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Summary
Summary
SOON TO BE A MAJOR TELEVISION EVENT FROM NBC, STARRING RUSSELL HORNSBY, ARIELLE KEBBEL, AND MICHAEL IMPERIOLI.
Lincoln Rhyme, the quadriplegic detective made famous in The Bone Collector is back in a thriller from the masterful Jeffery Deaver. When a sadistic killer leaves clocks at his murder scenes, will time run out for the criminologist and his partner Amelia Sachs?
On a frigid December night, an eerie pattern emerges from two equally brutal murder scenes, where a killer's calling card is a moon-faced clock that seemingly ticked away the victims' last moments. From his wheelchair, criminologist Lincoln Rhyme tracks the Watchmaker, a time-obsessed genius. With every passing second, the Watchmaker is moving with razor-sharp precision to his next act of perfectly orchestrated violence--and Rhyme can't afford to have his trusted partner Amelia Sachs distracted by a daunting homicide case of her own. Up against a brilliant madman, Rhyme and Sachs are locked in a blood-chilling race with their deadliest enemy: time itself.
Author Notes
Jeffery Deaver was born on May 6, 1950 in Chicago, Illinois. He received a degree in journalism from the University of Missouri and a law degree from Fordham University. Before attending law school, he worked as a business writer. After law school, he worked for a Wall Street law firm practicing corporate law. In 1990, he decided to stop practicing law and become a full-time writer.
His first novel was a horror story entitled Voodoo. He is the author of more than 25 novels and has written some of those stories under the pseudonym William Jeffries. He writes the Lincoln Rhyme series and the Kathryn Dance series. A Maiden's Grave was adapted into a film by HBO called Dead Silence and The Bone Collector was adapted into a feature film starring Denzel Washington and Angelina Jolie. He received the Steel Dagger and Short Story Dagger from the British Crime Writers' Association, the Ellery Queen Reader's Award for Best Short Story of the Year three times, and the British Thumping Good Read Award.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Bestseller Deaver's twisty seventh Lincoln Rhyme novel (after 2005's The Twelfth Card) pits Rhyme, the quadriplegic NYPD detective, against a brilliant criminal mastermind called the Watchmaker. Assisted by his longtime partner, Det. Amelia Sachs, an expert at forensic analysis, Rhyme probes two bizarre murders linked by the killer's calling card-a clock left at the scene. The Watchmaker, as an ominous poem also left at the scene suggests, is bent on executing eight more people in a variety of ways intended to prolong their suffering. Deaver cleverly alternates between the Rhyme/Sachs team and the Watchmaker and his assistant, heightening tension by introducing the next targets and humanizing them. Sachs loses some focus when she also has to probe a suicide that she suspects is connected with some corrupt brother officers. Deaver fans won't be surprised that the investigations overlap, or that the several apparent climaxes are building to something more, but even they will be hard-pressed to peel back all the layers of the cunning plot at work beneath the surface. (June) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Lincoln Rhyme, the quadriplegic criminalist, returns for a new round of crime busting. Rhyme, who has starred in a handful of very good novels, is one of the mystery genre's most interesting and out-of-the-ordinary series leads, a brilliant investigator who rarely leaves his specially equipped home. He's partnered (personally and professionally) with Amelia Sachs, a former fashion model and first-rate detective. Here, while assisting Rhyme in tracking down a sadistic serial killer who calls himself the Watchmaker, Sachs is also running her own murder investigation, her first as lead detective. Fans of the series will welcome the chance to see Sachs spread her wings, and spending time with the likably crusty Rhyme is always a delight. As always, Deaver's dialogue is exceptionally realistic, and his plotting is devilishly intricate. Recommended for fans of the Rhyme novels (naturally) and readers who like their thrillers laced with wit and sharp characterizations. --David Pitt Copyright 2006 Booklist
Kirkus Review
The latest serial killer to duke it out with quadriplegic criminalist Lincoln Rhyme is a nefarious figure, the Watchmaker, whose bark, sadly, is a lot worse than his bite. The first two victims are linked by identical clocks left at the crime scenes and the killer's clear determination to prolong each death for as long as possible. But Lincoln Rhyme and his legman/investigator Amelia Sachs don't need to work very hard to find clues to a killer who signs his work with a snatch of dark doggerel. Evidently the perps, soon identified for readers as unflappable Gerald Duncan and his rapist sidekick Vincent Reynolds, are intent on leaving a trail of evidence that will lead directly to them. Will Rhyme, Sachs and the NYPD catch the pair before they can kill florist Joanne Harper, Sgt. Lucy Richter and the rest of the victims they seem to have lined up? Fans of Rhyme's first six cases (The Twelfth Card, 2005, etc.) will skip this question to focus on a more interesting one: Which of the leads, revelations, twists and confessions can be trusted, and which have been planted for purposes best known to the Watchmaker? Deaver, an old pro at pulling rugs out from under readers, adds a piquant complication this time: another case Sachs is working on her own (an impossible suicide she's sure is murder) whose connection to the Watchmaker is worth the price of admission. But this time the complications--a technical term that refers to the extra dials and functions built into a first-rate chronometer--go way over the top for the last 100 pages, and the case peters out in diminishing returns. The most mannered of all Rhyme's adventures, with more red herrings than a fish market and a climax that's both a bang and a whimper. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Lincoln Rhyme and his partner, Amelia Sachs, find themselves literally running out of time in Deaver's (The Twelfth Card) latest, in which they must stop the Watchmaker, a diabolical mastermind who leaves behind a calling card of a moon-faced ticking clock at his crime scenes. The Watchmaker is a true genius who plans for every eventuality with timepiece precision, keeping steps ahead of his pursuers. As Rhyme and Sachs race to stop his next murder, Amelia must balance the assignment with her first solo homicide case, which will have ramifications to her past and future career in law enforcement. Could it also jeopardize her personal and professional relationship with Rhyme? Deaver is a master of manipulation and the straightforward story is miles away from the narrative's real undercurrent. Readers will be shocked and amazed at the end result of this ingenious way to pass the time. For all fiction collections. [See Prepub Alert, LJ 2/15/06.] Jeff Ayers, Seattle P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
The Cold Moon Chapter 1 "How long did it take them to die?" The man this question was posed to didn't seem to hear it. He looked in the rearview mirror again and concentrated on his driving. The hour was just past midnight and the streets in lower Manhattan were icy. A cold front had swept the sky clear and turned an earlier snow to slick glaze on the asphalt and concrete. The two men were in the rattling Band-Aid-mobile, as Clever Vincent had dubbed the tan SUV. It was a few years old; the brakes needed servicing and the tires replacing. But taking a stolen vehicle in for work would not be a wise idea, especially since two of its recent passengers were now murder victims. The driver--a lean man in his fifties, with trim black hair--made a careful turn down a side street and continued his journey, never speeding, making precise turns, perfectly centered in his lane. He'd drive the same whether the streets were slippery or dry, whether the vehicle had just been involved in murder or not. Careful, meticulous. How long did it take? Big Vincent--Vincent with long, sausage fingers, always damp, and a taut brown belt stretching the first hole--shivered hard. He'd been waiting on the street corner after his night shift as a word-processing temp. It was bitterly cold but Vincent didn't like the lobby of his building. The light was greenish and the walls were covered with big mirrors in which he could see his oval body from all angles. So he'd stepped into the clear, cold December air and paced and ate a candy bar. Okay, two. As Vincent was glancing up at the full moon, a shockingly white disk visible for a moment through a canyon of buildings, the Watchmaker reflected aloud, "How long did it take them to die? Interesting." Vincent had known the Watchmaker--whose real name was Gerald Duncan--for only a short time but he'd learned that you asked the man questions at your own risk. Even a simple query could open the door to a monologue. Man, could he talk. And his answers were always organized, like a college professor's. Vincent knew that the silence for the last few minutes was because Duncan was considering his answer. Vincent opened a can of Pepsi. He was cold but he needed something sweet. He chugged it and put the empty can in his pocket. He ate a packet of peanut butter crackers. Duncan looked over to make sure Vincent was wearing gloves. They always wore gloves in the Band-Aid-Mobile. Meticulous . . . "I'd say there are several answers to that," Duncan said in his soft, detached voice. "For instance, the first one I killed was twenty-four, so you could say it took him twenty-four years to die." Like, yeah . . . thought Clever Vincent with the sarcasm of a teenager, though he had to admit that this obvious answer hadn't occurred to him. "The other was thirty-two, I think." A police car drove by, the opposite way. The blood in Vincent's temples began pounding but Duncan didn't react. The cops showed no interest in the stolen Explorer. "Another way to answer the question," Duncan said, "is to consider the elapsed time from the moment I started until their hearts stopped beating. That's probably what you meant. See, people want to put time into easy-to-digest frames of reference. That's valid, as long as it's helpful. Knowing the contractions come every twenty seconds is helpful. So is knowing that the athlete ran a mile in three minutes, fifty-eight seconds, so he wins the race. Specifically how long it took them tonight to die . . . well, that isn't important, as long as it wasn't fast." A glance at Vincent. "I'm not being critical of your question." "No," Vincent said, not caring if he was critical. Vincent Reynolds didn't have many friends and could put up with a lot from Gerald Duncan. "I was just curious." "I understand. I just didn't pay any attention. But the next one, I'll time it." "The girl? Tomorrow?" Vincent's heart beat just a bit faster. He nodded. "Later today, you mean." It was after midnight. With Gerald Duncan you had to be precise, especially when it came to time. "Right." Hungry Vincent had nosed out Clever Vincent now that he was thinking of Joanne, the girl who'd die next. Later today . . . The killer drove in a complicated pattern back to their temporary home in the Chelsea district of Manhattan, south of Midtown, near the river. The streets were deserted; the temperature was in the teens and the wind flowed steadily through the narrow streets. Duncan parked at a curb and shut the engine off, set the parking brake. The men stepped out. They walked for a half block through the icy wind. Duncan glanced down at his shadow on the sidewalk, cast by the moon. "I've thought of another answer. About how long it took them to die." Vincent shivered again--mostly, but not only, from the cold. "When you look at it from their point of view," the killer said, "you could say that it took forever." Excerpted from The Cold Moon by Jeffery Deaver All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
