Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Hardwood Creek Library (Forest Lake) | MYSTERY CON | Searching... Unknown |
Searching... Park Grove Library (Cottage Grove) | MYSTERY CON | Searching... Unknown |
Searching... Stillwater Public Library | MYSTERY CON | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
FROM THE #1 BESTSELLING AUTHOR OF THE HARRY BOSCH AND LINCOLN LAWYER SERIES
An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King.
Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
Author Notes
Michael Connelly was born in Philadelphia, Pennsylvania on July 21, 1956. He graduated from the University of Florida in 1980 where he majored in journalism and minored in creative writing. After graduation, he worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, specializing in the crime beat. In 1986, he interviewed survivors of a plane crash with two other reporters and the magazine story subsequently written on the crash was on the short list for the Pulitzer Prize for feature writing. This story led to a job as a crime reporter for the Los Angeles Times. After three years there, he began writing his first novel.
His first novel, The Black Echo, was published in 1992 and won the Edgar Award for best first novel. He is the author of the Harry Bosch series, the Jack McEvoy series, and the Mickey Haller series. He has won numerous awards including the Anthony Award, Macavity Award, Shamus Award, Dilys Award, Nero Award, Barry Award, Ridley Award, Maltese Falcon Award (Japan), .38 Caliber Award (France), Grand Prix Award (France), Premio Bancarella Award (Italy), and the Pepe Carvalho Award (Spain).
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
In a departure from his crime novels featuring LAPD's Harry Bosch, Connelly (The Last Coyote) sets Denver journalist Jack McEvoy on an intricate case where age-old evils come to flower within Internet technology. Jack's twin brother, Sean, a Denver homicide detective obsessed with the mutilation murder of a young woman, is discovered in his car, dead of an apparently self-inflicted gunshot, with a cryptic note written on the windshield. Jack's investigation uncovers a series of cop suicides across the country, all of which have in common both the cops' deep concerns over recent cases and their last messages, which have been taken, he quickly determines, from the writings of Edgar Allan Poe. As his information reopens cases in Chicago, Baltimore, Dallas, New Mexico and Florida, Jack joins up with a team from the FBI's Behavioral Science Section, which includes sharp, attractive agent Rachel Walling. Connections between the dead cops, the cases they were working on and the FBI profile of a pedophile whom readers know as William Gladden occur at breakneck speed, as Jack and the team race to stay ahead of the media. Edgar-winning Connelly keeps a surprise up his sleeve until the very end of this authoritatively orchestrated thriller, when Jack finds himself in California, caught at the center of an intricate web woven from advanced computer technology and more elemental drives. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Connelly takes a break from his Harry Bosch police novels (The Last Coyote, p. 328, etc.) for something even more intense: a reporter's single-minded pursuit of the serial killer who murdered his twin. Even his buddies in the Denver PD thought Sean McEvoy's shooting in the backseat of his car looked like a classic cop suicide, right down to the motive: his despondency over his failure to clear the murder of a University of Denver student. But as Sean's twin brother, Jack, of the Rocky Mountain News, notices tiny clues that marked Sean's death as murder, his suspicions about the dying message Sean scrawled inside his fogged windshield--``Out of space. Out of time''--alert him to a series of eerily similar killings stretching from Sarasota to Albuquerque. The pattern, Jack realizes, involves two sets of murders: a series of sex killings of children, and then the executions (duly camouflaged as suicides) of the investigating police officers. Armed with what he's dug up, Jack heads off to Washington, to the Law Enforcement Foundation and the FBI. The real fireworks begin as Jack trades his official silence for an inside role in the investigation, only to find himself shut out of both the case and the story. From then on in, Jack, falling hard for Rachel Walling, the FBI agent in charge of the case, rides his Bureau connections like a bucking bronco--even as one William Gladden, a pedophile picked up on a low-level charge in Santa Monica, schemes to make bail before the police can run his prints through the national computer, then waits with sick patience for his chance at his next victim. The long-awaited confrontation between Jack and Gladden comes at an LA video store; but even afterward, Jack's left with devastating questions about the case. Connelly wrings suspense out of every possible aspect of Jack's obsessive hunt for his brother's killer. Prepare to be played like a violin.
Booklist Review
In Connelly's best-selling thriller, crime reporter Jack McEvoy sets out to prove that his cop brother didn't kill himself, but he winds up tracking a serial killer, dubbed the Poet, who forces his victims to leave suicide notes drawn from the works of Edgar Allan Poe. A riveting novel in The Silence of the Lambs tradition. (Connelly's latest, set in L.A., is reviewed in this issue's Upfront section.)
Library Journal Review
The Edgar Award-winning Connelly (The Concrete Blond, Audio Reviews, LJ 9/1/94) introduces us to Jack McEvoy, Denver journalist. While investigating the suicide of his twin brother, a detective, McEvoy finds the death was actually a cleverly disguised murder. As he digs deeper, he becomes enmeshed in a nationwide FBI hunt for two psychopathic pedophiles, one a con and the other a literati cop. The majority of the narrative is told in the first person by McEvoy, while scenes depicting the murderers are rendered in the third person. This makes the tale a bit awkward to follow, yet Connelly is able to realistically show us both criminal and police psychology. Although the plot is somewhat contrived, the author weaves a very engrossing tale. Reader Buck Schirner displays his great versatility by giving each character a convincing voice. This is a fine reading of a mostly fascinating mystery.Michael T. Fein, Catawba Valley Community Coll., Hickory, N.C. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
