Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Bayport Public Library | FICTION ROB | Searching... Unknown |
Searching... Hardwood Creek Library (Forest Lake) | FICTION ROB | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | FICTION ROB | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
Now a major television series from Apple TV+ starring Charlie Hunnam!
"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."
An escaped convict with a false passport, Lin flees maximum security prison in Australia for the teeming streets of Bombay, where he can disappear. Accompanied by his guide and faithful friend, Prabaker, the two enter the city's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.
As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.
Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas--this huge novel has the world of human experience in its reach, and a passionate love for India at its heart.
Author Notes
Gregory David Roberts is the author of The Mountain Show which made the Australian Best Seller List 2015.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
At the start of this massive, thrillingly undomesticated potboiler, a young Australian man bearing a false New Zealand passport that gives his name as "Lindsay" flies to Bombay some time in the early '80s. On his first day there, Lindsay meets the two people who will largely influence his fate in the city. One is a young tour guide, Prabaker, whose gifts include a large smile and an unstoppably joyful heart. Through Prabaker, Lindsay learns Marathi (a language not often spoken by gora, or foreigners), gets to know village India and settles, for a time, in a vast shantytown, operating an illicit free clinic. The second person he meets is Karla, a beautiful Swiss-American woman with sea-green eyes and a circle of expatriate friends. Lin's love for Karla and her mysterious inability to love in return gives the book its central tension. "Linbaba's" life in the slum abruptly ends when he is arrested without charge and thrown into the hell of Arthur Road Prison. Upon his release, he moves from the slum and begins laundering money and forging passports for one of the heads of the Bombay mafia, guru/sage Abdel Khader Khan. Eventually, he follows Khader as an improbable guerrilla in the war against the Russians in Afghanistan. There he learns about Karla's connection to Khader and discovers who set him up for arrest. Roberts, who wrote the first drafts of the novel in prison, has poured everything he knows into this book and it shows. It has a heartfelt, cinemascope feel. If there are occasional passages that would make the very angels of purple prose weep, there are also images, plots, characters, philosophical dialogues and mysteries that more than compensate for the novel's flaws. A sensational read, it might well reproduce its bestselling success in Australia here. Agent, Joe Regal Literary. (Oct. 18) Forecast: This is a novel with electric appeal, heightened by Roberts's exotic backstory (see q&a, p. 36). There should be plenty of media interest in the book and its author, and its sheer heft will make it stand out in bookstores. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
"The truth is, the man I am was born in those moments, as I stood near the flood sticks with my face lifted to the chrismal rain": an elegantly written, page-turning blockbuster by Australian newcomer Roberts. The story is taken from Roberts's own life: an Australian escapes from prison (he committed armed robbery to support heroin addiction) and flees to Mumbai (here, Bombay), where, hiding in the slums, he finds himself becoming at once increasingly Christlike and increasingly drawn into the criminal demimonde. The narrator, Lin, now going by Shantaram Kishan Kharre, takes to healing the sick while learning the ways of India's poor through the good offices of a guide named Pribaker, who's a little shady and more than a little noble, and through the booze-fogged lens provided by dodgy Eurotrash expats like aging French bad boy Didier, who "spoke a lavishly accented English . . . to provoke and criticize friend and stranger alike with an indolent malignity." Measuring their lives in the coffeespoons of one monsoon season to the next, these characters work in the orbit of fabulous crimelords and their more actively malign lieutenants, all with murky connections to the drug trade, Bollywood, and foreign intelligence agencies (as one tells our narrator, "All the secret police of the world work together, Lin, and that is their biggest secret"). Violence begets violence, the afflicted are calmed and balmed, friends are betrayed, people are killed, prison doors are slammed shut, then opened by well-greased palms. It's an extraordinarily rich scene befitting Les MisÉrables, a possible influence here, or another less obvious but just as philosophically charged ancestor, James Michener's The Drifters. Roberts is a sure storyteller, capable of passages of precise beauty, and if his tale sometimes threatens to sprawl out of bounds and collapse under its own bookish, poetic weight, he draws its elements together at just the right moment. A roman-à-clef rejoinder to Suketu Mehta's Maximum City (p. 676), splendidly evoking an India few outsiders know. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
A thousand pages is like a thousand pounds--it sounds like too much to deal with. Nevertheless, Roberts' very long novel sails along at an amazingly fast clip. Readers in the author's native Australia apparently finished every page of it, for they handed it considerable praise. Now U.S. readers can enjoy this rich saga based on Roberts' own life: escape from a prison in Australia and a subsequent flight to Bombay, which is exactly what happens to Lindsay, the main character in the novel; once in Bombay, he joins the city's underground. Roberts graphically, even beautifully, evokes that milieu--he is as effective at imparting impressions as any good travel writer--in this complex but cohesive story about freedom and the lack of it, about survival, spiritual meaning, love, and sex; in other words, about life in what has to be one of the most fascinating cities in the world. One's first impression of this novel is that it is simply a good story, but one soon comes to realize that Roberts is also a gifted creator of characters--not only Lindsay but also Prabaker, who becomes Lindsay's guide, caretaker, and entree into various elements of Bombay society. Soon, too, one becomes aware and appreciative of Roberts' felicitous writing style. In all, despite the novel's length, it is difficult not to be ensnared by it. And, be forewarned, it will be popular. --Brad Hooper Copyright 2004 Booklist
Library Journal Review
Having ditched his revolutionary ideals for heroin, our narrator ends up imprisoned in Australia, then escapes to an evidently vividly depicted Bombay to smuggle drugs and arms. What's really scary is that Roberts has based his first novel on personal experience. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
