Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Bayport Public Library | FICTION FUL | Searching... Unknown |
Searching... Oakdale Library | FICTION FUL | Searching... Unknown |
Searching... Park Grove Library (Cottage Grove) | FICTION FUL | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | FICTION FUL | Searching... Unknown |
Searching... Stillwater Public Library | FICTION FUL | Searching... Unknown |
Searching... Wildwood Library (Mahtomedi) | FICTION FUL | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
Ingrid Coleman writes letters to her husband, Gil, about the truth of their marriage, but instead of giving them to him, she hides them in the thousands of books he has collected over the years. When Ingrid has written her final letter she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan.
Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he's getting older and this unlikely sighting is chalked up to senility. Flora, who has never believed her mother drowned, returns home to care for her father and to try to finally discover what happened to Ingrid. But what Flora doesn't realize is that the answers to her questions are hidden in the books that surround her. Scandalous and whip-smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a passionate and troubled marriage.
Author Notes
Claire Fuller is the author of Our Endless Numbered Days which won the £10,000 (A$20,438) Desmond Elliott Prize for new fiction. This was her debut novel.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
"Gil Coleman looked down from the first-floor window of the bookshop and saw his dead wife standing on the pavement below." This provocative sentence opens Fuller's (Our Endless Numbered Days) second novel, and an intriguing epilogue ends it; in between is the story of a woman's failed marriage. When Ingrid Coleman disappeared from a Dorset beach, her years of swimming alone in the sea are presumed to have caught up with her, but her body is never found. Neither are her letters to Gil recounting their years together, tucked within the pages of books in his library, until that fateful day in the bookstore when he spies one while searching for the notes and marginalia that so fascinated him as an author. The novel unfolds in dual timelines. Ingrid's one-way correspondence effectively and uncomfortably reveals her unraveling within an unhappy marriage to a selfish man unsuited for fidelity and fatherhood. A present-day story line provides younger daughter Flora's sometimes less-well-delineated point of view; she returns home to join her sister, Nan, in caring for Gil after he injures himself chasing after Ingrid. Fuller successfully creates two discomfiting narratives, a strong backdrop for the story's essential mystery. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
*Starred Review* For years Gil Coleman has been finding notes written by his late wife and tucked into books long ago, but to suddenly see her walking down the street is a shock. After he falls and is injured while trying to catch her, his two daughters return home to see him through his convalescence. But the girls bicker over everything from how to care for their aging father to the truth about their childhood. For Nan, the eldest, that time was fraught with a painful awareness of her father's philandering, while Flora's memories are more blissfully, or selfishly, unaware. And because she refuses to accept that their mother is truly dead, Flora clings to her father's alleged sighting with renewed hope. As days pass, though, it becomes clear that there is more to the story, and Flora is forced to relinquish her naïveté and finally grow up. As she did in her first novel, Our Endless Numbered Days (2015), Fuller proves to be a master of temporal space, taking readers through flashbacks and epistolary chapters at a pace timed to create wonder and suspense. It's her beautiful prose, though, that rounds this one out, as she delves deeply to examine the legacies of a flawed but passionate marriage.--Ophoff, Cortney Copyright 2016 Booklist
New York Review of Books Review
HOW TO SEE: Looking, Talking, and Thinking About Art, by David Salle. (Norton, $16.95.) The painter, who was catapulted to fame in the 1980s, offers up a guide to appreciating contemporary art. In an engaging series of essays, he profiles artists including Jeff Koons and Alex Katz, and his mentor John Baldessari. Along the way, Salle sprinkles thoughts about art school, criticism and history. SWIMMING LESSONS, by Claire Fuller. (Tin House, $15.95.) Ingrid begins writing letters to her husband about their marriage, hiding them in the thousands of books he has collected. Then, she flees - leaving him along with their two children and a seaside home in Dorset. Years later, Ingrid's daughter discovers the letters while caring for her aging father, prompting her to examine the circumstances of her mother's disappearance anew. WONDERLAND: How Play Made the Modern World, by Steven Johnson. (Riverhead, $20.) In this rollicking study, Johnson - using an elastic definition of "play," which includes beauty, spectacles and mere novelty - makes a case for entertainment's role in history. As he suggests, if you're curious about where the future is headed, just look to where people are having the most fun. THE SCHOOLDAYS OF JESUS, by J. M. Coetzee. (Penguin, $16.) In the second volume of Coetzee's allegorical fable, which began with his 2013 novel "The Childhood of Jesus," David and Simón forge new lives in a country where immigrants' memories have been washed away. David, a gifted but difficult child, doubts his new circumstances; his persistent questioning of Simón forms the grist of a philosophical dialogue tinged with intimacy. "The result is rich, dense, often amusing and, above all, full of inner tension and suspense," Jack Miles said here. LONDON FOG: The Biography, by Christine L. Corton. (Harvard, $18.95.) Asocial history of the city's storied pollution uncovers how business interests often won out over health concerns. While the fog was killing Londoners, it also inspired, and rankled, artists and writers, becoming a romanticized feature of the city. Corton's account investigates its lasting cultural impact. LOLA, by Melissa Scrivner Love. (Broadway, $16.) In South Central Los Angeles, the Crenshaw Six have joined the city's drug wars, with one of its members' girlfriends running the operation. Lola, tough and resilient, watches violence play out on the streets of her childhood as she navigates ever-higher stakes. Our reviewer, Charles Finch, praised this debut thriller, calling it "as fast, flexible and poised as a chef's knife."
Guardian Review
A missing mother's letters offer her daughter clues to the past in this poignant multilayered tale of love and loss In the early pages of Claire Fuller's second novel, the main character Flora is attempting to get dressed in a hurry while her boyfriend Richard observes. "Flora picked up a bra, tried to hook it together, missed the catches, tried again ... " It's typical of Fuller's insight that this small, practical action, experienced daily by bra-wearing women the world over, should be noted in the middle of a scene in which Richard has just discovered something devastating about Flora's past. As in her first novel, Our Endless Numbered Days, it's the sharp eye for detail, sometimes bizarre, that makes her writing stand out. Later, Flora rushes home after a phone call from her sister saying that their father is in hospital, and as she drives from a ferry in the dark and through pouring rain, baby mackerel rain down from a nearby rock. No adequate explanation is ever offered for this phenomenon, although Richard tries, but it crops up throughout the novel as a symbol of the things we cannot know, raining down on us at unexpected moments. Flora's beloved father is a writer called Gil Coleman, famous for a scandalous novel. Now aged and grieving for his missing wife, he has taken a tumble from a seafront after believing he had seen her walk past in the street. Flora's elder sister, Nan, has summoned her home to see him and they all stay in the house where the sisters grew up, an old swimming pavilion, where the ghosts of the past lie between the pages of books scattered in huge, combustible piles in every room. Flora's narrative of what happens next interweaves with letters written by her mother telling the story of her parents' marriage. The letters have all been hidden within the pages of different books in the house: stories within stories, quite literally, and the secrets start to fly from the pages. The mother, Ingrid, has been missing for 12 years but Flora has never believed her to be dead. When Flora narrates, we hear her memories of her mother, "a white wraith". In the interposed chapters, Ingrid gives her account of what was really happening at the time. The interweaving of these two points of view is a little confusing in the early stages of the novel-- at one point, within Ingrid's narrative, there is a narrative from Gil's point of view telling the story of their relationship, backwards -- and the sections often feel short and choppy. No sooner have we fully engaged with Ingrid's story than we are back to Flora's and vice versa, and the tone of the alternating sections doesn't feel stylistically differentiated. But it's a measure of the power of Fuller's writing that these issues don't diminish our desire to find out how the web of disappearances and reappearances will be untangled. Our Endless Numbered Days was a dark tale about a young girl abducted by her father, a member of a 1970s survivalist cult. It also had a dual time-frame but featured a single, first-person narrator and a heart-stopping twist at the end. Swimming Lessons doesn't have the same piercing clarity: it is an altogether more gentle and baffling book, but has all the observational touches that show Fuller to be a serious novelist with an acute awareness of the nuances and patterns of human speech and behaviour. As you get used to the rhythm of the twin stories and the narrative gathers pace, you turn the pages faster and faster, desperate to know the truth. Did Ingrid kill herself? Was Gil a charming womaniser or a monster? Will Flora be able to lay the ghosts of her past to rest? Like Fuller's stunning debut, Swimming Lessons is a story suffused with the poignancy of miscommunication between people who love each other, of the things we can never really know. - Louise Doughty.
Library Journal Review
Did Ingrid Coleman drown or just disappear during the summer of 1992? Fuller's richly layered second novel (after Our Endless Numbered Days) raises these questions and more. In 1976, Ingrid makes plans after college graduation, but before finishing her studies, she falls in love with her literature professor Gil Coleman. They marry after Ingrid gets pregnant, Gil is dismissed to avoid scandal, and they move to a building on the grounds of his once luxurious family property. Gil retreats to a separate cottage to write, shutting out Ingrid and daughters Flora and Nan. During June 1992, -Ingrid writes her recollections of their past in daily letters to Gil. She then inserts them in appropriately titled books among his vast collection. After writing her last letter, she vanishes. Eleven years later, Flora and Nan return to the family home after Gil, while following an apparition of his wife, takes a tumble down a cliff. Gil is also suffering from pancreatic cancer and his final wish is to burn all his books, hundreds of them. Secrets from the past unfold as Flora and Nan deal with their dying father and their mother's mysterious disappearance. -VERDICT Saving the best for last with revelations and surprises, Fuller's well-crafted, intricate tale captures the strengths and shortcomings of ordinary people to show how healing is possible by confronting the darkest places. [See Prepub Alert, 8/8/16.]-Donna -Bettencourt, Mesa Cty. P.L., Grand Junction, CO © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
