Available:*
Library | Call Number | Status |
---|---|---|
Searching... Hardwood Creek Library (Forest Lake) | J FICTION WIL | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
A gorgeous and festive collection of Christmas stories from the prairie!
Celebrate the season with holiday tales from the life of Laura Ingalls Wilder, author of the beloved Little House series. Featuring Garth Williams' classic artwork in vibrant full color!
Author Notes
Wilder was born near Pepin, Wisconsin; attended school in DeSmet, South Dakota; and became a teacher before she was 16, teaching for seven years in Dakota Territory schools. She and her husband, Almanzo Wilder, farmed near DeSmet for about nine years and then moved to Mansfield, Missouri, where they lived out the rest of their days.
Wilder did not write her first book, Little House in the Big Woods, about her early years in Wisconsin, until late in life, on the urging of her daughter, Rose Wilder Lane. It was first published in 1932. She followed this with Farmer Boy (1933), a book about her husband's childhood in New York State. She then completed a series of books about her life as she and her family moved westward along the frontier. Little House on the Prairie (1935) records the family's move to Kansas. On the Banks of Plum Creek (1937) describes the family's move to Minnesota. By the Shores of Silver Lake (1939) records the family's move to South Dakota, as do the final three books in the series: The Long Winter, Little Town on the Prairie (1941), and These Happy Golden Years (1943), which ends with her marriage to Almanzo Wilder. Three of Wilder's books were published posthumously: On the Way Home, a diary of her trip to Mansfield; The First Four Years, an unfinished book about her first four years of marriage; and West from Home, letters she wrote on a visit to her daughter in San Francisco, none of them up to the quality of her earlier books.
At her best, Wilder employs a clear, simple style, a wealth of fascinating detail, and a straightforward narrative style. Her tales of a strong, traditional frontier family that endures the hardships of the late eighteenth century are seen through the eyes of a child, which endears them to young readers. Her work is possibly the best example of historical realistic fiction for children.
(Bowker Author Biography)
Excerpts
Excerpts
A Little House Christmas Treasury Festive Holiday Stories Christmas Christmas was coming. The little log house was almost buried in snow. Great drifts were banked against the walls and windows, and in the morning when Pa opened the door, there was a wall of snow as high as Laura's head. Pa took the shovel and shoveled it away, and then he shoveled a path to the barn, where the horses and the cows were snug and warm in their stalls. The days were clear and bright. Laura and Mary stood on chairs by the window and looked out across the glittering snow at the glittering trees. Snow was piled all along their bare, dark branches, and it sparkled in the sunshine. Icicles hung from the eaves of the house to the snowbanks, greaticicles as large at the top as Laura's arm. They were like glass and full of sharp lights. Pa's breath hung in the air like smoke, when he came along the path from the barn. He breathed it out in clouds and it froze in white frost on his mustache and beard. When he came in, stamping the snow from his boots, and caught Laura up in a bear's hug against his cold, big coat, his mustache was beaded with little drops of melting frost. Every night he was busy, working on a large piece of board and two small pieces. He whittled them with his knife, he rubbed them with sandpaper and with the palm of his hand, until when Laura touched them they felt soft and smooth as silk. Then with his sharp jack-knife he worked at them, cutting the edges of the large one into little peaks and towers, with a large star carved on the very tallest point. He cut little holes through the wood. He cut the holes in shapes of windows, and little stars, and crescent moons, and circles. All around them he carved tiny leaves, and flowers, and birds. One of the little boards he shaped in a lovely curve, and around its edges he carved leaves and flowers and stars, and through it he cut crescent moons and curlicues. Around the edges of the smallest board he carved a tiny flowering vine. He made the tiniest shavings, cutting very slowly and carefully, making whatever he thought would be pretty. At last he had the pieces finished and one night he fitted them together. When this was done, the large piece was a beautifully carved back for a smooth little shelf across its middle. The large star was at the very top of it. The curved piece supported the shelf underneath, and it was carved beautifully, too. And the little vine ran around the edge of the shelf. Pa had made this bracket for a Christmas present for Ma. He hung it carefully against the log wall between the windows, and Ma stood her little china woman on the shelf. The little china woman had a china bonnet on her head, and china curls hung against her china neck. Her china dress was laced across in front, and she wore a pale pink china apron and little gilt china shoes. She was beautiful, standing on the shelf with flowers and leaves and birds and moons carved all around her, and the large star at the very top. Ma was busy all day long, cooking good things for Christmas. She baked salt-rising bread and rye'n'Injun bread, and Swedish crackers, and a huge pan of baked beans, with salt pork and molasses. She baked vinegar pies and dried-apple pies, and filled a big jar with cookies, and she let Laura and Mary lick the cake spoon. One morning she boiled molasses and sugar together until they made a thick syrup, and Pa brought in two pans of clean, white snow from outdoors. Laura and Mary each had a pan, and Pa and Ma showed them how to pour the dark syrup inlittle streams onto the snow. They made circles, and curlicues, and squiggledy things, and these hardened at once and were candy. Laura and Mary might eat one piece each, but the rest was saved for Christmas Day. All this was done because Aunt Eliza and Uncle Peter and the cousins, Peter and Alice and Ella, were coming to spend Christmas. The day before Christmas they came. Laura and Mary heard the gay ringing of sleigh bells, growing louder every moment, and then the big bobsled came out of the woods and drove up to the gate. Aunt Eliza and Uncle Peter and the cousins were in it, all covered up, under blankets and robes and buffalo skins. They were wrapped up in so many coats and mufflers and veils and shawls that they looked like big, shapeless bundles. When they all came in, the little house was full and running over. Black Susan ran out and hid in the barn, but Jack leaped in circles through the snow, barking as though he would never stop. Now there were cousins to play with! As soon as Aunt Eliza had unwrapped them, Peter and Alice and Ella and Laura and Mary began to run and shout. At last Aunt Eliza told them to be quiet. Then Alice said: "I'll tell you what let's do. Let's make pictures." Alice said they must go outdoors to do it, and Ma thought it was too cold for Laura to play outdoors. But when she saw how disappointed Laura was, she said she might go, after all, for a little while. She put on Laura's coat and mittens and the warm cape with the hood, and wrapped a muffler around her neck, and let her go. Laura had never had so much fun. All morning she played outdoors in the snow with Alice and Ella and Peter and Mary, making pictures. The way they did it was this... A Little House Christmas Treasury Festive Holiday Stories . Copyright © by Laura Wilder. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from A Little House Christmas Treasury: Festive Holiday Stories by Laura Ingalls Wilder All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.