Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Bayport Public Library | J FICTION SKR | Searching... Unknown |
Searching... Hardwood Creek Library (Forest Lake) | J FICTION SKR | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | J FICTION SKR | Searching... Unknown |
Searching... Stillwater Public Library | J FICTION SKR | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
For readers who were enthralled by Alan Gratz's PRISONER B-3087 comes a gripping novel about a lesser-known part of WWII.Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but none of them know if they'll live to see tomorrow.When Lida and her friends are assigned to make bombs for the German army, Lida cannot stand the thought of helping the enemy. Then she has an idea. What if she sabotaged the bombs... and the Nazis? Can she do so without getting caught?And if she's freed, will she ever find her sister again?This pulse-pounding novel of survival, courage, and hope shows us a lesser-known piece of history -- and is sure to keep readers captivated until the last page.
Author Notes
MARSHA FORCHUK SKRYPUCH is a Ukrainian Canadian author acclaimed for her nonfiction and historical fiction, including Making Bombs for Hitler , The War Below , Stolen Child , and Don't Tell the Enemy . Marsha lives in Brantford, Ontario, and you can visit her online at www.calla.com.
.Reviews (4)
Publisher's Weekly Review
Originally published in Canada in 2012, this grim novel from Skrypuch (Last Airlift) offers an inside look at a little-known aspect of WWII: the Nazis' capture of millions of non-Jewish youths, many of them Ukrainian, who were forced to become slave laborers, known as Ostarbeiters. While most were older teenagers or in their 20s, some were as young as 12-or younger, like 10-year-old narrator Lida, who pretends to be 13 to avoid an even-worse fate. Orphaned before the book opens, Lida and her five-year-old sister, Larissa, are separated in the early pages; after that, Lida and her fellow child laborers endure relentless days of cruelty-cold, hunger, filth, abuse, and grueling work-punctuated by deaths. Transferred from one taxing assignment to another, the children form deep bonds, supporting and caring for each other, but Lida's desperate anxiety about Larissa is a constant heavy backdrop to her bleak existence, and to the novel. The story's unyielding harshness is somewhat mitigated by its strong undercurrent of friendship and loyalty; an author's note gives further background on this important piece of history. Ages 8-12. Agent: Dean Cooke, Cooke Agency. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
Lida isn't Jewish, but that doesn't stop the Nazis from tearing her away from her younger sister, Larissa, and taking her to a labor camp with other boys and girls from Ukraine. Although she is treated as subhuman, Lida steps up to the task of survival. She lies about her age and avoids being selected as not useful, works in the laundry as a seamstress, and keeps her head down. Eventually, however, she is reassigned to a factory that manufactures bombs for Hitler. Lida is horrified at the prospect until she realizes that she and the other girls in the factory have an opportunity to do something for the Allied effort: sabotage the bombs. Lida's story is compelling, and her first-person narrative captures her transformation from a fearful child to a strong, determined young adult. Skrypuch describes the camp in vivid detail, and an author's note provides some additional background about Soviet children forced into labor camps during WWII. Inspired by real, historical accounts, this is a powerful, harrowing story of transformation.--Scanlon, Donna Copyright 2016 Booklist
School Library Journal Review
Gr 6-8-This stark novel follows Stolen Child with another story depicting the horrors faced by children in Nazi work camps. Lida is determined to watch out for her little sister, Larissa, but she's rendered unconscious soon after being captured by Nazi soldiers. She awakens to find herself in a dark, filthy railroad car jammed with other Ukrainian children. Lida is one of the "lucky ones" because soldiers have decided she can be of value to them. She is devastated that she has been separated from her younger sister and can only fear the worst. Even though the other children in the railroad car are strangers to one another, they all quickly bond. Once they reach the end of their journey, Lida and her new friends are herded into a labor camp, divided up, and given various tasks. The children come to realize they will be worked until they are too weak to function, then killed. Lida works in a factory making bombs that will be used to kill soldiers who are fighting to end the Nazi reign. With tremendous courage, Lida and her friends begin a sabotage plan, despite the threat of death if they are discovered. Students will admire Lida's pluck amid such heinous conditions. Scenes of the labor camp convey the horrors without graphic description. VERDICT An absorbing read about the lesser-known Ukrainian experience during World War II, this is a solid choice for curricular ties and for middle school historical fiction collections.-Julie Shatterly, W. A. Bess Elementary School, Gastonia, NC © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
"You can make beauty anywhere," Lida's mother always used to say, but can Lida retain her humanity as a young Ukrainian child in a Nazi slave labor camp during World War II?Though she's only 9 and not even Jewish, Lida Ferezuk is part of a group of Ukrainian young people rounded up by the Nazis anyway. Heartbreakingly separated from her younger sister, Larissa, Lida eventually lands in a German labor camp. "Figure out a skill" her new friend Luka advises. "And say that you're older." Lida saves herself by posing as 13 and demonstrating her sewing expertise. Eventually she is forced to make bombs, which she cleverly comes to sabotage. Despite multiple hardships, Lida never gives up searching for her beloved sister. Employing a close third-person narration, Ukrainian-Canadian author Skrypuch draws on real-life stories of survivors in telling Lida's poignant tale, and she creates a cast of young people who are devoted to one another in both thought and deed. She also sheds light on history emerging since the dissolution of the Soviet Union: Ostarbeiters ("eastern workers"), mostly from eastern Ukraine, who were persecuted by both the Nazis and, later, Stalin, if they attempted to return to their homeland after the war. A well-told story of persistence, lost innocence, survival, and hope. (author's note) (Historical fiction. 10-14) Copyright Kirkus Reviews, used with permission.
Excerpts
Excerpts
"In this room, you will be making bombs," said the supervisor. "The reason for no metal is because you could create a spark and that could cause an explosion." Making bombs? I suddenly felt weak at the knees. I had been so afraid of Allied bombs hitting us, yet our fate here was even worse. They expected us to make bombs for the Nazis, our enemies. The woman walked over to the table of metal parts and, with both hands, positioned one of the cylindrical pieces so it stood upright. "This is the body of the bomb." She turned it so we could see the hollow inside. "You will seal the bottom with this" - she held up a different metal part - "then fill the hollow part with Kordit." She set the cylindrical piece back down on the table and walked over to the array of strawlike bundles. "You must be very careful when you insert this metal straw. It is an explosive." The woman's mouth formed the words and I tried to pay attention to her demonstration, but I was so horrified that the room swirled. How could she ask us to do this? Didn't she know that we all were hoping and praying that the Allies would win? How could they force us to make these weapons? I took gulping breaths to keep from fainting as she explained what we had to do. I looked over at Zenia. Her face was ashen. Natalia's eyes were wide and her jaw was slack. We were all thinking the same thing. "Each of you was chosen for your deft fingers," said the supervisor. "And in case you're thinking of sabotaging these bombs, don't bother. You're being watched." Excerpted from Making Bombs for Hitler by Marsha Forchuk Skrypuch All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
