So you want to talk about race
Title:
So you want to talk about race
Author:
Physical Description:
10 books in 1 cloth bag (xvi, 255 pages ; 21 cm.) ; 37 x 46 cm. + 1 reading group guide folder.
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General Note:
A cloth bag containing 10 copies of the title and a folder with miscellaneous notes, discussion questions, biographical information, and reading lists to assist book group discussion leaders.
Contents:
Introduction -- Is it really about race? -- What is racism? -- What if I talk about race wrong? -- Why am I always being told to "check my privilege?" -- What is intersectionality and why do I need it? -- Is police brutality really about race? -- How can I talk about affirmative action? -- What is the school-to-prison pipeline? -- Why can't I say the "N" word? -- What is cultural appropriation? -- Why can't I touch your hair? -- What are microaggressions? -- Why are our students so angry? -- What is the model minority myth? -- But what if I hate Al Sharpton -- I just got called racist, what do I do now? -- Talking is great, but what else can I do?
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Summary:
A current, constructive, and actionable exploration of today's racial landscape, offering straightforward clarity that readers of all races need to contribute to the dismantling of the racial divide. In So You Want to Talk About Race, Editor at Large of The Establishment, Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans. Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned, and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates and Roxane Gay, and Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay "The Meaning of a Word."--
