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Summary
Summary
The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled," Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything. This swift-moving comic fable will surprise you with its concealed depths. When the sedate Ransomes return from the opera to find their Notting Hill flat stripped absolutely bare--down to the toilet paper off the roll (a hard-to-find shade of forget-me-not blue)--they face a dilemma: Who are they without the things they've spent a lifetime accumulating? Suddenly the world is full of unlimited and frightening possibility. But just as they begin adjusting to this giddy freedom, a newfound interest in sex, and a lack of comfy chairs, a surreal reversal of events causes them to question their assumptions yet again. The Ransomes' bafflement is the reader's delight. Alan Bennett's gentle but scathing wit, unerring ear for dialogue, and sense of the absurd make The Clothes They Stood Up In a memorable exploration of where in life true riches lie.
Author Notes
Bennett was born in Armley in Leeds, West Yorkshire. He decided to apply for a scholarship at Oxford University. He was accepted by Exeter College, Oxford from which he graduated with a first-class degree in history.
He was born on May 9, 1934; he is an English author, actor, humorist and playwright. Bennett was made an Honorary Fellow of Exeter College, Oxford in 1987. He was also awarded a D.Litt by the University of Leeds in 1990 and an Hon. PhD from Kingston in 1996.
In October 2008 Bennett announced that he was donating his entire archive of working papers, unpublished manuscripts, diaries and books to the Bodleian Library free of charge, as a gesture of thanks and repaying a debt he felt he owed to the UK's social welfare system that had given him educational opportunities which his humble family background would otherwise never have afforded.
In 2015 his title, Six Poets: Hardy to Larkin: An Anthology by Alan Bennett, made The New Zealand Best Seller List. He also made the list in 2016 with his title The Lady in the Van. (Bowker Author Biography)
Reviews (3)
Publisher's Weekly Review
When life is pared down to the bare essentials, one can grow spirituallyÄor shrink into one's basic instincts. Though profound statements as such are not to be found in British playwright Bennett's charmingly subversive and very amusing cautionary tale, his characters illustrate the principle in surprising ways. Mr. and Mrs. Ransome return to their London flat after a performance of Cos fan tutte (Mozart's comic opera about changing identities) to find the place totally stripped. Even the casserole left warming in the oven is gone, along with the oven, all other appliances and every stitch of clothing. Mr. Ransome, a stodgy, misanthropic solicitor who is fussy about correct diction, is mainly concerned about the loss of his CD player and the earphones with which he has always insulated himself from his wife. Formerly cowed and repressed, Mrs. Ransome is surprised at her pleasure in replacing their lost possessions with a few inexpensive items. The burglary liberates her personality, allowing her to inch cautiously toward new interpersonal connectionsÄfirst with an Asian grocer, then with the man who, the Ransomes eventually discover, has been living with their furniture and clothing in a storage facility, then with another man who holds the key to the bizarre thievery. Her social awakening occurs in counterpoint with her husband's more selfish gratifications, until a funny and fitting denouement permanently turns the tables between them. Bennett carries off his terse, surreal comedy with witty aplomb, adding to risibility with apt comments about the foibles of contemporary society and the consumer economy. (Feb. 8) Forecast: English readers familiar with Bennett's plays (The Madness of George III, etc.) snatched up this novella to the tune of 140,ooo copies. The premise of being left without any possessions is provocative enough to entice readers on these shores, and the small size of the volume (4x 6) reinforces the idea that simplicity can be liberating. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
A dryly amusing self-help parableor shaggy-dog storyfrom English playwright (The Madness of George III) and scriptwriter Bennett, said to be one of the most familiar voices on BBC radio. Middle-aged and childless Mr. and Mrs. Ransome live quiet lives in their London apartmentuntil one night, coming home from the opera (Così fan tutteMr. Ransome adores Mozart), they find that every stitch, scrap, and piece of their belongings have been stolen, down even to the very toilet paper (Mr. Ransome, and later a policeman, wipes with a sheet of the opera program, featuring Kiri Te Kanawa). The loss is discomfiting, needless to say, necessitating changes in Mr. Ransomes unalterable routine (hes a solicitor) and, essentials and replacements being needed at once, sending Mrs. Ransome into lowbrow neighborhood shopsa thrift shop, an Indian grocerythat shes never been in before. But then something happensand Mrs. Ransome begins liking not only the shops but her new, fresh, simplified way of life: the white walls, the beanbag chairs. Its almost too bad when everything turns up again, in a warehouse in a dreary industrial park, where its been reassembled to a tee and where a young couple have been living in itcooking, making love, even recording a tape of the latter, which, back at home, both Ransomes listen to, each unknown to the other. Mrs. Ransome also discovers Mr. Ransomes pathetically small stash of porn (in a bookcase behind Salmon on Torts, which she takes for a cookbook). Is there a chance for renewal, emotional and sexual, for the Ransomes? Read and see. It wont take long. Short, pleasant, witty, and melancholy, thoughá la Garrison Keillorperhaps a richer treat for those who know and can hear the radio voice telling it.
Library Journal Review
British playwright Bennett here proves himself to be a master of fiction as well. Rosemary and Maurice, long-married but childless, return from a night at the opera to find that they have been divested of all their possessionsDright down to the toilet paper holder. Months later, they find that their habitat had been meticulously re-created in a storage facility. Ostensibly, the story involves finding out the who and the why of such an extraordinary chain of events, but it also exposes the abrasions and contusions, the fabrications and evasions that are common to many marriages. Rosemary is an immediately lovable character. Her innocence and her responses are sometimes laugh-out-loud funny, but her attempts to improve her marriage are also very poignant. This charming novel deserves a place in all fiction collections; one can only hope that Americans will receive it as warmly as their counterparts did. [Previewed in Prepub Alert, LJ 10/1/00.]DJudith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled,"Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything. The Ransomes had been to the opera, to Così fan tutte (or Così as Mrs. Ransome had learned to call it). Mozart played an important part in their marriage. They had no children and but for Mozart would probably have split up years ago. Mr. Ransome always took a bath when he came home from work and then he had his supper. After supper he took another bath, this time in Mozart. He wallowed in Mozart; he luxuriated in him; he let the little Viennese soak away all the dirt and disgustingness he had had to sit through in his office all day. On this particular evening he had been to the public baths, Covent Garden, where their seats were immediately behind the Home Secretary. He too was taking a bath and washing away the cares of his day, cares, if only in the form of a statistic, that were about to include the Ransomes. On a normal evening, though, Mr. Ransome shared his bath with no one, Mozart coming personalized via his headphones and a stack of complex and finely balanced stereo equipment that Mrs. Ransome was never allowed to touch. She blamed the stereo for the burglary as that was what the robbers were probably after in the first place. The theft of stereos is common; the theft of fitted carpets is not. "Perhaps they wrapped the stereo in the carpet,"said Mrs. Ransome. Mr. Ransome shuddered and said her fur coat was more likely, whereupon Mrs. Ransome started crying again. It had not been much of a Così. Mrs. Ransome could not follow the plot and Mr. Ransome, who never tried, found the performance did not compare with the four recordings he possessed of the work. The acting he invariably found distracting. "None of them knows what to do with their arms," he said to his wife in the interval. Mrs. Ransome thought it probably went further than their arms but did not say so. She was wondering if the casserole she had left in the oven would get too dry at Gas Mark 4. Perhaps 3 would have been better. Dry it may well have been but there was no need to have worried. The thieves took the oven and the casserole with it. The Ransomes lived in an Edwardian block of flats the color of ox blood not far from Regent's Park. It was handy for the City, though Mrs. Ransome would have preferred something farther out, seeing herself with a trug in a garden, vaguely. But she was not gifted in that direction. An African violet that her cleaning lady had given her at Christmas had finally given up the ghost that very morning and she had been forced to hide it in the wardrobe out of Mrs. Clegg's way. More wasted effort. The wardrobe had gone too. They had no neighbors to speak of, or seldom to. Occasionally they ran into people in the lift and both parties would smile cautiously. Once they had asked some newcomers on their floor around to sherry, but he had turned out to be what he called "a big band freak" and she had been a dental receptionist with a time-share in Portugal, so one way and another it had been an awkward evening and they had never repeated the experience. These days the turnover of tenants seemed increasingly rapid and the lift more and more wayward. People were always moving in and out again, some of them Arabs. Excerpted from The Clothes They Stood up In by Alan Bennett All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
