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Summary
Summary
Shirley Jackson meets The Twilight Zone in this riveting novel of supernatural horror--for readers who loved Ransom Riggs' Miss Peregrine's Home for Peculiar Children
A village on the Devil's Moor: a place untouched by time and shrouded in superstition. There is the grand manor house whose occupants despise the villagers, the small pub whose regulars talk of revenants, the old mill no one dares to mention. This is where four young friends come of age--in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, infused with the spirit of the Brothers Grimm and evocative of Stephen King's classic short story "Children of the Corn" and the films The White Ribbon by Michael Haneke and Village of the Damned by Wolf Rilla.
Author Notes
Stefan Kiesbye has an MFA in creative writing from the University of Michigan. Born on the German coast of the Baltic Sea, he moved to Berlin in the early 1980s. He studied drama and worked in radio before starting a degree in American studies, English, and comparative literature at Berlin's Freie Universität. A scholarship brought him to Buffalo, New York, in 1996. Kiesbye now lives in Portales, New Mexico, where he teaches creative writing at Eastern New Mexico University. He is also the arts editor of Absinthe: New European Writing . His stories and poems have appeared in numerous magazines and anthologies, and his first book, Next Door Lived a Girl , won the Low Fidelity Press Novella Award and was praised by Peter Ho Davies as "utterly gripping," by Charles Baxter as "both laconic and feverish," and by Robert Olmstead as "maddeningly powerful."
Reviews (4)
Publisher's Weekly Review
Can a terrible history generate a terrible present? That is the question posed by German-born author Kiesbye's dark second work of fiction (after Next Door Lived a Girl), composed of linked stories set in an archetypal rural German town in what seems to be the immediate postwar period. As in Shirley Jackson's The Lottery, the vague setting heightens the narrative tension, as Christian, first, provides us with a framing device in the funeral of Anke, one of a group of young friends now elderly and distant. Each tells their story in flashback, a perspective that suits the delicate prose. Extraordinary things happened to the villagers 40 years earlier. Some are tinged with the supernatural-a traveling carnival worker hints at mysterious origins; an annual cooking contest ends badly-and some are truly horrifying: incest, child murder, and a father's brutal act of violence that leaves permanent scars. Why are these things happening in Hemmersmoor? Are tales of witches and curses to be believed? Or does the real reason lie at the end of the railroad tracks? Too subtle to be lurid yet too spooky for comfort, this book should appeal to readers of psychological fiction and literary tales of the supernatural. Agent: Markus Hoffmann, Regal Literary. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Infidelity, bullying, savage beatings, sororicide, curses, murder and the devil himself all come into play in this quietly savage meditation on evil. In an age when "torture porn" still makes regular returns to the multiplex every Halloween, it's worth being reminded that novelists, especially gifted ones, can make the trespasses we inflict on others just as ghastly as any chain-saw massacre. German-born novelist Kiesbye (Next Door Lived a Girl, 2005) gives it his all in a series of interconnected stories that smack of shades of Shirley Jackson and Stephen King. With a title lightly copied from an old Tom Waits growler ("Your house is on fire, children are alone," from the song "Jockey Full of Bourbon"), the novel opens on a present-day funeral in the frigid community of Hemmersmoor, a seemingly pastoral village in northern Germany. Christian, who fled the village for years, has returned with childhood friends Alex, Martin and Linde to bury their companion, Anke. But it's soon obvious that all is not what it seems when Linde spits on her friend's grave and murmurs, "I just hope she can see me from hell." From this moment, the lives of these little monsters unfold, each chapter read by a different narrator. Christian unveils a horrible confession of a murder committed to gain admission to a carnival tent. Martin tells of a botched festival that ends in the communal murder of a foreigner and her children. Alex dares a classmate to try his luck in the frigid waters of a frozen pond. The narration, as with all the stories, is both clinically dispassionate and chilling. "We threw his shoes and his clothes after him that night, along with the fifty marks. We made a solemn pact to keep quiet forever," Kiesbye writes. Not always clear, but nearly always startling. A devious intimation of homegrown terrors likely to keep readers awake long after closing time has come and gone.]] Copyright Kirkus Reviews, used with permission.
Booklist Review
Hell's entrance is in Hemmersmoor, says a carnie near the front of this wicked novel. By book's end, readers will not only believe it but also begin to wonder if similar dark portals exist in their hometowns, too such is the quiet, unnerving effect of Kiesbye's Brothers Grimm-like prose. A group of childhood friends return to their small German village for a funeral, setting off a collection of stories culled from their suppressed memories: tales of brutal witch hunts, ghosts, incest, infanticide, and curses, each yarn spun by Kiesbye with a jarringly offhand innocence. Big, disturbing moments are tossed within blocks of text as if they are business as usual, and it's just this unceremonious style that fills each page with menace. The tender, terrifying, capricious nature of children is the repeated theme; adding to it the occasional stunning image (two lovers melting through an iced-over pond to be frozen into statues) makes this an episodic, poetic, nightmarish offspring of Grace Metalious' Peyton Place (1956) and Ray Bradbury's Something Wicked This Way Comes (1962).--Kraus, Daniel Copyright 2010 Booklist
Library Journal Review
Welcome to Hemmersmoor, a quaint German village full of apprehension and intrigue. Four of the town's children share their own peculiar, intertwined accounts of the village and its curious residents. A brother suffocates his baby sister to deliver her soul to a traveling carnival worker. Infant skeletons are unearthed at a neighbor's house when it is discovered that the neighbor had been hiding her pregnancies. A father drinks himself to death after watching his teenage daughter's body swell with the baby with which he impregnated her. There's even a town clairvoyant and a grand manor that menacingly sits on the hilltop. Verdict Supernatural elements mixed with unnerving human atrocities mark this dark and atmospheric novel by an award-winning German-born writer (Next Door Lived a Girl) that is guaranteed to linger in the reader's mind. Shirley Jackson, Joyce Carol Oates, Susan Hill, and Ray Bradbury are apt comparisons. Eloquently written in a style that could be mistaken for a classic gothic novel, this is best suited for literary enthusiasts rather than casual horror fiction readers.-Carolann Curry, Mercer Medical Lib., Macon, GA (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.