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Summary
Summary
A collection of classic and contemporary poems by Black authors selected by New York Times bestselling author and acclaimed poet Nikki Giovanni.
Immerse yourself in the heart and soul of African American literature with The 100 Best African American Poems. This diverse anthology offers a vibrant tapestry of voices that echoes centuries of struggle, triumph, and profound insight.
The 100 Best African American Poems is a riveting exploration of African American life, culture, and history, as seen through the lens of poetry. The anthology spans different periods and styles, showcasing the richness and variety of African American poetic expression.
From legendary poets like Langston Hughes and Maya Angelou to contemporary voices pushing the boundaries of poetic art, Giovanni's expertly curated selection provides a comprehensive view of the African American poetic tradition. Each poem is a lyrical journey that invites readers to engage with poignant themes, stirring narratives, and powerful emotions.
Key Features:
Diverse Voices: Includes works from a variety of poets, both legendary and contemporary, encompassing a broad spectrum of styles and themes. Cultural Journey: Embarks on a lyrical exploration of African American life, culture, and history. Comprehensive: Provides a panoramic view of African American poetic tradition, spanning different periods and movements. Engaging and Poignant: Invites readers to engage with thought-provoking themes and emotions.Author Notes
Nikki Giovanni is one of the most prominent black poets of her generation. Born on June 7, 1943, in Knoxville, Tenn., she graduated from Fisk University and later studied at Columbia University. Giovanni creates strongly written poems to convey messages of love, frustration, alienation, and the black experience. She gained national fame with the publication of Black Feeling, Black Talk, Black Judgement in 1970. Full of the spirit of the black community during this era, her works captured the anger and frustration of many of its members.
Giovanni has been the recipient of grants from both the National Endowment for the Arts and the Ford Foundation. She has taught English at Rutgers University, Ohio State University, and Queens College and has given frequent poetry readings. She is also known for several sound recordings of her poetry, including Truth Is On Its Way. She has also been a Professor of English at the Virginia Polytechnic Institute and State University.
(Bowker Author Biography)
Reviews (2)
Booklist Review
Go-to poet and reigning literary activist Giovanni admits in her introduction that she cheated : she just couldn't keep to that nice round number in the title. And who can blame her. As Giovanni enthuses in her peppy introduction, Poems are like . . . two scoops of chocolate ice cream . . . something everyone can enjoy. Her vivid and affecting selections add up to a complexly pleasurable anthology. The delight is in the musical, inventive, and vivid language; the astute insights and humor, passion and tenderness. But these are poems born of suffering and injustice, even as they reach for truth and wisdom. Margaret Walker Alexander's For My People sets the tone in its embrace of African American history, and well-known poets such as Gwendolyn Brooks, Lucille Clifton, Robert Hayden, and Kevin Young follow, along with many new voices, all treated equally, since no poet biographies are included. Langston Hughes asks, What happens to a dream deferred? Georgia Douglas Johnson answers, Dream your dream anew. Poets and other performers read 36 poems on the accompanying CD.--Seaman, Donna Copyright 2010 Booklist
Library Journal Review
Award-winning poet Giovanni selects over 100 poems, both classic and current, from such writers as Gwendolyn Brooks, Langston Hughes, and DJ Renegade. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
From the Introduction:
Poems are like clouds on a June morning or two scoops of chocolate ice cream on a sugar cone in August...something everyone can enjoy. Or maybe poems are your cold feet in December on your lover's back...he is in agony but he lets your feet stay...something like that requires a bit of love. Or could it be that poems are exactly like Santa Claus...the promise, the hope, the excitement of a reward, no matter how small, for a good deed done...or a mean deed from which we refrained. The promise of tomorrow. I don't know. It seems that poems are essential. Like football to Fall, baseball to Spring, tennis to Summer, love Anytime. Something you don't think too much about until it is in Season. Then you deliciously anticipate the perfection. African American poems are like all other poems: beautiful, loving, provocative, thoughtful, and all those other adjectives I can think of.
Poems know no boundaries. They, like all Earth citizens, were born in some country, grew up on some culture, then in their blooming became citizens of the Universe. Poems fly from heart to heart, head to head, to whisper a dream, to share a condolence, to congratulate, and to vow forever. The poems are true. They are translated and they are celebrated. They are sung, they are recited, they are delightful. They are neglected. They are forgotten. They are put away. Even in their fallow periods they sprout images. And fight to be revived. And spring back to life with a bit of sunshine and caring.
These poems, this book, admit I cheated. The idea of this and no more would simply not work for me. I needed these plus those. My mother's favorite poem by Robert Hayden, plus James Weldon Johnson beginning a world that included the longing of the unfree for a loving God. My own fun "Ego Tripping" reaching to embrace Margaret Walker's "For My People." "Train Rides" and "Nikki-Rosa" read by old and loving friends. But also the newness: Novella Nelson lending that sultry voice to the youngsters; Ruby Dee bringing her brilliance to the Gwendolyn Brooks cycle. My Virginia Tech Family wanted to participate: our president Dr. Charles Steger reading "The Negro Speaks of Rivers," recognizing all our souls "have grown deep like the rivers." We celebrate our Hips; we See A Negro Lady at a birthday celebration. Our friends from James Madison University and West Virginia University came to celebrate poetry with us, too. I love these poems so much. The only other thing I would have loved is Caroline Kennedy reading "A Clean Slate."
At the end of a loving day of laughter in Jeff Dalton's studio, when Clinton's makeup had taken forty years off some of us and twenty-five off others, we all came together with one last great cry: the Dean of our College; the Director of Honors; young, old, professional, professor, and recited in one great voice "We Real Cool." Yeah. We are. This book says Poetry Is For Everyone. What a Treat to be Snowbound with The 100* Best African American Poems (*but I cheated).
I did cheat.
It's true.
But I did not lie.
Nikki Giovanni
Poet
12 December 2009
Table of Contents
| Dedication: The Aunt | p. xxi |
| Track 1Mari Evans | |
| 1 For My People | p. 1 |
| Track 2 Margaret Walker | |
| 2 Leroy | p. 3 |
| 3 Ars Poetica: Nov. 7, 2008 | p. 4 |
| 4 Ka'Ba | p. 8 |
| 5 When You Have Forgotten Sunday: The Love Story | p. 9 |
| Track 3 Gwendolyn Brooks | |
| 6 The Sermon on the Warpland | p. 11 |
| Track 4 Gwendolyn Brooks | p. 12 |
| Track 5 Gwendolyn Brooks | |
| 7 Jazz Baby Is It In You | p. 13 |
| "I Fade Into the Night" | p. 14 |
| 8 Old Lem | p. 15 |
| Track 6 Sterling A. Brown | |
| 9 I Am Accuse of Tending to the Past | p. 17 |
| Track 7 Lucille Clifton | |
| 10 I Am A Black Woman | p. 18 |
| Track 8 Mari Evans | |
| 11 Who Can Be Born Black? | p. 20 |
| Track 9 Mari Evans | |
| 12 Nikka-Rosa | p. 21 |
| Track 10 Nikki Giovanni | |
| 13 Knoxville, Tennessee | p. 23 |
| Track 11 Nikki Giovanni | |
| 14 The Dry Spell | p. 24 |
| Track 12 Kevin Young | |
| 15 Those Winter Sundays | p. 26 |
| Tracks 13 & 14 Robert Hayden | |
| 16 Frederic Douglass | p. 27 |
| 17 The Negro Speaks of Rivers | p. 28 |
| Track 15 Langston Hughes | |
| 18 Choosing the Blues | p. 29 |
| 19 My Father's Love Letters | p. 30 |
| 20 The Creation | p. 32 |
| Track 16 James Weldon Johnson | |
| 21 A Negro Love Song | p. 36 |
| 22 Lift Every Voice and Sing | p. 37 |
| 23 Go Down Death | p. 39 |
| 24 Between Ourselves | p. 42 |
| 25 The Union of Two | p. 45 |
| 26 Ballad of Birmingham | p. 46 |
| 27 A Poem to Complement Other Poems | p. 48 |
| 28 No Images | p. 51 |
| 29 Between the World and Me | p. 52 |
| 30 Theme for English B | p. 54 |
| 31 Â Harlem Suite | p. 56 |
