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Summary
Summary
In his new novel, Paulo Coelho, bestselling author of The Alchemist and Adultery , brings to life one of history's most enigmatic women: Mata Hari.
HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN
When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city.
As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era's richest and most powerful men.
But as paranoia consumed a country at war, Mata Hari's lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage.
Told in Mata Hari's voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.
Author Notes
Paulo Coelho was born in Rio de Janeiro, Brazil on August 24, 1947. As a teenager, he wanted to become a writer, but his parents wanted him to pursue a more substantial and secure career. At the age of 17, his introversion and opposition to his parents led them to commit him to a mental institution. He escaped three times before being released at the age of 20. Once released, he abandoned his ideas of becoming a writer and enrolled in law school to please his parents. He stayed in law school for one year.
In 1986, Coelho walked the 500-plus mile Road of Santiago de Compostela in northwestern Spain, a turning point in his life. On the path, he had a spiritual awakening, which he described in his book The Pilgrimage.
Before becoming a full-time author, he worked as theatre director and actor, lyricist, and journalist. He wrote song lyrics for many famous performers in Brazilian music including Elis Regina, Rita Lee, and Raul Seixas. His first book, Hell Archives, was published in 1982. He has written over 25 books since then including The Alchemist, Brida, The Fifth Mountain, The Devil and Miss Prym, Eleven Minutes, The Zahir, The Witch of Portobello, Like a Flowing River, and Adultery. He received numerous awards including Las Pergolas Prize, The Budapest Prize, Nielsen Gold Book Award, and the Grand Prix Litteraire Elle. In 1996, he founded the Paulo Coelho Institute, which provides aid to children and elderly people with financial problems. In 2007, Coelho was named a Messenger of Peace to the United Nations.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Coelho's striking novel about Margaretha Zelle, aka Mata Hari, the Dutch courtesan and "exotic" dancer who was executed in 1917 for treason and in all likelihood was innocent, unfolds through letters to her lawyer that she hopes will be given to her daughter if she is killed. Smooth, assured writing reveals a woman who refuses to be a victim: "someone who moved forward with courage, fearlessly paying the price she had to pay." She was raped by her headmaster at school and abused by her husband (a Dutch military officer), and she retaliated by exploiting the European love of the mysterious Orient through her "Eastern" veil dances. Although the novel is not Coelho's strongest work, the ending is brilliant in its irony, and throughout, he displays an ability to inhabit her voice. Through the letters, he illustrates the difficulties of being an independent woman in that time and place. By the end, readers will believe they've read Zelle's actual letters. (Nov.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Coelhos (Adultery, 2014, etc.) novel about Mata Hari, the notorious and (in all likelihood) falsely accused World War I spy, hews closely to the facts.A prologue reveals what we already know from history: Mata Hari was executed by firing squad in Paris on Oct. 15, 1917. The rest of the book consists of Matas fictional letter to her defense attorney, M. Clunet, written while on death row in the Saint-Lazare prison, and a similarly speculative letter of regret by Clunet. Mata cynically and philosophically details her bare-bones autobiography: she was born Margaretha Zelle to a bourgeois family in Holland. Raped by a school principal at 16, she is desperate to escape school and Holland: this she achieves by marrying a Dutch army captain and moving to Indonesia. The officer beats and sexually abuses her for years, until another military wifes suicide and a performance by Javanese dancers inspire Margaretha to rebel and return to Europe. Making her way to Paris, she introduces herself as Mata Hari to an impresario, Monsieur Guimet, who invites her to premiere her acta spectacle that combines Java-esque dance moves and strip teaseat his museum. Her performances, a mlange of titillation and sophistication, quickly catapult her to fame in the priciest nightclubs; soon she's the toast of Paris. With this go riches accumulated as the mistress of wealthy industrialists and bankers. Living only for pleasure, Mata is oblivious to the approaching hostilities of the Great War, so when she is invited to perform in Berlin, she goes without hesitation only to find that she is being recruited as a spy for the kaiser. What follows is a grim comedy of errors as Mata, after traveling back to Paris through a war zone, offers her services to France as a double agent. Unfortunately, her French handler has a hidden agenda. The absurdity of the charges against Mata Hari comes through clearly, but even as she tells her own story we never get a sense of her humanity, only her various personas and masks. A sympathetic but sketchy portrait of a legend. Copyright Kirkus Reviews, used with permission.
Booklist Review
The upcoming centenary of Mata Hari's controversial execution has sparked renewed interest in the notorious dancer, courtesan, and possible spy. Michelle Moran wrote a novel about her, Mata Hari's Last Dance (2016). Now the beloved Coelho (Manuscript Found in Accra, 2013) detours from his mystical path, providing a more traditional, yet still philosophical, fictional memoir of a woman who paid the ultimate price for daring to defy convention in a time and a place where a war was raging, and justice was consequently distorted. Drawing parallels with the French Revolution, Coelho uses Mata Hari's story to illustrate how an individual's fate can be caught up in the effort by the powers-that-be to distract the public from the horrific realities of their circumstances. Narrated in a last letter sharing her life story, Mata Hari's fascinating past unfolds in matter-of-fact detail, culminating in her execution on charges of espionage. As an independent woman living life by her own rules, she is ultimately condemned by a society not only seeking diversion but also determined to punish her audacity. HIGH-DEMAND BACKSTORY: Coelho has a tremendous and loyal following, and his latest will also attract historical fiction fans and those intrigued by Mata Hari's eternal allure.--Flanagan, Margaret Copyright 2016 Booklist
Library Journal Review
In two recent works of historical fiction, this novel and Michelle Moran's Mata Hari's Last Dance, the authors imply that Mata Hari was unjustly convicted and executed as a spy. Mata Hari was born -Margaretha Zelle in Leeuwarden, Netherlands, in 1876, and made a career as an exotic dancer and courtesan. Coehlo's narrative device is a last letter from her to her daughter, explaining her sensational life and proclaiming her innocence. Zelle is an interesting character and a good subject for examining the society, customs and prejudices that led to World War I and her arrest for espionage. As relatively few facts are known of Zelle's personal life, Coelho is free to speculate as to her motivations and relationships with notables of the time. An excellent reading by Hillary Huber and Paul Boehmer add nuance and depth. VERDICT Recommended for adult audio collections.-Cliff Glaviano, formerly with Bowling Green State Univ. Libs., OH © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Part I Dear Mr. Clunet, I do not know what will happen at the end of this week. I have always been an optimistic woman, but time has left me bitter, alone, and sad. If things turn out as I hope, you will never receive this letter. I'll have been pardoned. After all, I spent my life cultivating influential friends. I will hold on to the letter so that, one day, my only daughter might read it to find out who her mother was. But if I am wrong, I have little hope that these pages, which have consumed my last week of life on Earth, will be kept. I have always been a realistic woman and I know that, once a case is settled, a lawyer will move on to the next one without a backward glance. I can imagine what will happen after. You will be a very busy man, having gained notoriety defending a war criminal. You will have many people knocking at your door, begging for your services, for, even defeated, you attracted huge publicity. You will meet journalists interested to hear your version of events, you will dine in the city's most expensive restaurants, and you will be looked upon with respect and envy by your peers. You will know there was never any concrete evidence against me--only documents that had been tampered with--but you will never publicly admit that you allowed an innocent woman to die. Innocent? Perhaps that is not the right word. I was never innocent, not since I first set foot in this city I love so dearly. I thought I could manipulate those who wanted state secrets. I thought the Germans, French, English, Spanish would never be able to resist me--and yet, in the end, I was the one manipulated. The crimes I did commit, I escaped, the greatest of which was being an emancipated and independent woman in a world ruled by men. I was convicted of espionage even though the only thing concrete I traded was the gossip from high-society salons. Yes, I turned this gossip into "secrets," because I wanted money and power. But all those who accuse me now know I never revealed anything new. It's a shame no one will know this. These envelopes will inevitably find their way to a dusty file cabinet, full of documents from other proceedings. Perhaps they will leave when your successor, or your successor's successor, decides to make room and throw out old cases. By that time, my name will have been long forgotten. But I am not writing to be remembered. I am attempting to understand things myself. Why? How is it that a woman who for so many years got everything she wanted can be condemned to death for so little? At this moment, I look back at my life and realize that memory is a river, one that always runs backward. Memories are full of caprice, where images of things we've experienced are still capable of suffocating us through one small detail or insignificant sound. The smell of baking bread wafts up to my cell and reminds me of the days I walked freely in the cafés. This tears me apart more than my fear of death or the solitude in which I now find myself. Memories bring with them a devil called melancholy--oh, cruel demon that I cannot escape. Hearing a prisoner singing, receiving a small handful of letters from admirers who were never among those who brought me roses and jasmine flowers, picturing a scene from some city I didn't appreciate at the time. Now it's all I have left of this or that country I visited. The memories always win, and with them comes a demon that is even more terrifying than melancholy: remorse. It's my only companion in this cell, except when the sisters decide to come and chat. They do not speak about God, or condemn me for what society calls my "sins of the flesh." Generally, they say one or two words, and the memories spout from my mouth, as if I wanted to go back in time, plunging into this river that runs backward. One of them asked me: "If God gave you a second chance, would you do anything differently?" I said yes, but really, I do not know. All I know is that my current heart is a ghost town, one populated by passions, enthusiasm, loneliness, shame, pride, betrayal, and sadness. I cannot disentangle myself from any of it, even when I feel sorry for myself and weep in silence. I am a woman who was born at the wrong time and nothing can be done to fix this. I don't know if the future will remember me, but if it does, may it never see me as a victim, but as someone who moved forward with courage, fearlessly paying the price she had to pay. Excerpted from The Spy by Paulo Coelho All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
