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Summary
Summary
Marmee, Meema and the kids are just like any other family on the block. In their beautiful house they cook dinner together, they laugh together and they dance together. But some of the other families don't accept them. They say they are different. How can a family have two mums and no dad? But Marmee and Meema's house is full of love - and the mums teach their children that different doesn't mean wrong. No matter how many mums or dads they have, they are everything a family is meant to be.
Author Notes
Patricia Polacco was born in Lansing, Michigan on July 11, 1944. She attended Oakland Tech High School in Oakland, California before heading off to the California College of Arts and Crafts in Oakland, then Laney Community College in Oakland. She then set off for Monash University, Mulgrave, Australia and the Royal Melbourne Institute of Technology, Melbourne, Australia where she received a Ph.D in Art History, Emphasis on Iconography.
After college, she restored ancient pieces of art for museums. She didn't start writing children's books until she was 41 years old. She began writing down the stories that were in her head, and was then encouraged to join the Society of Children's Book Writers and Illustrators. There she learned how to put together a dummy and get a story into the form of a children's picture book. Her mother paid for a trip to New York, where the two visited 16 publishers in one week. She submitted everything she had to more than one house. By the time she returned home the following week, she had sold just about everything.
Polacco has won the 1988 Sydney Taylor Book Award for The Keeping Quilt, and the 1989 International Reading Association Award for Rechenka's Eggs. She was inducted into the Author's Hall of Fame by the Santa Clara Reading Council in 1990, and received the Commonwealth Club of California's Recognition of Excellence that same year for Babushka's Doll, and again in 1992 for Chicken Sunday. She also won the Golden Kite Award for Illustration from the Society of Children's Book Writers and Illustrators for Chicken Sunday in 1992, as well as the Boston Area Educators for Social Responsibility Children's Literature and Social Responsibility Award. In 1993, she won the Jane Adams Peace Assoc. and Women's Intl. League for Peace and Freedom Honor award for Mrs. Katz and Tush for its effective contribution to peace and social justice. She has won Parent's Choice Honors for Some Birthday in 1991, the video Dream Keeper in 1997 and Thank You Mr. Falker in 1998. In 1996, she won the Jo Osborne Award for Humor in Children's Literature. Her titles The Art of Miss. Chew and The Blessing Cup made The New York Times Best Seller List.
(Bowker Author Biography)
Reviews (4)
School Library Journal Review
Gr 1-4-This gem of a book illustrates how love makes a family, even if it's not a traditional one. The narrator, a black girl, describes how her two Caucasian mothers, Marmee and Meema, adopted her, her Asian brother, and her red-headed sister. She tells about the wonderful times they have growing up in Berkeley, CA. With their large extended family and friends, they celebrate Halloween with homemade costumes, build a tree house, organize a neighborhood block party, and host a mother-daughter tea party. The narrator continually reinforces the affectionate feelings among her mothers and siblings, and the illustrations depict numerous scenes of smiling people having a grand time. Most of the neighbors are supportive, except for one woman who tells Marmee and Meema, "I don't appreciate what you two are." Eventually, the children grow up, marry heterosexual spouses, and return home to visit their aged parents with their own children. Is this an idealized vision of a how a gay couple can be accepted by their family and community? Absolutely. But the story serves as a model of inclusiveness for children who have same-sex parents, as well as for children who may have questions about a "different" family in their neighborhood. A lovely book that can help youngsters better understand their world.-Martha Simpson, Stratford Library Association, CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Horn Book Review
The eldest of three siblings (each a different race) adopted by a lesbian couple recalls an idyllic childhood. The heavy-handed message is that same-sex parents are just like everybody else, but what real family is this perfect? The nostalgic adult tone and dearth of actual plot severely limit the child appeal of this well-intentioned story played out in Polacco's recognizable illustrations. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Kirkus Review
The placement of the title's possessive apostrophe here is no typo: Two mothers own this house, and they have filled it with lots of love. Unfortunately, while this ambitious picture book seeks to offer an inclusive vision of family, it ultimately comes up short. Meema and Marmee's eldest daughter offers a sweeping narrative about three children embraced by their loving, interracial, adoptive family and multicultural community, with their "mothers' house" at the center of it all. It is outside of this safe haven that the children face overt and neatly contained homophobia in the character of one bad apple, who declares, "I don't appreciate what you two are!" The distillation of hate into a single character undermines the reality of systematic oppression faced by same-sex couples; furthermore, the flash-forward narration depicting each child grown and married into heterosexual, monoracial unions ironically presents this family as an anomaly. There is a desperate need for books that present queer families as just another part of the American quilt, but this title, despite its obvious good intentions, doesn't do it. (Picture book. 6-8) Copyright Kirkus Reviews, used with permission.
Booklist Review
The oldest of three adopted children recalls her childhood with mothers Marmee and Meema, as they raised their African American daughter, Asian American son, and Caucasian daughter in a lively, supportive neighborhood. Filled with recollections of family holidays, rituals, and special moments, each memory reveals loving insight. At a school mother-daughter tea, for instance, the mothers make their first ever appearance in dresses. The narrator recalls, My heart still skips a beat when I think of the two of them trying so hard to please us. Only a crabby neighbor keeps her children away from their family. Meema explains, She's afraid of what she cannot understand: she doesn't understand us. The energetic illustrations in pencil and marker, though perhaps not as well-rendered as in some previous works, teem with family activities and neighborhood festivity. Quieter moments radiate the love the mothers feel for their children and for each other. Similar in spirit to the author's Chicken Sunday, this portrait of a loving family celebrates differences, too. Pair this with Arnold Adoff's Black Is Brown Is Tan (2002), Toyomi Igus' Two Mrs. Gibsons (1996), or Natasha Wing's Jalapeno Bagels (1996) for portraits of family diversity.--Perkins, Linda Copyright 2009 Booklist
