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Summary
Summary
Winner of the Southern Book Prize for Literary Fiction
Named a Best Book of 2017 by the Chicago Public Library and the American Library Association
"Wiley Cash reveals the dignity and humanity of people asking for a fair shot in an unfair world."
- Christina Baker Kline, author of A Piece of the World and Orphan Train
The New York Times bestselling author of the celebrated A Land More Kind Than Home and This Dark Road to Mercy returns with this eagerly awaited new novel, set in the Appalachian foothills of North Carolina in 1929 and inspired by actual events. The chronicle of an ordinary woman's struggle for dignity and her rights in a textile mill, The Last Ballad is a moving tale of courage in the face of oppression and injustice, with the emotional power of Ron Rash's Serena, Dennis Lehane's The Given Day, and the unforgettable films Norma Rae and Silkwood.
Twelve times a week, twenty-eight-year-old Ella May Wiggins makes the two-mile trek to and from her job on the night shift at American Mill No. 2 in Bessemer City, North Carolina. The insular community considers the mill's owners--the newly arrived Goldberg brothers--white but not American and expects them to pay Ella May and other workers less because they toil alongside African Americans like Violet, Ella May's best friend. While the dirty, hazardous job at the mill earns Ella May a paltry nine dollars for seventy-two hours of work each week, it's the only opportunity she has. Her no-good husband, John, has run off again, and she must keep her four young children alive with whatever work she can find.
When the union leaflets begin circulating, Ella May has a taste of hope, a yearning for the better life the organizers promise. But the mill owners, backed by other nefarious forces, claim the union is nothing but a front for the Bolshevik menace sweeping across Europe. To maintain their control, the owners will use every means in their power, including bloodshed, to prevent workers from banding together. On the night of the county's biggest rally, Ella May, weighing the costs of her choice, makes up her mind to join the movement--a decision that will have lasting consequences for her children, her friends, her town--indeed all that she loves.
Seventy-five years later, Ella May's daughter Lilly, now an elderly woman, tells her nephew about his grandmother and the events that transformed their family. Illuminating the most painful corners of their history, she reveals, for the first time, the tragedy that befell Ella May after that fateful union meeting in 1929.
Intertwining myriad voices, Wiley Cash brings to life the heartbreak and bravery of the now forgotten struggle of the labor movement in early twentieth-century America--and pays tribute to the thousands of heroic women and men who risked their lives to win basic rights for all workers. Lyrical, heartbreaking, and haunting, this eloquent novel confirms Wiley Cash's place among our nation's finest writers.
Reviews (4)
Publisher's Weekly Review
Cash (A Land More Kind than Home) transports readers into the world of real-life ballad singer Ella May Wiggins, a central figure in workers' battle for unionization in North Carolina textile mills, who was shot and killed on Sept. 14, 1929. Alone, pregnant, caring for six sick children, and frightened of losing her job if she takes another day off, Ella uses her Sunday to hitch a ride to a union gathering. Quickly recognized for her courage after fighting off anti-union attackers, she's asked to share a song with the crowd: "We leave our homes in the morning,/ We kiss our children good-bye./ While we slave for the bosses,/ Our children scream and cry." Her message connects, and she instantly becomes a sensation. With this unlikely platform and her unexpected power, Ella May attempts to integrate unions across North Carolina mills, attracting the wrath of union busters, segregationists, and the powerful wealthy class. This suspenseful, moving novel is a story of struggle and personal sacrifice for the greater good that will resonate with readers of John Steinbeck or Ron Rash. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Inspired by the events of an actual textile-mill strike in 1929, Cash (This Dark Road to Mercy, 2014, etc.) creates a vivid picture of one woman's desperation.Ella May Wiggins works long, grueling hours in a mill, but it still isn't enough to keep her children fed. The year is 1929, and fed-up workers are fighting for rights like a standard wage, a five-day work week, and equal pay for equal work. Ella's curiosity about the union leads her to attend a rally in a neighboring town, but when she gets up on stage to sing a song that she wrote, she becomes an unexpected star of the labor movement. Her prominence makes her a target for those who view union members as communists, and Ella's belief that African-Americans should be included in the union places her in even more danger. But Ella's voice isn't the only one Cash exploresthere are multiple points of view, including Ella's now-elderly daughter Lilly, an African-American porter named Hampton, and several others whose lives intersect with Ella's. Cash vividly illustrates the difficulties of Ella's life; her exhaustion and desperation leap off the page. She faces extreme hardship in her fight for workers' rights, but it's always clear that she keeps going because of her love for her children. Although it is initially a bit difficult to keep so many points of view straight, it is satisfying to see them all connect. It's refreshing that Cash highlights the struggles of often forgotten heroes and shows how crucial women and African-Americans were in the fight for workers' rights. A heartbreaking and beautifully written look at the real people involved in the labor movement. Copyright Kirkus Reviews, used with permission.
New York Review of Books Review
LIONESS: Golda Meir and the Nation of Israel, by Francine Klagsbrun. (Schocken, $40.) Meir has often been as reviled in Israel as she is admired in the United States, but perspectives are shifting. Klagsbrun's absorbing biography suggests this woman politician made history in more ways than one. AN ODYSSEY: A Father, a Son, and an Epic, by Daniel Mendelsohn. (Knopf, $26.95.) A distinguished critic and classicist, Mendelsohn uses Homer's epic as a vehicle for telling his own intricately constructed story of a father and son and their travails through life and love. PRESIDENT MCKINLEY: Architect of the American Century, by Robert W. Merry. (Simon & Schuster, $35.) McKinley tends to be forgotten among American presidents, overshadowed by his successor, Theodore Roosevelt, but he was largely responsible for America's 20th-century role in the world. Merry's measured, insightful biography seeks to set the record straight. THE COLLECTED ESSAYS OF ELIZABETH HARDWICK, edited by Darryl Pinckney. (New York Review, paper, $19.95.) These impeccably economical essays, collected here with a wise introduction by Pinckney, offer a rich immersion in Hardwick's brilliant mind and the minds of the writers she read so well. NOMADLAND: Surviving America in the Twenty-First Century, by Jessica Bruder. (Norton, $26.95.) In this brilliant and compassionate book, Bruder documents how a growing number of older people, post-recession refugees from the middle and working class, cross the land in their vans and R.V.s in search of work. THE SHADOW DISTRICT, by Arnaldur Indridason. (Thomas Dunne/ Minotaur, $25.99.) In this moody Icelandic mystery, a retired police officer investigates a present-day murder with apparent links to another crime, committed during the waning days of World War II, when the neutral nation was occupied by Allied troops. A BRIEF HISTORY OF EVERYONE WHO EVER LIVED: The Human Story Retold Through Our Genes, by Adam Rutherford. (The Experiment, $25.95.) With a heady amalgam of science, history and a bit of anthropology, Rutherford offers a captivating primer on genetics and human evolution as told through our DNA. THE LAST BALLAD, by Wiley Cash. (Morrow/HarperCollins, $26.99.) Cash's novel revisits a 1929 textile union strike that turned deadly; his heroine is based on a real-life union organizer and folk singer now mostly lost to history. CATAPULT: Stories, by Emily Fridlund. (Sarabande, paper, $16.95.) This powerhouse of a first collection - by an author whose debut novel, "History of Wolves," was a finalist for this year's Man Booker Prize - is notable for its deft mix of humor and insight. The full reviews of these and other recent books are on the web: nytimes.com/books
Library Journal Review
This third novel from a promising young voice in Southern fiction (A Land More Kind Than Home) concerns a North Carolina woman's fight for workers' rights. By 1929, 28-year-old Ella May Wiggins has had four children, the eldest of whom watches the others while their mother works nights at American Mill No. 2 as a spinner, and a husband who disappeared shortly after a fifth child died in infancy. Hearing of a rally in nearby Gastonia advocating a minimum wage and a 40-hour workweek, Ella May sees no choice but to attend. When asked to speak about mill conditions, she instead delivers a moving song of her own creation, becoming the face of the union struggle-and a target for anti-Communists. As in his previous books, Cash uses various voices from different periods to tell his story, here including a mill owner, a train porter, and Ella May's elderly daughter reflecting on her mother's complicated legacy in 2005. He writes with earnestness and great sympathy but reveals the outcome early, taking the bite out of the story's climax. VERDICT Admirers of Ron Rash's Serena and its Appalachian setting will find much to like here. [See Prepub Alert, 4/10/17.]-Michael Pucci, South Orange P.L., NJ © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
