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Summary
Summary
A heartfelt, visually stunning picture book from Caldecott Honor and Robert F. Sibert Medal winner Juana Martinez-Neal illuminates a young girl's day of play and adventure in the lush rain forest of Peru.
Zonia's home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?
Acclaimed author-illustrator Juana Martinez-Neal explores the wonders of the rain forest with Zonia, an Asháninka girl, in her joyful outdoor adventures. The engaging text emphasizes Zonia's empowering bond with her home, while the illustrations--created on paper made from banana bark--burst with luxuriant greens and delicate details. Illuminating back matter includes a translation of the story in Asháninka, information on the Asháninka community, and resources on the Amazon rain forest and its wildlife.
Author Notes
Juana Martinez-Neal is the Peruvian-born daughter and granddaughter of painters. Her debut as an author-illustrator, Alma and How She Got Her Name , was awarded a Caldecott Honor and was published in Spanish as Alma y cómo obtuvo su nombre . She also illustrated La Princesa and the Pea by Susan Middleton Elya, for which she won a Pura Belpré Illustrator Award, Babymoon by Hayley Barrett, Swashby and the Sea by Beth Ferry, and Fry Bread: A Native American Family Story by Kevin Noble Maillard, which won a Robert F. Sibert Medal. Juana Martinez-Neal lives in Connecticut with her family. Visit her online at www.juanamartinezneal.com.
Reviews (4)
School Library Journal Review
PreS-Gr 3--Zonia, a young Asháninka girl living in the Amazon rainforest begins her days with a walk through the lush forest and greeting all her animal friends. Martinez-Neal describes Zonia's carefree life among the unique species that surround her and call to her in sparse words, and soothing shades of green and earth tones that are full of texture. In her bright yellow dress, with sparkling eyes, terra cotta--colored skin and long, straight black hair, Zonia is vibrant and her curiosity is infectious. On her way home, the young Indigenous girl stumbles upon a patch that has been a victim of deforestation. Frightened, she decides she must answer the call to protect her home. The book includes back matter that will appeal to older readers and is well suited for classroom use on the Asháninka people, facts about and threats to the Amazon rainforest, as well as information about the animals Zonia encounters. VERDICT This beautiful look at a young girl's life and her determination to save her home is a perfect read for young environmentalists.--Monisha Blair, Rutgers Univ., NJ
Publisher's Weekly Review
"Zonia lives with those she loves in the rain forest,/ where it is always green and full of life," begins Martinez-Neal (Alma and How She Got Her Name) in this un- flinching look at the changing Peruvian Amazon. Barefoot and wearing a yellow dress, brown-skinned Zonia sits with her mother and nursing baby brother. "Every morning, the rain forest calls to Zonia.// Every morning, Zonia answers." In wispy mixed-media art that includes linocuts on banana bark paper, Martinez-Neal introduces Zonia's friends, the animals of the Amazon--blue morph butterflies, river dolphins, sloths, and more--who interact with the child in their shared home. ("You are my favorite," she whispers, nose to nose with a coati.) As Zonia heads back to her mother, though, she receives a new call from her beloved forest when she stumbles upon a place where the trees and undergrowth have been destroyed--only stumps remain. Further supporting this striking look at the way environmental destruction disenfranchises Indigenous communities, back matter contextualizes the final images and, alongside material about life in the Amazon, includes a translation of the text into Asháninka. Ages 4--8. Agent: Stefanie Sanchez Von Borstel, Full Circle Literary. (Mar.)
Kirkus Review
A young Asháninka girl in the Peruvian rain forest enjoys exploring her surroundings--until one day she sees something that frightens her. Zonia is Asháninka, the largest Indigenous group living in the Peruvian Amazon rain forest. "Every morning, the rain forest calls to Zonia. / Every morning, Zonia answers." Following a blue morpho butterfly, she greets the sloths; sings with the birds; says hello to a band of coatis; rides on a jaguar; watches Amazon river dolphins swim by; congratulates a giant anteater with new babies; sits on a giant lily pad as a caiman floats nearby; and even hangs upside down side by side with a boa constrictor. Sweet illustrations done on handmade banana-bark paper depict a spunky and happy brown-skinned child with high cheekbones and long black hair flying in the wind. Zonia's life as portrayed here feels beyond idyllic--cartoonishly so, if not for the quality of the art. Abruptly, after her sequence of delightful encounters, Zonia comes across a section of the forest that has been clear-cut. Frightened, she runs home and tells her mother the forest needs help. When her mother tells her the forest "is speaking to you," Zonia declares, "We all must answer"--and the book ends. With no buildup or explanation, the last sentence carries no emotional weight. The real substance of the book is in its backmatter. There, readers will find the story translated into the Asháninka language by Arlynder Sett Gaspar Paulino, information on the Asháninka and the Amazon rain forest, and the names of the animals depicted in the story. A Spanish edition, La selva de Zonia, publishes simultaneously. An important environmental message obscurely delivered. (Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
TITLE: Answering the Forest's CallDEK: A young girl's pledge to protect the AmazonIn her first solo project since her Caldecott Honor--winning Alma and How She Got Her Name (2018), Martinez-Neal presents a tale that is both celebratory and cautionary in nature. Apple-cheeked with long, dark hair tumbling down her back, Zonia spends a happy morning exploring the rain forest where she lives. First, she follows a blue morpho butterfly into the dense understory, delighting when it lands beside four sweet-faced sloths dangling from a branch. Next, she greets "some chatty new neighbors" (red-plumed Andean cocks-of-the-rock) with a smile so big it barely fits on the girl's face. She continues, appreciating others' perspectives (literally, by hanging upside-down in a tree), their playfulness and speed, as well as the quiet and calm that they afford, as when she visits some Arrau turtles.At its simplest level, this is a beautiful story about a child who loves her home and the animals she with whom she shares it. Martinez-Neal's rounded, soft-textured illustrations are wonderfully inviting and involve linocut and woodcut leaves and fronds printed on natural banana-bark paper. Amid these varied greens, Zonia shines in her marigold tunic, as do many of the warmly or brightly colored animal friends she visits; young readers will enjoy finding the blue butterfly in every spread and learning the names of the rain forest creatures, which are identified in the back matter. The text is kept to two short sentences per double-page spread, reflecting Zonia's uncomplicated and innocent view of the world, which is shaken when she stumbles upon a large section of clear-cut forest.This scene is Martinez-Neal's call to action for her readers. Like Zonia, kids will know instinctively that what they are seeing is bad, even if they don't fully understand why, and they will accept Zonia's charge to protect the forest. Zonia is Asháninka, an Indigenous people of the Peruvian Amazon. Martinez-Neal provides information on the Asháninka and the Amazon rain forest in back matter, which is written with a sense of urgency. She doesn't shy away from calling out racial and social injustices faced by Indigenous peoples, most of whom feel a deep connection and commitment to their forest home. Subsequent facts about the Amazon and threats to it (farming, illegal logging, etc.) underscore the necessity of protecting the environment and supporting those working for this cause.It is a somewhat jarring conclusion to an otherwise free-spirited book, which may be off-putting to some readers. Though Zonia's resolve to answer the forest's call for help would perhaps feel more empowering if the back matter also included ways for children to become involved in the cause, readers will undoubtedly be moved by Zonia's experience and compelled to learn more about these forests and the people who live in them. An Asháninka translation of the story is also included and serves as another reminder that the Asháninka are at the heart--or, more accurately, are the heart--of this beautiful tale, and it behooves us all to listen them in their concern for the Amazon.Ultimately, this is a conversation starter and worthy companion to books such as The Lorax and Carole Lindstrom's We Are Water Protectors (2020), capable of bridging more complex discussions on racial and environmental activism, as well as the study of rain forest biomes. Children don't need statistics to understand that destroying animals' and people's forest homes is harmful, but arming them with facts to gird their compassion will ensure they are a force to be reckoned with in fights to come.
