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Summary
Summary
Winner of the 2004 Man Booker Prize and a finalist for the Lambda Literary Award and the NBCC award. From Alan Hollinghurst, the acclaimed author of The Sparsholt Affair, The Line of Beauty is a sweeping novel about class, sex, and money during four extraordinary years of change and tragedy.
In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby--whom Nick had idolized at Oxford--and Catherine, who is highly critical of her family's assumptions and ambitions.
As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends. Richly textured, emotionally charged, disarmingly comic, this is a major work by one of our finest writers.
Author Notes
ALAN HOLLINGHURST is the author of the novels The Stranger's Child, The Swimming-Pool Library, The Folding Star, The Spell , and The Line of Beauty, which won the Man Booker Prize and was a finalist for the National Book Critics Circle Award. He has received the Somerset Maugham Award, the E. M. Forster Award of the American Academy of Arts and Letters, and the James Tait Black Memorial Prize for Fiction.
Reviews (3)
Publisher's Weekly Review
Among its other wonders, this almost perfectly written novel, recently longlisted for the Mann Booker, delineates what's arguably the most coruscating portrait of a plutocracy since Goya painted the Spanish Bourbons. To shade in the nuances of class, Hollingsworth uses plot the way it was meant to be used-not as a line of utility, but as a thematically connected sequence of events that creates its own mini-value system and symbols. The book is divided into three sections, dated 1983, 1986 and 1987. The protagonist, Nick Guest, is a James scholar in the making and a tripper in the fast gay culture of the time. The first section shows Nick moving into the Notting Hill mansion of Gerald Fedden, one of Thatcher's Tory MPs, at the request of the minister's son, Toby, Nick's all-too-straight Oxford crush. Nick becomes Toby's sister Catherine's confidante, securing his place in the house, and loses his virginity spectacularly to Leo, a black council worker. The next section jumps the reader ahead to a more sophisticated Nick. Leo has dropped out of the picture; cocaine, three-ways and another Oxford alum, the sinisterly alluring, wealthy Lebanese Wani Ouradi, have taken his place. Nick is dimly aware of running too many risks with Wani, and becomes accidentally aware that Gerald is running a few, too. Disaster comes in 1987, with a media scandal that engulfs Gerald and then entangles Nick. While Hollinghurst's story has the true feel of Jamesian drama, it is the authorial intelligence illuminating otherwise trivial pieces of story business so as to make them seem alive and mysteriously significant that gives the most pleasure. This is Nick coming home for the first and only time with the closeted Leo: "there were two front doors set side by side in the shallow recess of the porch. Leo applied himself to the right hand one, and it was one of those locks that require tender probings and tuggings, infinitesimal withdrawals, to get the key to turn." This novel has the air of a classic. Agent, Emma Parry. (Oct.) Forecast: Widely praised for his three previous novels, Hollinghurst (The Swimming-Pool Library) is primed for even greater acclaim and sales with this masterful volume, the latest in a wave of Jamesian novels. (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Hollinghurst's first novel, The Swimming-Pool Library 0 (1988), won major acclaim and many awards. His latest novel engages similar themes--a young man new to both his sexuality and the manners of high society. Set in London during the early 1980s, the economy is booming, the Tories have just been swept into power, Margaret Thatcher is prime minister, and the country is awash in hope and excitement. Nick Guest, fresh out of Oxford, is staying in London with the Fedden family--whose son, Toby, was Nick's dearest friend at Oxford. The father, Gerald, is a newly elected conservative member of parliament and is infatuated with Thatcher, whom he calls "the Lady." Nick, by his proximity to the Feddens, attends swank parties, packed with MPs, cabinet ministers, and nobility, all of whom harbor the expectation that "the Lady" might appear at any minute. Meanwhile, Nick embarks on two love affairs--first with Leo, a young black London clerk, and later with Wani, a Lebanese millionaire and friend from Oxford. After nights of parties, drugs, sex, and snobbery, scandal--in which Nick plays an unwilling part-- visits the Fedden family. The material and social excesses of the 1980s are deftly portrayed in Hollinghurst's latest success. --Michael Spinella Copyright 2004 Booklist
Kirkus Review
Britisher Hollinghurst (The Spell, 1998, etc.) isn't shy: At 400-plus pages sprinkled with references to Henry James, his fourth outing aspires to the status of an epic about sex, politics, money, and high society. Though he's best known for his elegant descriptions of gay male life and pitch-perfect prose, Hollinghurst is most striking here for his successful, often damning, observations about the vast divides between the ruling class and everyone else. It's 1983, and narrator Nick Guest, age 20, is literally a guest in the household of Conservative MP Gerald Fedden, whose son, Toby, Nick befriended at Oxford. Given an attic room and loosely assigned the task of looking after the Feddens' unstable manic-depressive daughter Catherine, Nick is given entrÉe into a world of drunken, drug-laced parties at ancestral manors, high-stakes financial transactions, and politicians all obsessed with catching a glimpse of "The Lady"--Thatcher herself (who finally does make a cameo--hilariously--toward the end). Nick pursues his studies in James (though they may seem overkill in a novel already so saturated in the Jamesian) and his search for love--with a young Jamaican office worker, then with a closeted and cokehead Lebanese millionaire--though, as becomes clear, both his scholarship and sexuality are painfully peripheral in the world he's chosen to inhabit. Oddly, Nick is less interesting as a character than as an observer: His youthful affairs do gain gravitas as the '80s progress under the specter of AIDS, but over the story's course he goes from a virginal 20-year-old to a wizened 24-year-old. More fascinating are Hollinghurst's incisive depictions of the brilliance and ease that insulate and animate the Feddens--especially the witty and difficult Gerald and the spectacular mess that is Catherine.--and the crushing realization that Nick, unlike those around him, does not have the casual luxury to crash up his own life and survive. A beautifully realized portrait of a decade and a social class, but without a well-developed emotional core. Copyright ©Kirkus Reviews, used with permission.
