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Library | Call Number | Status |
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Searching... R.H. Stafford Library (Woodbury) | J 921 WHITMAN | Searching... Unknown |
Searching... Stillwater Public Library | E 921 WHITMAN | Searching... Unknown |
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Summary
Summary
The pioneering team that brought you Caldecott Honor Book The Dinosaurs of Waterhouse Hawkins lends their vision, flair, and unique style to Walt Whitman--poet, American icon, Civil War hero.Did you know that poet Walt Whitman was also a Civil War nurse? Devastated by his country dividing and compelled to service by his brother's war injury, Walt nursed all soldiers--Union and Confederate, black and white. By getting to know them through many intense and affecting experiences, he began to see a greater life purpose: His writing could give these men a voice, and in turn, achieve his highest aspiration--to capture the true spirit of America. Dramatic, powerful, and deeply moving, this consummate portrait of Whitman will inspire readers to pick up their pens and open their hearts to humanity.
Author Notes
Barbara Kerley is a two-time Sibert Honoree and a Boston Globe-Horn Book Honoree whose award-winning biographies include What to Do About Alice? , The Extraordinary Mark Twain (According to Susy) , Those Rebels, John & Tom , and A Home for Mr. Emerson , all illustrated by Edwin Fotheringham; Tigers & Tea with Toppy , illustrated by Matte Stephens; and The Dinosaurs of Waterhouse Hawkins and Walt Whitman: Words for America , illustrated by Brian Selznick. Kerley's books have all been praised for their lively prose, meticulous research, and artistic presentation style. She lives in Portland, Oregon. Visit her online at barbarakerley.com.
Brian Selznick's books have sold millions of copies, garnered countless awards worldwide, and been translated into more than 35 languages. He broke open the novel form with his innovative and genre-defying thematic trilogy, beginning with the Caldecott Medal-winning #1 New York Times bestseller The Invention of Hugo Cabret , adapted into Martin Scorsese's Oscar-winning movie Hugo . He followed that with the #1 New York Times bestseller, Wonderstruck , adapted into the eponymous movie by celebrated filmmaker Todd Haynes, with a screenplay by Selznick, and the New York Times bestseller, The Marvels . Selznick's two most recent books for young people, Baby Monkey, Private Eye , an ALA Notable Book co-written with his husband David Serlin, and Kaleidoscope , a New York Times Notable Children's Book of 2021, were both New York Times bestsellers as well. He also illustrated the 20th anniversary edition covers of J.K. Rowling's Harry Potter series. Selznick and Serlin divide their time between Brooklyn, New York and La Jolla, California. Learn more at thebrianselznick.com and mediaroom.scholastic.com/brianselznick.
Reviews (5)
Publisher's Weekly Review
The creators of The Dinosaurs of Waterhouse Hawkins open this innovative, intriguing biography with an anecdotal look at the poet's early years as a printer's apprentice in Brooklyn, where his love of words was born. By the age of 19, Walt was writing and printing his own newspaper. With a lyricism and an ardor that echoes Whitman's own, Kerley writes of his passion for both language and for "rambling," the latter luring him onto Manhattan's city streets ("in these ordinary Americans he saw the true spirit of the nation") as well as the countryside (in "every leaf and blade of grass, he felt America's grace and vigor"). The heart of this story centers on the wrenching though inspiring effects the Civil War had on Whitman who, too old to enlist in the Union army, traveled to Virginia to stay with his wounded younger brother, then spent years caring for other hospitalized, often dying soldiers-the source of some of his most memorable verse. The elegant design of the paper-over-board volume features a die-cut cover image of the poet that echoes the dust jacket of the original 1855 edition of Leaves of Grass, as well as text set in Whitman's favorite typeface (also used in Leaves) arranged in vertical or horizontal panels-or set directly into the art. Selznick's versatile illustrations encompass a stark realism (sepia-toned daguerreotypes of Civil War soldiers, based on actual photographs) and surreal whimsy (as Whitman walks in the country by moonlight, the sky above is filled with open notebooks bearing words from his writing). Copious quotes from his poems and correspondence let Whitman's eloquent voice resonate through the pages, and bountiful source notes remove any doubt of these talented collaborators' affection and admiration for their subject-their enthusiasm is convincing and contagious. Ages 7-10. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Intermediate) Focusing on the Civil War years, this movingly illustrated picture-book biography introduces one of America's most prominent writers to elementary school readers. Beginning with Whitman's work as a printer's apprentice, the story moves quickly through his early writings to his work in hospitals during the Civil War, his admiration for Abraham Lincoln, and the poetry that stemmed from his experiences. In well-crafted prose, Kerley stresses the poet's love of words and his compassion for the common people. Selznick extends the text with glorious colored-pencil drawings -- double-page spreads as well as miniatures set off with ample margins. We see the young Whitman immersing himself in crowds and delightedly running naked on the beach, and, as an older man, interviewing slaves and sharing a campfire with soldiers. The quoted lines are carefully chosen for the audience, and more complete versions of the poems are included in the back matter, which also features author's and illustrator's notes, sources, and a bibliography. Whitman lovers everywhere should give joyful thanks for this splendid presentation. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
Gr. 4-8. Although Whitman is most known for poetry "as free-ranging as his big, robust country," much of this treatment focuses on the writer's Civil War experiences providing company and small comforts to wounded soldiers. Lines of poetry elucidate Whitman's thoughts about the war, with the full text of the poems or sections of poems appearing at book's end. It's no surprise that this hasn't the instant appeal of Kerley and Selznick's The Dinosaurs of Waterhouse Watkins 0 (2002). The vicissitudes of a poet's life are of less inherent interest to young readers than dinosaur bones, and what whisper of excitement there is in Whitman's biography, Kerley downplays by focusing on his war-scarred twilight years rather than his reverberating "barbaric yawp" against starchy literary tradition. Like his collaborator's narrative, though, Selznick's contributions reflect a keen passion for research, right down to the subtle references to early editions of Leaves of Grass 0 in the book's typeface and design. Try this sophisticated offering on readers who won't quail at the lengthy text and who will be less likely to skip the dense, illuminating endnotes. Younger readers may profit more from the more straightforward presentation of Whitman's words in Loren Long's excellent When I Heard the Learn'd Astronomer0 , reviewed 0 on p.583. --Jennifer Mattson Copyright 2004 Booklist
School Library Journal Review
Gr 4 Up-An exuberant picture-book biography that focuses on Whitman's formative years and his selfless work as a Civil War nurse. Delightfully old-fashioned in design, its oversized pages are replete with graceful illustrations and snippets of poetry. The brilliantly inventive paintings add vibrant testimonial to the nuanced text. Kerley likens the poet's restless energy to the nation itself: "Walt wrote poems as free-ranging as his big robust country. More than anything, he hoped to become the voice of America." When the conflict begins, the artist supplies a somber-hued gallery of soldiers posed in their uniforms. As the war wears on, Kerley notes the fondness Whitman held for his embattled president, whom he'd often see on the streets of the capital. Forced to return home because of his health, he heard news of the war's end, and a few days later, of Lincoln's death. Kerley observes that at this point Whitman turned again to poetry to help himself, along with the nation, resolve his grief and turn toward peace and rebuilding. There are several excellent biographies for older readers that serve the needs of report writers. Libraries will want to add this unabashedly glowing tribute as well for the infectious zeal both author and illustrator bring to their subject and his writings, excerpts of which can be found woven seamlessly into the text and the art.-Marilyn Taniguchi, Beverly Hills Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A visual and textual portrait of America's most revolutionary and celebrated poet. Kerley distills Whitman's wide-ranging biography, centering on the significant themes of his life: his passion for words, America, and the common man, as well as his torment over race, democracy, and the Civil War. Beginning with the iconic 1855 cover portrait, brash, yet melancholy, the effect is outsized stateliness in which "you will feel every word . . . " and illustration. Depicting Whitman as both a literal and metaphorical journeyman, Selznick paints him hiking with the pages of his habitual notebooks floating around him, each with a word from his poetry, graphically bursting the boundaries of convention. A dramatic page-turn introduces the Civil War, the axis of Whitman's career and the nation's anguish. Two galleries of portraits based on actual daguerreotypes project the heroism of Whitman's mythic common man as encountered in military photos and in hospital wards. A cultural force rendered with power and immediacy for a new generation. (notes, sources, poetry excerpts) (Nonfiction. 9-14) Copyright ©Kirkus Reviews, used with permission.