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Summary
Summary
A lyrical story of star-crossed love perfect for readers of The Hate U Give , by National Ambassador for Children's Literature Jacqueline Woodson
Jeremiah feels good inside his own skin. That is, when he's in his own Brooklyn neighborhood. But now he's going to be attending a fancy prep school in Manhattan, and black teenage boys don't exactly fit in there. So it's a surprise when he meets Ellie the first week of school. In one frozen moment their eyes lock, and after that they know they fit together--even though she's Jewish and he's black. Their worlds are so different, but to them that's not what matters. Too bad the rest of the world has to get in their way.
Jacqueline Woodson's work has been called "moving and resonant" ( Wall Street Journal ) and "gorgeous" ( Vanity Fair ). Now celebrating its twentieth anniversary, and including a new preface by the author, If You Come Softly is a powerful story of interracial love that leaves readers wondering "why" and "if only . . ."
Author Notes
Jacqueline Woodson was born in Columbus, Ohio on February 12, 1963. She received a B.A. in English from Adelphi University in 1985. Before becoming a full-time writer, she worked as a drama therapist for runaways and homeless children in New York City. Her books include The House You Pass on the Way, I Hadn't Meant to Tell You This, Lena, and The Day You Begin. She won the Coretta Scott King Award in 2001 for Miracle's Boys. After Tupac and D Foster, Feathers, and Show Way won Newbery Honors. Brown Girl Dreaming won the E. B. White Read-Aloud Award in 2015. Her other awards include the Margaret A. Edwards Award for lifetime achievement in writing for young adults, the Los Angeles Times Book Prize, and the 2018 Astrid Lindgren Memorial Award. She was also selected as the Young People's Poet Laureate in 2015 by the Poetry Foundation.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
Once again, Woodson (I Hadn't Meant to Tell You This) handles delicate, even explosive subject matter with exceptional clarity, surety and depth. In this contemporary story about an interracial romance, she seems to slip effortlessly into the skins of both her main characters, Ellie, an upper-middle-class white girl who has just transferred to Percy, an elite New York City prep school, and Jeremiah, one of her few African American classmates, whose parents (a movie producer and a famous writer) have just separated. A prologue intimates heartbreak to come; thereafter, sequences alternate between Ellie's first-person narration and a third-person telling that focuses on Jeremiah. Both voices convincingly describe the couple's love-at-first-sight meeting and the gradual building of their trust. The intensity of their emotions will make hearts flutter, then ache as evidence mounts that Ellie's and Jeremiah's "perfect" love exists in a deeply flawed society. Even as Woodson's lyrical prose draws the audience into the tenderness of young love, her perceptive comments about race and racism will strike a chord with black readers and open the eyes of white readers ("Thing about white people," Jeremiah's father tells him, "they know what everybody else is, but they don't know they're white"). Knowing from the beginning that tragedy lies just around the corner doesn't soften the sharp impact of this wrenching book. Ages 10-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
The twentieth anniversary audiobook of Woodsons novel opens with her heartfelt introduction about the persistent relevance of this tragic story about an interracial teen couple, Jeremiah (Miah) and Ellie. Hes black, shes white, and when they meet at school they feel an immediate connection. That connection persists and deepens despite others objections and the racism they encounter. Readers Marie and Lockards alternating narrations live up to Woodsons deft characterizations, and their sensitive evocation of young love will send listeners hearts aflutter. Although Woodson was inspired by Romeo and Juliet, the tragic conclusion here arrives not with suicides but with a police shooting. The phrase Black Lives Matter doesnt appear in the two-decade-old text, but the ending reverberates with its sentiment long after the final word is read. megan dowd lambert (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Gr. 7-10. People stare when teenagers Miah and Ellie touch and hold hands in public. He is black. She is white. In alternating chapters, we learn about how they meet in their private high school and fall in love, and we learn a lot about their families, both of which are far from perfect. As in all her fiction, Woodson confronts prejudice head-on. Miah's family is rich and famous, but when he and Ellie walk in Central Park, two old white women ask her if she is all right. Ellie, whose family is Jewish and secular, comes to realize that she takes her whiteness, her race, for granted in a way that Miah never can. He always knows he is black. The burning of black churches in the South are part of who he is. His mother accepts Ellie; so does his friend whose family is biracial. But Ellie's lesbian older sister asks Ellie to think twice about dating a black guy. What will her parents do? Readers will wish that Woodson had given us that elemental scene when Ellie brings Miah home to dinner. Instead, the sudden violent ending is a devastating shock that seems stuck on, though it does make us go back and reread the story for clues, and they are there. Many will want to go on from this story to the personal essays in Half & Half: Writers on Growing Up Biracial and Bicultural. (Reviewed October 1, 1998)0399231129Hazel Rochman
School Library Journal Review
Gr 7 Up-Two 15 year olds, Jeremiah (Miah) who is black, and Elisha (Ellie) who is white, meet during their first year at an exclusive New York prep school and fall in love. Both teens are also dealing with difficult family situations. Miah's father has left his mother for another woman, and Ellie is trying to fight through her feelings about her mother, who twice abandoned her family for extended periods. The teenagers must also deal with the subtle and not-so-subtle bigotry that they are subject to as a mixed-race couple. Miah and Ellie go about working through their problems, both individually and together, and their relationship continues to blossom, giving readers a shared sense of contentment. Thus, the tragic climax will leave them stunned. Woodson's lyrical narrative tells the story through alternating voices, Ellie's in the first person and Miah's in the third. This fine author once again shows her gift for penning a novel that will ring true with young adults as it makes subtle comments on social situations.-Tom S. Hurlburt, La Crosse Public Library, WI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence. Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He's the only child of celebrity parents; she's the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father's warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie. Miah's melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson's previous books. (Fiction. 11-13)
Excerpts
Excerpts
I couldn't stop looking at him, at his smile and his hair. I had never seen locks up close. His were thick and black and spiraling down over his shoulders. I wanted to touch them, to touch his face. I wanted to hear him say his name again. For a moment we stared at each other, neither of us saying anything. There was something familiar about him, something I had seen before. I blinked, embarrassed suddenly, and turned away from him. Then Jeremiah rose and I rose. "Well . . . good-bye. I guess . . . I guess I'll see you around," he said softly, looking at me a moment longer before turning away and heading down the hall, his locks bouncing gently against his shoulders. "Jeremiah," I whispered to myself as I walked away from him. I could feel his name, settling around me, as though I was walking in a mist of it, of him, of Jeremiah. ALSO BY JACQUELINE WOODSON After Tupac and D Foster Behind You Beneath a Meth Moon Between Madison and Palmetto Brown Girl Dreaming The Dear One Feathers From the Notebooks of Melanin Sun The House You Pass on the Way Hush I Hadn't Meant to Tell You This Last Summer with Maizon Lena Locomotion Maizon at Blue Hill Miracle's Boys Peace, Locomotion Table of Contents At first sight Also by Jacqueline Woodson Title Page Dedication Copyright Page Part One Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Part Two Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Questions for Discussion An Excerpt from Brown Girl Dreaming An Excerpt from Behind You The tide and the poem "If You Come Softly" by Audre Lorde are from The Collected Poems of Audre Lorde published by W. W. Norton and reprinted by permission of the Charlotte Sheedy Literary Agency. SPEAK Published by the Penguin Group Penguin Group (USA) Inc., 345 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Registered Offices: Penguin Books Ltd, 80 Strand, London WC2R 0RL, England First published in the United States of America by G. P. Putnam's Sons, a division of Penguin Putnam Books for Young Readers, 1998 Published by Speak, an imprint of Penguin Group (USA) Inc., 2003 Reissued by Speak, an imprint of Penguin Group (USA) Inc., 2006 Copyright © Jacqueline Woodson, 1998 All rights reserved THE LIBRARY OF CONGRESS HAS CATALOGED THE G. P. PUTNAM'S SONS EDITION AS FOLLOWS: Woodson, Jacqueline. If you come softly / Jacqueline Woodson. p. cm. Summary: After meeting at their private school in New York, fifteen-year-old Jeremiah, who is black and whose parents are separated, and Ellie, who is white and whose mother has twice abandoned her, fall in love and then try to cope with people's reactions. ISBN: 9781101076972 For the ones like Jeremiah If you come as softly as the wind within the trees You may hear what I hear See what sorrow sees. MY MOTHER CALLS TO ME FROM THE BOTTOM OF THE stairs, and I pull myself slowly from a deep sleep. It is June. Outside the sky is bright blue and clear. In the distance I can see Central Park, the trees brilliant green against the sky. I was dreaming of Miah. "Elisha," Marion calls again. She sounds worried and I know she is standing at the bottom of the stairs, her hand moving slowly up and down the banister, waiting for me to answer. But I can't answer yet. Not now. Is there a boy? Marion asked me that fall, when Miah was new. And I lied and told her there wasn't one. She is standing at the door now, her arms folded in front of her. "Time to get up, sweetie. Are you all right?" I nod and continue to stare out the window, my hair falling down around my eyes, my pajamas hot and sticky against my skin. No, Marion, there isn't a boy. Not now. Not anymore. She comes to the bed and sits beside me. I feel the bed sink down with the weight of her, smell her perfume. "I dreamed about Miah last night," I say softly, leaning my head against her shoulder. Outside, there are taxicabs blowing their horns. In the seconds of quiet between the noise, I can hear birds. And my own breathing. Marion moves her hand over my head. Slowly. Softly. "Was it a good dream?" I frown. "Yes ... I think so. But I don't remember it all." "Remember what you can, Elisha," Marion whispers, kissing me on the forehead. "Remember what you can." I close my eyes again. And remember what I can. Part One The Ending Jeremiah YOU DO NOT DIE. YOUR SOUL STEPS OUT OF YOUR BODY, shakes itself hard because it's been carrying the weight of your heavy skin for fifteen years. Then your soul lifts up and looks down on your body lying there--looks down on the blood running onto concrete, your eyes snapped open like the pages in some kid's forgotten picture book, your chest not moving. Your soul sees this and feels something beyond sadness--feels its whole self whispering further away. Shhhh. Shhhh. Shhhh-- past the trees in Central Park, past the statues and runners and children playing on swings. Shhhh. Shhhh. Shhhh. Over yellow taxicabs and late-afternoon flickering streetlights. Shhhh away from the dusting of snow, the white tips of trees, the darkening sky. Already you hear your mother screaming. Already you see your father dropping his head into his hands. Helpless. Already you see your friends--walking through the halls of Percy Academy. Stunned. But you do not die. Each breath your soul takes is cool and reminds you of a taste you loved a long time ago. Licorice. Peppermint. Rain. Then your soul is you all over again, only lighter and freer and able to be a thousand and one places at once. Your new soul eyes look around. See two cops standing there with their mouths hanging open. One cop curses and kicks a tree. Slowly your soul realizes it's in a park. There are trees all around you. And both cops look scared. He's dead, one cop says. And the other curses again. Your soul doesn't like the way the curse word sounds. Too hard. Too heavy in the new soul-light air. The cops can't see you. They see a dead body on the ground--a young boy. A black boy. They know this is not the man they'd been looking for. They know they've made a mistake. Your soul looks at the boy and knows his friends called him Miah but his full name was Jeremiah Roselind. Tall. Dark. He has locks and the locks are spread over the ground. His eyes are opened wide. Greenish gray lifeless eyes. Your soul thinks--somebody loved that boy once. Thinks--once that boy was me. The wind blows the snow left, right and up. You are so light, you move with the wind and the snow. Let the weather take you. And it lifts you up--over a world of sadness and anger and fear. Over a world of first kisses and hands touching and someone you're falling in love with. She's there now. Right there. Look closely. Yeah. That's her. That's my Ellie. The Hurting Ellie FOR A LONG TIME AFTER MIAH DIED, SO MANY PEOPLE DIDN'T sleep. At night, we lay in bed with our eyes wide open and watched the way night settled down over wherever we were. I was in a room on the Upper West Side, in a house my parents moved to a long time ago. Not a house --a duplex apartment in a fancy building with a doorman. My dad's a doctor. My mother stays at home. I go to Percy Academy. Some people look at me and see a white girl in a uniform--burgundy jacket and gray skirt--and think, She has all the privilege in the world. I look back at them, thinking, If only you knew. If only they knew how we were sprinkled all over the city--me in my big room, Nelia in her Fort Greene brownstone, Norman in his girlfriend's apartment, aunts and uncles and cousins, even strangers--all over New York City--none of us slept. We lay there staring up at our ceilings or out into the darkness. Or some days we stopped in the middle of doing something and forgot what it was we were doing. We thought, Jeremiah's dead. We whispered, Jeremiah's dead. As if the whispering and the thinking could help us to understand. We didn't eat enough. We peed only when the need to pee got so big, we thought we'd wet our pants. We pulled the covers off ourselves in the mornings then sat on the edge of our beds, not knowing what to do next. If those strangers looked, really looked into my privileged white girl face, they would have seen the place where I wasn't even there. Where a part of me died too. Miah died on a Saturday afternoon. That evening, the calls started coming. First his mom, Nelia, asking if Miah was still with me. Then his dad, Norman. Then the cops. Then silence. Silence that lasted into the night and into the next dawn. Then the phone ringing one more time and Nelia saying, Ellie, Miah's been shot. . . . I don't remember much more than that. There was a funeral. There were tears. There were days and days spent in my bed. A fever maybe. There was no more Miah. No more Miah. No more Miah and me. Chapter 3 HE LOVED THE LIGHT IN HIS MAMA'S KITCHEN. THE yellow stained-glass panes across the top of the windows buttered the room a soft gold-even now, in the early evening with the rain coming down hard outside. "Your daddy left a message," his mama said. "Said he had to go out to L.A. Be back Sunday night. Left a number." "Guess I'm spending the week here then." Jeremiah glanced out the kitchen window. There was no light on in his father's apartment. He was glad he didn't have to make a decision. Every night it was the same thing. You gonna stay here? You gonna stay here? His mama and daddy's voices beating against the side of his head, begging him as if they were really saying, Choose me. No, choose me. For the hundredth time, no, maybe the thousandth time, he wished he had a brother or sister--somebody to go up against them with. Someone to help relieve some of the stuff they put him through. How long would it have to be like this anyway? Two addresses. Two phone numbers. Two bedrooms. Excerpted from If You Come Softly by Jacqueline Woodson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
