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Summary
Summary
A wealthy social misfit, his much-younger wife, a runaway, and a big-hearted prostitute find their lives intersecting in the wake of quirky gangster activities, strait-laced professors, and fast-and-loose police officers.
Reviews (4)
Publisher's Weekly Review
Grimly realistic, tragic-absurd and raunchy, Brown's latest novel returns to his deep South fictional territory and to the characters-poor, largely uneducated, hard-drinking, cigarette and dope smoking-that he portrays so well. This time he juggles a large cast with one thing in common: they're long-time losers whose paths intersect in or near Memphis. Arthur is nearly 70, impotent and fearful of losing his sexy younger wife, Helen. She tries to seduce teenaged Eric, a pet shop employee who fled his abusive father's rabbit factory-a metaphor for the uncaring world in which these people exist. Anjalee is a prostitute who smites the heart of Wayne, a navy boxer. Domino has survived a prison term and now works butchering meat for a gangster named Mr. Hamburger, who sells it to a man who owns lions. Trouble is, the body of one of Mr. Hamburger's victims turns up in the meat locker, which complicates Domino's extracurricular job dealing weed over the border in Mississippi. The plot includes several murders, lots of sex, domestic spats and plenty of action in bars. Even the violent scenes veer close to farce. Dogs figure prominently, one of them a pit bull named Jada Pickett. Miss Muffet, who is the housekeeper for one of the spoiled canines, has a plastic leg. Yet even with the advantage of Brown's keen eye for the absurdities of life and for the habits of people who live on the edge, the book fails to deliver the punch of his earlier works. Fay, his most accomplished novel to date, was darker, but one could identify with the protagonist. Here, the characters are all self-absorbed and incessantly whiny, and their obsessive rambling thoughts are recounted in numbing detail. Readers will understand well before the end that these sad lives will never go anywhere but down. Author tour. (Sept. 9) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Brown is a much-beloved writer who was put on the literary map primarily by his very popular novel Joe (1991). His latest will not only please his fans but also win him new ones. There is a kind of southern literary tradition for novelists to go big screen by following the plights and exploits of a slew of wacky but indelibly colorful individuals all living in one community and by alternating back and forth among their stories as they come to terms with life in their own peculiar fashion. That is exactly the mode Brown chooses here as we observe hooker Anjalee; older man Arthur along with his younger, sexually dissatisfied wife, Helen; gunslinger Frankie and his just desserts; ex-prisoner Domino and his sordid attempts to make a go of it outside the big house; and other equally attractive men and women working out their own destinies even when love, sex, and money (or the lack of any or all of the three) get in their way. This is not a gentle community these people inhabit; violence is just around the corner, as are the cops. One hysterical scene is followed by another, all of them underlain with the philosophy that you gotta do what you gotta do to be able to do what you wanna do. Can't go wrong with a conviction like that, can you? Read and see. But you definitely can't go wrong with a novel that has dogs as fully developed characters in their own right. --Brad Hooper Copyright 2003 Booklist
Kirkus Review
Relationships between people and animals and the hopes of both species that "love was out there for everybody, if they could just find it": these are the central issues in this Alabama author's relentlessly gritty latest. In and nearby contemporary Memphis, several vividly sketched lovers and losers are quickly set into motion, and conflict. Septuagenarian Mr. Arthur explores ways to keep and sexually satisfy his smoldering younger wife Helen, who turns her attentions toward Eric, a young pet-store employee whose most meaningful relationship is with his (male) pit bull Jada Pinkett. Anjalee, a goodhearted whore marked by a history of family abuse, commits assault, goes on the lam, and attracts the stupefied devotion of Wayne Stubbock, a pugilistically gifted young sailor. Meanwhile, ex-con Domino D'Adamo, whose interstate drug business is compromised by his murderous gangster boss, experiences three unfortunate run-ins with cops, one of them an importunate black Amazon named Penelope--who takes up with Dom's carjacking victim Merlot, a bachelor high-school teacher with a hidden secret love (named Candy). There's considerable pleasure in Brown's energetic deployment of these (really rather likable) grotesques, in a roiling, in-your-face melodrama whose comic-horrible details are variously reminiscent of Barry Hannah, Harry Crews, and the writer Brown most resembles: Erskine Caldwell. If the drumbeat momentum of his characters' compulsively self-destructive behavior (symbolized by the title metaphor, a reference to the past Eric yearns to escape) seems forced, Brown nevertheless springs a few refreshing surprises. And the multiple staggered climaxes go a long way toward qualifying and contradicting what appears initially to be its rather generic naturalism. Brown's Fay (2000) remains his best--but it's good to see him extending his range. The Rabbit Factory has much to recommend it. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Fans of acclaimed Southern writer Brown (Joe; Dirty Work) will no doubt enjoy this new novel, though it is something of a departure. Celebrated for his gritty realism, poetic if rough-hewn language, and portrayal of rural, down-and-out Mississippians, Brown has written a warmer, gentler, more broadly humorous book about romantic love set mostly in Memphis. He expertly weaves together plots involving the tribulations of a group of likable but oddball people: wealthy, 70-year-old Arthur and his lusty young wife, Helen, who is on the verge of leaving him because he can no longer perform sexually; Arthur's surrogate son, Eric, who has fled his father's rabbit factory and has caught Helen's eye; and a young prostitute named Anjalee, who falls for a charming palooka. There is plenty of sex, violence, and heavy drinking, but in contrast to some of Brown's darker work, the superbly drawn narrative exhibits considerable generosity as well. Full of unexpected pleasures, this work is enthusiastically recommended for all libraries.-Patrick Sullivan, Manchester Community Coll., CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Chapter 1 The kitten was wild and skinny, and its tail looked almost broken, kind of hung down crooked. It had been around the neighborhood for several days, darting here and there, dodging traffic sometimes, and Arthur had been trying to catch it, setting the Havahart cage in the yard and baiting it with anchovies, but even though the kitten seemed desperately hungry, it would not enter the trap. It only sat and looked at the bait, and at them. But there was no big rush. Arthur had plenty of money and plenty of time to mess with stuff like that whenever he wasn't sitting in front of the big-screen TV watching westerns. Sometimes he dozed off. He brought his coffee to the love seat where Helen was watching through the big bay window. Outside was late afternoon, cold and wind, a cloudy sky, no sun. A few cars passed out on South Parkway. She hadn't switched to whiskey yet, was just having some red wine so far, holding her glass in both hands. Arthur sat carefully down with her. Snow was dusting down in the yard, tiny flakes whirling in the chilly breezes. He could see it swirling across the street. It was cozy there next to her and he thought maybe he could get it up today, if he got the chance. "I think it smells us," she said. Arthur sipped his coffee and with her looked at the kitten. He kept thinking maybe he could find something that would occupy some of her time. He thought maybe she'd like a cat, so he was trying for one. "What do you mean 'smells us'? We're in here. It's out there. How can it smell us?" "I don't mean in here, silly. I mean maybe it smells us on the trap. Our scent." Scent, Arthur mused. He guessed it was possible. Just about anything was possible, looked like. Even getting to be seventy. He'd charged the trap to his American Express card and he'd seen drinks from the Peabody bar again on last month's statement. She seemed to be going over there a lot lately. He tried to get her to always take cabs since the trouble with the police. Sometimes she did. "Don't you know anything about trapping?" she said. "Hm? No," said Arthur. "But I'll bet you do." She knew a bit of information about a lot of things. She could converse on different subjects. She could converse fluently on penile dysfunction. She'd read a booklet about it, and he thought she might have seen a television program about it as well. She could watch the bloodiest show on TV, The Operation, and he didn't want to be in the same room with it. He wondered where else she went to drink besides the Peabody. She never told him anything. "Well," she said. "I read a book by somebody. Trappers have to cover their scent or the animals will smell them and go away. They have to boil their traps in wood ashes and things like that to remove their scent. They have to wear gloves, and if they're trapping something really smart, like a wolf or a coyote, they can't even touch the ground." Arthur glanced at her. It was plain to anybody that she was a lot younger than him. He knew other men looked at her. He knew for a fact without having any way of proving it besides hiding in the lobby ferns and spying on her that she talked to strange men at the Peabody. "Come on. How can they trap if they don't touch the ground?" "They have to put down something to kneel on." "Like what?" "I don't know. Some old sacks or something." "Do they have to boil the sacks?" "I don't know." "You think we need to boil our trap?" "I just think it smells us. Look at the way it keeps watching us." Arthur watched the kitten watching them for a while. "You don't even have a pot big enough to boil it in," he said. "That thing's two feet long. How about spraying some Lysol on it?" Helen gave him her patient look and sipped her wine. He remembered a time when she'd clamp her lovely muscular thighs around his back like the jaws of a new bear trap. She'd be gasping, with her head thrown back and her mouth opening and closing and her fingers in his hair yanking, going, Oh my God, baby! That was a long time ago, true. Way back in Montana. Still. "Be serious," she said. "I am serious. I already bought some cat food, didn't I? I already spent fifty-two dollars and fifty cents for the trap, didn't I?" They sat studying the kitten. It walked around the wire box, looked back at them, sniffed at the contraption. Finally it sat again in the dead grass and stared at the anchovies. Maybe its tail was just deformed. "Looks like if it was hungry it would go on in there," Arthur said. "It's got to be hungry. Look how skinny it is." "How are you going to tame it down even if we catch it?" "I'll cure it with kindness, I guess." "What if it claws you? You ever been attacked by a cat?" "No, but I know you have." "They can be pretty vicious if they get mad." "That's true." "They can whip a grown dog if they make up their mind to." "I've heard that." "And if you get scratched, why then you've got that cat-scratch fever to worry about. Like in this Ted Nugent song I heard one time." "Well, if I get scratched, I'll put some peroxide on it." "Or alcohol," Arthur said, and sipped his coffee. They stayed there for a quiet period of time, just watching the kitten. Arthur looked at Helen, but Helen didn't look at him. He sat there a little longer. Her slip was sticking out just a bit past her knee. Arthur very smoothly moved his hand over to her knee. He didn't need any Viagra pill to schedule a hard-on for him. She just had to get him in the right mood. "Now, now," she said, and flipped her skirt down and moved his hand. He returned his gaze to the kitten. It was all about blood, he thought. Pressure up, pressure down. He'd read somewhere that some guys had little rubber bivalves that had been surgically implanted and were hidden back behind their nuts. Pump it up, let it out, like an inner tube. He didn't even want to think about doing something like that to himself. "I don't think it's going to let us catch it," he said. Damned if he hadn't gotten all upset again, thinking about how everything had turned out. "I think I'll go find a coffee shop and get some fresh ground." Helen didn't say anything. Maybe it was time for him to give it up. But it was hard to let go. So very hard to let go. Probably even when you got as old as old Mr. Stamp. Copyright (c)2003 by Larry Brown Chapter 2 Later, near nightfall, he was in a coffee shop near Cooper and Young, sipping a cup, sitting on a stool. He was the only patron besides a drunk guy in a trench coat who was keeping quiet and minding his own business with a crossword puzzle, but he could see people passing on the sidewalk. The owner was reading The Commercial Appeal, shaking his bald noggin. "Dickheads," he said, and turned the paper over. Arthur wondered if maybe there was some place in Memphis where a person could rent a tranquilizer gun, load it with one of those darts like they used to knock out animals in Africa they wanted to study, or a big cat in a zoo when they wanted to work on its teeth, maybe just get a small, low-dosage dart, nothing too big, something for a kitten, hell, he reasoned, you wouldn't need anything big enough to knock down a rogue tusker. He could imagine himself hiding behind a tree in their yard with a tranquilizer gun, waiting for a clean shot at the kitten. But he couldn't figure out how they'd tame it. He wondered if it would work to sedate it and hog-tie it and then force-pet it. He looked across the street. His eyes were old but he could see people inside a barbershop. A barber was moving around somebody's head. It seemed late to be getting a haircut. The drunk guy in the trench coat put the crossword puzzle and a nubby pencil in his pocket and some money on the counter and weaved his way out. But what if only somebody like a veterinarian could get his hands on those dart guns? Maybe they were federally regulated, like machine guns. It probably wasn't something you could just buy over the counter. There couldn't be too much demand from the general public for an item like that. He worried over it and was glad to have it to worry over. It kept him from thinking about his repeated recent failures at getting into Helen's exquisite bush. He couldn't remember the last time he'd gotten a boner, and wished he'd written it down. The stripper he'd visited hadn't done him any good. The doctor had mentioned vacuum pumps once. That sounded just a little bit dangerous. Plus, he didn't like anybody messing with his jewels. He ordered a cup to go and looked across the street. A man in a trench coat stood on the sidewalk. It looked like the drunk guy again, but it was hard to tell from here. The owner set the coffee in front of Arthur and he pulled a dollar from his pocket for a tip and put it on the counter. He picked up the cup and his fresh ground, walked out, checked his watch, had to get on home quick, shit, The Wild Bunch was fixing to come on at seven. Copyright (c)2003 by Larry Brown Chapter 3 The barbershop was not crowded. One sleepy old man in a white coat droned on a nappy couch, slumped sideways, his polishing kit beside him, brown stains on the tips of his interlaced fingers. The gray-haired barber moved on rubber soles gently around the man in the barber's chair, his keen scissors making almost soundless snips as locks of hair drifted onto the floor and the pin-striped sheet wrapped around his customer. The man in the raised chair seemed at peace. The barber had just finished lathering his face with hot foam and the rich smell of it hung in an aromatic veil over customer as well as attendant. The tiles on the floor were green and white, a checkerboard of odd colors. The man in the chair had his eyes closed. He had a deep tan -- maybe from Miami? -- and his finely manicured hands where they held each other in stillness were small for such a heavy man. An ancient plastic radio in the corner on a shelf was softly playing Elgar's "Sospiri." All that could be seen of the man were his lathered face, his hands, the cuffs of his black pants, and his shiny shoes resting on the pedestal. When the door opened, no head turned except the barber's. He stepped back out of the way when he saw what was happening and then crossed his hands over his chest, comb and scissors raised, eyes wide behind his thick glasses. The muzzle of the gun came within six inches of its target. Perhaps the man in the chair had gone to sleep or at least drifted woozily in the barber's fragrant ablutions. The gun fired, bright blood sprinkling on the silent barber, a jarring explosion that momentarily silenced the music. It fired again, an enormous sound in that closed space, the air filling with the sweet smell of glucose and the sharp odor of smokeless powder and the soaring of stringed instruments. It fired again and then the barber stood with hot blood dripping from his glasses, his hands still crossed at his chest. The shoe shiner clutched his belly but did not open his eyes. The killer, who wore a trench coat and a mask kind of like the Lone Ranger's, turned and weaved out the door while taking off the mask, stepped between two parked cars, and was gone. Elapsed time inside the barbershop: nine or maybe nineteen seconds. The barber would tell the police later that it happened so quickly it was hard to say. The guy had been standing under the streetlamp out front drunk, earlier, though, he added. Looked like he was working a crossword puzzle. Copyright (c)2003 by Larry Brown Chapter 4 Next afternoon a cab stopped on the brick parking lot in front of the south entrance to the Peabody hotel, downtown. Frankie Falconey stepped out and looked at his shoes. Claude the doorman was smiling at him and holding the cab door open with a white-gloved hand. Frankie paid the cabbie and the doorman closed the door and the cab pulled away. There was still some snow lying here and there. He had a whopper of a hangover. "What's up, Claude," he said, and kept looking at his shoes. The shit wouldn't ever come off after it dried. And damn his head felt bad. "Everything's cool, Mr. Falconey. The birds are out again." Frankie looked up. "What birds? I don't see no fucking birds. You mean these flying rats the city won't shoot? All they're good for's crapping on your car. Or in your hair." The doorman just smiled. Taxis and private cars were letting people off and taking riders in. There were women sporting fur coats. A few well-dressed dudes in black hats going in had acoustic guitars in cases. Horns were blowing on Second and the pigeons flapped and rose in whirling flocks, blue, green, gray, dull colors with pink beaks, over the parking lot and above the old hotel. Frankie could remember when the place had been just about shut down, back in the early seventies when he was just a kid, the dark hallways, the moldy carpet. But they'd fixed it up really nice now. There was one spot, just a speck of dried blood, right there on the toe of his right shoe, just about over the toe next to the little one. Frankie raised his foot and wiped the toe against the back of his pants leg, rubbed it hard against his calf. He checked it again and saw that it was not gone. He turned toward the door anyway, shooting his cuffs and patting his hair briefly with his hands. "She in?" he said. "She's in," Claude said, and held the door open. Frankie pressed a folded five into his hand. He liked to keep everybody greased, made him feel like Bobby DeNiro in Goodfellas. He went on up the hall past some shops. He went up the steps past the two big bronze dogs and into the lobby with its polished floors and its brightly lit chandelier and its square marble columns where music was playing from a black baby grand that was tinkling itself in a corner. A monstrous bouquet of colorful flowers sat in front of the elevators atop the circular fountain where the mallards took their twice-daily baths. As usual the lobby was full of people with cameras waiting on the ducks or having drinks or chatting in richly upholstered chairs pulled up beside the round tables. Lots of voices were talking. He walked over to the bar and found an empty tall chair and waved at Ken, who was busy making three Bloody Marys. Frankie looked around to see if anybody famous was sitting in the lobby today. He'd seen Billy Joel in there one afternoon having a drink, but hadn't asked him for an autograph. You couldn't ever tell who might pop in. Clapton maybe if he was doing another show at the Pyramid. B.B. might walk in with Lucille in her case. There were people in tourist T-shirts, some laughing Japanese people in horn-rimmed glasses and big coats, a few guys in suits drinking draft beers, some college-age kids maybe up from Ole Miss for a night on the town. Ken rang up a tab and placed the bill in front of a customer with a pen and then came over and put a small duck-embossed napkin in front of Frankie on the bar's black slab. "How's it going, Ken? You win any money on the football?" Ken was already pouring a shot of Himmel. He set it on the napkin. "Ah, the Titans...if they'd get their shit together....I don't know what they're thinking." Frankie lifted the shot glass and sipped half of it. It instantly made him feel better, calmed his nerves and furnished a comfortable afterglow. He looked at the glass he was holding. His fingers were still shaking the tiniest bit. He sipped again and set it down empty. Ken refilled it. He knew he'd done exactly what he was supposed to do, even if he had been drunk. He'd had to get drunk to be able to do what he did. But he didn't leave any evidence behind. He hadn't left any fingerprints on anything. The gun was on the bottom of the Mississippi River, the mask in a trash can just outside the fairgrounds, the trench coat at the Salvation Army. So why did Mr. Hamburger want to talk to him this soon? Who knew? Maybe there was another job lined up for him already. Maybe even a fat bonus for a job well done. "You see Anjalee come in?" Ken nodded and picked up a wet glass to dry. He wiped it hard with a dinner napkin and the glass squeaked. He cocked his head toward the lobby and spoke to the glass. "I caught a glimpse of her going across the lobby. You ready for me to send it up?" "Right, let me get this one down." Frankie picked up the second shot and drained it, then stood up, digging in his pocket for some money. He put a ten on the bar and waved as he left. Ken smiled. "Thanks, Mr. Falconey. See you later?" "Maybe so. Take care, Ken." The bartender looked after his retreating back. He waited a few moments and then picked up the money and turned toward the register. "Yeah, right, asshole," he muttered. Copyright (c)2003 by Larry Brown Chapter 5 In a very nice room 420, a country girl named Anjalee was lying on the bed and on a crocheted afghan her grandmother had made for her a long time ago. She was reading in the paper about a New York-style barbershop slaying near Cooper and Young when he stepped in with the key. She had on leopard panties and pink booties. She was sipping on Mountain Dew spiked with Absolut Citron and smoking a Camel filtered. She put the cigarette in an ashtray but didn't stub it out, and stretched out on her flat stomach and pulled her panties down to her knees and then raised her nicely rounded behind into the air and waved it around some. She knew what he'd do: step into the bathroom, take a leak, flush, wash his hands, dry them, step out, open the door for the room service guy, bring the whiskey over, fix a drink, drink the drink (or maybe two), take a condom (he was plainly terrified of catching some STD from her) from his pocket. The whole routine sucked. It wasn't romantic anymore. He'd told her he wanted romance, even if he was paying her, and for a while they'd had it, and now they never had it. He wasn't being considerate of her feelings anymore. Now he just showed up and mounted her. For a long time, she'd been pretty impressed by the Peabody, and had hoped it would lead to things like nice dinners at places like Automatic Slim's, but it never had, and now she simply heard the phone ring some days and picked it up and it was him on it, saying two words: Friday, two, or Tuesday, four, or Sunday, one. And she went. And waited. Like this. To fuck him safely. For more money. He was quiet now, coming out of the bathroom, zipping his pants. On cue the bell rang and he went to the door. He didn't open it wide enough to let the guy in, just took the bottle and passed some money out and shut the door, locked it, put the chain on, and sat down in a chair near the wall. She stayed on her stomach, looking at him with her ass in the air. He opened the bourbon and poured some of it into a crystal glass, dumped in a handful of ice cubes from a waiting chrome bucket. She watched his eyes when he started drinking and wasn't looking at her. He was staring at something past her, way out past the windows, that look in his eyes he got sometimes that made her wonder what he could be thinking. She didn't know where he got his money. He always had plenty of it. She thought he was probably a small-time hood, based on her observations of some of his thuggy friends and from overhearing a few of their stoned conversations about robberies and beatings and trips to the Shelby County Jail. But he didn't like questions. She thought she'd ask one anyway. "Excuse me," she said. "You gonna come over here and get you some of this or what?" He just kept sipping his drink. She guessed he was in another one of his shitty moods. He had gotten up, turned on the television, and slumped back down into the chair, and now he was watching something on ESPN. He'd watch any kind of sports. Precision swimming. Professional duck-dog retrieving trials. Those people chopping wood real fast even. Actually that stuff was pretty fun to watch. She thought she'd like to try that logrolling in water. "Well, horse shit, " she said, pulled her panties back up, and got off the bed to fix herself another drink and get dressed. "If you'd rather watch the damn TV than get in bed with me, I'll just go down to the bar and watch the ducks." "I've got a lot on my mind." "Oh yeah? Like what? Must not be me." He raised his head. "Hey. Don't bitch at me, okay? If I want somebody to bitch at me, I'll get married. One of your purposes is to not bitch at me." She stepped into her skirt and pulled it up and fastened it around her waist. One of her purposes. Yeah, well, one of the purposes of fucking was to maybe get to come once in a while, too, but she didn't much, did she? It was all about him all the time, wasn't it? His needs, what he wanted. She poured some more Absolut into her glass and walked over and got a few ice cubes from his bucket. She looked down and saw a red spot on his shoe. "What's that on your shoe?" "A pigeon shit on me." "Looks like blood to me." "Well it ain't. Okay?" He fixed her with a look she didn't like. She turned away from it. "Wow," she said. She sat back down on the bed and got her cigarette from the ashtray and finished smoking it while she drank about half of what was in her glass. He wouldn't even look at her. She guessed he was tired of her. After a while she got up and put her bra on. She slipped her feet out of the booties and into her shoes and pulled her sweater over her head. Let him sit here and watch the stupid television while she got paid for it. She got her brush from her purse and went into the tiled bathroom and brushed her hair. Her makeup was still okay. She grimaced at the mirror. No lipstick on her teeth. Maybe she needed to try a new tack with him. Back in the room, she picked up her drink and sipped it, swirling it slowly around in her hand, studying his inert form. "We goin' out to eat?" she said. "You said we could." "I don't know yet." "I could stand some Italian. I love that lasagna over at Papa Tutu's. God. It's heaven." "I don't know yet." "They got the best bread sticks I ever had." "I ain't made up my mind yet." "When you gonna?" "I don't know yet." She stomped her foot. "What the fuck, Frankie? Do you want me to leave?" "No," he said to the TV, and took another sip. "Then why in the hell don't you talk to me sometime?" "'Cause I'm watching Kyle Petty in a car race, okay?" And he was. They had a vibrating camera in Mr. Petty's car. The walls and fences and grandstands were zooming by at some incredible rate of speed. Frankie didn't look at her anymore. Fuck him. She didn't have to stay around his mopey ass. She could go have a drink and watch the ducks come down and get in the fountain, splash around, quack. "Okay. Fine. Whatever. You sit right here and be Mr. Unsociable Asshole. I'll be in the bar if you want me." She drained her drink and slammed it down and headed for the door. "Why don't you tell Ken to send me up a shrimp cocktail?" he said. Copyright (c)2003 by Larry Brown Chapter 6 Anjalee had to take a bus over to the old folks' home a few days later because she had a flat and was running late. She was still on probation from when the couch cops had nabbed her at Fifi's Cabaret, and this was her community service. All the judges had gotten so big on that. They'd let you pick up trash or if you had a little education teach English to some of those from Asian shores or Pakistani mountains who yearned to know it better in order to buy convenience stores they gave names like Quik-Pak or Sak. Her grandmother had died in one of these places down in Water Valley and she remembered how much her grandmother had suffered and so she didn't mind it so much because everybody who kept living got old and needed help, and one day she would, too. She was a little tired so she was sitting down in the lounge taking a break. They made her wear a white uniform and creaky shoes and a white hat, and she had no medical training whatsoever. Most of the days she worked were spent rolling old folks over or rolling them over the other way or feeding them or emptying their bedpans or listening to them complain about their feet or their backs or their digestive processes or their old tickers that didn't tick so good anymore or their miserable arthritis or the cold spots inside their bodies or just innumerable things that in their combining sometimes made her afraid of getting old. On the other hand, she'd seen a few of the old folks having sex, withered and wrinkled bodies singing joyously in the throes of hot lust, liver-spotted hands gripping each other, and whenever that happened she stood guard outside the door. If anybody came along, she said the patient was using the bedpan and the other old folks' home workers just went on down the hall because they didn't need any more work, saved them from wiping another ass. Who wanted to wipe an extra ass? She put her feet up in a chair. She drank her diet Coke and smoked her cigarette clandestinely, what with it being prohibited in there and all, it being a place that was kind of like a hospital but not exactly, but some of the die-hard smoker old folks had smokes smuggled in by relatives and raised their windows and lit up and exhaled out them just like Anjalee was doing right now. A few of the old folks had died, too. It seemed to her that sometimes they'd just take a notion to up and croak overnight because one day they'd be laughing at Opie and Andy and eating their applesauce and the next day stretched out cold as a mackerel. Mr. Pasternak, Miss Doobis, Mr. Munchie, Mrs. Haddow-Green, each now dead with a new stranger in their bed. Sometimes she wished she was back in Toccopola fixing hair. She heard Miss Barbee's swishing footsteps and chunked her Camel out the window and fanned the air with her hand and then with her white hat and stuck it back on her head. Miss Barbee came in and sniffed the air like a bird dog and Anjalee told her a patient had burned some tissue just now, not over two minutes ago, and Miss Barbee, who was a beautiful Swiss chocolate brown and large with gigantic tits and feet and ass and a melon head, too, put her hands on her hips, said, "Oh yeah, I bet," and then, "Well, come on here, we got to go wipe Mister Boudreaux's ass, old fool done shit all over the place again." Anjalee got up and followed Miss Barbee down the hall, squeaking along in her shoes, trying to keep up. They turned in at the end of the hall and there sprawled on a bed like a skinned squirrel was Mr. T. J. Boudreaux, formerly of New Iberia, shit smeared on him from head to toe. Anjalee had always felt tender toward him because he mumbled what sounded like sweet Cajun nothings to her while she was feeding him his lukewarm gruel. "Got damn!" Miss Barbee said. "We gone need a fire hose to clean his ass up this time!" She closed the door. She went over to the side of the bed and put her hands on her hips. Mr. T.J. was trying to say something, but nothing intelligible came out of his mouth. Anjalee thought he was probably trying to apologize for the mess. She knew Mr. T.J. couldn't help it. He peed in the bed all the time. She'd started over to the closet for some clean sheets when she heard a WHOP! Her head turned toward the bed and she saw Mr. Boudreaux's top half hanging out off the other side and Miss Barbee drawn back to let him have it again. "You nasty mess!" she yelled. "I'm sick a wipin' yo ass!" She reached over and slapped him the other way, WHAP!, and all Anjalee did was look for what to hit her with and that turned out to be a nice heavy steel pitcher on a table. Miss Barbee didn't see it coming because she was so busy. Anjalee swung it with both hands by the handle and KAPOW! knocked Miss Barbee's crisp white hat clean off her head. Miss Barbee as she was falling and farting turned and made a feeble grab for Anjalee's arm, but Anjalee had been to a few four-rounders at Sam's Town in Tunica with Frankie, back before things started turning sour, and she feinted quick and waited until Miss Barbee was almost on the floor and then BEEONG! popped her again right over her left eye with it and watched her go down like a steer in the killing pen, so hard her ugly-ass head bounced on the floor. Mr. T.J. was still talking Cajun gibberish in the bed and he was crying a little, too, but Anjalee knelt down next to Miss Barbee with her white-stockinged knee on the floor and looked at her. The skin was split deeply above her eye with some fatty bloody flesh showing and she was bleeding from the ears and nose and as Anjalee knelt there watching, a stain began to spread out from her panty-hosed crotch where her uniform dress had risen up on her fatpuckered thighs. The pitcher had two dents in it. "Well fuck a mule," Anjalee said. She got up and then backed away. She went to work on the old oysterman rapidly, washing him, putting his dirty pajamas in a plastic bag, shifting him back and forth while she replaced the sheets and put clean pajamas on him. Then she closed the door behind her when she went out and down the hall and got her sweater from the coatroom and left, trying not to walk too rapidly, out the side entrance, a voice raising a question behind her, down the steps and over the wet sidewalks and once she hit the street, running, until her mind caught up with her and told her to slow down and not attract attention on the way to the bus stop, get home and change the flat, move the car, try to be a little bit cool. Copyright (c)2003 by Larry Brown Chapter 7 Arthur got all upset over TV news at lunch about a hit man conducting his business right across the street from the coffee shop he'd been in. To calm down he got in the Jag and drove over to the Mall of Memphis, and then after getting across the parking lot without being run over, he browsed along a pet shop's sidewalk windows, checking out the items there, collars and dog dishes, parakeets and cockatoos in wire cages, hamsters on their rolling treadmills busily trying to get the hell out of Dodge. A few listless puppies in sawdust soaked with puppy pee. Sad and puzzled little things with their heads cocked to one side, and the sight of them probably capable of breaking Helen's heart. She slept like a frog in cold mud beside him after drinking until late most nights, then dozed and flopped around and groaned late in the mornings while he got up quietly and dressed and drank coffee and made his breakfast and watched the big TV while he waited for her to come down with her hangover and start mixing her cure. But he knew she slipped out sometimes, too. For Rocky Road, my ass. He'd written Dear Abby about all his problems and that evidently hadn't done any good. Dear Abby hadn't even run it in her column. Dear Abby wasn't even writing her own column anymore according to a little note at the bottom of her column. Maybe she'd gotten too old, too. He gave out an enormous inward sigh. What was he to do if he didn't go back to the doctor? Helen still had needs. And so did he, at least sometimes anyway. Not a whole lot. Just once in a while. But he could hardly stand to admit defeat and accept that he'd gotten too old to cut the mustard by himself. Maybe he did need a pump. A dick pump. Good God. More money. The DUIs had already cost him a bundle. He didn't see a tranquilizer gun in the window, guessed he'd have to go in and ask. He hoped they weren't smart-asses. A bell over the door rang when he went in, accompanied by the peace-inducing music of aquariums bubbling, the irritating squawks of tropical birds. A stocky young man was behind the counter, wheat hair, shirt too big, tie too loose, propped back on a stool reading a tattered paperback, spacecraft on its cover, by a guy named Effinger. Arthur read the title: The Wolves of Memory. The young man didn't look up. The shop reeked of Pine Sol trying to cover up dog shit. Arthur cleared his throat. That usually worked, but the young man still didn't look up. He seemed intent upon his book. "Excuse me," Arthur said. "Would you happen to have any tranquilizer guns?" "Nawsir," said the young man, who turned a page. "I have a wild animal I want to catch," Arthur said, feeling slightly foolish over saying "wild animal." "If it's a possum, you can call the dogcatcher folks." "It's a cat, actually. A rather small one. A kitten, really." "Cats are weird," said the young man, still not looking up, and Arthur didn't know why this cat problem had to come about now alongside these other problems with Helen's drinking and his dick. It seemed to him that one problem at a time ought to be enough. What Helen needed was some help. But she didn't want to hear that. "I really need some help," he said, trying not to sound like he was pleading. "It's my wife I'm trying to catch it for." The young man put Effinger down. He reached under the counter for a pack of Marlboros and a lighter, propped his feet on the counter, lit up. "That's a bad habit for a young person to take up," Arthur said. "I been smokin' since I was six. Why don't you get a trap?" "I've already got a Havahart trap. He won't go in it, she, whatever it is. I think it smells me. That's what my wife said anyway. She read it in a book." "Is it in your yard?" "Well, sometimes." "Is it scared of you?" "I haven't done anything to it." "Cats can be like that." "Yes they can," Arthur said. "They can be pretty vicious, too." He leaned up against the counter and fiddled with a small stack of chartreuse Post-its, turned and looked at some red swordtails and neon tetras, then examined a thumbnail casually. "I was attacked by one when I was a child. It stalked me when I was sitting in a car and I had to roll all the windows up to keep it from getting me. I told my parents all that beforehand." He looked up at the young man. "And they just laughed. They weren't laughing after that cat attacked me, I can tell you that. They were painting my little legs with a bottle of iodine." "Aw yeah? Your daddy kill the cat?" "No he didn't," Arthur said. He hoped his disappointed tone was plain. He still didn't know why his daddy hadn't killed the cat. It looked like his uncle would have volunteered to kill his own cat himself, but he didn't. He looked at a python in a cage. It had eaten some animal and there was a lump in the middle of it. He wondered what it was: gerbil, rat? It seemed his daddy had been dead almost forever now. He still thought about him often, though, and about the times he'd taken him fishing for fat bluegills at Tunica Cutoff. They used to catch piles of them. They'd pee on you when you took the hook out. He remembered how good they were to eat, fried in black iron skillets and grease in the kitchens of houses built on stilts. Old rotted boats dark and silent under shade trees. Life had been a lot simpler then. Fewer choices. "How'd it get you?" "Had my back turned. Making a peanut butter and jelly sandwich." "I can come over and probably catch it but it's gonna cost you." "How much?" "Fifty bucks." "Fifty bucks?" "Fifty bucks." "That seems high. How do you propose to do it?" "Little help from a little friend." "Can you come over in a couple of days?" "Okay. Twenty up front, thirty when I hand him over." Arthur stood there, reaching for his billfold, feeling half angry and somewhat helpless, wondering where this could possibly lead. All this trouble and for what? One little lost animal saved from the world and hundreds of thousands of others being bred at the moment. Was it worth fifty dollars of his money? Wouldn't it probably just tear up the drapes and the rugs and piss on the furniture? Would it change anything between him and Helen? Probably not. She was just like she'd always been. Horny. "You'd better call first," Arthur said. "My wife likes to sleep late in the mornings." Copyright (c)2003 by Larry Brown Excerpted from The Rabbit Factory: A Novel by Larry Brown All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.