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Summary
Summary
As soon as sixteen-year-old Amal makes the decision to start wearing the hijab full-time, everyone has a reaction. Her parents, her teachers, her friends, people on the street. But she stands by her decision to embrace her faith and all that it is, even if it does make her a little different from everyone else. Can she handle the taunts of 'towel head' and the prejudice of her classmates and still hang out with the cutest boy in school? Brilliantly funny and poignant, Randa Abdel-Fattah's debut novel will strike a chord in all teenage readers, no matter what their beliefs.
Author Notes
Randa Abdel-Fattah was born on July 6 1979 in Sydney Australia. She is an Australian Muslim writer of Palestinian and Egyptian decent. Her first novel Does My Head Look Big in This? was published in 2005.
Abdel-Fattah studied a Bachelor of Arts and Bachelor of Law at the University of Melbourne. During this time, she was the Media Liaison Officer at the Islamic Council of Victoria, a role that afforded her the opportunity to write for newspapers and engage with media institutions about their representation of Muslims and Islam. Abdel-Fattah was a passionate human rights advocate and stood in the 1998 federal election as a member of the Unity Party. Her book titles include: Ten Things I Hate about Me, Where the Streets Had a Name, Noah's Law and The Friendship Matchmaker. In 2015 her title Does My Head Look Big in This? will be adapted into a film.
(Bowker Author Biography)
Reviews (6)
Publisher's Weekly Review
With an engaging narrator at the helm, Abdel-Fattah's debut novel should open the eyes of many a reader. Headstrong and witty, 16-year-old Amal, an Australian-Muslim-Palestinian ("That means I was born an Aussie and whacked with some seriously confusing identity hyphens") decides during winter break from her posh private school that she's ready to wear the hijab, the Muslim head scarf, fulltime, as a testament to her faith. Amal knows she will face discrimination by classmates and misinformed people but she is committed to her decision; her parents are initially concerned, but ultimately rally behind her. Their worries, in fact, are well-founded: Amal attracts her share of stares and taunts both at school and around town, but she finds strength, not only from her convictions, but from her close-knit group of friends, who for various reasons-being Japanese, Jewish, nerdy or body-conscious-are perceived as being outside "the norm." As Amal struggles with her identity in a post-9/11 world ("Do you have any idea how it feels to be me, a Muslim, today? I mean, just turn on the television, open a newspaper.... It feels like I'm drowning in it all"), her faith-and an array of ever-ready quips-help her navigate an often-unforgiving world. Using a winning mix of humor and sensitivity, Abdel-Fattah ably demonstrates that her heroine is, at heart, a teen like any other. This debut should speak to anyone who has felt like an outsider for any reason. Ages 12-up. (May) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Middle School, High School) At the start of a new term, eleventh-grader Amal makes the big decision to wear the hijab, the Muslim head scarf, full-time. This first novel follows ""Australian-Muslim-Palestinian"" Amal as she debates the pros and cons of wearing the hijab, providing numerous teaching moments about Muslim culture and identity. Amal is proud to wear the symbol of her faith, yet she knows she faces ridicule from the popular set at wealthy McCleans Preparatory School. She is supported by her two best friends from her old Islamic school, as well as her new friends at McCleans, and their discussions explore different practices of Islam while dutifully dismantling stereotypes and presumptions. The girls' conversations and IMs are peppered with references to fashion, music, and pop culture lest the reader miss that Amal is a typical teenager in many ways. Amal's complex navigation of her first big crush is conveyed with a lighter hand. Adhering to her principles on no physical relationships before marriage, she flirts with Adam, not realizing she may be leading him on until he tries to kiss her. Though the lengthy analyses on everything from female body image to Palestinian food give the book more message than momentum, the girls' thoughts and dreams are authentically adolescent, providing a bridge between cultures -- as the author clearly intends. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
"*Starred Review* Like the author of this breakthrough debut novel, Amal is an Australian-born, Muslim Palestinian whacked with some seriously confusing identity hyphens. At 16, she loves shopping, watches Sex and the City, and IMs her friends about her crush on a classmate. She also wants to wear the hijab, to be strong enough to show a badge of her deeply held faith, even if she confronts insults from some at her snotty prep school, and she is refused a part-time job in the food court (she is not hygienic ). Her open-minded observant physician parents support her and so do her friends, Muslim, Jewish, Christian, secular. Her favorite teacher finds her a private space to pray. The first-person present-tense narrative is hilarious about the diversity, and sometimes heartbreaking. For her uncle who wants to assimilate, foreign is the f-word, and his overdone Aussie slang and flag-waving is a total embarrassment. On the other hand, her friend Leila nearly breaks down when her ignorant Turkish mom wants only to marry her daughter off ( Why study? ) and does not know that it is Leila's Islamic duty to seek knowledge, to gain an education. Without heavy preaching, the issues of faith and culture are part of the story, from fasting at Ramadan to refusing sex before marriage. More than the usual story of the immigrant teen's conflict with her traditional parents, the funny, touching contemporary narrative will grab teens everywhere."--"Rochman, Hazel" Copyright 2007 Booklist
New York Review of Books Review
THE teenage-girl-as-outsider novel has a venerable tradition, one that predates even the very notion of teenager - think Jo in "Little Women." The exploration of what it means to come of age as an individual in the sometimes stiflingly conformist world of the young has produced beautiful literature, like Katherine Paterson's "Bridge to Terabithia," and diverting, insightful storytelling, as in "All-American Girl" by Meg Cabot and "Looking for Alibrandi" by Melina Marchetta. "Does My Head Look Big In This?," by Randa Abdel-Fattah, gives us a new kind of outsider. The narrator, Amal Mohamed Nasrullah Abdel-Hakim, is the only Muslim student in her class at an elite prep school in an upscale suburb of Melbourne, Australia. Already an oddity ("the teachers labeled me slow in preschool because I was the last child to learn how to spell her name"), Amal raises the bar several notches when she decides to adopt the hijab, the women's head covering that many Muslims believe to be a requirement of their faith. That she makes this decision while watching a "Friends" episode in which Jennifer Aniston endures the horror of having to appear at her ex's wedding in a hideous bridesmaid's outfit signals Amal's bifurcated worldview, divided between the orthodoxies of pop culture and the traditions of her faith. There aren't a lot of modern Muslim women's voices in contemporary fiction, so it's refreshing to hear this one. At school, from the principal's office to the playground, Amal has to battle the common assumption that the only reason she's wearing a scarf is because her oppressive parents forced her. In fact, her broadminded parents, though devout, worry about her decision and its implications for her happiness in a sometimes prejudiced culture. There are many reasons a Muslim woman might wear the veil: religious conviction (because the Koran requires modest dress), political radicalism (a symbol of rejection of the West), feminism (de-commodifying female beauty), sisterhood (hijab- wearing women tend to help one another), or even to attract an eligible man (the type that doesn't consider an unveiled woman a suitable marriage prospect). Amal, sassy and spirited, knows a mere piece of fabric isn't a barrier to ambition - like the real-life Aussie who designed the first "burkini" for Muslim women to wear at the beach. But Amal also knows it puts her in the path of all the anger and incomprehension generated by 9/11 and the 2005 Bali bombings. Inasmuch as Abdel-Fattah uses Amal to defeat stereotyping of Islam, this is a valuable book, occasionally an entertaining one. But it would have been more valuable and entertaining if it weren't so very clear that Abdel-Fattah is using Amal. The book too often veers into an eat-your-peas preachiness that makes it less of a novel and more of a tract. The author also lacks a genuine ear for high school nuance: those delicious, evanescent, almost anthropological details that so enrich works by Cabot and Marchetta (who teaches at an all-boys school in Sydney and has said she never sends off a book until a trusted crew of pupils has scoured it for inauthentic details). I also found it highly implausible that in Australia, where elite private schools are overwhelmingly single-sex institutions, an observant Muslim family would choose to send their daughter to a coed high school. Abdel-Fattah, a lawyer, attended a Catholic primary school and an Islamic college; at 13, she decided to wear the hijab full time. She says she stopped wearing it outside of school at 17, anxious about prejudicing her job prospects. A novel based more closely on her own difficult choices might have had an authenticity - of voice and of emotion - that this one, sadly, too often does not. Geraldine Brooks's most recent novel, "March," won the Pulitzer Prize for fiction. Her forthcoming novel, "People of the Book," will be published in January.
School Library Journal Review
Gr 7 Up-Australian 11th-grader Amal is smart, funny, outspoken, a good student, and a loyal friend. She is also a devout Muslim who decides to wear the hijab, or head covering, full-time. The story tells of her emotional and spiritual journey as she copes with a mad crush on a boy, befriends an elderly Greek neighbor, and tries to help a friend who aspires to be a lawyer but whose well-intentioned mother is trying to force her to leave school and get married. Amal is also battling the misconceptions of non-Muslims about her religion and culture. While the novel deals with a number of serious issues, it is extremely funny and entertaining, and never preachy or forced. The details of Amal's family and social life are spot-on, and the book is wonderful at showing the diversity within Muslim communities and in explaining why so many women choose to wear the hijab. Amal is an appealing and believable character. She trades verbal jibes with another girl, she is impetuous and even arrogant at times, and she makes some serious errors of judgment. And by the end of the story, she and readers come to realize that "Putting on the hijab isn't the end of the journey. It's just the beginning of it."-Kathleen E. Gruver, Burlington County Library, Westampton, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
An "Australian-Muslin-Palestinian" teen opts to wear the hijab, the Muslim head scarf, full-time, embarking on a courageous exercise in self-understanding. Sixteen-year-old Amal attends an elite prep school in a Melbourne suburb. Poised to begin the third term of 11th grade, Amal admits, "it's hard enough being an Arab Muslim at a new school," but "shawling up is just plain psychotic." Determined to prove she's strong enough to "wear a badge of my faith," Amal faces ostracism and ridicule as she dons her hijab with both good humor and trepidation. Supported by her parents, Amal spurns racial epithets like "towel head" and discovers her friends still accept her for who she is, not what she wears. As the term progresses, Amal's friends face their own issues of self-worth while her faith is tested when she falls in love with a non-Muslim classmate. Wearing the hijab full-time shuts some doors, but opens others for Amal as she emerges a bright, articulate heroine true to herself and her faith. Abdel-Fattah's fine first novel offers a world of insight to post-9/11 readers. (Fiction. 13-18) Copyright ©Kirkus Reviews, used with permission.
