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Summary
Summary
New York Times bestseller: A "powerful" Southern drama about the destructive repercussions of keeping an unspeakable family secret ( The Atlanta Journal ).
Tom Wingo has lost his job, and is on the verge of losing his marriage, when he learns that his twin sister, Savannah, has attempted suicide again. At the behest of Savannah's psychiatrist, Dr. Susan Lowenstein, Tom reluctantly leaves his home in South Carolina to travel to New York City and aid in his sister's therapy.
As Tom's relationship with Susan deepens, he reveals to her the turbulent history of the Wingo family, and exposes the truth behind the fateful day that changed their lives forever.
Drawing richly from the author's own troubled upbringing, The Prince of Tides is a sweeping, powerful novel of unlocking the past to overcome the darkest of personal demons--it's Pat Conroy at his very best.
Author Notes
Pat Conroy is the pen name of Donald Patrick Conroy, who was born in Atlanta, Georgia on October 26, 1945. He received a B.A. in English from The Citadel in 1967. After teaching high school at his alma mater, he accepted a job teaching disadvantaged black children in a two-room schoolhouse on Daufuskie Island off the South Carolina coast. Many of the children were illiterate, unable even to write their own names. He taught them using oral history and geography lessons. His experience on Daufuskie Island formed the basis for his first successful memoir, The Water Is Wide, which won the Anisfield-Wolf Award from the Cleveland Foundation and was made into the movie Conrack starring Jon Voight in 1976. His novels include Beach Music and South of Broad. Several of his novels were adapted into movies including The Great Santini, The Lords of Discipline, and The Prince of Tides. He also wrote several works of non-fiction including The Pat Conroy Cookbook: Recipes and Stories of My Life, My Reading Life, and The Death of Santini: The Story of a Father and His Son. He died of pancreatic cancer on March 4, 2016 at the age of 70.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
For sheer storytelling finesse, Conroy will have few rivals this season. His fourth novel is a seductive narrative, told with bravado flourishes, portentous foreshadowing, sardonic humor and eloquent turns of phrase. Like The Great Santini, it is the story of a destructive family relationship wherein a violent father abuses his wife and children. Henry Wingo is a shrimper who fishes the seas off the South Carolina coast and regularly squanders what little money he amasses in farcical business schemes; his beautiful wife, Lila, is both his victim and a manipulative and guilt-inflicting mother. The story is narrated by one of the children, Tom Wingo, a former high school teacher and coach, now out of work after a nervous breakdown. Tom alternately recalls his growing-up years on isolated Melrose Island, then switches to the present in Manhattan, where his twin sister and renowned poet, Savannah, is recovering from a suicide attempt. One secret at the heart of this tale is the fate of their older brother Luke; we know he is dead, but the circumstances are slowly revealed. Also kept veiled is ``what happened on the island that day''a grisly scene of horror, rape and carnage that eventually explains much of the sorrow, pain and emotional alienation endured by the Wingo siblings. Conroy deftly manages a large cast of characters and a convoluted plot, although he dangerously undermines credibility through a device by which Tom tells the Wingo family saga to Savannah's psychiatrist. Some readers may find here a pale replica of Robert Penn Warren's powerful evocation of the Southern myth; others may see resemblances to John Irving's baroque imaginings. Most, however, will be swept along by Conroy's felicitous, often poetic prose, his ironic comments on the nature of man and society, his passion for the marshland country of the South and his skill with narrative. 250,000 first printing; $250,000 ad/promo; movie rights to United Artists; BOMC main selection; author tour. (October 21) (c) Copyright PWxyz, LLC. All rights reserved
School Library Journal Review
YA In order to aid a psychiatrist who is treating his psychotic sister, Tom Wingo arrives in Manhattan and describes figures from his youth, among them an abusive father, a mother obsessed with being accepted by Colleton's tawdry elite, eccentric grandparents, stolid brother Luke, and sensitive, poet-sister Savannah. Despite the book's length, scenes such as Grandmother Tolitha's visit to Ogletree's funeral home to try out coffins, Grandfather's yearly re-enactment of the stations of the Cross, Mrs. Wingo's passive-aggressive retaliation by serving her husband dog food, Luke's Rambo-like attempt to keep Colleton from becoming a nuclear plant site, and a bloody football game with the team's first black player deserve students' attention. While Conroy's skills at characterization and storytelling have made the book popular, his writing style may place it among modern classics. He adds enough detail so that readers can smell the salty low-country marsh, see the regal porpoise Snow against the dark ocean, and taste Mrs. Wingo's gourmet cooking and doctored dog food. The story is wholly Tom's; Conroy resists the temptation to include the vantage points of other characters. It is the reluctance of Tom to tell all, to recount rather than recreate his family's past, and to face up to the Wingos' mutual rejections that maintain the tension just below the story's surface. It is Tom's coming clean about his past that lays bare the truth and elevates Prince of Tides above a scintillating best seller. Alice Conlon, Univ . of Houston (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend--the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, ""Will you stay in New York and tell me all you know?"" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Savannah Wingo, a successful feminist poet who has suffered from hallucinations and suicidal tendencies since childhood, has never been able to reconcile her life in New York with her early South Carolina tidewater heritage. Her suicide attempt brings her twin brother, Tom, to New York, where he spends the next few months, at the request of Savannah's psychiatrist, helping to reconstruct and analyze her early life. In beautifully contrasting memories which play childhood fears against the joys and wonders of being alive, Tom creates and communicates the all-consuming sense of family which is Savannah's major strength as a poet and her tragic flaw as a human being. Conroy has achieved a penetrating vision of the Southern psyche in this enormous novel of power and emotion. BOMC main selection.Thomas L. Kilpatrick, Southern Illinois Univ. Lib., Carbondale (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Chapter One It was five o'clock in the afternoon Eastern Standard Time when the telephone rang in my house on Sullivans Island, South Carolina. My wife, Sallie, and I had just sat down for a drink on the porch overlooking Charleston Harbor and the Atlantic. Sallie went in to answer the telephone and I shouted, "Whoever it is, I'm not here." "It's your mother," Sallie said, returning from the phone. "Tell her I'm dead," I pleaded. "Please tell her I died last week and you've been too busy to call." "Please speak to her. She says it's urgent." "She always says it's urgent. It's never urgent when she says it's urgent." "I think it's urgent this time. She's crying." "When Mom cries, it's normal. I can't remember a day when she hasn't been crying." "She's waiting, Tom." As I rose to go to the phone, my wife said, "Be nice, Tom. You're never very nice when you talk to your mother." "I hate my mother, Sallie," I explained. "Why do you try to kill the small pleasures I have in my life?" "Just listen to Sallie and be very nice." "If she says she wants to come over tonight, I'm going to divorce you, Sallie. Nothing personal, but it's you who's making me answer the phone." "Hello, Mother dear," I said cheerfully into the receiver, knowing that my insincere bravado never fooled my mother. "I've got some very bad news, Tom," my mother said. "Since when did our family produce anything else, Mom?" "This is very bad news. Tragic news." "I can't wait to hear it." "I don't want to tell you on the phone. May I come over?" "If you want to." "I want to only if you want me to come." "You said you wanted to come. I didn't say I wanted you to come." "Why do you want to hurt me at a time like this?" "Mom, I don't know what kind of a time it is. You haven't told me what's wrong. I don't want to hurt you. Come on over and we can bare our fangs at each other for a little while." I hung up the phone and screamed out at the top of my lungs, "Divorce!" Waiting for my mother, I watched as my three daughters gathered shells on the beach in front of the house. They were ten, nine, and seven, two brown-haired girls divided by one blonde, and their ages and size and beauty always startled me; I could measure my own diminishment with their sunny ripening. You could believe in the birth of goddesses by watching the wind catch their hair and their small brown hands make sweet simultaneous gestures to brush the hair out of their eyes as their laughter broke with the surf. Jennifer called to the other two as she lifted a conch shell up to the light. I stood and walked over to the railing where I saw a neighbor who had stopped to talk to the girls. "Mr. Brighton," I called, "could you make sure the girls are not smoking dope on the beach again?" The girls looked up and, waving goodbye to Mr. Brighton, ran through the dunes and sea oats up to the house. They deposited their collection of shells on the table where my drink sat. "Dad," Jennifer, the oldest, said, "you're always embarrassing us in front of people." "We found a conch, Dad," Chandler, the youngest, squealed. "He's alive." "It is alive," I said, turning the shell over. "We can have it for dinner tonight." "Oh, gross, Dad," Lucy said. "Great meal. Conch." "No," the smallest girl said. "I'll take it back to the beach and put it in the water. Think how scared that conch is hearing you say you want to eat him." "Oh, Chandler," said Jennifer. "That's so ridiculous. Conchs don't speak English." "How do you know, Jennifer?" Lucy challenged. "You don't know everything. You're not the queen of the whole world." "Yeah," I agreed. "You're not the queen of the whole world." "I wish I had two brothers," Jennifer said. "And we wish we had an older brother," Lucy answered in the lovely fury of the blonde. "Are you going to kill that ugly ol' conch, Dad?" Jennifer asked. "Chandler will be mad." "No, I'll take it back down to the beach. I can't take it when Chandler calls me a murderer. Everyone into Daddy's lap." The three girls halfheartedly arranged their lovely, perfectly shaped behinds on my thighs and knees and I kissed each one of them on the throat and the nape of the neck. "This is the last year we're going to be able to do this, girls. You're getting huge." "Huge? I'm certainly not getting huge, Dad," Jennifer corrected. "Call me Daddy." "Only babies call their fathers Daddy." "Then I'm not going to call you Daddy either," Chandler said. "I like being called Daddy. It makes me feel adored. Girls, I want to ask you a question and I want you to answer with brutal honesty. Don't spare Daddy's feelings, just tell me what you think from the heart." Jennifer rolled her eyes and said, "Oh, Dad, not this game again." I said, "Who is the greatest human being you've encountered on this earth?" "Mama," Lucy answered quickly, grinning at her father. "Almost right," I replied. "Now let's try it again. Think of the most splendid, wonderful person you personally know. The answer should spring to your lips." "You!" Chandler shouted. "An angel. A pure, snow-white angel, and so smart. What do you want, Chandler? Money? Jewels? Furs? Stocks and bonds? Ask anything, darling, and your loving Daddy will get it for you." "I don't want you to kill the conch." "Kill the conch! I'm going to send this conch to college, set it up in business." "Dad," Jennifer said, "we're getting too old for you to tease us like this. You're starting to embarrass us around our friends." "Like whom?" "Johnny." "That gum-snapping, pimple-popping, slack-jawed little cretin?" "He's my boyfriend," Jennifer said proudly. "He's a creep, Jennifer," Lucy added. "He's a lot better than that midget you call a boyfriend," Jennifer shot back. "I've warned you about boys, girls. They're all disgusting, filthy-minded, savage little reprobates who do nasty things like pee on bushes and pick their noses." "You were a little boy once," Lucy said. "Ha! Can you imagine Dad as a little boy?" Jennifer said. "What a laugh." "I was different. I was a prince. A moonbeam. But I'm not going to interfere with your love life, Jennifer. You know me, I'm not going to be one of those tiresome fathers who're never satisfied with guys his daughters bring home. I'm not going to interfere. It's your choice and your life. You can marry anyone you want to, girls, as soon as y'all finish medical school." "I don't want to go to medical school," said Lucy. "Do you know that Mama has to put her fingers up people's behinds? I want to be a poet, like Savannah." "Ah, marriage after your first book of poems is published. I'll compromise. I'm not a hard man." "I can get married anytime I want to," Lucy said stubbornly. "I won't have to ask your permission. I'll be a grown-up woman." "That's the spirit, Lucy," I applauded. "Don't listen to a thing your parents say. That's the only rule of life I want you to be sure and follow." "You don't mean that. You're just talking, Daddy," Chandler said, leaning her head back under my chin. "I mean Dad," she corrected herself. "Remember what I told you. Nobody told me this kind of stuff when I was a kid," I said seriously, "but parents were put on earth for the sole purpose of making their children miserable. It's one of God's most important laws. Now listen to me. Your job is to make me and Mama believe that you're doing and thinking everything we want you to. But you're really not. You're thinking your own thoughts and going out on secret missions. Because Mama and I are screwing you up." "How are you screwing us up?" Jennifer asked. "He embarrasses us in front of our friends," Lucy suggested. "I do not. But I know we're screwing you up a little bit every day. If we knew how we were doing it, we'd stop. We wouldn't do it ever again, because we adore you. But we're parents and we can't help it. It's our job to screw you up. Do you understand?" "No," they agreed in a simultaneous chorus. "Good," I said, taking a sip of my drink. "You're not supposed to understand us. We're your enemies. You're supposed to wage guerrilla warfare against us." "We're not gorillas," Lucy said primly. "We're little girls." Sallie returned to the porch, wearing an off-white sundress and sandals to match. Her long legs were tanned and pretty. "Did I interrupt the complete lectures of Dr. Spock?" she said, smiling at the children. "Dad told us we were gorillas," explained Chandler, removing herself from my lap and mounting her mother's. "I cleaned up some for your mother," Sallie said, lighting a cigarette. "You'll die of cancer if you keep smoking that, Mama," Jennifer said. "You'll choke on your own blood. We learned that at school." "No more school for you," Sallie said, exhaling. "Why'd you clean up?" I asked. "Because I hate the way she looks at my house when she comes over. She always looks like she wants to innoculate the children for typhus when she sees the mess in the kitchen." "She's just jealous that you're a doctor and she peaked out after winning a spelling bee in third grade. So you don't need to clean up everytime she comes over to spread plague. You just need to burn the furniture and spray with disinfectant when she leaves." "You're a bit hard on your mother, Tom. She's trying to be a good mother again, in her own way," Sallie said, studying Chandler's hair. Jennifer said, "Why don't you like Grandma, Dad?" "Who says I don't like Grandma?" Lucy added, "Yeah, Dad, why do you always scream out 'I'm not here' when she calls on the phone?" "It's a protective device, sweetheart. Do you know how a blowfish puffs up when there's danger? Well, it's the same thing when Grandma calls. I puff up and shout that I'm not here. It would work great except that your mother always betrays me." "Why don't you want her to know you're here, Daddy?" Chandler asked. "Because then I have to talk to her. And when I talk to her it reminds me of being a child and I hated my childhood. I'd rather have been a blowfish." Lucy asked, "Will we shout 'I'm not here' when you call us when we're all grown up?" "Of course," I said with more vehemence than I intended. "Because then I'll be making you feel bad by saying, 'Why don't I ever see you, dear?' or 'Have I done something wrong, darling?' or 'My birthday was last Thursday,' or 'I'm having a heart transplant next Tuesday. I'm sure you don't care,' or 'Could you at least come over and dust off the iron lung?' After you grow up and leave me, kids, my only duty in the world will be to make you feel guilty. I'll try to ruin your lives." "Dad thinks he knows everything," Lucy said to Sallie, and two cooler heads nodded in agreement. "What's this? Criticism from my own children? My own flesh and blood noticing flaws in my character? I can stand anything but criticism, Lucy." "All our friends think Dad is crazy, Mama," Jennifer added. "You act like a mom is supposed to act. Dad doesn't act like other dads." "Here it is. That dreaded moment when my children turn on me and rip my guts out. If this were Russia, they'd turn me in to the Communist authorities and I'd be in a Siberian salt mine, freezing my ass off." "He said a bad word, Mama," Lucy said. "Yes, dear. I heard." "Grass," I said quickly. "The grass needs cutting." "The grass always needs cutting when he says that word," Jennifer explained. "At this very moment my mother is crossing the Shem Creek bridge. No birds sing on the planet when my mother is on her way." "Just try to be nice, Tom," Sallie said in her maddening professional voice. "Don't let her get under your skin." I groaned, drinking deeply. "My God, I wonder what she wants. She only comes here when she can ruin my life in some small way. She's a tactician of the ruined life. She could give seminars on the subject. She said she has some bad news. When my family has bad news, it's always something grisly, Biblical, lifted straight out of the Book of Job." "At least admit your mother's trying to be your friend again." "I admit it. She is trying," I said wearily. "I liked her better when she wasn't trying, when she was an unrepentant monster." "What's for dinner tonight, Tom?" Sallie asked, changing the subject. "Something smells wonderful." "That's fresh bread. I caught flounder off the rocks early this morning, so I stuffed them with crabmeat and shrimp. There's a fresh spinach salad plus sauteed zucchini and shallots." "Wonderful," she said. "I shouldn't be drinking this. I'm on call tonight." "I'd rather have fried chicken," Lucy said. "Let's go out to Colonel Sanders." "Why do you cook anyway, Dad?" Jennifer asked suddenly. "Mr. Brighton laughs when he talks about your cooking dinner for Mama." "Yeah," Lucy added, "he says it's because Mama makes twice as much money as you do." "That rotten bastard," Sallie whispered between clenched teeth. "That's not true," I said. "I do it because Mama makes four or five times more money than I do." "Remember, girls, it was Daddy who put me through medical school. And don't hurt your father's feelings like that again, Lucy," Sallie warned. "You don't have to repeat everything Mr. Brighton says. Your father and I try to share the household chores." "All the other mommies I know cook for their family," Jennifer said boldly, considering the bitter look that had entered Sallie's gray eyes. "Except you." "I told you, Sallie," I said, studying Jennifer's hair. "If you raise children in the South, you produce southerners. And a southerner is one of God's natural fools." "We're southern and we're not fools," said Sallie. "Aberrations, dear. It happens once or twice every generation." "Girls, go on upstairs and wash up. Lila is going to be here soon." "Why doesn't she like us to call her Grandma?" Lucy asked. "Because it makes her feel old. Run along now," Sallie said, moving the girls inside the house. When she returned, Sallie leaned down and brushed her lips on my forehead. "I'm sorry Lucy said that. She's so goddamn conventional." "It doesn't bother me, Sallie, I swear it doesn't. You know I adore the role of martyrdom--how I blossom in an atmosphere of self-pity. Poor nutless Tom Wingo, polishing the silver while his wife discovers a cure for cancer. Sad Tom Wingo making the perfect souffle while his wife knocks down a hundred grand a year. We knew this would happen, Sallie. We talked about it." Excerpted from The Prince of Tides by Pat Conroy All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
