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Summary
Summary
The Story of Edgar Sawtelle
Author Notes
David Wroblewski is the author of the internationally bestselling novel The Story Of Edgar Sawtelle, a 2008 Oprah Book Club pick, a Barnes and Noble Discover Great New Writers selection, winner of the 2008 Colorado Book Award, Indie Choice Best Author Discovery award, and the Midwest Bookseller Association's Choice award. The Story of Edgar Sawtelle has been translated into over 25 languages.
David holds a degree in computer science from the University of Wisconsin and an M.F.A. in Creative Writing from the Warren Wilson M.F.A. Program for Writers.
(Bowker Author Biography)
Reviews (6)
Publisher's Weekly Review
A literary thriller with commercial legs, this stunning debut is bound to be a bestseller. In the backwoods of Wisconsin, the Sawtelle family-Gar, Trudy and their young son, Edgar-carry on the family business of breeding and training dogs. Edgar, born mute, has developed a special relationship and a unique means of communicating with Almondine, one of the Sawtelle dogs, a fictional breed distinguished by personality, temperament and the dogs' ability to intuit commands and to make decisions. Raising them is an arduous life, but a satisfying one for the family until Gar's brother, Claude, a mystifying mixture of charm and menace, arrives. When Gar unexpectedly dies, mute Edgar cannot summon help via the telephone. His guilt and grief give way to the realization that his father was murdered; here, the resemblance to Hamlet resonates. After another gut-wrenching tragedy, Edgar goes on the run, accompanied by three loyal dogs. His quest for safety and succor provides a classic coming-of-age story with an ironic twist. Sustained by a momentum that has the crushing inevitability of fate, the propulsive narrative will have readers sucked in all the way through the breathtaking final scenes. (June) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Born without the ability to speak, Edgar Sawtelle grows up on a Wisconsin farm turned dog breeding and training kennel with his parents, using sign and gesture to aid the pursuit of perfecting canine companionship. Then, in an injection of Hamlet that one can almost map out point for point, the Sawtelle dream is poisoned. There is the murderous uncle who woos the widowed mother, a ghostly apparition of Edgar's father warning the boy of something rotten, and, most cleverly, a canine reenaction of the deadly deed before Edgar sets out into the wilderness with a trio of young pups. Wroblewski's debut novel is most revelatory in navigating the wordless avenues of communication running between man and animal, and in the thrilling, heartbreaking interiors of the Sawtelle dogs as they experience the world through differently tuned senses. Though the pacing is set somewhere between languorous and ponderous, more than just dog lovers will find themselves deeply immersed in Wroblewski's assured prose and broad swatches of carefully rendered imagery. High literary art from a talent that bears watching.--Chipman, Ian Copyright 2008 Booklist
New York Review of Books Review
NEAR the beginning of the fifth act of "Hamlet," just a few lines after he fondles Yorick's skull, the Prince of Denmark grows distraught at the sight of Ophelia's burial and avows he'll do anything to avenge the death of his love - including eat a crocodile. When his boasts are taken for psychosis, Hamlet threatens, "Let Hercules himself do what he may,/The cat will mew, and dog will have his day." Here, David Wroblewski, in his ambitious first novel, uses the framework of Shakespeare's tragedy to grant that patient dog its day. "The Story of Edgar Sawtelle" is not alone, of course, in its reanimation of "Hamlet" (see Matt Haig's recent novel "The Dead Fathers Club," for example), but it is surely the first to populate it with so many hounds. Set chiefly in the early 1970s, near the Chequamegon National Forest in Wisconsin, the novel tells the story of the Sawtelle family, which over the generations has strived to establish, through an expertmental amalgam of breeding, training and mysticism, the ne plus ultra of the companion dog. The goal is to produce free-willed, "choice making" creatures, ones that, having "learned that a certain expression on a person's face meant that something interesting lay behind them, or in another room," will pursue the action best for both themselves and their owners. Wroblewski, who grew up on a Wisconsin dairy farm and until recently worked as a software engineer, wrote his novel over the course of a decade, and he takes as much inspiration from Darwin and Mendel as he does from Kipling and London. The result is a sprawling, uneven work, at times brilliant but elsewhere sentimental and tedious. After several miscarriages, Trudy Sawtelle gives birth to Edgar, a boy who, like the family's dogs, can hear but cannot speak. The source of Edgar's disability is never understood - it is one of the book's many mysteries - but the muteness enables an almost supernatural connection between him and the animals. Edgar is smart, adamantly curious about both the natural and human world, and the language he creates is a resourceful patchwork of learned and invented signs. (With striking effect, Wroblewski renders Edgar's statements without quotation marks.) In the book's early sections, Wroblewski presents an idyll - Edgar and his father stroll serenely through the early morning woods, Edgar fumbles through the care of his first litter - that can seem mawkish and superficial. Edgar's father, Gar, is a vague sketch of benevolence and probity, and the outside world exists only in periodic pop culture references - Roger Miller, a man on the moon. Yet how can paradise be destroyed if it doesn't first exist? The destroyer enters in the form of Edgar's uncle, Claude, who, if a more complex character than his brother, is nonetheless depicted with a disconcerting number of clichés. The night Claude arrives, Edgar has a nightmare: "Claude spoke in a voice low and quiet, his face divided by a rippling line of cigarette smoke, his words a senseless jumble. But when Edgar looked down, he found himself standing in a whelping pen surrounded by a dozen pups, wrestling and chewing one another; and then, just as he lapsed into deep, blank sleep, they stood by the creek and one by one the pups waded into the shallow water and were swept away." The stream of words is graceful, but it amounts to the most obvious foreshadowing. After the "ferociously solitary" Claude repeatedly bickers with Gar, and Gar abruptly dies, Edgar knows but cannot prove Claude murdered his father. Wroblewski's literary skill is most apparent in his intoxicating descriptions of the bucolic setting. "The sapphire sky above floated a small, lone cloud made orange by the sunrise," he writes in one dreamlike sequence. "Sparrows cartwheeled over the wet field like glazier's points against the sky, and the swallows nesting in the eaves plunged into the morning air." Similarly, Wroblewski's handling of the ghost scene ("His head, his torso. Arms held away from his body. All formed by raindrops suspended and instantly replaced") and his transformation of "the play's the thing" into an ingenious skit of syringe-clenching dogs display a delightful legerdemain. The book's climax is a high-voltage ride of multiple perspectives and shifting time frames. Wroblewski seems aware of the two outsize risks he has undertaken - not merely deciding to retell "Hamlet," but combining it with a near categorically twee subject: slobbering, tail-wagging dogs. He handles his task with impressive subtlety, even when allowing the narrative a dog's-eye view. But while sections of this book achieve a piercing elegance, the novel too often slides into the torpid mode of field guides and breeding manuals, with Wroblewski's penchant for detail getting in the way of a full exploration of his characters' emotional cores. This concern with the exterior frequently eclipses his attention to the interior, a self-indulgence that the first-time author may well outgrow. Even Shakespeare had to first produce "Titus Andronicus." Wroblewski takes as much inspiration from Darwin and Mendel as he does from Kipling and Jack London. Mike Peed is on the editorial staff of The New Yorker.
Guardian Review
Jane Smiley's A Thousand Acres adapted the story of King Lear to a remote farm in Iowa. Now David Wroblewski attempts a similar feat by setting Hamlet among a community of dog breeders in Wisconsin. Edgar spends his childhood weaning staggeringly expensive pups bred for their superior intelligence. But when his father dies unexpectedly, his mother takes up with his uncle before the funeral baked meats have reached room temperature. Wroblewski states in an afterword that he didn't intend to push the Shakespearean parallels too far; in which case the scene where Edgar talks to his vengeful father's ghost may be a bit unnecessary. But the novel serves as a parable on the hubris of genetic engineering - among the family papers is an admonition from a rival kennel-owner who states: "It is breathtakingly naive to imagine creating a breed of dog. Yours is a common vanity that every breeder has indulged during a weak moment - but the best of them put such thoughts aside." To breed or not to breed, that is the question. Caption: article-pbfic25.1 Jane Smiley's A Thousand Acres adapted the story of King Lear to a remote farm in Iowa. Now David Wroblewski attempts a similar feat by setting Hamlet among a community of dog breeders in Wisconsin. Edgar spends his childhood weaning staggeringly expensive pups bred for their superior intelligence. - Alfred Hickling.
Kirkus Review
A stately, wonderfully written debut novel that incorporates a few of the great archetypes: a disabled but resourceful young man, a potential Clytemnestra of a mom and a faithful dog. Writing to such formulas, with concomitant omniscience and world-weariness, has long been the stuff of writing workshops. Wroblewski is the product of one such place, but he seems to have forgotten much of what he learned there: He takes an intense interest in his characters; takes pains to invest emotion and rough understanding in them; and sets them in motion with graceful language (and, in eponymous young Edgar's case, sign language). At the heart of the book is a pup from an extremely rare breed, thanks to a family interest in Mendelian genetics; so rare is Almondine, indeed, that she finds ways to communicate with Edgar that no other dog and human, at least in literature, have yet worked out. Edgar may be voiceless, but he is capable of expressing sorrow and rage when his father suddenly dies, and Edgar decides that his father's brother, who has been spending a great deal of time with Edgar's mother, is responsible for the crime. That's an appropriately tragic setup, and Edgar finds himself exiled to the bleak wintry woods--though not alone, for he is now the alpha of his own very special pack. The story takes Jungle Book-ish turns: "He blinked at the excess moonlight in the clearing and clapped for the dogs. High in the crown of a charred tree, an owl covered its dished face, and one branch down, three small replicas followed. Baboo came at once. Tinder had begun pushing into the tall grass and he turned and trotted back." It resolves, however, in ways that will satisfy grown-up readers. The novel succeeds admirably in telling its story from a dog's-eye view that finds the human world very strange indeed. An auspicious debut: a boon for dog lovers, and for fans of storytelling that eschews flash. Highly recommended. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Set in Wisconsin, this deeply nuanced epic tells the story of a boy, his dog, and much more. Father, son, and even dog take turns narrating before the story is told primarily by the inexplicably mute Edgar Sawtelle. Part mystery, part Hamlet, the story opens with a sinister and seemingly unrelated scene that begins to make sense as the narrative progresses. The rich depiction of Edgar's family, who are breeders of unique dogs, creates a warm glow that contrasts sharply with the cold evil that their family contains. This tension, along with a little salting of the paranormal, makes this an excruciatingly captivating read. Readers examine the concept of choice, the choice of the dogs in their relationship with people, and the choice of people in their acquiescence to or rejection of their perceived destiny. Ultimately liberating, though tragic and heart-wrenching, this book is unforgettable; overwhelmingly recommended for all libraries.-Henry Bankhead, Los Gatos P.L., CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
In the year 1919, Edgar's grandfather, who was born with an extra share of whimsy, bought their land and all the buildings on it from a man he'd never met, a man named Schultz, who in his turn had walked away from a logging team half a decade earlier after seeing the chains on a fully loaded timber sled let go. Twenty tons of rolling maple buried a man where Schultz had stood the moment before. As he helped unpile logs to extract the wretched man's remains, Schultz remembered a pretty parcel of land he'd spied north and west of Mellen. The morning he signed the papers he rode one of his ponies along the logging road to his new property and picked out a spot in a clearing below a hill and by nightfall a workable pole stable stood on that ground. The next day he fetched the other pony and filled a yoked cart with supplies and the three of them walked back to his crude homestead, Schultz on foot, reins in hand, and the ponies in harness behind as they drew the cart along and listened to the creak of the dry axle. For the first few months he and the ponies slept side by side in the pole shed and quite often in his dreams Schultz heard the snap when the chains on that load of maple broke. He tried his best to make a living there as a dairy farmer. In the five years he worked the land, he cleared one twenty-five-acre field and drained another, and he used the lumber from the trees he cut to build an outhouse, a barn, and a house, in that order. So that he wouldn't need to go outside to tote water, he dug his well in the hole that would become the basement of the house. He helped raise barns all the way from Tannery Town to Park Falls so there'd be plenty of help when his time came. And day and night he pulled stumps. That first year he raked and harrowed the south field a dozen times until even his ponies seemed tired of it. He stacked rocks at the edges of the fields in long humped piles and burned stumps in bonfires that could be seen all the way from Popcorn Corners -- the closest town, if you called that a town -- and even Mellen. He managed to build a small stone-and-concrete silo taller than the barn, but he never got around to capping it. He mixed milk and linseed oil and rust and blood and used the concoction to paint the barn and outhouse red. In the south field he planted hay, and in the west, corn, because the west field was wet and the corn would grow faster there. During his last summer on the farm he even hired two men from town. But when autumn was on the horizon, something happened -- no one knew just what -- and he took a meager early harvest, auctioned off his livestock and farm implements, and moved away, all in the space of a few weeks. At the time, John Sawtelle was traveling up north with no thought or intention of buying a farm. In fact, he'd put his fishing tackle into the Kissel and told Mary, his wife, he was delivering a puppy to a man he'd met on his last trip. Which was true, as far as it went. What he didn't mention was that he carried a spare collar in his pocket. THAT SPRING THEIR DOG, Violet, who was good but wild-hearted, had dug a hole under the fence when she was in heat and run the streets with romance on her mind. They'd ended up chasing a litter of seven around the backyard. He could have given all the pups away to strangers, and he suspected he was going to have to, but the thing was, he liked having those pups around. Liked it in a primal, obsessive way. Violet was the first dog he'd ever owned, and the pups were the first pups he'd ever spent time with, and they yapped and chewed on his shoelaces and looked him in the eye. At night he found himself listening to records and sitting on the grass behind the house and teaching the pups odd little tricks they soon forgot while he and Mary talked. They were newlyweds, or almost. They sat there for hours and hours, and it was the finest Excerpted from The Story of Edgar Sawtelle by David Wroblewski All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
