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Summary
Summary
Here is the national bestseller that Newsday called the most authoritative and candid look yet at the personal livesof the oft-scrutinized group. In The Love You Make, Peter Brown, a close friend of and business manager for the bandand the best man at John and Yokos weddingpresents a complete look at the dramatic offstage odyssey of the four lads from Liverpool who established the greatest music phenomenon of the twentieth century. Written with the full cooperation of each of the groups members and their intimates, this book tells the inside story of the music and the madness, the feuds and the drugs, the marriages and the affairsfrom the greatest heights to the self-destructive depths of the Fab Four. In-depth and definitive, The Love You Make is an astonishing account of four men who transformed the way a whole generation of young people thought and lived. It reigns as the most comprehensive, revealing biography available of John, Paul, George, and Ringo. Includes 32 pages of rare and revealing photosA Literary Guild Alternate Selection
Reviews (2)
Publisher's Weekly Review
Nearly two decades after its initial publication, this behind-the-scenes tale reappears in paperback (after all, didn't Rolling Stone say it would "sell forever"?). One of the suit men-as the Beatles dismissively, often with good reason, called the folk who saw to their business affairs-recreates the well-known saga of Beatlemania but does it dispassionately enough to make it interesting. Brown, who directed the Beatles management firm NEMS and later their disastrous financial organization Apple, seems to have survived the experience unscathed, the purges, rancor, glamour, notoriety, the dishonesty, jealousy and infighting among all those who wanted a piece of the action, or a bigger cut, which eventually came to include the musicians themselves as the group began to split apart. While seeming to be objective, he leaves little doubt about his preferences as he discusses the Beatles individually, their parents and in-laws, wives and lovers, probing the personalities to show us the underside of the pop culture with its sleazy pursuit of the big buck. There are revelations about John and Yoko and about their drug addiction, but the material is otherwise pretty familiar. Still, it's a dramatically good story and Brown catches us with the headiness of it all-and Gaines's now well-known name and a new foreword by rock critic Anthony DeCurtis may spark a little extra interest. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Peter Brown was indeed an insider during much of the Beatles' later history--as Brian Epstein's aide, then as chief operating officer of Apple Corp.--but this long, unfocused chronicle, often dependent on non-Brown sources and converted into sleazily faceless journalese, offers neither a personal viewpoint nor much significant new material. Throughout, the preoccupation is with the Beatles' private lives (women, drugs), with the neurotic miseries of homosexual manager Epstein, and with business deals; the music is secondary at best. First comes a brief sketch of the pre-Epstein Beatles, with undue emphasis on Cynthia Lennon (a major source) and the decadent doings in Hamburg: ""Screwed, blewed, and tattooed, stoned any time of the day or night, the boys became a walking laboratory of venereal diseases."" But even after Epstein enters the picture, with Brown in tow, it still usually remains unclear--from paragraph to paragraph--whether the material is first-hand or third-hand. We hear about the US tour (""a catalog of the incredible""), the groupies (""The girls were screwed, blewed, and tattooed. . .""), the Beatles' marijuana ""addiction,"" the girlfriend/wives--from Jane Asher (""she drove him crazy"") to Pattie Boyd (""She turned George Harrison into an animal""). As already reported elsewhere, there's Epstein's passion for Lennon (briefly consummated in Spain), the LSD period, Epstein's suicide (""Within a few days, when the shock had worn off, they made foolish jokes about him""), the Maharishi, plus the arrival of Yoko. . . and heroin: ""They lay in the basement of Montague Square almost all July that last, simmering summer of the sixties, submerged in a self-inflicted stupor."" And, as for the breakup, Brown and Gaines seem to put the blame equally on John and Paul (""He blatantly treated the others as his backup group"")--as well as such business-types as Allen Klein. Throughout, snide comments are made about all four angers (Ringo, a ""reasonable fellow,"" comes off best), while Brown repeatedly proclaims himself ""a close friend to all the Beatles."" The attempts at psychological insight are hackneyed, the tone is alternately muckraking and platitudinous. So, though some readers will appreciate the petty anecdotes and tacky details here, most will want to stick with Philip Norman's Shout!--which, if also too sensationalistic, does pay real attention to the music and the period. Copyright ©Kirkus Reviews, used with permission.
