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Summary
Summary
Welcome to Melissa Albert's The Hazel Wood -- the fiercely stunning New York Times bestseller everyone is raving about!
Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away--by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: "Stay away from the Hazel Wood."
Alice has long steered clear of her grandmother's cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began--and where she might find out how her own story went so wrong.
Don't miss the bestselling sequel to The Hazel Wood , The Night Country or the illustrated collection of twelve fairy tales, Tales from the Hinterland !
Author Notes
Melissa Albert is the author of the Hazel Wood series and a former bookseller and YA lit blogger. Her work has been translated into over twenty languages. She's from Illinois and lives in Brooklyn with her family.
Reviews (6)
Publisher's Weekly Review
Alice Proserpine has grown up on the run, haunted by a book her mother, Ella, has forbidden her from reading: Tales from the Hinterland. It's a collection of unsettling fairy tales written by a grandmother Alice has never met, a recluse with an obsessive fandom. Then Althea, the grandmother, dies, and Ella cryptically declares them free. Alice is focused on how they can turn their straw existence into a brick one after so many peripatetic years, and she's bitterly disappointed with Ella's solution: marry up. Shortly after, Ella goes missing, sending Alice and classmate Ellery Finch directly to the place Ella warned Alice to avoid: the Hazel Wood, Althea's estate, where Alice painfully unravels the mystery of her childhood. Albert's debut is rich with references to classic children's literature; Alice's sharp-edged narration and Althea's terrifying fairy tales, interspersed throughout, build a tantalizing tale of secret histories and magic that carries costs and consequences. There is no happily-ever-after resolution except this: Alice's hard-won right to be in charge of her own story. Ages 12-up. Agent: Faye Bender, Book Group. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
After seventeen-year-old Alice's mother is abducted, she realizes their perpetual bad luck comes from the nasty fairy-tale world of her grandmother's cult-classic collection, Tales from the Hinterland. With help from classmate Ellery, Alice travels to creepy Hazel Wood, her grandmother's remote estate. Shifting from urbane realism to a kaleidescopic, metafictional dream world of fairy-tale tropes and nightmare, the narrative always displays a distinctive voice and ebullient love of language. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* Some fairy tales ask to be lived in. They involve enchanted forests and handsome princes, talking animals, kind maidens, and wishes come true. Others are darker. Others have teeth. The Hinterland is one such savage place, not that Alice would know she hasn't read Tales from the Hinterland, the book penned by a grandmother she's never met. They aren't children's stories, her mother, Ella, says, and besides, the book itself is infamously elusive. Alice, quick to anger with a heart of ice, has spent her 17 years in constant motion; trailed by bad luck, she and Ella move from place to place, never staying anywhere long enough to put down roots. But when Ella is taken suddenly, the lines between the real world and the Hinterland start to blur. Faced with the loss of the only person she's ever loved, Alice must rely on Ellery Finch, the kind of Tales from the Hinterland superfan she's always avoided, to help her track down the world she thought existed only in her grandmother's imagination. In this unsettling debut, Albert takes familiar stories and carefully pulls them apart; the end result is a sort of deconstructed fairy tale that, despite its familiarity, gets under the skin. Highly literary, occasionally surreal, and grounded by Alice's clipped, matter-of-fact voice, it's a dark story that readers will have trouble leaving behind. HIGH-DEMAND: The buzz for this debut is deafening, and the fact that the film adaption is already in the works doesn't hurt.--Reagan, Maggie Copyright 2017 Booklist
New York Review of Books Review
Alice Crewe (a last name she's chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called "Tales From the Hinterland." The book has a cult following, and though Alice has never met her grandmother, she's learned a little about her through internet research. She hasn't read the stories, because her mother, Ella Proserpine, forbids it. Alice and Ella have moved from place to place in an attempt to avoid the "bad luck" that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who's an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella. "The Hazel Wood" starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you'd hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It's a captivating debut.
School Library Journal Review
Gr 9 Up-Alice Proserpine's mother Ella was raised on fairy tales amid the cultlike fandom surrounding the release of Tales from the Hinterland, a collection of grim fairy tales that, in the 1980s, briefly made Alice's grandmother Althea Proserpine a celebrity. Instead of fairy tales, Alice has highways as she and her mother constantly move around hoping to outrun their eerie bad luck-something that seems much more likely when they learn that Althea has died alone on her estate known as The Hazel Wood. Everything isn't as it seems, and soon after, Alice's mother is kidnapped, leaving nothing except a warning for Alice to stay away from The Hazel Wood. The teen reluctantly enlists her classmate and not-so-secret Hinterland fan Ellery Finch, who may or may not have ulterior motives for helping, to share his expertise on the fairy tales. The path to the Hazel Wood leads Alice straight into the story of her family's mysterious past. Albert's standalone fantasy debut has a narration in the vein of a world-weary noir detective who happens to be a teenage girl. Resourceful, whip-smart, and incredibly impulsive, Alice also struggles with her barely contained rage as circumstances spiral out of her control. Her singular personality largely excuses the lack of context for much of her knowledge and cultural references that hearken more to a jaded adult than a modern teen. The lilting structure and deliberate tone bring to mind fairy tales both new and retold while also hinting at the teeth this story will bear in the form of murder, mayhem, and violence both in the Hinterland tales and in Alice's reality. VERDICT An aggressive lack of romance and characters transcending their plots make this story an empowering read that will be especially popular with fans of fairy-tale retellings.-Emma Carbone, Brooklyn Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A ferocious young woman is drawn into her grandmother's sinister fairy-tale realm in this pitch-black fantasy debut.Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. The Hinterlandand the Stories that animate itappear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children's-literature references and sprinkled with wry humor; her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. Despite her tentative friendship (and maybe more) with Ellery Finch, a wealthy biracial, brown-skinned geek for all things Althea Proserpine, any hints of romance are negligible compared to the powerful relationships among women: mothers and daughters, sisters and strangers, spinner and stories; ties of support and exploitation and love and liberation. Not everybody lives, and certainly not "happily ever after"but within all the grisly darkness, Alice's fierce integrity and hard-won self-knowledge shine unquenched. (Fantasy. 16-adult) Copyright Kirkus Reviews, used with permission.
