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Summary
Summary
Baby Bear is lost and trying to find his way home. As he walks through the forest, he meets other animals who offer wise advice.
Trust yourself.
Listen to your heart.
Keep walking and you will find your way home.
As each encounter moves Baby Bear farther along on his journey, he gains courage and the comforting feeling that he is loved and never alone.
With poetic text and stunning illustrations, Baby Bear is a powerful addition to the canon of timeless picture-book classics.
Author Notes
Kadir Nelson began drawing at the age of three, and painting at age ten. He won an art scholarship to study at Pratt Institute in Brooklyn, New York. After graduating with honors, he began his professional career as an artist. He has worked with numerous companies including Dreamworks, where he served as the lead conceptual artist for Amistad and Spirit: Stallion of the Cimarron; Sports Illustrated; Coca-Cola; The United States Postal Service; and Major League Baseball. In 1999, he started collaborating with several notable authors on a series of picture books including Dancing in the Wings by Debbie Allen; Ellington Was Not a Street by Ntozake Shange; and Salt in His Shoes by Deloris and Roslyn Jordan. He won a Coretta Scott King Illustrator Award, a Caldecott Honor and an NAACP Image Award for illustrating Carol Boston Weatherford's Moses: When Harriet Tubman Led Her People to Freedom. He is the author and illustrator of We Are the Ship: The Story of Negro League Baseball.
(Bowker Author Biography)
Reviews (6)
Publisher's Weekly Review
Nelson (Nelson Mandela) builds his tale on the simplest bedtime-story scaffolding: a bear cub loses its way home and asks other forest animals for help. What distinguishes Nelson's creation is an atmosphere of loving-kindness and the affirmation of Baby Bear's ability to make the journey alone. Even animals that appear intimidating (a mountain lion, a moose) offer reassurance. These nighttime encounters unfold against a background of rich cobalt blue, bathed in the orange light of the full moon. "You are not alone, Baby Bear," says an owl in a tree. "I am here with you. You only need look up and keep going." Softly brushed oil paintings convey intimacy by getting right up close. One spread zeroes in on Baby Bear's moist black nose, the moon reflected in its shining eyes. In another sweet-tempered scene, a salmon leads Baby Bear home ("If you promise not to eat me, I will show you the way"), the fish swishing through the water while Baby Bear paddles behind. It's easy to imagine the tension leaving anxious bed-goers as they realize that Baby Bear is always safe. Ages 4-8. Agent: Steven Malk, Writers House. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
In this glossy, oversize bedtime book, a little lost bear finds its way home with the help of animals it meets on the journey. The color-saturated double-page spreads are grand and imposing, creating a rather cold and distancing effect; the text can be cloying ("When I am lost, I sit very still and try to listen to my heart"). (c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Nelson's books have included stories about slaves, baseball players, and jazz artists; here, he tries something new a bedtime story. Baby Bear is lost. He walks under a midnight-blue sky, approaching forest animals from the mountain lion to squirrels, a towering moose to a wise owl. From each he gets a bit of advice about the way home: sit still, climb higher, listen to your heart. Finally, it is a salmon ( promise not to eat me ) who leads Baby Bear across the river, just as the harvest moon that has followed his wanderings is changing places with a bright morning sun. Storywise, this isn't much different from many picture books about baby animals' night journeys and the forest dwellers who help them, but Nelson's art is better than most and takes up some of that slack. Oversize spreads of oil-on-canvas paintings feature eye-catching close-ups of the animals as well as views from spectacular perspectives. Always, the little bear is at the center of the art, endearingly drawn. His predicament will touch listeners, who will be as happy as he is when home is finally in view. HIGH-DEMAND BACKSTORY: Nelson's many fans are always eager to see what he's up to, and this change of pace will win him some new ones.--Cooper, Ilene Copyright 2010 Booklist
New York Review of Books Review
Nelson's illustrations, particularly for books on African-American themes like "Henry's Freedom Box" (written by Ellen Levine), have won many awards. Here he tells the story of a little bear who has lost his way. In scenes illuminated by moonlight, Baby Bear encounters a range of wild creatures, from mountain lion to salmon, who offer him wise counsel. In Nelson's hands, the natural world is enviably ruled by kind intentions and respect. CUB'S BIG WORLD By Sarah L. Thomson. Illustrated by Joe Cepeda. 32 pp. Houghton Mifflin Harcourt. $16.99. (Picture book; ages 2 to 5) Pleasingly realistic yet reassuringly sweet, "Cub's Big World" follows a young polar bear on her first trip out of the cozy snow cave she shares with her mother. Cepeda's heavily impastoed illustrations show skies of swirling blues and purples and an aqua-colored sea. Cub's environment is predominantly white, so mother bear is hard to find when the two are separated. Just when it begins to feel as if the world is "too big for a cub with no mom," the two are reunited. "Cub's world was good." Indeed! THE HICCUP Written and illustrated by Ingrid Sissung. Translated by Connie Stradling Morby. 32 pp. Sky Pony Press. $16.95. (Picture book; ages 4 to 7) Elliott and Lutz, two goofy bear cousins, are enjoying a delightful picnic when Elliott gets hiccups. Lutz makes fun of him, and Elliott, increasingly annoyed, tries each arcane remedy suggested by the creatures he comes upon in the woods. Though handstands, singing, water gulping and stomach poking are to no avail, Sissung's freewheeling story delivers justice in the end for the teaser and the teased. PLEASE BRING BALLOONS Written and illustrated by Lindsay Ward. 32 pp. Dial. $16.99. (Picture book; ages 4 to 7) "It appeared unexpectedly. Peeking out of the polar bear's saddle, a hint of paper." So begins a fantastic adventure, as Emma fulfills the note's request for balloons and flies toward the North Star on the back of a bear from the local carousel. Ward, a cut-paper artist, gives her book great visual appeal with snippets of colorful origami paper, calendars and maps. After floating on icebergs and trekking through snowy mountains, girl and bear arrive at "a polar bear rumpus" (not quite as wild as "Where the Wild Things Are," but nonetheless festive). I AM NOT LITTLE RED RIDING HOOD By Alessandro Lecis. Illustrated by Linda Wolfsgruber. Translated by Talia Rebecca Ergas. 32 pp. Sky Pony Press. $16.95. (Picture book; ages 4 to 7) In this tale - enigmatic, like the best folklore - a delicately etched, old-fashioned-looking girl meets an enormous polar bear in the woods. Together they travel to a place near the moon where the girl gathers "snow fluffier than the clouds, whiter than milk, and fresher than vanilla ice cream." Upon their return home, the bear lumbers away and the girl finds her basket empty, for it seems that snow, like magical bears, can be preserved only in memory - or perhaps in books as enchanting as this one. ONLINE A slide show of this week's illustrated books at nytimes.com/books. Sarah Harrison Smith reviews the children's picture books "Baby Bear," written and illustrated by Kadir Nelson; "Cub's Big World," by Sarah L. Thomson and illustrated by Joe Cepeda; "The Hiccup," written and illustrated by Ingrid Sissung and translated by Connie Stradling Morby; "Please Bring Balloons," written and illustrated by Lindsay Ward; and, "I Am Not Little Red Riding Hood," by Alessandro Lecis, illustrated by Linda Wolfsgruber and translated by Talia Rebecca Ergas.
School Library Journal Review
PreS-Gr 1-A glorious full moon illuminates a blue-black wilderness as a scared and lost Baby Bear seeks his way home. He deferentially asks various animals for help. Each creature offers a different suggestion on how to find his home. Some of the advice is practical as Mountain Lion tells him to "retrace your steps," some of it is silly as the squirrels suggest that he "hug a tree," and some is just cliched as Moose says, "listen to [your] heart. It speaks as softly and sweetly as a gentle breeze. And it is never wrong." Salmon is the last one to help Baby Bear, swimming with the cub and then instructing him to climb up and see his home at last. Relieved, the little bear beholds a splendid sunrise over the river valley, the same view as depicted in the front endpapers of the book, but now bathed in light. Most young children equate "home" with "family," and the fact that no other bears appear is disconcerting. Nelson's luscious oils on canvas are as breathtaking as ever, and his superb, almost life-sized, depictions of these creatures in their natural environment hold a wonder of their own. Unfortunately, the saccharine narrative and less-than-satisfying resolution make Baby Bear an additional purchase at best.-Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NY (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
The award-winning Nelson turns from nuanced treatments of historical subjects to this exploration of a classic preschool trope: a lost animal's search for home. Baby Bear wanders before a huge, rising full moon, encountering a succession of forest animals. Eachwhether a frog caught midmunch or a towering, pensive mooseoffers a bit of gentle advice. Strung together, these gems could stand as a guide to life for readers of all ages: Retrace your steps. Trust yourself. Hug a tree. Listen to your heart. Climb a little higher. Sing a song. Look up and keep going. Yet owing to Baby Bear's childlike vulnerability, all this imparted wisdom can be psychically tough to implement in the moment. There's poignancy in certain spreads, in which Baby Bear tries enacting just-received advice. When Moose asks "Hello, Baby Bear. / What are you doing?" Baby Bear demurs: "Uh, nothing." (The cub's hugging a tree, on counsel of a couple of squirrels.) Nelson's marvelous oils play with light and alternating perspective. Against the starlit, velvet-blue sky, the luminous moon picks out the whiskers and tawny fur of Mountain Lion. It's dawn when Salmon leads Baby Bear through the final leg of the journey home. Integral endpapers frame the story: At front, golden moonlight pools in a river bend; at back, the sun's rays pour over the ridge. Children will enjoy spotting several of the narrative's animals in miniature. Resonant. (Picture book. 4-7)]]]] Copyright Kirkus Reviews, used with permission.
