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Summary
Summary
A powerful imagining by two Native creators of a first encounter between two very different people that celebrates our ability to acknowledge difference and find common ground--with art by New York Times bestselling illustrator and Caldecott Medalist Michaela Goade
Based on the real journal kept by French explorer Jacques Cartier in 1534, Encounter imagines a first meeting between a French sailor and a Stadaconan fisher. As they navigate their differences, the wise animals around them note their similarities, illuminating common ground.
This extraordinary imagining by Brittany Luby, Professor of Indigenous History, is paired with stunning art by Michaela Goade, winner of 2018 American Indian Youth Literature Best Picture Book Award. Encounter is a luminous telling from two Indigenous creators that invites readers to reckon with the past, and to welcome, together, a future that is yet unchartered.
Author Notes
Brittany Luby (Anishinaabe-kwe) is is the author of several acclaimed books including Mii maanda ezhi-gkendmaanh / This Is How I Know , illustrated by Joshua Mangeshig Pawis-Steckley. She is the many great-granddaughter of Chief Kawitaskung, a leader who negotiated the North-West Angle Treaty of 1873. With a pen stroke, Kawitaskung agreed to share parts of what is now northwestern Ontario with settlers and their descendants. Because of her many great-grandfather, Brittany believes that words are a powerful tool. Brittany writes for social justice and is an assistant professor of history at the University of Guelph in Canada.
Michaela Goade (Tlingit) is a Caldecott Medalist and a #1 New York Times bestselling artist. She is the illustrator of a number of award-winning and bestselling books, including We Are Water Protectors by Carole Lindstrom and her own Berry Song . She is from the Raven moiety and Kiks.ádi clan from Sitka, Alaska, where she currently lives. She invites you to visit her online at michaelagoade.com.
Reviews (3)
School Library Journal Review
K-Gr 3--Luby, a professsor of Indigineous history, imagines an encounter that might have occurred in 1534 when Jacques Cartier's ship arrived in Gaspé Bay, where Stadaconans fished. When Fisher heads out in his canoe, he meets Sailor, who has rowed from the anchored ship. Heading to shore, they spend the day together. Although they are puzzled by one another's food and clothing, they both enjoy swimming in the bay and running along the beach to follow beluga whales. Animals that observe the humans note their similarities from casting long shadows to providing a tasty snack for mosquitos. Their day ends peacefully, with each hoping to meet again. An author's reflection explains the impact of French exploration on Luby's own ancestors while an historical note discusses European explorers' disrespectful and sometimes violent treatment of Indigenous peoples. Goade's evocative watercolor, ink, and gouache illustrations create a natural world bursting with plant and animal life. Double-page spreads of sunrise and sunset bookend the day of friendship. VERDICT Eye-catching illustrations and a low-key but thought-provoking story could stimulate group sharing about ways we interact with people from other cultures.--Kathy Piehl, Minnesota State University Library, Mankato
Kirkus Review
How might Indigenous and European people have connected if non-Native explorers had visited First Nations territories instead of colonizing them?Shared humanity is at the center of this Indigenous author and illustrator team's alternative history. Fisher, an Indigenous person with rich brown skin and long black hair, notices a stranger rowing into the baySailor, a white-skinned redhead who "came from away" in search of "unknown lands." Quickly challenging this settler narrative that frames Europeans as discovering Indigenous territories, Sailor spots Fisher from a distance and shifts his thinking: "Perhaps these lands are not so new." Fisher and Sailor's ensuing friendship is tender but brief, as Sailor's excursion to Fisher's homeland ends in his eventual "journey home." Under the affirming gaze of nearby animals, who emphasize Fisher and Sailor's similarities through their anthropomorphic commentary, Fisher and Sailor observe their differences respectfully. Luby's (Anishinaabe) creative reimagining of historical events is brought to life by Goade's (Tlingit) vibrant multimedia illustrations, which weave Fisher and Sailor brilliantly into their jewel-toned surroundings. Encounter's most valuable aspect is its backmatter: Both an author's reflection and a historical note offer crucial context to this spirited revision. "This peaceful encounter does not forgiveviolent actions," Luby notes. "Instead, it reminds usthat everyday people, like Sailor, can participate in systems that hurt others." Without this addendum, this story runs the risk of obscuring legacies of violence rather than "learn[ing] from our history and tak[ing] the opportunity to map a better future."An uplifting, #ownvoices vision for what could have been and what we are responsible for now. (Picture book. 6-11) Copyright Kirkus Reviews, used with permission.
Booklist Review
An Indigenous man, dubbed Fisher, encounters a European, dubbed Sailor, on the shores of his Native homeland. After identifying that they are different, a day spent hiking, swimming, and sharing food teaches the unlikely pair that they actually have much in common. Narrative point of view shifts between the sun, moon, and various creatures that observe the interaction, infusing the poetic text with a strong sense of natural wonder, complemented by Goade's effervescent watercolor and gouache paintings. Luby purposefully omits any mention of nations, regions, or even character names, creating a historically ambiguous situation. In the back matter, she states that this book is a work of imagination and that this peaceful encounter does not forgive . . . violent actions. Instead, it reminds us that violence is a choice. It's a good message, beautifully rendered by two Native creators, but adults should be prepared to contextualize the story for young audiences not yet familiar with the oppressive history of settler-colonial incursion.--Ronny Khuri Copyright 2020 Booklist
