Excerpts

Chapter One  Milly   I'm late for dinner again, but this time it's not my fault. There's a mansplainer in my way.   "Mildred? That's a grandmother's name. But not even a cool grandmother." He says it like he thinks he's being clever. Like in all my seventeen years, no one else has ever noticed that my name isn't the fashionable kind of classic. It took a Wall Street investment banker with slicked-back hair and a pinkie ring to render that particular bit of social commentary.   I sip the dregs of my seltzer. "I was, in fact, named after my grandmother," I say.   I'm at a steak house in midtown at six o'clock on a rainy April evening, doing my best to blend with the happy hour crowd. It's a game my friends and I play sometimes; we go to restaurant bars so we don't have to worry about getting carded at the door. We wear our simplest dresses and extra makeup. We order seltzer water with lime--"in a small glass, please, I'm not that thirsty"--and gulp it down until there's almost nothing left. Then we wait to see if anyone offers to buy us a drink.   Somebody always does.   Pinkie Ring smiles, his teeth almost fluorescent in the dim light. He must take his whitening regimen very seriously. "I like it. Quite a contrast for such a beautiful young woman." He edges closer, and I catch a headache-inducing whiff of strong cologne. "You have a very interesting look. Where are you from?"   Ugh. That's marginally better than the What are you? question I get sometimes, but still gross. "New York," I say pointedly. "You?"   "I mean originally," he clarifies, and that's it. I'm done.   "New York," I repeat, and stand up from my stool. It's just as well he didn't talk to me until I was about to leave, because a cocktail before dinner wasn't one of my better ideas. I catch my friend Chloe's eye across the room and wave good-bye, but before I can extract myself, Pinkie Ring tips his glass toward mine. "Can I get you another of whatever that is?"   "No thank you. I'm meeting someone."   He pulls back, brow furrowed. Very furrowed. In a behind-on-his-Botox sort of way. He also has creases lining his cheeks and crinkles around his eyes. He's way too old to be hitting on me, even if I were the college student I occasionally pretend to be. "What are you wasting my time for, then?" he grunts, his gaze already roving over my shoulder.   Chloe likes the happy hour game because, she says, high school boys are immature. Which is true. But sometimes I think we might be better off not knowing how much worse they can get.   I pluck the lime out of my drink and squeeze it. I'm not aiming for his eye, exactly, but I'm still a little disappointed when the juice spatters only his collar. "Sorry," I say sweetly, dropping the lime into the glass and setting it on the bar. "Normally I wouldn't bother. But it's so dark in here. When you first came over, I thought you were my dad."   As if. My dad is way better-looking, and also: not a creep. Pinkie Ring's mouth drops open, but I scoot past him and out the door before he can reply.   The restaurant I'm going to is just across the street, and the hostess smiles when I come through the door. "Can I help you?"   "I'm meeting someone for dinner? Allison?"   Her gaze drops to the book in front of her and a small crease appears between her eyes. "I'm not seeing--"   "Story-Takahashi?" I try. My parents have an unusually amicable divorce, and Exhibit A is that Mom continues to use both last names. "Well, it's still your name," she'd said four years ago when the divorce was finalized. "And I've gotten used to it."   The crease between the hostess's eyes deepens. "I don't see that either."   "Just Story, then?" I try. "Like in a book?"   Her brow clears. "Oh! Yes, there you are. Right this way."   She grabs two menus and winds her way between white-covered tables until we reach a corner booth. The wall beside it is mirrored, and the woman sitting on one side is sipping a glass of white wine while surreptitiously checking out her reflection, smoothing flyaways in her dark bun that only she can see.   I drop into the seat across from her as the hostess places oversized red menus in front of us. "So it's Story tonight?" I ask.   My mother waits until the hostess leaves to answer. "I wasn't in the mood to repeat myself," she sighs, and I raise a brow. Mom usually makes a point of pushing back on anyone who acts like they can't figure out how to spell or pronounce Dad's Japanese last name.   "Why?" I ask, even though I know she won't tell me. There are multiple levels of Milly criticism to get through first.   She puts her glass down, causing almost a dozen gold bangles to jingle on her wrist. My mother is vice president of public relations for a jewelry company, and wearing the season's must-haves is one of the perks of her job. She eyes me up and down, taking in my heavier-than-usual makeup and navy sheath. "Where are you coming from that you're so dressed up?"   The bar across the street. "A gallery thing with Chloe," I lie. Chloe's mother owns an art gallery uptown, and our friends spend a lot of time there. Allegedly.   Mom picks up her glass again. Sips, flicks her eyes toward the mirror, pats her hair. When it's down it falls in dark waves, but, as she likes to tell me, pregnancy changed its texture from smooth to coarse. I'm pretty sure she's never forgiven me for that. "I thought you were studying for finals."   "I was. Before."   Her knuckles turn white around the glass, and I wait for it. Milly, you cannot exit your junior year with less than a B average. You're on the cusp of mediocrity, and your father and I have invested far too much for you to waste your opportunity like that.   If I were even a little musically inclined, I'd start a band called Cusp of Mediocrity in honor of Mom's favorite warning. I've been hearing some version of that speech for three years. Prescott Academy churns out Ivy League students like some kind of blue-blood factory, and it's the bane of my mother's existence that I'm always ranked solidly in the bottom half of my class.   The lecture doesn't come, though. Instead, Mom reaches out her free hand and pats mine. Stiffly, like she's a marionette with a novice handler. "Well, you look very pretty."   Instantly, I'm on the defensive. It's strange enough that my mother wanted to meet me for dinner, but she never compliments me. Or touches me. All of this suddenly feels like a setup for something I'd rather not hear. "Are you sick?" I blurt out. "Is Dad?"   She blinks and withdraws her hand. "What? No! Why would you ask that?"   "Then why--" I break off as a smiling server appears beside the table, filling our water glasses from a silver pitcher.   "And how are you ladies this evening? Can I tell you about our specials?"   I study Mom covertly over the top of my menu as the server rattles them off. She's definitely tense, still clutching her near-empty wineglass in a death grip, but I realize now that I was wrong to expect bad news. Her dark-blue eyes are bright, and the corners of her mouth are almost turned up. She's anticipating something, not dreading it. I try to imagine what might make my mother happy besides me magically A-plussing my way to valedictorian at Prescott Academy.   Money. That's all it could be. Mom's life revolves around it--or more specifically, around not having enough of it. My parents both have good jobs, and my dad, despite being remarried, has always been generous with child support. His new wife, Surya, is the total opposite of a wicked stepmother in all possible ways, including finances. She's never begrudged Mom the big checks he sends every month.   But good doesn't cut it when you're trying to keep up in Manhattan. And it's not what my mother grew up with.   A job promotion, I decide. That must be it. Which is excellent news, except for the part where she's going to remind me that she got it through hard work and oh, by the way, why can't I work harder at literally everything.   "I'll have the Caesar salad with chicken. No anchovies, dressing on the side," Mom says, handing her menu to the server without really looking at him. "And another glass of the Langlois-Chateau, please."   "Very good. And the young lady?"   "Bone-in rib eye, medium rare, and a jumbo baked potato," I tell him. I might as well get a good meal out of whatever's about to go down.   When he leaves, my mother drains her wineglass and I gulp my water. My bladder's already full from the seltzer at the bar, and I'm about to excuse myself for the restroom when Mom says, "I got the most interesting letter today."   There it is. "Oh?" I wait, but when she doesn't continue, I prod, "From who?"   "Whom," she corrects automatically. Her fingers trace the base of her glass as her lips curve up another half notch. "From your grandmother."   I blink at her. "From Baba?" Why that merits this kind of buildup, I have no idea. Granted, my grandmother doesn't contact Mom often, but it's not unprecedented. Baba is the type of person who likes to forward articles she's read to anyone she thinks might be interested, and she still does that with Mom postdivorce.   "No. Your other grandmother."   "What?" Now I'm truly confused. "You got a letter from--Mildred?"   I don't have a nickname for my mother's mother. She's not Grandma or Mimi or Nana or anything to me, because I've never met her.   "I did." The server returns with Mom's wine, and she takes a long, grateful sip. I sit in silence, unable to wrap my head around what she just told me. My maternal grandmother loomed large over my childhood, but as more of a fairy-tale figure than an actual person: the wealthy widow of Abraham Story, whose great-something-grandfather came over on the Mayflower. My ancestors are more interesting than any history book: the family made a fortune in whaling, lost most of it in railroad stocks, and eventually sank what was left into buying up real estate on a crappy little island off the coast of Massachusetts.   Gull Cove Island was a little-known haven for artists and hippies until Abraham Story turned it into what it is today: a place where rich and semifamous people spend ridiculous amounts of money pretending they're getting back to nature.   My mother and her three brothers grew up on a giant beachfront estate named Catmint House, riding horses and attending black-tie parties like they were the princess and princes of Gull Cove Island. There's a picture on our apartment mantel of Mom when she was eighteen, stepping out of a limousine on her way to the Summer Gala her parents threw every year at their resort. Her hair is piled high, and she's wearing a white ball gown and a gorgeous diamond teardrop necklace. Mildred gave that necklace to my mother when she turned seventeen, and I used to think Mom would pass it along to me when I hit the same birthday.   Didn't happen. Even though Mom never wears it herself.   My grandfather died when Mom was a senior in high school. Two years later, Mildred disowned all of her children. She cut them off both financially and personally, with no explanation except for a single-sentence letter sent two weeks before Christmas through her lawyer, a man named Donald Camden who'd known Mom and her brothers their entire lives:   You know what you did.   Mom has always insisted that she has no clue what Mildred meant. "The four of us had gotten . . . selfish, I suppose," she'd tell me. "We were all in college then, starting our own lives. Mother was lonely with Father gone, and she begged us to visit all the time. But we didn't want to go." She calls her parents that, Mother and Father, like the heroine in a Victorian novel. "None of us came back for Thanksgiving that year. We'd all made other plans. She was furious, but . . ." Mom always got a pensive, faraway look on her face then. "That's such a small thing. Hardly unforgivable."   If Abraham Story hadn't set up educational trusts for Mom and her brothers, they might not have graduated college. Once they did, though, they were on their own. At first, they regularly tried to reestablish contact with Mildred. They hounded Donald Camden, whose only response was the occasional email reiterating her decision. They sent invitations to their weddings, and announcements when their kids were born. They even took turns showing up on Gull Cove Island, where my grandmother still lives, but she would never see or speak to them. I used to imagine that one day she'd waltz into our apartment, dripping diamonds and furs, and announce that she'd come for me, her namesake. She'd whisk me to a toy store and let me buy whatever I wanted, then hand me a sack of money to bring home to my parents.   I'm pretty sure my mother had the same fantasy. Why else would you saddle a twenty-first-century girl with a name like Mildred? But my grandmother, with the help of Donald Camden, stonewalled her children at every turn. Eventually, they stopped trying.   Mom is looking at me expectantly, and I realize she's waiting for an answer. "You got a letter from Mildred?" I ask.   She nods, then clears her throat before answering. "Well. To be more precise, you did."   "I did?" My vocabulary has shrunk to almost nothing in the past five minutes.   "The envelope was addressed to me, but the letter was for you."   A decade-old image pops into my head: me with my long-lost grandmother, filling a shopping cart to the rim with stuffed animals while dressed like we're going to the opera. Tiaras and all. I push the thought aside and grope for more words. "Is she . . . Does she . . . Why?"   My mother reaches into her purse and pulls out an envelope, then pushes it across the table toward me. "Maybe you should just read it."   I lift the flap and pull out a folded sheet of thick, cream-colored paper that smells faintly of lilac. The top is engraved with the initials MMS--Mildred Margaret Story. Our names are almost exactly the same, except mine has Takahashi at the end. The short paragraphs are typewritten, followed by a cramped, spidery signature. Excerpted from The Cousins by Karen M. McManus All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.