Title:
Willow room, green door : new and selected poems
Author:
ISBN:
9781571314260
Edition:
1st ed.
Publication Information:
Minneapolis, Minn. : Milkweed Editions, 2007.
Physical Description:
xi, 277 p. ; 21 cm.
General Note:
Includes index.
Available:*
Library | Call Number | Status |
---|---|---|
Searching... Stillwater Public Library | 811.54 KEE | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
In her highly anticipated new collection, Deborah Keenan sifts through inanimate objects and forgotten memories in search of personal validation. Her journal-like confessions create an instant bond with the reader, yet these seemingly simple poems daringly redefine common language. Keenan skillfully twists words to suit her ends, creating a colorful, dream-like world filled with lions, paintings, wars, and mummies. Throughout, she constantly reorganizes this world in an effort to realize her place in it.
Table of Contents
Willow Room, Green Door | |
I The Beauty of the Painting | p. 3 |
The Exactness of the Imitation | p. 4 |
The Appropriateness of the Depiction | p. 5 |
Verlag Dabritz, Long Ago in Munich, Now in the Poem | p. 6 |
The Game In Progress | p. 8 |
Still Life with Scapegoat//Safe in the Family | p. 9 |
II | |
The Complete and Undisturbed Lion Skeleton | p. 12 |
Guessed "True" Answer Was "Bridge" | p. 13 |
III | |
Maybe He's Grateful but Get Out of His Way | p. 15 |
Kandinsky in the Hermitage | p. 16 |
November 1, 2004 | p. 17 |
Passage from Isaiah | p. 18 |
Traveling in the Realms of Gold | p. 19 |
Research on the Color Red | p. 20 |
It's a Book about Summer, So Cottonwoods and the Rivers Are Key | p. 21 |
Angel Island and Its Meaning and Value | p. 23 |
The Black Angel and Henri Coulette | p. 25 |
V | |
Woman on Laurel Street Reports That Her Neighbor Has Stolen Nine Pairs of Her Shoes and Left a Pile of Honey and Flour by Her Car | p. 27 |
Woman on Botticelli Street Reports the Phrase "The End Is Near" Written in Wax on Her Driveway | p. 29 |
March 7, 2005 | p. 30 |
Stained Glass and What It Could Mean | p. 31 |
VI | |
Hockney's Joyful Blue and Purple Road | p. 32 |
She Thought, I Am Walking Around My Country | p. 34 |
Botticelli Street and Its Implications | p. 35 |
VII | |
Describe the Difference between Depict and Evoke | p. 37 |
Nature Not Culture | p. 38 |
And So It Was I Entered the Broken World | p. 39 |
Tree of Life Made by an Outsider Artist | p. 41 |
A Tree Is Not a Human Thing | p. 42 |
VIII | |
Locked in Winter, Summer Lies | p. 43 |
IX | |
Cutter's Way: The White Horse and Lisa Eichhorn Are Clear | p. 47 |
The Children's Moon in the Poem about Summer | p. 48 |
XI | |
It's a Poem about Summer and Summer Is Over | p. 51 |
Willow Room | p. 54 |
Green Door | p. 56 |
Household Wounds | |
The Drive | p. 61 |
The Recluse | p. 63 |
Pursuit | p. 65 |
The Man Who Knew about Winter | p. 67 |
This Afternoon | p. 70 |
Extended Metaphors | p. 72 |
The Sorceress | p. 75 |
The Woman Who Knew about Winter | p. 79 |
What Will Last | p. 82 |
The Mother | p. 84 |
The Father | p. 86 |
Household Wounds | p. 88 |
Mending | p. 91 |
After | p. 93 |
What It Is | p. 95 |
The Subject | p. 97 |
A Poem about White Flowers | p. 100 |
July Twenty-Seventh, Nineteen Seventy-Nine | p. 102 |
How I Will Know When the War Is Over | p. 104 |
One Angel Then | |
Angel Fish New Life | p. 109 |
Living with Angels | p. 111 |
Space Angels | p. 117 |
The Eyes to See Angels | p. 120 |
The Only Window That Counts | |
What My Daughter Asked about the Angel in the Tree | p. 125 |
Formal Presentations of Love | p. 126 |
Declaration of February | p. 128 |
Divorce | p. 130 |
Grief | p. 133 |
Belonging to God | p. 134 |
Folds of White Dress/Shaft of Light | p. 136 |
Be Good | p. 138 |
Good Dreams or Milk | p. 140 |
What He Liked He Had a Lot Of | p. 142 |
The Trees | p. 144 |
The Amateur | p. 145 |
Admission | p. 147 |
Greenland Mummy | p. 149 |
Happiness | |
Small History | p. 155 |
Alone | p. 161 |
Architecture | p. 163 |
The Fathers Walking Away from Houses | p. 165 |
When the Dead Come to Visit in Dreams | p. 167 |
Fox | p. 169 |
Living | p. 171 |
Burning | p. 173 |
Loving Motels | p. 176 |
Rogue Wave | p. 179 |
Why They Belong Together | p. 182 |
Comfort | p. 184 |
What It Was Like Today | p. 185 |
Lilacs and Hail | p. 188 |
Night Walk | p. 190 |
Amnesia Plague | p. 193 |
How I Walk | p. 195 |
Cordelia: One Portrait at a Time | p. 199 |
Good Heart | |
What It Was Like Today: Given Over | p. 203 |
Travel | p. 204 |
After D.H. Lawrence | p. 206 |
What It Was Like Today: Not Taking Their Place | p. 208 |
The Painting of the Amaryllis | p. 209 |
Aerial View of Caribou/Slow Moves in the Black-and-White Movie | p. 211 |
I Knew Her Once | p. 212 |
In Emerald | p. 214 |
The Wind | p. 216 |
Hope | p. 217 |
Good Heart | p. 222 |
When Men Poets You Admire and Respect Can Only Answer Sappho When Asked in Public Are There Any Women Poets They Admire | p. 226 |
What It Was Like Today: Facing East | p. 227 |
The Last Lion | p. 228 |
His Red Chair | p. 230 |
The Exchange | p. 231 |
Signing My Name in the Book of the Dead | p. 232 |
Gone | p. 235 |
REM Channels Leonard Cohen | p. 237 |
Common | p. 239 |
Time and Love | p. 241 |
The Park | p. 243 |
Kingdoms | |
If You Say Luck You Can't Say God | p. 249 |
Portrait of Soon | p. 251 |
Two Sisters | p. 253 |
The Boy I Quit For | p. 254 |
July//The Right Hand Was a Medusa | p. 256 |
August//No Rain | p. 257 |
Blue Heron | p. 259 |
The Four Goldfinches and One Scarlet Tanager | p. 260 |
Small Panacea and Lucky for Us | p. 262 |
Nine Mile Creek//What Was Written There | p. 264 |
The Baby | p. 265 |
Index of Titles and First Lines | p. 267 |
Acknowledgments | p. 277 |
SD_ILS:40127
9781571314260
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