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Summary
Summary
From the #1 New York Times bestselling author comes an epic saga of intrigue and mystique set in Edwardian England. Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children. Walter Swann, the premier male of the Swann family, is valet to the earl. His wife Alice, a clever seamstress who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. Lady Daphne, the most beautiful of the Earl's daughters, is about to be presented at court when a devastating event changes her life and threatens the Ingham name. With World War I looming, both families will find themselves tested in ways they never thought possible. Loyalties will be challenged and betrayals will be set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again.
Cavendon Hall is Barbara Taylor Bradford at her very best, and its sweeping story of secrets, love, honor, and betrayal will have readers riveted up to the very last page.
Author Notes
Barbara Taylor Bradford was born in Upper Armley, Leeds, in Yorkshire on May 10, 1933. At the age of fifteen, she was working as a typist for the Yorkshire Evening Post. After six months, she was promoted to cub reporter in the newsroom. At eighteen, she became the newspaper's Woman's Page Editor and at twenty, she headed for London where she became Fashion Editor of the magazine Woman's Own. She also reported for the London Evening News, Today Magazine and other publications, covering everything from crime to show business. In 1961, she met her future husband Robert Bradford and they were married in 1963. After they married, they moved to the United States and she began writing a syndicated column, Designing Woman. The column was published for twelve years and received several awards.
Her debut novel, A Woman of Substance, was published in 1979 and she has since written over 20 novels. Many of her novels have been made into television mini-series including A Woman of Substance, Voice of the Heart, Act of Will, Everything to Gain and A Secret Affair. She also wrote children's books and eight books on decorating.
She has received numerous awards for her work including the Matrix Award from New York Women in Communication Inc in 1985, the City of Hope's Spirit of Life Award in 1995, the Five Towns Music and Art Foundation's Award of Achievement for outstanding accomplishments in the field of Literature in 1997 and the British Excellence Award in 1998. She was inducted into the Matrix Hall of Fame in 1998 and into the Writers Hall of Fame of America in 2003. In 2007, she was awarded an OBE (The Order of the British Empire) by Queen Elizabeth II for her contributions to Literature. She is a member of the James Madison Council of the Library of Congress. She is also involved in several charity projects such as Literacy Partners and the Police Athletic League of New York City. She made the New York Times Best Seller List in 2014 with her title Cavendon Hall.
(Bowker Author Biography)
Reviews (2)
Booklist Review
The lives of the Ingham and Swann families have been intimately entwined for more than 160 years the former as the royal owners of their estate home, Cavendon Hall; the latter as those who keep their masters' secrets. On the eve of WWI, there is a particularly dastardly secret to be protected: Lady Daphne, the most beautiful of Lord Ingham's four daughters, is raped by her closest friend's brother. Worse luck, the attack results in a pregnancy, thereby further dashing Daphne's chances of being married to an as-yet-unnamed duke. Salvation comes in the form of long-lost cousin Hugo, recently widowed and returning after a successful career in America to reclaim his Yorkshire roots. Luckily for all, Daphne and Hugo fall deeply in love, and their union further helps the Inghams and Swanns weather the tragedies to come when England goes to war. The popular and prolific Bradford knocks another fast-paced family saga out of the park with charming characters and manor-house mayhem.--Haggas, Carol Copyright 2014 Booklist
Library Journal Review
Bradford is no stranger to the family saga-her popular Harte series follows a wealthy English family through the 20th century-and this Edwardian-era drama follows the lives of the Inghams, masters of Cavendon Hall, and the Swanns, their servants. Glitz, glamour, and drama abound; parallels to Downton Abbey do, too. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
One Cecily Swann was excited. She had been given a special task to do by her mother, and she couldn't wait to start. She hurried along the dirt path, walking toward Cavendon Hall, all sorts of ideas running through her active young mind. She was going to examine some beautiful dresses, looking for flaws; it was an important task, her mother had explained, and only she could do it. She did not want to be late, and increased her pace. She had been told to be there at ten o'clock sharp, and ten o'clock it would be. Her mother, Alice Swann, often pointed out that punctuality might easily be her middle name, and this was always said with a degree of admiration. Alice took great pride in her daughter, and was aware of certain unique talents she possessed. Although Cecily was only twelve, she seemed much older in some ways, and capable, with an unusual sense of responsibility. Everyone considered her to be rather grown-up, more so than most girls of her age, and reliable. Lifting her eyes, Cecily looked up the slope ahead of her. Towering on top of the hill was Cavendon, one of the greatest stately homes in England and something of a masterpiece. After Humphrey Ingham, the First Earl of Mowbray, had purchased thousands of acres in the Yorkshire Dales, he had commissioned two extraordinary architects to design the house: John Carr of York, and the famous Robert Adam. It was finished in 1761. Lancelot "Capability" Brown then created the landscaped gardens, which were ornate and beautiful, and had remained intact to this day. Close to the house was a man-made ornamental lake, and water gardens at the back of the house. Cecily had been going to the hall since she was a small child, and to her it was the most beautiful place in the world. She knew every inch of it, as did her father, Walter Swann. Her father was valet to the earl, just as his father had been before him, and his great-uncle Henry before that. The Swanns of Little Skell village had been working at the big house for over 160 years, generations of them, ever since the days of the first earl in the eighteenth century. The two families were closely intertwined and bound together, and the Swanns had many privileges, and were exceedingly loyal to the Inghams. Walter always said he'd take a bullet for the earl, and meant it sincerely. Hurrying along, preoccupied with her thoughts, Cecily was suddenly startled and stopped abruptly. A figure had jumped out onto the path in front of her, giving her a shock. Then she saw at once that it was the young gypsy woman called Genevra, who often lurked around these parts. The Romany stood in the middle of the path, grinning hugely, her hands on her hips, her dark eyes sparkling. "You shouldn't have done that!" Cecily exclaimed, stepping sideways swiftly. "You startled me. Where did you spring from, Genevra?" "Yonder," the gypsy answered, waving her arm toward the long meadow. "I see yer coming, liddle Cecily. I wus behind t'wall." "I have to get on. I don't want to be late," Cecily said in a cool, dismissive voice. She endeavored to step around the young woman without success. The gypsy dodged about, blocked her way, muttering, "Aye. Yer bound for that owld 'ouse up yonder. Gimme yer 'and and I'll tell yer fortune." "I can't cross your palm with silver, I don't even have a ha'penny," Cecily said. "I doan want yer money, and I've no need to see yer 'and, I knows all about yer." Cecily frowned. "I don't understand..." She let her voice drift off, impatient to be on her way, not wanting to waste any more time with the gypsy. Genevra was silent, but she threw Cecily a curious look, then turned, stared up at Cavendon. Its many windows were glittering and the pale stone walls shone like polished marble in the clear northern light on this bright May morning. In fact, the entire house appeared to have a sheen. The Romany knew this was an illusion created by the sunlight. Still, Cavendon did have a special aura about it. She had always been aware of that. For a moment she remained standing perfectly still, lost in thought, still gazing at Cavendon ... she had the gift, the gift of sight. And she saw the future. Not wanting to be burdened with this sudden knowledge, she closed her eyes, shutting it all out. Eventually the gypsy swung back to face Cecily, blinking in the light. She stared at the twelve-year-old for the longest moment, her eyes narrowing, her expression serious. Cecily was acutely aware of the gypsy's fixed scrutiny, and said, "Why are you looking at me like that? What's the matter?" "Nowt," the gypsy muttered. "Nowt's wrong, liddle Cecily." Genevra bent down, picked up a long twig, began to scratch in the dirt. She drew a square, and then above the square she made the shape of a bird, then glanced at Cecily pointedly. "What do they mean?" the child asked. "Nowt." Genevra threw the twig down, her black eyes soulful. And in a flash, her strange, enigmatic mood vanished. She began to laugh, and danced across toward the drystone wall. Placing both hands on the wall, she threw her legs up in the air, cartwheeled over the wall, and landed on her feet in the field. After she had adjusted the red bandana tied around her dark curls, she skipped down the long meadow and disappeared behind a copse of trees. Her laughter echoed across the stillness of the fields, even though now she was no longer in sight. Cecily shook her head, baffled by the gypsy's odd behavior, and bit her lip. Then she quickly scuffled her feet in the dirt, obliterating the gypsy's symbols, and continued up the slope. "She's always been strange," Cecily muttered under her breath as she walked on. She knew that Genevra lived with her family in one of the two painted Romany wagons which stood on the far side of the bluebell woods, way beyond the long meadow. She also knew that the Romany tribe was not trespassing. It was the Earl of Mowbray's land where they were camped, and he had given them permission to stay there in the warm weather. They always vanished in the winter months; where they went nobody knew. The Romany family had been coming to Cavendon for a long time. It was Miles who had told her that. He was the earl's second son, had confided that he didn't know why his father was so nice to the gypsies. Miles was fourteen; he and his sister DeLacy were Cecily's best friends. * * * The dirt path through the fields led directly from Little Skell village to the backyard of Cavendon Hall. Cecily was running across the cobblestones of the yard when the clock in the stable block tower began to strike the hour. It was exactly ten o'clock and she was not late. Cook's cheerful Yorkshire voice was echoing through the back door as Cecily stood for a moment catching her breath, and listening. "Don't stand there gawping like a sucking duck, Polly," Cook was exclaiming to the kitchen maid. "And for goodness' sake, push the metal spoon into the flour jar before you add the lid. Otherwise we're bound to get weevils in the flour!" "Yes, Cook," Polly muttered. Cecily smiled to herself. She knew the reprimand didn't mean much. Her father said Cook's bark was worse than her bite, and this was true. Cook was a good soul, motherly at heart. Turning the doorknob, Cecily went into the kitchen, to be greeted by great wafts of steam, warm air, and the most delicious smells emanating from the bubbling pans. Cook was already preparing lunch for the family. Swinging around at the sound of the door opening, Cook smiled broadly when she saw Cecily entering her domain. "Hello, luv," she said in a welcoming way. Everyone knew that Cecily was her favorite; she made no bones about that. "Good morning, Mrs. Jackson," Cecily answered, and glanced at the kitchen maid. "Hello, Polly." Polly nodded, and retreated into a corner, as usual shy and awkward when addressed by Cecily. "Mam sent me to help with the frocks for Lady Daphne," Cecily explained. "Aye, I knows that. So go on then, luv, get along with yer. Lady DeLacy is waiting upstairs for yer. I understand she's going to be yer assistant." As she spoke Cook chuckled and winked at Cecily conspiratorially. Cecily laughed. "Mam will be here about eleven." The cook nodded. "Yer'll both be having lunch down here with us. And yer father. A special treat." "That'll be nice, Mrs. Jackson." Cecily continued across the kitchen, heading for the back stairs that led to the upper floors of the great house. Nell Jackson watched her go, her eyes narrowing slightly. The twelve-year-old girl was lovely. Suddenly, she saw in that innocent young face the woman she would become. A real beauty. And a true Swann. No mistaking where she came from, with those high cheekbones, ivory complexion, and the lavender eyes ... Pale, smoky, bluish-gray eyes. The Swann trademark. And then there was that abundant hair. Thick, luxuriant, russet brown shot through with reddish lights. She'll be the spitting image of Charlotte when she grows up, Cook thought, and sighed to herself. What a wasted life she'd had, Charlotte Swann . She could have gone far, no two ways about that. I hope the girl doesn't stay here, like her aunt did, Nell now thought, turning around, stirring one of her pots. Run, Cecily, run. Run for your life. And don't look back. Save yourself. Copyright © 2014 by Beaji Enterprises, Inc. Excerpted from Cavendon Hall by Barbara Taylor Bradford All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
