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Summary
Summary
Grieving over the sudden loss of her only child, Mary Baxter joins a knitting circle in Providence, Rhode Island, whose members not only teach her a variety of knitting techniques but also valuable lessons about friendship, love and redemption.
Author Notes
Ann Hood was born on December 9, 1956, in West Warwick, R.I. She attended the University of Rhode Island and New York University. For several years, she worked as a flight attendant before pursuing her dream of becoming a writer.
Ann Hood had a dream of writing ever since her first "novel" at the age of 11. It was not until 1987, with the publication of Somewhere off the Coast of Maine that she received the recognition she had been longing for. Set in the period from the 1960s to the 1980s, the story deals with the lives of three women of the Vietnam era and their children. Strong on emotion and personal growth, Hood's writing frequently examines the intricacies of various levels of relationships. Other works include Something Blue, which also involves the association between three friends.
(Bowker Author Biography)
Reviews (3)
Publisher's Weekly Review
While mourning the death of her daughter, Hood (An Ornithologist's Guide to Life) learned to knit. In her comeback novel, Mary Baxter, living in Hood's own Providence, R.I., loses her five-year-old daughter to meningitis. Mary and her husband, Dylan, struggle to preserve their marriage, but the memories are too painful, and the healing too difficult. Mary can't focus on her job as a writer for a local newspaper, and she bitterly resents her emotionally and geographically distant mother, who relocated to Mexico years earlier. Still, it's at her mother's urging that Mary joins a knitting circle and discovers that knitting soothes without distracting. The structure of the story quickly becomes obvious: each knitter has a tragedy that she'll reveal to Mary, and if there's pleasure to be had in reading a novel about grief, it's in guessing what each woman's misfortune is and in what order it will be exposed. The strength of the writing is in the painfully realistic portrayal of the stages of mourning, and though there's a lot of knitting, both actual and metaphorical, the terminology's simple enough for nonknitters to follow and doesn't distract from the quick pace of the narrative. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
The popular Rhode Island author's eighth novel (Ruby, 1998, etc.) is another domestic melodrama about loss, grief, therapeutic bonding and communal healing. The title denotes the group of female friends hesitantly joined by Providence matron Mary Baxter, following the sudden death of her five-year-old daughter Stella. Gradually forming acquaintances (if not quite friendships) with the women she encounters at "Big Alice's" Sit and Knit, Mary sleepwalks through her days, grasping the tenuous connection that binds her to husband Dylan, edging back toward her part-time job as cultural reporter for a local weekly alternative newspaper. This somewhat static narrative pattern is punctuated by terse phone conversations with her mother Mamie, an alcoholic who has always kept Mary at a distance (and who inexplicably failed to attend her granddaughter's funeral). Then we hear the knitters' personal stories in a sort of Oprah-moderated Decameron. Red-haired beauty Scarlet became involved with a married Parisian, but their affair fell victim to her carelessness. Tough-talking "glass artist" Lulu survived a violent rape. Ellen has a teenaged daughter with a failing heart--and, furthermore, left the close Appalachian community where she grew up to abscond with the charming Irishman who proved unworthy of her love. Embittered Harriet lost loved ones on 9/11, "perfect" supermom Beth suffers from cancer. And so on, through the bad days when Dylan leaves depressive Mary for another woman, until a restorative Christmas season filled with reconciliations, good cheer, completed knitting projects and all that good stuff. The impulse behind this novel is respectable (an author's note discloses that it's based on Hood's own very similar experience of loss). But its overload of clichs, redundancy and exceedingly predictable sentimentality fails its good intentions. Readers can only knit their brows in consternation, and hope for a better book next time. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Following her first story collection, An Ornithologist's Guide to Life, Hood's latest novel is definitely gloomy, but the beautiful language and convincing characters make it a worthwhile read. After the sudden death of her five-year-old daughter, Stella, Mary Baxter is advised by her mother that learning to knit will take her mind off her grief. When she joins the local knitting circle, she learns that all of its members have a tragic story as well. As she starts knitting and develops a group of friends who understand the depths of loss, Mary's grief begins to heal, allowing her to return to work, repair her marriage, and learn a terrible secret from her mother. The novel follows a predictable strategy: we hear the story of Mary's tragedy and then that of each member of the knitting circle in turn, as Mary learns a new stitch from each person. The theme of a group of women working together to heal grief is classic, however, and Hood draws her characters sympathetically if unsparingly. Recommended for most libraries-this book will appeal to Oprah readers. [See Prepub Alert, LJ 9/1/06.]-Amy Ford, St. Mary's Cty. Lib., Lexington Park, MD (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
