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Summary
Summary
#1 NEW YORK TIMES BESTSELLER * Millions of people have fallen in love with Auggie Pullman, an ordinary boy with an extraordinary face -- who shows us that kindness brings us together no matter how far apart we are. Read the book that inspired the Choose Kind movement, a major motion picture, and the critically acclaimed graphic novel White Bird.
And don't miss R.J. Palacio's highly anticipated new novel, Pony, available now!
I won't describe what I look like. Whatever you're thinking, it's probably worse.
August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid--but his new classmates can't get past Auggie's extraordinary face. Beginning from Auggie's point of view and expanding to include his classmates, his sister, her boyfriend, and others, the perspectives converge to form a portrait of one community's struggle with empathy, compassion, and acceptance. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope.
R.J. Palacio has called her debut novel "a meditation on kindness" --indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can't blend in when you were born to stand out.
Author Notes
R. J. Palacio is a graphic designer and book jacket designer. She is the author of Wonder, 365 Days of Wonder: Mr. Browne's Book of Precepts, and Auggie and Me: Three Wonder Stories.
(Bowker Author Biography)
Reviews (7)
Guardian Review
"'Yeah, it's no big deal,' he said casually. 'The main thing I have is this thing called man-bi-du-lo-facial dys-os-tosis - which took me forever to learn how to pronounce, by the way. But I also have this other syndrome thing that I can't even pronounce. And these things kind of just morphed together into one big superthing, which is so rare they don't even have a name for it. I mean, I don't want to brag or anything, but I'm actually considered something of a medical wonder, you know.' He smiled. 'That was a joke,' he said. 'You can laugh.'" It is curious how the gravity of serious subjects can be best expressed through humour. Comedy humanises: the light touch gives weight. It's a tactic RJ Palacio has used to great effect in her remarkable story of a year in the life of 10-year-old August Pullman, a boy without a "normal" face. "I won't describe what I look like. Whatever you're thinking, it's probably worse." As the book opens, he has just agreed - after years of home-schooling and despite his understandable anxiety - to attend a regular school. After encountering ignorance, discrimination and hostility, the sweet-natured Auggie will gradually win sympathy and acceptance, and ultimately triumph over circumstances. Wonder does not depart from this basic model. All the more impressive, then, that it finds ways to make the story hugely compelling as well as moving. It makes ordinary things extraordinary. Simple events of the school year - Halloween, science projects - become unpredictable dramas, some desperately upsetting, some triumphantly joyful. But more striking still, it makes the extraordinary ordinary again, allowing the "Freak" to become Auggie Pullman, a kid at a school. There are technical reasons for this success. The radically short chapters inject speed into the narrative and keep the focus on telling incidentals. The decision to tell the story from the perspectives of several characters opens up startling new views on Auggie and shifts him from centre stage to where he much more interestingly belongs - among his peers. It's a pity, perhaps, that Palacio didn't give voice to Auggie's worst tormenter, the stuck-up bully Julian Albans, but there are terrific contributions from Jack, who has problems becoming Auggie's best friend; Via, Auggie's older sister, struggling with her first year of high school; and Miranda, Via's ex-best friend, who has powerful but barely understood feelings for Auggie. Each account is different but all are vivid. Palacio has a great ear for dialogue, a sharp eye for detail and an instinctive sense of comedy. All this makes her an expert chronicler of ordinariness - and this, paradoxically, is what makes her story of an extraordinary boy so wonderful. There is didacticism - perhaps inevitable - popping up in the quotations that open the sections and in the "precepts" of Mr Browne, the popular English teacher ("Your deeds are your monuments"), but it is done with a light touch. Wonder certainly delivers what it promises - an emotional roller-coaster ride in which tears, laughter and triumphant fist-pumping are mandatory. But it is better than that. In its assured simplicity and boldness (reminiscent - it seemed to me - of To Kill a Mockingbird), it also has the power to move hearts and change minds. Simon Mason's Moon Pie is published by David Fickling. To order Wonder for pounds 8.99 with free UK p&p call Guardian book service on 0330 333 6846 or go to guardian.co.uk/bookshop - Simon Mason There are technical reasons for this success. The radically short chapters inject speed into the narrative and keep the focus on telling incidentals. The decision to tell the story from the perspectives of several characters opens up startling new views on [Auggie Pullman] and shifts him from centre stage to where he much more interestingly belongs - among his peers. It's a pity, perhaps, that [RJ Palacio] didn't give voice to Auggie's worst tormenter, the stuck-up bully Julian Albans, but there are terrific contributions from Jack, who has problems becoming Auggie's best friend; Via, Auggie's older sister, struggling with her first year of high school; and Miranda, Via's ex-best friend, who has powerful but barely understood feelings for Auggie. Each account is different but all are vivid. Palacio has a great ear for dialogue, a sharp eye for detail and an instinctive sense of comedy. All this makes her an expert chronicler of ordinariness - and this, paradoxically, is what makes her story of an extraordinary boy so wonderful. - Simon Mason.
Kirkus Review
(Fiction. 8-14)]] Copyright Kirkus Reviews, used with permission.
Horn Book Review
"The universe was not kind to Auggie Pullman." Auggie was born with a facial anomaly: his face sags; his eyes are asymmetrical, below the expected placement, and bulging; his oversized nose protrudes; and he lacks ears, eyebrows, eyelashes, and cheekbones. Having been homeschooled all his life, this fifth-grader is now entering school for the first time -- going, as his dad says, "like a lamb to the slaughter." Auggie is used to people looking away, or even recoiling, when they see him, and he's well aware of some of the names he's called: "Rat boy. Freak. Monster. Freddy Krueger. E.T. Gross-out. Lizard face. Mutant." First novelist Palacio shows readers Auggie's feelings and, in various chapters from multiple narrators (his sister and various classmates, for example), how others react to him. But there's also a lot of telling; as in, we're told Auggie is a lot of fun. What we're shown is that he makes a host of self-depreciating remarks, but these comments don't a fun guy make, and they render his characterization fairly one-dimensional. As Auggie seeks friends, we are told how desperately he wants them but little, beyond being the object of kindness, of what he might offer in return. Still, this novel is a heartbreaker, and one that for many readers may redefine bravery in the face of adversity. betty carter (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
School Library Journal Review
August, nicknamed Auggie, is a 10-year-old with a facial deformity that causes others to avoid and even shun him. When he enters a mainstream school, Auggie must learn to cope with difficult new situations and new people. The narrative is told from the perspectives of Auggie, his new friends, his sister, and her boyfriend. Steele's Auggie is raspy, quick, and delivered in a conversational tone, while Rudd and Podehl give a full range of vocal performances that bring the remaining characters to full light. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Auggie Pullman was born with severe facial deformities-no outer ears, eyes in the wrong place, his skin "melted"-and he's learned to steel himself against the horrified reactions he produces in strangers. Now, after years of homeschooling, his parents have enrolled him in fifth grade. In short chapters told from various first-person perspectives, debut author Palacio sketches his challenging but triumphant year. Though he has some expectedly horrible experiences at school, Auggie has lucked out with the adults in his life-his parents love him unconditionally, and his principal and teachers value kindness over all other qualities. While one bully manages, temporarily, to turn most of Auggie's classmates against him (Auggie likens this to becoming the human equivalent of "the Cheese Touch," a clever Diary of a Wimpy Kid reference), good wins out. Few first novels pack more of a punch: it's a rare story with the power to open eyes-and hearts-to what it's like to be singled out for a difference you can't control, when all you want is to be just another face in the crowd. Ages 8-12. Agent: Alyssa Eisner Henkin, Trident Media Group. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
*Starred Review* Kids' books about befriending somebody different could fill a library. But this debut novel rises to the top through its subtle shifting of focus to those who are normal, thereby throwing into doubt presumptions readers may have about any of the characters. Nominally, the story is about 10-year-old August, a homeschooled boy who is about to take the plunge into a private middle school. Even 27 operations later, Auggie's face has what doctors call anomolies; Auggie himself calls it my tiny, mushed-up face. He is gentle and smart, but his mere physical presence sends the lives of a dozen people into a tailspin: his sister, his old friends, the new kids he meets, their parents, the school administrators the list goes on and on. Palacio's bold move is to leave Auggie's first-person story to follow these increasingly tangential characters. This storytelling strategy is always fraught with peril because of how readers must refresh their interest level with each new section. However, much like Ilene Cooper's similarly structured Angel in My Pocket (2011), Palacio's novel feels not only effortless but downright graceful, and by the stand-up-and-cheer conclusion, readers will be doing just that, and feeling as if they are part of this troubled but ultimately warm-hearted community.--Kraus, Daniel Copyright 2010 Booklist
New York Review of Books Review
BORN with several genetic abnormalities, 10-year-old August Pullman, called Auggie, dreams of being "ordinary." Inside, he knows he's like every other kid, but even after 27 surgeries, the central character of "Wonder" bears facial disfigurations so pronounced that people who see him for the first time do "that look-away thing" - if they manage to hide their shock and horror. "Whatever you're thinking, it's probably worse," he says of his face as the book begins. He's used to the stares and mean comments, but he's still terrified to learn that his parents have gotten him into middle school at Beecher Prep and want him to go there rather than be home-schooled. But they persuade him to give it a try -and by the time this rich and memorable first novel by R. J. Palacio is over, it's not just Auggie but everyone around him who has changed. Stories about unusual children who long to fit in can be particularly wrenching. At their core lurks a kind of loneliness that stirs primal fears of abandonment and isolation. But Palacio gives Auggie a counterweight to his problems: He has the kind of warm and loving family many "normal" children lack. Among their - and the book's - many strengths, the Pullmans share the, um, earthy sense of humor that all kids love. Over the years his parents, Nate and Isabel, have turned the disturbing story of Auggie's birth into high comedy involving a flatulent nurse who fainted at the sight of him, and they persuade him to go to Beecher by riffing hilariously on the name of the school's director, Mr. Tushman. It also helps that the Pullmans' world - they live in a town house in "the hippie-stroller capital of upper Upper Manhattan" - is the privileged, educated upper-middle class, that hotbed of parents who hover and micro-manage the lives of their perfectly fine children. It's somehow weirdly satisfying to see what happens when something actually alarming enters this zone of needless anxiety. Palacio carves a wise and refreshing path, suggesting that while even a kid like August has to be set free to experience the struggles of life, the right type of closeness between parents and children is a transformative force for good. But it's Auggie and the rest of the children who are the real heart of "Wonder," and Palacio captures the voices of girls and boys, fifth graders and teenagers, with equal skill, switching narrators every few chapters to include Auggie's friends and his teenage sister, Via, who wrestles with her resentment, guilt and concern. "We circle around him like he's still the baby he used to be," she observes ruefully. And we see the vicious politics of fifth-grade popularity played out as the class bully targets Auggie and starts a campaign to shun him, culminating in an overnight school trip that turns scary and shuffles the social deck in ways no one could have imagined. While I sobbed several times during "Wonder," my 9-year-old daughter - who loved the book and has been pressing it on her friends - remained dry-eyed. She didn't understand why I thought Auggie's situation might upset her. "I like kids who are different," she said. I realized that what makes her cry are stories in which children suffer because they have missing or neglectful parents and no one to take care of them. Perhaps Palacio's most remarkable trick is leaving us with the impression that Auggie's problems are surmountable in all the ways that count - that he is, in fact, in an enviable position. Maria Russo is a frequent contributor to the Book Review.
Excerpts
Excerpts
Ordinary I know I'm not an ordinary ten-year-old kid. I mean, sure, I do ordinary things. I eat ice cream. I ride my bike. I play ball. I have an XBox. Stuff like that makes me ordinary. I guess. And I feel ordinary. Inside. But I know ordinary kids don't make other ordinary kids run away screaming in playgrounds. I know ordinary kids don't get stared at wherever they go. If I found a magic lamp and I could have one wish, I would wish that I had a normal face that no one ever noticed at all. I would wish that I could walk down the street without people seeing me and then doing that look-away thing. Here's what I think: the only reason I'm not ordinary is that no one else sees me that way. But I'm kind of used to how I look by now. I know how to pretend I don't see the faces people make. We've all gotten pretty good at that sort of thing: me, Mom and Dad, Via. Actually, I take that back: Via's not so good at it. She can get really annoyed when people do something rude. Like, for instance, one time in the playground some older kids made some noises. I don't even know what the noises were exactly because I didn't hear them myself, but Via heard and she just started yelling at the kids. That's the way she is. I'm not that way. Via doesn't see me as ordinary. She says she does, but if I were ordinary, she wouldn't feel like she needs to protect me as much. And Mom and Dad don't see me as ordinary, either. They see me as extraordinary. I think the only person in the world who realizes how ordinary I am is me. My name is August, by the way. I won't describe what I look like. Whatever you're thinking, it's probably worse. Why I Didn't Go to School Next week I start fifth grade. Since I've never been to a real school before, I am pretty much totally and completely petrified. People think I haven't gone to school because of the way I look, but it's not that. It's because of all the surgeries I've had. Twenty-seven since I was born. The bigger ones happened before I was even four years old, so I don't remember those. But I've had two or three surgeries every year since then (some big, some small), and because I'm little for my age, and I have some other medical mysteries that doctors never really figured out, I used to get sick a lot. That's why my parents decided it was better if I didn't go to school. I'm much stronger now, though. The last surgery I had was eight months ago, and I probably won't have to have any more for another couple of years. Mom homeschools me. She used to be a children's-book illustrator. She draws really great fairies and mermaids. Her boy stuff isn't so hot, though. She once tried to draw me a Darth Vader, but it ended up looking like some weird mushroom-shaped robot. I haven't seen her draw anything in a long time. I think she's too busy taking care of me and Via. I can't say I always wanted to go to school because that wouldn't be exactly true. What I wanted was to go to school, but only if I could be like every other kid going to school. Have lots of friends and hang out after school and stuff like that. I have a few really good friends now. Christopher is my best friend, followed by Zachary and Alex. We've known each other since we were babies. And since they've always known me the way I am, they're used to me. When we were little, we used to have playdates all the time, but then Christopher moved to Bridgeport in Connecticut. That's more than an hour away from where I live in North River Heights, which is at the top tip of Manhattan. And Zachary and Alex started going to school. It's funny: even though Christopher's the one who moved far away, I still see him more than I see Zachary and Alex. They have all these new friends now. If we bump into each other on the street, they're still nice to me, though. They always say hello. I have other friends, too, but not as good as Christopher and Zack and Alex were. For instance, Zack and Alex always invited me to their birthday parties when we were little, but Joel and Eamonn and Gabe never did. Emma invited me once, but I haven't seen her in a long time. And, of course, I always go to Christopher's birthday. Maybe I'm making too big a deal about birthday parties. How I Came to Life I like when Mom tells this story because it makes me laugh so much. It's not funny in the way a joke is funny, but when Mom tells it, Via and I just start cracking up. So when I was in my mom's stomach, no one had any idea I would come out looking the way I look. Mom had had Via four years before, and that had been such a "walk in the park" (Mom's expression) that there was no reason to run any special tests. About two months before I was born, the doctors realized there was something wrong with my face, but they didn't think it was going to be bad. They told Mom and Dad I had a cleft palate and some other stuff going on. They called it "small anomalies." There were two nurses in the delivery room the night I was born. One was very nice and sweet. The other one, Mom said, did not seem at all nice or sweet. She had very big arms and (here comes the funny part), she kept farting. Like, she'd bring Mom some ice chips, and then fart. She'd check Mom's blood pressure, and fart. Mom says it was unbelievable because the nurse never even said excuse me! Meanwhile, Mom's regular doctor wasn't on duty that night, so Mom got stuck with this cranky kid doctor she and Dad nicknamed Doogie after some old TV show or something (they didn't actually call him that to his face). But Mom says that even though everyone in the room was kind of grumpy, Dad kept making her laugh all night long. When I came out of Mom's stomach, she said the whole room got very quiet. Mom didn't even get a chance to look at me because the nice nurse immediately rushed me out of the room. Dad was in such a hurry to follow her that he dropped the video camera, which broke into a million pieces. And then Mom got very upset and tried to get out of bed to see where they were going, but the farting nurse put her very big arms on Mom to keep her down in the bed. They were practically fighting, because Mom was hysterical and the farting nurse was yelling at her to stay calm, and then they both started screaming for the doctor. But guess what? He had fainted! Right on the floor! So when the farting nurse saw that he had fainted, she started pushing him with her foot to get him to wake up, yelling at him the whole time: "What kind of doctor are you? What kind of doctor are you? Get up! Get up!" And then all of a sudden she let out the biggest, loudest, smelliest fart in the history of farts. Mom thinks it was actually the fart that finally woke the doctor up. Anyway, when Mom tells this story, she acts out all the parts--including the farting noises--and it is so, so, so, so funny! Mom says the farting nurse turned out to be a very nice woman. She stayed with Mom the whole time. Didn't leave her side even after Dad came back and the doctors told them how sick I was. Mom remembers exactly what the nurse whispered in her ear when the doctor told her I probably wouldn't live through the night: "Everyone born of God overcometh the world." And the next day, after I had lived through the night, it was that nurse who held Mom's hand when they brought her to meet me for the first time. Mom says by then they had told her all about me. She had been preparing herself for the seeing of me. But she says that when she looked down into my tiny mushed-up face for the first time, all she could see was how pretty my eyes were. Mom is beautiful, by the way. And Dad is handsome. Via is pretty. In case you were wondering. Excerpted from Wonder by R. J. Palacio All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
