Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Lake Elmo Library | FICTION RID | Searching... Unknown |
Searching... Park Grove Library (Cottage Grove) | FICTION RID | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | FICTION RID | Searching... Unknown |
Searching... Valley Library (Lakeland) | FICTION RID | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
A New York Times Editors' Choice
"[An] intelligent, funny, and remarkably assured first novel. . . . [Andrew Ridker establishes] himself as a big, promising talent. . . . Hilarious. . . . Astute and highly entertaining. . . . Outstanding."
--The New York Times Book Review
"With humor and warmth, Ridker explores the meaning of family and its inevitable baggage. . . . A relatable, unforgettable view of regular people making mistakes and somehow finding their way back to each other."
--People (Book of the Week)
"[A] strikingly assured debut. . . . A novel that grows more complex and more uproarious by the page, culminating in an unforgettable climax."
--Entertainment Weekly (The Must List)
A Real Simple Best Book of the Year (So Far)
Named a Most Anticipated Book of 2019 by The Millions and PureWow
A vibrant and perceptive novel about a father's plot to win back his children's inheritance
Arthur Alter is in trouble. A middling professor at a Midwestern college, he can't afford his mortgage, he's exasperated his much-younger girlfriend, and his kids won't speak to him. And then there's the money--the small fortune his late wife, Francine, kept secret, which she bequeathed directly to his children.
Those children are Ethan, an anxious recluse living off his mother's money on a choice plot of Brooklyn real estate, and Maggie, a would-be do-gooder trying to fashion herself a noble life of self-imposed poverty. On the verge of losing the family home, Arthur invites his children back to St. Louis under the guise of a reconciliation. But in doing so, he unwittingly unleashes a Pandora's box of age-old resentments and long-buried memories--memories that orbit Francine, the matriarch whose life may hold the key to keeping them together.
Spanning New York, Paris, Boston, St. Louis, and a small desert outpost in Zimbabwe, The Altruists is a darkly funny (and ultimately tender) family saga that confronts the divide between baby boomers and their millennial offspring. It's a novel about money, privilege, politics, campus culture, dating, talk therapy, rural sanitation, infidelity, kink, the American beer industry, and what it means to be a "good person."
Author Notes
Andrew Ridker was born in 1991. His writing has appeared in The New York Times Magazine, The Paris Review Daily, Guernica, Boston Review, The Believer, and St. Louis Magazine ; and he is the editor of Privacy Policy: The Anthology of Surveillance Poetics . He is the recipient of an Iowa Arts Fellowship from the Iowa Writers' Workshop. The Altruists is his first novel.
Reviews (5)
Publisher's Weekly Review
Ridker's smashing debut follows the travails of the middle-class Jewish Alter family in their quest to discover how to be moral. Arthur relocated the family from Boston to St. Louis with the goal (never realized) of becoming a tenured professor at Danforth, and it's his wife, Francine's, success as a therapist that has allowed them to live in a wealthy enclave. Their son Ethan is now a 31-year-old gay man who still thinks about his college boyfriend while living as a shut-in in his New York apartment, piling up debt. Ethan's sister Maggie, a recent college graduate, also lives in New York, and seeks to bring goodness everywhere and repeatedly accepts low-paying jobs. Arthur has always been a remote figure to Ethan and Maggie, which only intensifies as they discover the affair he had while Francine was being treated for breast cancer. Two years after Francine's death, Arthur invites his children home for a visit, supposedly to make amends, but it's really because he's broke-and Francine's money went to them. While Arthur awkwardly tries to relate to Ethan and Maggie, they begin to see him more as a whole person instead of a construct. Ridker tells his tale with humor, insight, and depth, making this a novel that will resonate with readers. (Mar.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
A mediocre professor at a small midwestern college, Arthur is struggling to keep his job, hang on to his girlfriend, and stop creditors from taking his home. In desperation, he decides to go after his children's inheritance. His late wife, Francine, divided her not-meager estate between their two children, whom Arthur hasn't seen in around two years. Ethan has blown through his share, after quitting his job and spending way beyond his means, while Maggie has ignored hers, preferring to work a series of low-paying jobs and live a life of frugality. Arthur invites them home for the weekend, hoping for a chance to bond and, ultimately, to convince them to financially bail him out; what he gets are two angry, resentful adult children still grieving for their mother and dealing with their own issues. Beautifully written, with witty, pitch-perfect dialogue and fascinating characters, Ridker's impressive, deeply satisfying debut is an extraordinarily insightful look at a family broken apart by loss and struggling to find a way back to each other and themselves.--Carol Gladstein Copyright 2010 Booklist
New York Review of Books Review
even if IT'S true that every unhappy family is unhappy in its own way, it seems pretty clear that many have the same dilemmas and woes. One that frequently pops up in life and literature is an inability or unwillingness to let go of the past and its generations-spanning mistakes, disappointments and resentments. The tyranny of the past is a central problem in "The Altruists," Andrew Ridker's intelligent, funny and remarkably assured first novel. The book's family-get-together plot tosses Arthur Alter and his two adult children a chance - possibly their last - to escape their individual ruts of inherited grief, guilt and misguided attempts at altruism, finally connect with one another and move on. Naturally, things don't go as planned. Whatever that means for the characters, it's good news for readers: The clash of reunion expectations and the reality of family ties give Ridker an opportunity to write some of the book's most comedic and moving scenes and, in doing so, to establish himself as a big, promising talent. Two years after his wife's death, Arthur is unraveling. At 65, he's a disrespected adjunct professor of engineering at a private Midwestern university. "His career was in a coffin, ignored by even the thirstiest of academic vampires." He'd like to end his relationship with a much younger junior faculty member, but then "he'd have to confront the loneliness that had frightened him into her arms in the first place." His son and daughter - both living in New York - barely speak to him. Among other unforgivable offenses, Arthur started his affair before their mother's cancer diagnosis and continued it throughout her decline. He wakes up one morning broke and at risk of losing the family house in a privileged residential enclave of St. Louis. He misses his children. Sort of. "What he missed was his old life, and his children had been part of that. ... The children - and the unexpected money in their name." Ah, yes, the money! This is a substantial sum his wife secretly invested and left to their kids in a last-minute revision to her will. She assessed her husband's uncharacteristic kindness in her final days and concluded that he had to be sleeping with someone else. '"Maybe I'm being nice. Can't I be nice?' 'No,' she said. 'No, Arthur, I don't think you can.' " (That comment is a clue to readers about how likely they are to cozy up to Arthur. At least initially.) Hoping to hit them up for a loan, Arthur sends terse notes to "the children" proposing they come back to St. Louis for a long weekend. "Important to see family, remember roots, &C." It's not as if Maggie and Ethan Alter have forgotten their roots. If anything, they're being choked by them. In their late 20 s and early 30 s respectively, they're still wrestling with the loss of their mother, Francine, their guilt about the unearned money they inherited from her and their anger at Dad. Maggie is trying to make a difference in the world, mostly through ineffective selfsacrifice. She's dumped her corporate boyfriend, lives in a partially boarded-up apartment building and rarely eats. Between fainting spells, she does low-paying odd jobs "for the good people of Queens." This includes tutoring preteen brothers, one of whom practices martial arts on her. "Maggie tolerated, even welcomed, Bruno's abuse. ... Because that was the thing about trying to do good: You always wound up knuckled in the gut." Ridker's satire of ill-conceived do-gooderism is scathing and hilarious, making Maggie both ridiculous and sympathetic. While Maggie is starving, Ethan is "girding himself in comfort." He's bought a sunny Brooklyn apartment and outfitted it with expensive kitchen appliances he rarely uses. In a fit of moral disgust, he quit his job at a predatory consulting firm and began spending down his savings and his inheritance. When "The Altruists" opens, he's in debt, single and reclusive. More than one boyfriend has dropped him thanks to his passivity and emotional unavailability. He spends his time reading philosophy as "an antidote to all the screens, a diversion from the Crate and Barrel spirits cabinet with its lacquer exterior and liquor interior." The siblings, unaware of their father's financial crisis and with mercenary plans of their own, agree to his suggested visit. They arrive in St. Louis shortly after a tornado has ripped the roof off a concourse at the airport, which kind of says it all. Andrew Ridker edited an anthology of "surveillance poetics," published in 2014. That is, poetry dealing with the disappearance of privacy thanks to drones, tracking devices and other tools of voyeurism. He writes sentences with the lively, poetic zing of one as attuned to the sounds of words as to their meanings. "Avast, flocculent cloud darkened and devitalized the city, mimicking the family mood like weather does in memories." A character's bald spot is "berated" by rain. His commentary on the cultural eccentricities of pre-Trump middle-class America (the book is set in 2015) is astute and highly entertaining. "His classmates were extremely forthcoming with sensitive information, as though intimacy wasn't something to be earned, but baby-birded from one mouth to another." And his descriptions have enough wit and psychological accuracy to make even minor characters spring to multidimensional life. "The dean's leathery voice was gilded with an aristocratic affect he exhibited tastefully, like a gold watch that spends most of its time tucked under a sleeve." It is perhaps appropriate that in writing about characters so burdened by the weight of the past, Ridker devotes nearly as many pages to backward glances as he does to present action. In scenes told from alternating points of view - including that of the late matriarch, Francine - he explores, among other things, Ethan's college days and awkward coming out, Francine's childhood and adolescence, and Arthur and Francine's courtship. Most significantly (and with great success) he describes an extended trip Arthur made to Africa when he was in his early 30 s and still idealistic. His plan was to use his engineering skills to bring sanitation to rural Zimbabwe. The spectacular failure of his project brings him, literally, to his knees, shapes his future and haunts the entire family for decades to come. Ridker's ambitious blend of global perspective and intimate human comedy seems likely to evoke comparisons to the work of Jonathan Franzen and Nathan Hill. As convincing and engaging as these flashbacks are, they do interrupt the main story line that's set up in the opening chapters, and at times I longed for more unimpeded forward momentum. Maggie and Ethan don't arrive at that damaged airport until the novel's midpoint. On balance, Ridker's almost psychoanalytic peeling back of layers of time and experience gets to the heart of the family's dysfunction while creating characters with true depth. I found myself rooting for the Alters to finally turn a little of their altruism on themselves so that, healed, they could make more effective stabs at doing good elsewhere. The warm ending opens up the possibility of a bright future for them, which is precisely what this outstanding debut suggests for its talented author. Stephen McCauley'S seventh novel, "My ExLife," will be reissued in paperback next month. `Maybe I'm being nice. Can't I be nice?' `No, Arthur, I don't think you can.'
Kirkus Review
A Midwestern family struggles to rewrite its flawed history.The proverbial road paved with good intentions runs through the quintessentially Middle American city of St. Louis in this acute debut novel. After nearly 20 years on the faculty of wealthy private Danforth University, Arthur Alter remains a disgruntled non-tenure track engineering professor. Two years a widower, at age 65 he's entangled in a joyless relationship with a colleague, a German history professor young enough to be his daughter. His children, introverted Ethan and generous Maggie, still mourn the passing of their mother, Francine, a family and couples therapist, while they find themselves adrift in their own lives. Ethan's deep in debt in Brooklyn after having left his consulting job, and Maggie works at an assortment of undemanding odd jobs for her Queens neighbors. With his wife's income gone and his teaching load slashed, Arthur, notorious for his miserliness, now faces the prospect of losing his heavily mortgaged home in an upscale suburb. His financial bailout scheme involves inviting his children home for a long weekend and inveigling them to part with a portion of their inheritance from Francine, a generous bequest she bestowed on them while intentionally bypassing Arthur. The younger Alters' return goes anything but the way Arthur plans or the children expect. But amid the tragicomic misadventures that befall each of the family members during that visit, Ridker reveals how the roots of Arthur's tightfistedness lie in a well-intentioned, three decades-old effort to apply his engineering skills to solving the sanitation problems of rural Zimbabwe. Ridker meticulously peels away the scabs that have grown over the wounds of the surviving Alters, laying bare, with compassion and piercing wit, the long-simmering antagonisms that haunt both father and children. At the same time, he gently hints at a way forward for this decidedly imperfect, but oddly appealing, family.A painfully honest, but tender, examination of how love goes awry in the places it should flourish. Copyright Kirkus Reviews, used with permission.
Library Journal Review
DEBUT The Alter family of St. Louis, MO, is disharmonious and dysfunctional, its individual members seemingly irreconcilable. Family head and engineering instructor Arthur is a well-meaning man whose single foray into do-gooderism ends in fiasco: his project to bring sanitation to underdeveloped Africa succeeds only in spreading deadly sleeping sickness. His recently deceased wife, Francine, has willed her secretly accumulated fortune directly to their two children, a postmortem slap at Arthur for his infidelity. Without that money, Arthur will lose his house, so he naturally concocts a scheme to ingratiate himself with his kids in order to secure their inheritance. What could possibly go wrong? Through a series of sketches and flashbacks, Ridker creates characters who frustrate, engage, and ultimately inspire. Though bitterness and interpersonal incompetence seem the dominant forces driving these protagonists, their fundamental love for one another prevails. Ridker's debut is at once humorous and poignant; without the author's skill and regard for his creations, this story could easily have slumped into the depressed mode of some of William Goldman's character-driven narratives of decades ago. Thankfully, it doesn't. VERDICT For readers drawn to flawed characters and their redemption.-Michael Russo, Louisiana State Univ., Baton Rouge © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
One "You're coming with us." Maggie had known Emma since braces, but the awkward girl who'd played saxophone in their high school jazz band with enough enthusiasm to redeem the instrument-and, for that matter, jazz-was now in her second year of law school. A dozen of her classmates stood clustered in Emma's living room, hands hooked around significant others or planted confidently on their hips. In the kitchenette, handles of vodka with frosted-glass insignia shared counter space with plastic jugs of Simply Orange. Maggie swore she knew the song piping through the apartment, but each time she came close to identifying it, an incoming text would ping through the phone that was hooked to the speakers and throw her concentration. "You always show up at the start of things," Emma continued, "but then you sneak away like no one's going to notice." "No I don't," said Maggie. "Well, good. Because you're coming out with us tonight." Maggie ground her teeth and stared at the orange ring of residue at the bottom of her Solo cup. Across the room, a toothy boy in fashionable glasses was doing an impression of someone Maggie didn't recognize. "There are a lot of interesting people here," Emma added, gesturing to a huddle of her classmates. Maggie scowled. The whole scene felt staged. Everyone was too put together, too self-assured. A jolt of paranoia seized her. Had this party, this Lower East Side gathering of marketing associates and financial analysts and almost-lawyers, been arranged for her benefit? Maggie couldn't shake the feeling that this conspicuous display of upward mobility was intended to send her a message. "What are you trying to say?" Emma put her hands up. "I'm not trying to say anything!" Maggie relaxed her shoulders. She was doing fine, after all. She made rent working for the good people of Queens. Her only boss was her conscience. Most days this meant running errands, or babysitting, or liaising with city government on behalf of her Spanish- and Russian- and Chinese-speaking neighbors. Odd jobs. Over the course of five months she'd cultivated a small network of clients, mostly immigrants who considered her US citizenship to be a marketable skill. It was satisfying work, though it didn't pay particularly well. She was always a little bit hungry. The toothy boy sidled up to them. "We were talking about Ziegler," he said. "Oh my god," said Emma. "Ziegler!" "Who's Ziegler?" Maggie asked. "He's one of our professors," said the boy. "Torts." "What are torts?" "It's when an injured party-" "Oh. Never mind." The boy looked hurt. "Okay," he said. Emma introduced them. "This is Maggie. We went to high school together." "What do you do?" the boy asked, squinting. Recently, a Polish woman on Himrod Street hired Maggie to talk at her newborn son. She was told she could say anything she liked, as long as she said it in English, the idea being that the baby would assimilate the language into its burgeoning subconscious and grow up fluent. But on her first day, once the mother left the room, Maggie blanked. She muttered erm and um and uh the whole session, paralyzed at first by nerves and then by guilt at the prospect of making ten bucks an hour without having earned it. "I can't take your money," she told the woman at the session's end. "But I'll be back next week with a lot to say. I promise." Okay, so the hunger wasn't dire, but to be honest? Denying oneself a full belly kind of felt a little bit saintly. Maggie kept enough money on hand to afford to feel saintly, to afford to turn other money down. She regulated her spending with scrupulous discipline, consuming only what she needed, only what she felt she deserved. The problem was that her body couldn't differentiate between self-inflicted hunger and the other kind. It, a body, knew only "hunger"-the nutritional deficiency, not the ideological assertion-and, accordingly, she'd slimmed. Six pounds over two years. Which wasn't nothing, especially when you weren't much to begin with. It was nice at first, feeling light and wobbly all the time. She walked the streets of Ridgewood with a mild buzz that blurred the boundaries of her consciousness. But then her cramps grew claws and the hunger pangs turned violent. She became concerned after passing out in a five-flavor cloud behind the Hong Kong Super Buffet, her legs buckling in mutiny against her. In the first semester of her freshman year at Danforth University in St. Louis, Maggie took two weeks of Philosophy 101: Foundations of Western Thought before dropping it for something less theoretical, which was long enough for her to learn the phrase mind-body problem but not its definition. Now, she felt she was experiencing, if not the mind-body problem, then at least a mind-body problem. Her body was making its own demands, while the part of her that made her Maggie-she supposed this was the "self"-seemed to hover above it like a tethered balloon. Emma waved a hand in front of her. "Maggie? Brian asked you something." Weight aside, Maggie was a credible likeness of her late mother. She had Francine Klein Alter's hair, reddish brown and prone to curl, and a subtle spritz of freckles across the bridge of her nose. But where Maggie was small, her mother had been (not big, or stocky, but) solid, with a density that bespoke firm moral conviction. From her father, to whom Maggie refused to acknowledge a resemblance, she'd inherited a partially protruding forehead, a skull hammered into shape by a mind that couldn't make itself up. "Is she okay?" the boy, Brian, asked. "We need to put some food in you," said Emma. "I think I have tortilla chips around here somewhere." "No, no." Maggie waved her off. "I'm fine." "Are you sure?" She nodded. A little light-headedness was all. "Positive." "Okay. Well-all right. Get your stuff together. We're leaving in ten minutes." "Where are we going?" "Out." Maggie scanned the room. Every few minutes someone would excuse themselves from their cluster and join another, which invariably caused someone in that cluster to depart in short order for yet another, the groups always shifting but remaining the same size in some kind of social thermodynamics that struck Maggie as both deliberate and alienating. "That's the problem," she said. "Everybody here is on their way somewhere else." "What are you talking about? We're going to a bar. All of us." Maggie raised her eyebrows. "Don't lump me with this 'us.'" Emma sighed. "Everyone here is super nice. And smart!" She poked Brian with her elbow. "Brian is a genius." Maggie shook her head. "I can't." "Mags. It's my birthday." She smiled desperately. "You've known me longer than anyone here. Can you please? This once? For me?" Maggie was flattered-did she really know Emma the longest, and therefore best?-but she could already see how the evening would play out. She'd buy one sixteen-dollar cocktail and spend the rest of the night regretting the expense, enduring conversations about how 1L had been much harder than 2L while refusing drinks from boys with disposable incomes who all wore the same blue button-down shirts. "Sorry," she said. "I can't do it." Emma's smile slanted. "You can, but you won't. You don't have to make things so difficult on yourself, you know. Life doesn't have to be that hard." But Emma had it wrong. Life was hard, for almost everyone, and it was the duty of those for whom life was easy to impose difficulty on themselves before they rotted from the inside out. If there was one thing Maggie couldn't stand to see, it was people with plenty to lose enjoying themselves. All at once she felt dizzy. Sick. The music in the room began to slur. Was anyone else hearing this? A drop of sweat landed in her cup. She extended a hand and reached for Emma's shoulder, but her fingers never made it all the way. Though she knew she shouldnÕt have skipped lunch, Maggie blamed her fainting spell on the wear and tear she suffered at the hands of a twelve-year-old boy. Twice per week, she visited Bruno Nakahara at his parents' apartment, ostensibly to help him and his brother with their homework. But Bruno's newfound interest in mixed martial arts had resulted in a constellation of bruises spread across her body, hard-won blemishes the color of stale steak. He maintained that pummeling his tutor was a necessary exercise in service of his craft. "Ground and pound!" he'd shouted earlier that day, knocking Maggie to the floor. Though this particular job hardly paid, Maggie tolerated, even welcomed, Bruno's abuse. His assaults were evidence that she was engaged in the kind of work that required sacrifice. Think Mother Teresa, frail and stooped. Gandhi and his jutting ribcage. Maggie's were legitimizing bruises. Proof of character. Because that was the thing about trying to do good: you always wound up knuckled in the gut. The Nakaharas lived in cramped, if cozy, quarters. The apartment overlooked the awkward heart of Cypress, Myrtle, and Madison in Ridgewood, Queens, a pavilion of negative space where you could hear, on quiet Sunday nights, components of the neighborhood in isolation: church bells logging hours, the zip of flickering neon signage. The thirty-year-old feud between a bald man and a pigeon. "Oh-kay," she'd grumbled, worming out from under him. She limped inside the apartment. "I see we're still working on our anger issues." She used the first-person plural with the boys. It helped establish unity and trust. The Nakahara living room invariably stunk of burnt taquitos or pizza rolls or whatever frozen thing Bruno was eating that week, cut with the farts of their infirm yellow Lab, Flower, who had long since planted himself in the corner of the living room to die. The wall-to-wall carpeting was dirtied beige like street-side snow. Above a brown pleather couch, a pair of portraits hung side by side: one of Michael Jackson, the other (she had asked) of Petro Poroshenko. "I don't have anger issues," Bruno said. "I have ODD." He meant oppositional defiant disorder, an affliction he'd read about on the internet. "It's a real disease," he said, "and you know that." But the accuracy of his diagnosis did not mitigate its effects. "Disorder," she corrected. "Not disease." In the six months that she'd worked with him, Maggie had watched Bruno exhaust a variety of interests, including but not limited to switchblades, extreme eating, and pyromania. Though MMA was, as far as Maggie could tell, little more than an excuse for deranged boxers to dispense with the philosophical elements that supposedly made pugilism a "gentleman's sport," she maintained it was a better hobby than the others. It was athletic, after all, and there was tangible proof of its impact. The fruits of Bruno's labors were evident on his body-and extended now to hers. "I'm already done with homework," called Alex from the kitchen table, his voice twinkling like a concierge's bell. Where Bruno was all chunk, his limbs puffed out and cinched at the joints like those of balloon animals, his brother was small and sleek, streamlined, with clear skin and ink-black hair. "If you're finished, you can do your MathBlast. And, Bruno, please remove whatever's smoking in the oven right now." She unbuckled the belt that latched her messenger bag to her chest, and it fell, with a soft shower of zipper clinks, onto the carpet. Liberated, she began stage-managing the apartment, laying three sharpened pencils by Alex's dominant hand before sliding into Bruno's chair to minimize a knockout game video and open Microsoft Word. Then, as if on cue, the boy's father, an unkempt Japanese man to whom Maggie had never been formally introduced-and who spoke little English, which was weird, because she didn't think the boys knew Japanese-poked his head into the kitchen. He bestowed a long, concerned look upon the scene and disappeared again into his bedroom. "Bruno, now." The boy grunted and headed for the kitchen. Maggie was a tentative disciplinarian. Beneath her strict rules was a deep well of tenderness for the boys. She didn't enjoy punishing them. She would've preferred they obey her out of sheer respect. She wasn't asking for total reverence. But she maintained that they did respect her. Preteen-boy respect could look a lot like disrespect sometimes. It was how they showed affection. And, she thought, recalling the work of a seminal anthropologist she'd read in college, earning the natives' respect was always step one. Or, not "natives," but-whatever. "Who wants mini calzone pizzas?" Bruno asked, pulling a tray of blackened dough rolls from the oven. He code-switched to his rap voice. "Just kidding, mothafuckaz. These bitches is mine." He tipped his head back and let one of the saucy pockets fall into his mouth. Maggie's wayward path to Ridgewood had begun with the idea, conceived of in childhood, that the world was not just small but responsive to her efforts. As a girl she took frequent walks through Forest Park in St. Louis, collecting errant golf balls that had flown off course. When she'd amassed enough to fill the blue fourteen-gallon recycling bin her parents kept in the garage, she hosed them down and hauled them to the sidewalk by the teeing ground. An entrepreneurial instinct compelled her to erect a sign: golf balls. $1 per. She made forty dollars her first day, selling more than half her stock. But when she showed up the following weekend, Maggie had a change of heart. She decided to give her goods away for free. And why not? She liked taking walks, she liked collecting golf balls-she even liked the purifying act of cleaning them! Although she found golf itself to be a total joke, an uninspired, white-male pastime of the most antiquated kind, she discovered, out there on the green, that she also liked the act of giving. This was a revelation. If generosity was so euphoric, why did people sell things at all? Why engage in the give-and-take (and take-and-take) of commerce? In the span of two weeks, she had created and destroyed a marketplace. And learned a valuable lesson: the boundaries erected between people and their systems were never as insurmountable as they seemed. She arrived at this conclusion in spite of a father with a deep reserve of doubt regarding all things philanthropic. A few years after outfoxing capitalism in Forest Park, Maggie expressed an interest in donating her allowance to a hurricane-clobbered New Orleans. But Arthur discouraged her, lecturing his daughter on the dubious fetishism of victimhood and the Red Cross's tendency to squander all its money on overhead. "They don't do anything with all that cash but sit on it," he said. Excerpted from The Altruists: A Novel by Andrew Ridker All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
