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Summary
Summary
New York Times best-selling author Mary Jane Clark, a writer and producer for CBS News, brings an insider's perspective to this suspenseful tale.When the controversial star of their top-rated morning news program dies, the KEY News team launches an investigation to uncover the truth. "Clark has perfected the suspense novel, where in classic Christie fashion, everyone is a potential suspect."-Booklist
Author Notes
Mary Jane Clark spent three decades at CBS News' New York City headquarters where she began her career as a desk assistant after graduating with degrees in journalism and political science from the University of Rhode Island. She worked her way through the ranks to become a producer and writer. she is the author of the successful series: Key News and Piper Donovan.
Her novels include: Do You Want to Know a Secret? Do You Promise Not to Tell? Let Me Whisper in Your Ear, Close to You, Nobody Knows, Nowhere to Run, Hide Yourself Away, Dancing in the Dark, Lights Out Tonight, When Day Breaks, It Only Takes a Moment, Dying for Mercy, To Have and to Kill, The Look of Love and Footprints in the Sand. (Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Bestseller Clark, a CBS News writer and producer for many years, does only a superficial job of portraying the behind-the-scenes backstabbing and intrigue at a major network in this first of a new series, a sequel of sorts to her KEY News thrillers (Lights Out Tonight, etc.). When Constance Young, a Katie Couric-like mega-news star, is found dead in her pool, New York evening news anchor Eliza Blake, producer Annabelle Murphy and cameraman B.J. D'Elia join forces with psychiatrist Margo Gonzalez to investigate. Young died on the eve of her debut as morning host on a rival network, and her selfish, abrasive personality made her many enemies, ranging from her former boss to a nerdy millionaire who stole a rare Arthurian ivory figurine in an effort to win her heart. Others have evoked this world more convincingly, notably the late Bill DeAndrea in his Matt Cobb series, and the sleuths miss an obvious clue that "any six-year-old" could have figured out, as one character concedes at the end. (June) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Clark's tenth continues her decorous TV-land carnage by killing off the well-hated co-anchor of KEY to America as she prepares to jump ship for the competition. After a chilling rehearsal that involves tossing a Great Dane and a toaster into a swimming pool, somebody gives Constance Young the same treatment the weekend before her planned debut on Daybreak. As usual in Clark (Dancing in the Dark, 2005, etc.), the suspect pool is as deep as the Yankees' bench. Constance's assistant, Boyd Irons, and her coworkers find her beyond high maintenance. Her housewife sister, Faith Hansen, resents her stinginess. Her beau, video-game czar Stuart Whitaker, is rattled because she won't return the unicorn amulet he filched from The Cloisters. Ex-Wall Street warrior Jason Vaughan is convinced that she's ruined his life. Luckily, KEY to America producer Annabelle Murphy, The KEY Evening Headlines anchor Eliza Blake and KEY cameraman B.J. D'Elia keep one step ahead of the benighted police, soon digging up the one and only clue to the killer, which Clark confidently displays a hundred pages before her truthbusters can figure out what it means. All right, so this isn't a world-class whodunit. What remains are the simple pleasures of dishing on media types as petty as your teenagers; stripping back the clichs of TV news to reveal the juicier clichs beneath; and knowing that you're not going to miss ten seconds of sleep over this carnival of crime. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
"Just as Constance Young was set to make the leap from the KEY network's national morning show to their competition, she is found dead at the bottom of her pool. Suspects abound: her sister, Faith, a stay-at-home mom who was caring for their ailing mother without much help from the very wealthy Constance; Boyd, her assistant at KEY who was the whipping boy for many degrading requests; Stuart, the spurned boyfriend who risked everything to treat Constance as his queen; Linus, the head of KEY News, who had molded Constance into the cheery morning host adored by millions, only to be betrayed by her leaving; Annabelle and D. J., her producer and cameraman, who put up with countless complaints about everything they did; Lauren, the new girl in town set to take over for Constance; and even Eliza, the beloved doyenne of the network, who had no tolerance for Constance's prima donna posturing. Clark knows this territory well, both as a best-selling author of formulaic but always readable mysteries and as a writer and producer for CBS News. For fans of light mysteries, the combination of network-news melodrama and a frothy whodunit plot should prove irresistible."--"Wilkens, Mary Frances" Copyright 2007 Booklist
Library Journal Review
Clark's talented media quartet unravels the death of a controversial costar of KEY News's top-ranking morning news program in this Morrow debut (prior titles in the series were published by St. Martin's). Clark lives in New Jersey. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
When Day Breaks Chapter One The morning rush was on. Breakfast eaten. Teeth brushed. Hair clipped. Shoes tied. Sweater buttoned. As she hustled Janie out to the garage, Eliza picked up her daughter's backpack. "Anything in here I should see?" Eliza asked. Janie's blank expression prompted Eliza to unzip the nylon bag. She pulled out a yellow sheet of paper. "Oh, yeah. You need to fill that out, Mommy," said Janie. "It's for the picnic." Eliza scanned the notice. The first-grade family picnic was coming up in a few weeks to celebrate the end of the school year. "This sounds like fun, sweetheart," said Eliza as she grabbed a pen from the kitchen counter. "Should we ask Kay Kay and Poppy if they want to come?" Janie shook her head, a solemn expression on her face. "No, Mommy. Mrs. Ansley says no grandparents or friends. It's only for parents and children." Thanks, Mrs. Ansley, thought Eliza. Thanks a lot. "I'm sure if I asked Mrs. Ansley, she'd let us bring Kay Kay and Poppy and even Mrs. Garcia," said Eliza. Janie shook her head. "Uh-uh. Mrs. Ansley says there's not enough room, and she can't make any 'ceptions." "Exceptions," Eliza corrected. "Exceptions," repeated Janie. "Mrs. Ansley says, 'No exceptions.'" Eliza didn't want to hear any more about what Mrs. Ansley had to say. She took the pen and signed her name to the form, filling in the appropriate information. One child. One adult. There were just two in the Blake family eligible to attend the first-grade picnic. Eliza hurried back to the house after dropping Janie off. She poured a second cup of coffee and positioned herself in front of the kitchen television set just in time. Constance Young was looking straight out of the screen, tears welling in her luminous blue eyes. "The years I've spent with all of you have meant more than I can possibly express. Each morning we've faced the world together. We've learned new things together, explored possibilities together, had some laughs together, and faced too many harsh realities together." Listening to the words coming from the television, Eliza found herself admiring Constance's beautifully cut green jacket and the lighting that accented her glowing skin and her ever-blonder hair. Eliza wondered if she should talk to the director about making some adjustments to the lighting on her own Evening Headlines set. She was definitely going to talk with Doris about upping the makeup magic to camouflage the darkness that inevitably developed beneath her eyes. In the last tapes Eliza had reviewed, there was no denying she'd appeared tired. When Eliza went from hosting KEY to America to anchoring The KEY Evening Headlines, she had been thrilled at the professional achievement and the privilege of becoming one of the select few to whom the national audience turned to deliver the news of the day. But the mother in her had also looked forward to a more civilized schedule. She wouldn't have to get up at 4:00 a.m. anymore. She could have breakfast with Janie and take her to school in the morning before leaving for work. Other mothers might sigh at the daily grind of transporting their kids to and from school, but Eliza--though she could well afford a driver--savored the normalcy of those car rides with her first-grader. As it turned out, the reality of the nightly anchor job was just as much study and homework and travel as she'd done in her previous position, and though Janie and she could share scrambled eggs in the morning, they never had dinner together during the week. Eliza considered it a good day when she was home in time to tuck her daughter into bed at night. Constance Young had replaced Eliza on KEY to America. And now Constance was leaving the highly rated morning program as well, but not for the evening broadcast or even another job at KEY News. Constance was going over to the competition. Next month she would be greeting morning viewers from another network. Today was her last appearance on KEY to America, and Eliza wanted to hear every word of the farewell address. "The news hasn't always been happy or predictable. Far from it. Sometimes the things we've confronted together have been almost impossible to wrap our minds around. But I've always felt that no matter how worrisome the event or how painful the news, gathering together each morning and sharing the issues and problems of the day has somehow lightened the load a bit. There has been reassurance in knowing that there are millions of us, all hearing the same thing at the same time, all digesting the same information. And because knowledge is power, we go out better prepared to face the day, better equipped to take care of our children and parents, abler to be better spouses and friends, more likely to be solid citizens." Pausing to dab a tear from the corner of her eye, Constance smiled bravely before continuing. "There are so many people I should thank. There just isn't enough time to name them all. But I do have to express my gratitude to Harry. He has been the best colleague anyone could ask for as we've sat at this desk together every morning, and I'll miss him more than I can say." The director cut to a two-shot of Constance and Harry Granger sitting beside each other. Constance leaned over and gave her cohost a kiss on the cheek. "And I wish the very best of luck to my successor, Lauren Adams, who has already been part of our KEY News family as our lifestyle correspondent. I know Lauren will do a wonderful job as host." Constance stared earnestly from the television. "The KEY to America family is just that--a family. It includes all the people you see on the screen each morning, countless people you don't see as they work so hard behind the scenes to get us on the air, and all of you, the viewers. Without you there would be no KEY to America. Because of you, KEY to America will go on and thrive. My departure is really only a tiny blip on the radar screen." Eliza smiled as she put her coffee cup down on the counter. If she hadn't known Constance Young and witnessed what had been going on over the last year, she would actually have believed that the popular morning-show personality meant every word. When Day Breaks . Copyright © by Mary Clark. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
