a curious emotion: hope." --USA TODAY
"A profound and staggering experience of empathy that challenges us to confront what it means to be human in our darkest moments. . . . I relished every page of this brilliant and gripping masterpiece."--ASHLEY AUDRAIN, New York Times bestselling author of The Push
Reviews (4)
Publisher's Weekly Review
This masterly thriller from Kukafka (Girl in Snow) opens on death row in a Texas prison, where Ansel Packer is scheduled to be executed by lethal injection in 12 hours. However, Packer, who's killed multiple women across the country, including in Texas and New York, isn't worried. That surprising attitude is accounted for by the early revelation that he befriended one of the prison guards and is plotting a last-minute escape. Flashbacks, starting with Packer's birth to a 17-year-old mother in 1973, trace his path from childhood to what seem to be his final hours. He grew up with an abusive father and began killing and mutilating animals when he was three. Those sections alternate with passages from the points of view of his mother, who was also abused, and of a New York State police investigator devoted to getting justice for Packer's victims. Kukafka skillfully uses the second-person present tense to heighten the drama, and toward the end she makes devastatingly clear the toll taken by Packer's killings. Megan Abbott fans will be pleased. Agent: Dana Murphy, Book Group. (Jan.)
Kirkus Review
A murderer on death row awaits his execution. Ansel Packer has 12 hours to live. Emotionally detached from the deaths of Izzy Sanchez, Angela Meyer, and Lila Marony, the three girls he murdered almost 30 years ago, he's chiefly focused on the escape plan he's made with Shawna Billings, a prison guard, and his manifesto, in which he philosophizes about the nature of good and evil in the human psyche. While the clock ticks, Ansel is moved from Polunsky, his prison of the last seven years, to the Walls Unit, the last stop before his execution. Meanwhile, an earlier timeline presents the stories of Lavender, Ansel's lonely and abused mother, who abandoned him; Hazel, the twin sister of Ansel's former wife, Jenny Fisk, whom he may--or may not--have murdered; and Saffron Singh, a New York State police investigator, who has her own disturbing history with Ansel. Ansel is a chilling, creepy monster, tormented by memories of his mother and baby brother and hoping for sympathy that's never quite realized. The women's stories contain too much extraneous information and generally lack the emotional depth they need to compete with Ansel's fascinating creepiness. The backstory-heavy structure results in a slow pace whenever Ansel isn't present. His moment-of-death epiphany feels forced and is ultimately unconvincing. As a result, the promise of the intriguing premise in the early chapters isn't sustained. An epilogue that imagines the unlived lives of the murdered girls subtracts more than it adds. A slow-paced portrait of a condemned serial killer and the women who disappointed him. Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
Serial killer Ansel Packer is on death row. His path to execution is revealed in flashback through the eyes of Lavender, the mother who abandoned him; Saffron Singh, the detective who tracked him; and Hazel, the sister of his wife. Lavender clings to the belief that she rescued her sons by sending child services for Ansel and his baby brother after she fled their sadistic father. In contrast, Singh has been convinced of Packer's malevolence since they were kids and she discovered his collection of mutilated animals outside their foster home. Singh has been investigating the unsolved disappearances of three local women and knows that Packer killed them, just like he did those animals years ago, but she can't crack his respectable image. When Singh finally shatters Packer's facade, the three women are caught in the explosive fallout. Kukafka (author of young-adult thriller Girl in Snow, 2017) crafts a disturbingly remorseless killer in Packer but infuses the events that draw readers to his final moments with raw empathy and lingering questions about human evil and the the destruction left in its wake.
Library Journal Review
In Kukafka's unshakable, deeply compassionate second novel (following Girl in Snow), a Death Row inmate's final hours spark a meditation on murder and our society's morbid fascination with the violent men who commit them. Ansel Packer, inmate number 999631, killed three girls as a teenager, the justifications for which he has included in a grand Theory that will outlive him and assert his importance. But Ansel is not the only character in his story, and Kukafka smartly foregrounds her narrative on three women in his orbit: his mother Lavender, who fled the abuse of her husband by abandoning Ansel and his infant brother; Hazel, the twin sister of Ansel's ex-wife; and Saffron, a young homicide detective who once lived with Ansel in foster care. Their ordeals, which span more than four decades and intertwine in unexpected ways, show how acts of violence echo through the generations. Kukafka wrings tremendous suspense out of a story that isn't a whodunit or even strictly a why-dunit, suspense born out of a desire to see these women transcend the identities consigned to them. VERDICT A contemporary masterpiece that sits alongside The Executioner's Song and Victim: The Other Side of Murder in the library of crime literature.--Michael Pucci, South Orange P.L., NJ
