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Summary
Summary
The Louisville Lip.
The Greatest.
The People's Champion.
Muhammad Ali had many nicknames. He earned them through his success in the boxing ring and his courage outside of it. But before he became one of the most recognizable faces in the world. Before the nicknames, and the championships. Before he converted to Islam and changed his name to Muhammad Ali, he was twelve-year-old Cassius Clay riding a brand-new red-and-white bicycle through the streets of Louisville, Kentucky. One fateful day, this proud and bold young boy had that bike stolen, his prized possession, and he wouldn't let it go. Not without a fight.
This would be the day he discovered boxing. Cassius's path became clear, and a champion was born in the basement gym run by a local police officer.
Author Gene Barretta and illustrator Frank Morrison deliver the knockout story of how Muhammad Ali began his ride to greatness through lively text and stunning illustrations. It is a tale about the triumphs of one man's resilience and determination--and the lasting legacy he left behind.
Reviews (5)
School Library Journal Review
K-Gr 2-A kid named Cassius Clay discovers boxing in this nonfiction picture book. Barretta sets the scene through Muhammad Ali's three record-setting heavyweight championship titles. Oversize comic book-style action words ("POW!") highlight Ali knocking out Sonny Liston, George Foreman, and Leon Spinks. Circling back to Ali's childhood, Barretta recounts the oft-cited origin story of 12-year-old Cassius riding high on his brand-new bike. Unfortunately, the bike disappears, and when Cassius reports the theft to police officer and boxing coach Joe Martin, threatening to "whup" the thief, Martin suggests that he first learn how to fight. Regular sessions at the gym develop in Cassius a single-minded determination to be the greatest boxer in the world. As he becomes a more public figure, his self-confidence never wavers, effectively illustrated by a few choice quotes, bold and set apart from the mostly invented dialogue. Morrison's dynamic oil paintings complement Barretta's lively text, capturing a self-assured Ali in detailed spreads. Action scenes full of movement and intensity draw readers into the boxing ring and depict Ali's growth from a gangly youth to a dominant athlete. Two pages of unfailingly positive biographical information fill in the rest of Ali's career. A brief bibliography and suggestions for additional reading are also appended, but no source notes are included. VERDICT This is an attractive choice as an inspirational read-aloud, but report writers will want to seek more nuanced and thorough sources.-Chelsea Couillard-Smith, Hennepin County Library, MN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Barretta (Lincoln and Kennedy: A Pair to Compare) looks at how Muhammad Ali's boxing career got its start: after the young Cassius Clay's bike was stolen, a Louisville police officer encouraged him to spend time at a local boxing gym. Working in acrylic, Morrison (The Quickest Kid in Clarksville) creates visceral, dynamic action shots, whether it's a young Cassius racing down a rainy street on his bicycle or an opening fight sequence that shows him besting Sonny Liston, George Foreman, and Leon Spinks to claim the title of world heavyweight champion three times. An extensive afterword fills in details about Ali's life, faith, and activism. Ages 4-8. Agent: Lori Nowicki, Painted Words. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Boxing legend Muhammad Ali comes to life for young readers. Close-up, in-your-face oil illustrations and a lively text design with plenty of onomatopoeia ("POW! POW! POW!") and quotations from the champ give readers a sense of the life and style of the great Muhammad Ali. Action scenes from the famous bouts with Sonny Liston, George Foreman, and Leon Spinks open the volume, which then goes back to a famous pivotal event in his life, when his bicycle is stolen and Cassius Clay (as was his name then) becomes determined to find the thief and "whup him." The policeman on the scene, Officer Joe Martin, suggests that Cassius learn to fight. The story continues in gyms, following Cassius' training days, abruptly jumping to a single page that wraps up his career and another that comments on Ali's public persona. This is slight treatment given that 10 pages are devoted to the bike scene. However, framing the story with an opening painting of a lone heavy bag and closing with a deserted boxing ring is visually effective. A two-page endnote on Ali's life offers plenty of details that might have been effectively incorporated into the story itself. As it is, readers may well be sufficiently tantalized to seek out other, more complete picture-book treatments. An eye-catching if incomplete treatment of the legend. (Picture book/biography. 3-7) Copyright Kirkus Reviews, used with permission.
Booklist Review
After 12-year-old Cassius Clay, as he was known then, had his new red bike stolen, he practiced at the gym and learned to fight back against injustice wherever he saw it. Illustrations in oils in rich browns, shades of grays, and white highlights show the fighter Muhammad Ali in many action poses exhibiting his strength and lightning speed. The strong diagonals in the compositions portray movement and excitement, from boyhood to boxing matches. A POW?!? in a large font peppers several pages as Ali conquers bout after bout to win 56 out of 61 professional fights. The People's Champion, he was one of the most recognizable athletes in the world, whose poetic statements are legendary (Float like a butterfly, sting like a bee His hands can't hit what his eyes can't see!). Back matter gives more information about his life in the ring, his conversion to the Nation of Islam, his struggles with Parkinson's, and his death, on June 3, 2016. Sure to provide inspiration for young readers.--Gepson, Lolly Copyright 2016 Booklist
New York Review of Books Review
"Somewhere in Brooklyn," begins this incandescent biography, the winner of the 2017 Caldecott Medal, "a little boy dreams of being a famous artist." Basquiat died in 1988 at just 27, but he left a vibrant legacy that Steptoe, painting and collaging on salvaged wood pieces from Basquiat's own hunting grounds, conveys to a new generation. Steptoe's words, too, go straight for the heart, redeeming often harsh facts of the artist's life by focusing on how both his strength and his pain powered his art. MUHAMMAD ALI A Champion Is Born By Gene Barretta. Illustrated by Frank Morrison. 40 pp. Katherine Tegen/HarperCollins. $17.99. (Picture book; ages 4 to 8) "He owed it all to a stolen bicycle," Barretta writes in this playful, dynamic look at the champion's quest for greatness. We see how one childhood incident - the young Cassius Clay reported the theft to a police officer, who invited him to learn to box - set the stage for a long career. There are highlights of his boxing fame, later years and racial-justice and humanitarian work. Morrison ("The Quickest Kid in Clarksville") gives the art a joyful zing and a serious yet eminently kid-friendly vibe. THE LEGENDARY MISS LENA HORNE By Carole Boston Weatherford. Illustrated by Elizabeth Zunon. 32 pp. Atheneum. $17.99. (Picture book; ages 5 to 9) The veteran biographer Weatherford stirringly tells Lena Horne's extraordinary story - her birth into a high-achieving black family; her itinerant childhood; the showbiz career she built while enduring Jim Crow and Hollywood racism; her place in the civil rights movement; the ways "music saved her" to the end. Zunon ("Don't Call Me Grandma") plays with shadow and light to suggest the hidden depths of a very public life. The book's sizzling clarity recalls Horne's own voice. THE YoUNGEST MARCHER By Cynthia Levinson. Illustrated by Vanessa Brantley Newton. 32 pp. Atheneum. $17.99. (Picture book; ages 5 to 9) It's one of the more shocking and little-known stories of the civil rights movement: In 1963, the City of Birmingham jailed hundreds of kids for joining the Children's March. Among them was 7-year-old Audrey Faye Hendricks, taken from her family to spend a week behind bars, eating "oily grits" and sleeping on a bare mattress. Levinson and Newton keep her story bright and snappy, emphasizing the girl's eagerness to make a difference and her proud place in her community. FREDERICK DOUGLASS The Lion Who Wrote History By Walter Dean Myers. Illustrated by Floyd Cooper. 40 pp. Harper/HarperCollins. $17.99. (Picture book; ages 5 to 9) Douglass's life story has a magisterial glow in this posthumous work from the esteemed Myers. (It stands taller than most picture books, a fitting design decision.) Myers's words pointedly convey the centrality of reading and "careful decisions" to Douglass's struggle for freedom and his later public work, offering an anchor to children trying to comprehend the cruelties of American slavery. Cooper's realistic, slightly smudged art feels equally consequential, balancing dignity and emotion.
