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Summary
Summary
This comical, fantastical, romantical, New York Times bestselling, (not) entirely true story of Lady Jane Grey is "an uproarious historical fantasy that's not to be missed" (Publishers Weekly, starred review).
In My Lady Jane, coauthors Cynthia Hand, Brodi Ashton, and Jodi Meadows have created a one-of-a-kind YA fantasy in the tradition of The Princess Bride, featuring a reluctant king, an even more reluctant queen, a noble steed, and only a passing resemblance to actual history--because sometimes history needs a little help.
At sixteen, Lady Jane Grey is about to be married off to a stranger and caught up in a conspiracy to rob her cousin, King Edward, of his throne. But those trifling problems aren't for Jane to worry about. Jane gets to be Queen of England.
Like that could go wrong.
New York Times Bestseller * Publishers Weekly Best Young Adult Book of the Year * Bustle Best Young Adult Book of the Year * YALSA Best Fiction for Young Adults
And don't miss the authors' next fun read, My Plain Jane!
Author Notes
Cynthia Hand is the New York Times bestselling author of the Unearthly series with HarperTeen: Unearthly, Hallowed, Radiant (an enovella) and Boundless, and the NYT bestselling contemporary, The Last Time We Say Goodbye. She teaches courses in creative writing at Boise State University. Her book, My Lady Jane, (cowritten with Brodi Ashton and Jodi Meadows) made The New York Times Best Sellers List in 2016.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Hand (the Unearthly series), Ashton (the Everneath series), and Meadows (the Orphan Queen series) clearly had a ball working on this joyous rewrite of the story of Lady Jane Grey and King Edward VI, and readers will have just as much fun with it. The authors follow history to the point of tragedy, then toss it aside to allow love and good to triumph. One significant tweak is the creation of a shape-shifting people called Edians, such as Jane's new husband, Lord Gifford Dudley, who spends his days as a horse and his nights as a man. This version of England is full of Edians, and Edward's power-hungry sister Mary (aka Bloody Mary) is one of the Verities who want to purge the country of them. Alternating third-person narration scrolls smoothly among Edward, Jane, and Gifford in chapters packed with hilarious banter, authorial asides, and polite avoidance of nudity as characters shift into and out of animal forms at inopportune moments. It's an uproarious historical fantasy that's not to be missed. Ages 13-up. Agent: (for Hand) Katherine Fausset, Curtis Brown; (for Ashton) Michael Bourret, Dystel & Goderich Literary Management; (for Meadows) Lauren MacLeod, Strothman Agency. (June) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
*Starred Review* Wacky, irreverent, and just plain fun, this three-way collaboration of Hand, Brodi Ashton, and Jodi Meadows plays fast and loose with history. Set in 1553 Tudor England, the beginning is rooted in fact: young King Edward is sickly, the prognosis isn't good, and instead of risking the rule of his despotic older sister (that would be the future Bloody Mary), Edward names as his heir his bookish cousin, Jane Grey after first marrying her off. All the civil unrest of the Tudor era is on display, with the Catholic-Protestant conflict neatly reimagined as a feud between shape-shifters (Eðians) and non-shape-shifters. Jane, who secretly envies the Eðians, has no desire to be queen or a wife and is not particularly thrilled to meet her new husband, Gifford. Little does she know that he is not the womanizing rake she thinks, but a cursed Eðian who spends his nights as a man and his days as a horse. When Mary's plans to seize the throne take a turn for the murderous, Jane and Gifford find themselves caught up in a web of court intrigue, adventure, and maybe a little romance. Wonky, offbeat, and happily anachronistic the references run the gamut from Shakespeare to Monty Python, with plenty of nods to The Princess Bride this fantasy adventure politely tips its hat to history before joyfully punting it out of the way. An utter delight.--Reagan, Maggie Copyright 2016 Booklist
School Library Journal Review
Gr 9 Up-In real life, Edward VI and Lady Jane Grey died young in 16th-century England. Here, Edward and Jane get another chance at happiness thanks to the irrepressible imaginations of the authors. Adventure, intrigue, humor, and romance abound-so, too, does high fantasy. England is a place where people (including royalty) are either Edians (those who can shape-shift) or Verities (those who cannot). Because many Verities believe Edian magic is evil, they set about to obliterate it. Edians retaliate. Also, someone keeps poisoning the king's food. The plot, then, involves Edward, Jane, and their allies trying to figure out how to keep peace in the kingdom, find out who is poisoning the king's food, and restore Edward to the throne (he is presumed dead and gads about incognito for part of the book). Edian "facts" are woven in with such subtle assurance that they come across as a genuine part of English history. For instance, the year the volatile Henry VIII discovered his leonine animal form and devoured the court jester is known in the kingdom's collective memory as the Year of the Lion. Wisecracks are prevalent, which would be grating after a while if the characters did not fairly sparkle with the complete array of honest human qualities. Readers will need to know the basic backstory of Lady Jane Grey and Edward VI. VERDICT A great choice for those who enjoy lighthearted, alternative history adventures and romance.-Jennifer Prince, Buncombe County Public Libraries, NC © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Lady Jane Grey's nine days as queen are reimagined as a tongue-in-cheek shape-shifter romance. Between the reigns of adolescent King Edward VI and his bloodthirsty half sister, Mary I, England was ruled for nine days by doomed Lady Jane, a 16-year-old political pawnor that's how it went in our world. In the world of this novel, both Edward and Jane have happier endings. Instead of Catholics and Protestants, England is torn between the Eians, who shape-shift into animals, and the Verities, who loathe them. As in reality, Jane is wed to Gifford (Guildford in history) Dudley, installed as queen, and imprisoned by Mary. However, this Jane and Gifford escape their executions through animal magic. It's inconvenient for the newlyweds' sex life that Gifford spends every dawn to dusk as a horse, but it's also terribly convenient for frantic escapes from Mary's soldiers. Fourth-wall-breaking and pop-culture references that span from Shakespeare to Game of Thrones show signs of strain, especially the many references to The Princess Bride (1973). The latter, sometimes layered one atop the other without a break, merely highlight this book's contrast with the classic's stellar comic timing; perhaps it's for the best that few teen readers will be familiar with either the decades-old film or even older book. Joan Aiken or Terry Pratchett this ain't, but the lightweight, gleefully anachronistic comedy will entertain with its cast of likable heroes and buffoonish villains. (Fantasy. 13-17) Copyright Kirkus Reviews, used with permission.
