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Summary
Summary
A Caldecott Medal Winner
From the acclaimed author of the classic book The Phantom Tollbooth comes a love song to that special relationship between grandparents and grandchild, illustrated by a multi-Caldecott recipient.
The kitchen window at Nanna and Poppy's house is, for one little girl, a magic gateway. Everything important happens near it, through it, or beyond it. The world for this little girl will soon grow larger and more complex, but never more enchanting or deeply felt. Her story is both a voyage of discovery and a celebration of the commonplace wonders that define childhood, expressed as a joyful fusion of text with evocative and exuberant art that garnered the highest honor in children's book illustration in 2006.
Author Notes
Norton Juster was the author of a number of children's books, including the contemporary classic The Phantom Tollbooth , illustrated by Jules Feiffer, as well as the sequel to The Hello, Goodbye Window and also illustrated by Chris Raschka, Sourpuss and Sweetie Pie . Formerly an architect by trade, he lived in Amherst, Massachusetts. Chris Raschka is the Caldecott Award-winning illustrator of The Hello, Goodbye Window and A Ball for Daisy . He also received a Caldecott Honor for Yo! Yes? and has written and illustrated numerous books for children, including several titles by bell hooks: Happy to Be Nappy , Skin Again , and Be Boy Buzz . A 2012 nominee for the Hans Christian Andersen Award, he lives in New York City.
Reviews (5)
Publisher's Weekly Review
Juster (The Phantom Tollbooth) crafts a cozy portrait of a grandchild and her grandparents in this endearing book, illustrated in paintbox colors by Raschka (Be Boy Buzz). A curly haired girl-who dances with wiggly energy in Raschka's lush paintings-describes playful visits to her Nanna and Poppy, whose kitchen window provides the perfect venue to say hello and goodbye. "You can climb up on the flower barrel and tap," she says, "then duck down and they won't know who did it." Her grandparents welcome her into a sunlit, spacious kitchen filled with plants, where she doodles and listens to Poppy play "Oh, Susannah" on the harmonica. At night, the "Hello, Goodbye Window" functions as a mirror, and the girl jokes about being outside looking in: "Poppy says, `What are you doing out there? You come right in and have your dinner.' And I say, `But I'm here with you, Poppy,' and then he looks at me in his funny way." Juster departs from the over-the-top punning of his earlier works to create a gently humorous account of a family's conversations and games, all centered on the special window. Raschka warms the pages with glowing yellow, emerald, sapphire and golden brown, and he pictures the garden and trees in emphatic midsummer greens. The characters smile at one another with a doting twinkle in their eyes, and grandparents especially will be charmed by this relaxed account of how a child's visit occasions everyday magic. Ages 2-up. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Preschool) ""Nanna and Poppy live in a big house in the middle of town."" In Juster's paean to loving grandparents, the young narrator relates the small, comforting routines she shares with her grandparents when she visits, from coloring at the kitchen table to counting stars with Nanna to finding all the raisins Poppy hides in her breakfast oatmeal. The quiet, gently humorous first-person narrative presents a very young child's worldview (""when I get tired I...take my nap and nothing happens until I get up""); occasionally, an adult perspective intrudes (""You can be happy and sad at the same time, you know. It just happens that way sometimes""). The familial love that is Juster's subtext finds overt expression, spectacularly, in Raschka's illustrations -- lush mixed-media creations saturated in watercolor and pastel crayon and set off perfectly by white space. In paintings that are freewheeling yet controlled, Raschka incorporates tight circular scribbles (for the little girl's and Nanna's hair, for bushes, for clouds), solid shapes (for furniture, for floors); thick strokes of watercolor (for trees, for the door that separates the little girl and her grandparents when her parents come to take her home); and a black line that outlines occasional objects -- everything from Poppy's glasses to electrical outlets to a flower Nanna picks. A varied layout, balancing exterior and interior landscapes with smaller character vignettes, helps sustain the book's energy. Say hello to Raschka at the top of his form. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
PreS-Gr. 2. Two well-known names come together in a book that speaks to the real lives of children and their experiences. The young narrator visits her grandparents, Nanna and Poppy, in their big house. They explore Nanna's garden, and Poppy plays his harmonica. The narrator rides her bike and takes a nap, and nothing happens till I get up. Looking out the picture window, the hello, goodbye window, she sees the pizza guy, and, more fancifully, a dinosaur. She also spots her parents coming to pick her up. The curly-haired girl is happy to see them, but sad because it means the end of the visit. The window imagery is less important than the title would make it seem. More intrinsic is Juster's honest portrayal of a child's perceptions (a striped cat in the yard is a tiger) and emotions (being happy and sad at the same time just happens that way sometimes ). Raschka's swirling lines, swaths, and dabs of fruity colors seem especially vibrant, particularly in the double-page spreads, which have ample room to capture both the tender moments between members of the interracial family and the exuberance of spending time in the pulsating outdoors, all flowers, grass, and sky. --Ilene Cooper Copyright 2005 Booklist
School Library Journal Review
PreS-Gr 1-The window in Nanna and Poppy's kitchen is no ordinary window-it is the place where love and magic happens. It's where the girl and her doting grandparents watch stars, play games, and, most importantly, say hello and goodbye. The first-person text is both simple and sophisticated, conjuring a perfectly child-centered world. Sentences such as "When I get tired I come in and take my nap and nothing happens until I get up" typify the girl's happy, imaginative world. While the language is bouncy and fun, it is the visual interpretation of this sweet story that sings. Using a bright rainbow palette of saturated color, Raschka's impressionistic, mixed-media illustrations portray a loving, mixed-race family. The artwork is at once lively and energetic, without crowding the story or the words on the page; the simple lines and squiggles of color suggest a child's own drawings, but this is the art of a masterful hand. Perfect for lap-sharing, this book will find favor with children and adults alike.-Angela J. Reynolds, Washington County Cooperative Library Services, Hillsboro, OR (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
On the title page, a little girl springs away from her parents; turn the page, and the reader sees only her arms on the gate, the reader taking her perspective as she looks over to the white clapboard house where her Nanna and Poppy's faces stare equally eagerly out of the Hello, Goodbye Window. The exuberant tot proceeds to spend a thoroughly idyllic overnight with her loving grandparents, the stay punctuated by a harmonica serenade, a bike ride ("Not in the street, please") and a nap. Juster adopts the voice of the child, whose present-tense narration is just right, describing pleasures (saying good night to the stars) and perils (the tiger at the back of the garden) with a steady, sweet candor. Raschka's mixed-media illustrations are characteristically loose and energetic, depicting this happy, biracial family with jewel tones and extravagant swirls. As the little girl unwinds at the end of the stay, she imagines the many possible visitors who might come to the Hello, Goodbye Window--but no one is more happily welcomed than her parents, who pick her up after her picture-perfect day. (Picture book. 3-7) Copyright ©Kirkus Reviews, used with permission.
