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Summary
Summary
Don't miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
The sixth installment in New York Times bestselling author Tony Hillerman's Leaphorn and Chee series--an electrifying thriller of revenge, secrets, and murder.
"One of the best of the series."--New York Times Book Review
Old Joseph Joe sees it all. Two strangers spill blood at the Shiprock Wash-O-Mat. One dies. The other drives off into the dry lands of the Big Reservation, but not before he shows the old Navajo a photo of the man he seeks.
This is all Tribal Policeman Jim Chee needs to set him off on an odyssey that moves from a trapped ghost in an Indian hogan to the seedy underbelly of L.A. to an ancient healing ceremony where death is the cure, and into the dark heart of murder and revenge.
Author Notes
Tony Hillerman was born in Sacred Heart, Oklahoma on May 27, 1925. During World War II, he enlisted in the Army and was awarded the Silver Star, the Bronze Star and the Purple Heart after being severely injured during a raid behind German lines. He received a bachelor's degree from the University of Oklahoma in 1948.
From 1948 to 1962, he covered crime and politics for newspapers in Texas, Oklahoma, and New Mexico, eventually working his way up to the position of editor of the Santa Fe New Mexican. He taught at the University of Mexico and went on to chair the journalism department for more than 20 years. He retired in 1985.
His first novel, The Blessing Way, was published in 1971. During his lifetime, he wrote 29 books, including the popular 18-book mystery series featuring Navajo police officers Jim Chee and Joe Leaphorn, two non-series novels, two children's books, and nonfiction works. He received numerous awards during his lifetime including the Edgar Allan Poe Award for Best Mystery Novel for Dance Hall of the Dead in 1974, the Western Writers of America's Golden Spur Award for Skinwalkers in 1987, the Mystery Writers of America's Grand Master Award in 1991, the Navajo tribe's Special Friend Award, France 's Grand Prix de Litterature Policiere, the 2002 Malice Domestic Lifetime Achievement Award, the Agatha Award for Best Nonfiction Book for Seldom Disappointed, and the Wister Award for Lifetime achievement in 2008. He died from pulmonary failure on October 26, 2008 at the age of 83.
(Bowker Author Biography)
Reviews (1)
Kirkus Review
The tension between the Navajo way-of-life and the tempting white-world outside--always an element in Hillerman's somber outings for Jim Chee of the Navajo Tribal Police--is central and emphatic in this haunting, absorbing investigation. Throughout the novel, Jim broods (sometimes too ponderously) on his relationship with non-Navajo teacher Mary Landon, who has been pressuring him to take a job outside the reservation. But, more effectively, the crime-puzzles here relentlessly circle around the issue of Navajo identity. Albert Gorman, a Navajo who moved to L.A. and became a car-thief, returns to the reservation, apparently looking for his brother Leroy--and is wounded in a shootout with a pursuing L.A. hitman. Soon thereafter, Albert's body is found--ceremonially laid out--near the hogan of his grandfather, Hosteen Begay. But where is Hosteen Begay now? Where is brother Leroy? And where is young Margaret Billy Sosi, another of Hosteen Begay's grandchildren, who has disappeared from her Navajo school? To answer these questions, Jim makes a rare trip outside the reservation--to LA., where he learns that the Gorman brothers were involved with a powerful local gang, that Leroy had agreed to testify against the gang-leaders, becoming a federally protected witness. He finds Margaret Billy Sosi, then loses her again (after she saves him from a gang assassin); he has touching encounters with an elderly friend of the late Albert Gorman, with some of the few Navajos living in L.A. And finally, after returning home and finding the body of Hosteen Begay, Jim brings all the clues and themes together in a strong final twist--one that also helps him to accept a gentle compromise from Mary Landon. Despite pockets of excess sentimentality: one of Hillerman's best Navajo mysteries--keeping suspense, Indian lore, and character in stately yet compelling balance. Copyright ©Kirkus Reviews, used with permission.
Excerpts
Excerpts
Ghostway Chapter One Hosteen Joseph Joe remembered it like this. He'd noticed the green car just as he came out of the Shiprock Economy Wash-O-Mat. The red light of sundown reflected from its windshield. Above the line of yellow cottonwoods along the San Juan River the shape of Shiprock was blueblack and ragged against the glow. The car looked brand new and it was rolling slowly across the gravel, the driver leaning out the window just a little. The driver had yelled at Joseph Joe. "Hey!" he'd yelled. "Come here a minute." Joseph Joe remembered that very clearly. The driver looked like a Navajo, but yelling at him like that was not a Navajo thing to do because Joseph Joe was eighty-one years old, and the people around Shiprock and up in the Chuska Mountains called him Hosteen, which means "old man" and is a term of great respect. Joseph Joe had put his laundry sack into the back of his daughter's pickup truck and walked over to the car. He noticed its plates weren't yellow, like New Mexico's, or white, like Arizona's. They were blue. "I'm looking for a man named Gorman," the driver had said. "Leroy Gorman. A Navajo. Moved here little while ago." "I don't know him," Joseph Joe had said. He had said it in Navajo, because when he got close he saw he had been right. The man was a Navajo. But the driver just frowned at him. "You speak English?" the driver asked. "I don't know Leroy Gorman." Hosteen Joe said it in English this time. "He's been around here several weeks," the driver said. "Young fellow. Little older than me. Medium-sized. Hell, small as this place is, I'd think you'd have seen him." "I don't know him," Joseph Joe repeated, "I don't live in this town. I live at my daughter's place. Out there near the Shiprock." Joseph Joe had gestured toward the Arizona border and the old volcano core outlined by the sunset. "Don't live in here with all these people," he explained. "I'll bet you've seen him," the driver said. He took out his billfold and fished a photograph out of it. "This is him," the driver said and handed the photograph to Hosteen Joe. Joseph Joe looked at it carefully, as courtesy demanded. It was a Polaroid photograph, like the ones his granddaughter took. There was something written on the back of it, and an address. The front was a picture of a man standing by the door of a house trailer, which was partly shaded by a cottonwood tree. Hosteen Joe took off his glasses and wiped them off carefully on his sleeve and looked a long time at the young man's face. He didn't recognize him, and that's what he said when he handed the driver his photograph. After that, he didn't remember the rest of it quite as clearly because just then it all began to happen. The driver was saying something to him about the trailer, maybe about Gorman living in it or trying to sell it or something, and then there was the sound of a car braking on the highway, tires squealing a little, and the car backing up and whipping around and driving into the Wash-O-Mat parking lot. This car was new too. A Ford sedan. It stopped just in front of the driver's car. A man wearing a plaid coat got out of it and walked toward them and then stopped suddenly, apparently noticing Joseph Joe for the first time. Plaid Coat said something to the driver. As Joseph Joe remembered, it was "Hello, Albert," but the driver didn't say anything. Then Plaid Coat said, "You forgot to do what you were told. You've got to come along with me. You're not supposed to be here." Or something like that. And then he had looked at Joseph Joe and said, "We've got business, old man. You go away now." Hosteen Joe had turned then and walked back toward his daughter's truck. Behind him he heard the sound of a car door opening. Then closing. A yell. The sharp clap of a pistol shot. And then another shot, and another, and another. When he turned he saw Plaid Coat on the gravel and the driver holding himself up by clinging to the door of his car. Then the driver got in and drove away. When the car got to the asphalt, it turned toward the river and toward the junction, which would either take it west toward Teec Nos Pos or south toward Gallup. People were running out of the Wash-O-Mat by then, yelling questions. But Hosteen Joe just looked at Plaid Coat, sprawled on his side on the gravel with a pistol on the ground beside him and blood running out his mouth. Then he got into his daughter's truck. The driver was Navajo, but this was white man's business. Chapter Two "Funny how a premonition works," the deputy said. "I been in this business almost thirty years, and I never had one before." Jim Chee said nothing. He was trying to recreate precisely and exactly the moment when he had known everything was going wrong with Mary Landon. He didn't want to think about the deputy's premonitions. He'd said something to Mary about his house trailer being too small for both of them, and she'd said, "Hey, wait a minute, Jim Chee, what have you done about that application with the FBI?" and he'd told her that he'd decided not to mail it. And Mary had just sat there in the Crownpoint Café, not looking at him or saying anything, and finally she'd sighed and shook her head and said, "Why should you be any different from everybody else?" and laughed a laugh with absolutely no humor in it. Ghostway . Copyright © by Tony Hillerman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Ghostway by Tony Hillerman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
