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Summary
Summary
The first volume of a glorious two-volume, four-color graphic novel adaptation of Neil Gaiman's #1 New York Times bestselling and Newbery Medal-winning novel The Graveyard Book, adapted by P. Craig Russell and illustrated by an extraordinary team of renowned artists.
Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.
Volume One contains Chapter One through the Interlude, while Volume Two includes Chapter Six to the end.
Author Notes
Neil Gaiman was born in Portchester, England on November 10, 1960. He worked as a journalist and freelance writer for a time, before deciding to try his hand at comic books. Some of his work has appeared in publications such as Time Out, The Sunday Times, Punch, and The Observer. His first comic endeavor was the graphic novel series The Sandman. The series has won every major industry award including nine Will Eisner Comic Industry Awards, three Harvey Awards, and the 1991 World Fantasy Award for best short story, making it the first comic ever to win a literary award.
He writes both children and adult books. His adult books include The Ocean at the End of the Lane, which won a British National Book Awards, and the Locus Award for Best Fantasy Novel for 2014; Stardust, which won the Mythopoeic Award as best novel for adults in 1999; American Gods, which won the Hugo, Nebula, Bram Stoker, SFX, and Locus awards; Anansi Boys; Trigger Warning: Short Fictions and Disturbances; and The View from the Cheap Seats: Selected Nonfiction, which is a New York Times Bestseller. His children's books include The Day I Swapped My Dad for Two Goldfish; Coraline, which won the Elizabeth Burr/Worzalla, the BSFA, the Hugo, the Nebula, and the Bram Stoker awards; The Wolves in the Walls; Odd and the Frost Giants; The Graveyard Book, which won the Newbery Award in 2009 and The Sandman: Overture which won the 2016 Hugo Awards Best Graphic Story.
(Bowker Author Biography)
Reviews (4)
School Library Journal Review
Gr 5 Up-The award-winning tale about an orphaned boy raised in a graveyard by ghosts is successfully adapted for the graphic novel format by Russell and his cadre of artists. The arresting opening image of a bloody knife sets the tone for this sometimes gory, but often playful, illustrated version. A toddler's family is murdered by a mysterious stranger, and the denizens of the neighboring cemetery (ie. ghosts, vampires, and even a werewolf-type creature) take on the responsibility of being his caretakers. Renamed Nobody "Bod" Owens, the inquisitive boy grows up among the specters, making friends with a human girl, and escaping from several brushes with death. The panel's dark blues, grays, and purples are punctuated with vibrant greens, yellows, and crimson red. Each chapter is illustrated by an artist or two, who in turn infuse the entry with their own technique, while reflecting the story's original heart and atmosphere. Especially successful is the "The Hounds of God" section, illustrated by Tony Harris and Scott Hampton, which observant readers will note undergoes subtle shifts between the graveyard and the Ghoul kingdom. While some of the original's subtlety is lost, this adaptation still celebrates friendship, loyalty, and family with similar humor and aplomb. The concluding interlude segues eerily into the next volume, for which middle graders will anxiously be waiting.-Shelley Diaz, School Library Journal (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
As he did with Coraline, Russell makes the recasting of Gaiman's Newbery-winning novel into graphic form look easy with this vastly entertaining adaptation, first in a two-book set (the second volume is due in late September). Russell conceives the look and layout of the graveyard world inhabited by Bod (short for "Nobody"), the infant who has escaped his family's murderer; six artists, including Kevin Nowlan, Stephen B. Scott, Galen Showman, and Jill Thompson, contribute a chapter apiece. The overall effect is remarkably unified, and the thread of the narrative is always crystal-clear. Bod's devoted adoptive parents, the ghosts Mr. and Mrs. Owens, and the other graveyard inhabitants are dressed in evocative period costumes and drawn in ethereal blue, while Bod's teacher and mentor Silas, about whose status the book was coy, is revealed as a vampire, with a splendid cape and a chiseled jawline. The artwork sets out to entertain rather than to horrify; even the initial murder scene has a certain tranquility. It's a treasure worth having even if the novel is already on the shelf. Ages 8-12. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Russell is a brave man. He was willing to cut the very first sentence of Gaiman's Newbery-winning novel, even though it's one of the most memorable lines in children's literature: "There was a hand in the darkness, and it held a knife."By cutting out most of the descriptive text in this first of a two-part adaptation, Russell calls attention to the drama and wit of the language in each sentence. His graphic storytelling is faster-paced than the original book, but it's always faithful, and a few readers may even prefer this version. Though he shares illustration duties with a team of graphic-novel luminariesevery artist gets a favorite monster or creature to drawRussell's fans will recognize his elegant, distinctive layouts even in the chapters he didn't illustrate himself. The pictures also clarify one plot point. The original book was amusingly coy about whether a character named Silas was a vampire, but here he's given the full Bela Lugosi treatment, and it's beautiful. In Kevin Nowlan's drawings, he has impossibly high cheekbones and a face like pale stone. One scene has even more impact than in the original: Ghosts join hands with the living and begin to dance, and readers see every dancer in the square.The real achievement of this adaptation is that readers will want to jump back to the novel and then leap back again, time after time. (Graphic adaptation. 8-12) Copyright Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* Gaiman's frequent collaborator Russell brings his decades of comics know-how to this lovely, lyrical adaptation of the author's well-loved, Newbery Medal-winning book. Not content to rely exclusively on his own distinctive talents, Russell has enlisted some of the industry's greatest contemporary illustrators as contributors, who fill the panels with appropriately gothic tones. In order to give ample room to the novel's twists and turns, the adaptation has been divided into two parts (the second will be released this fall). Running through the first five chapters and interlude of Gaiman's original, this volume weaves the inviting magical story of toddler Nobody Owens, who escapes the brutal murder of his family and is adopted by the supernatural denizens of a graveyard. The well-paced narrative follows Bod as his new graveyard family raises him with care and attentiveness and he begins to explore both the ghostly world he inhabits and the outside world that is his heritage. Each illustrator brings a unique aesthetic, blending together seamlessly to enrich the tale and suggest the subtle shifts of clever Bod's growth and burgeoning sense of adventure. Fans of Gaiman's delightfully macabre sensibilities will be elated. HIGH-DEMAND BACKSTORY: Gaiman's fans are loyal and plentiful. Add a Newbery Medal to the mix and this will be a barn burner.--Karp, Jesse Copyright 2014 Booklist
