Available:*
Library | Call Number | Status |
|---|---|---|
Searching... R.H. Stafford Library (Woodbury) | EASY OLS | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | EASY OLS | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
In Paris, France, there lived a humble postman named Lalouche. He was small, but his hands were nimble, his legs were fast, and his arms were strong. When his job was replaced by an electric car, he turned to boxing to support himself and his pet finch, Genevieve. But--"You? A boxer?" the fighters asked. "I could sneeze and knock you down!" Still, Lalouche refused to give up. And perhaps small Lalouche was just nimble . . . just fast . . . and just strong enough to beat his fierce competitors. This is a marvelous story, full of humor and heart, and illustrated by Sophie Blackall, winner of a New York Times Best Illustrated Award.
Author Notes
MATTHEW OLSHAN is the author of Finn- A Novel, a modern telling of Mark Twain's The Adventures of Huckleberry Finn, with girls as protagonists rather than boys. His latest novel The Flown Sky, is a fantasy in the tradition of C.S. Lewis's Narnia Chronicles. Olshan lives in Baltimore, but also has a little farm in southcentral Pennsylvania, called Pencil Creek. Visit him at MatthewOlshan.com
SOPHIE BLACKALL received the New York Times Best Illustrated Award for her book Big Red Lollipop , and won the Ezra Jack Keats Award for New Talent. She is the illustrator of Meet Wild Boars, a Bulletin Blue Ribbon Book; Jumpy Jack & Googily; What's So Bad About Being an Only Child? ; Summer Is Summer; Edwin Speaks Up, and others. The Mighty Lalouche was written specifically for Sophie Blackall, after the author discovered that she collected old pictures of boxers, especially "extremely skinny ones with big billowing boxing trunks." A native of Australia, she lives in Brooklyn, New York. Visit her at SophieBlackall.com
Reviews (5)
Publisher's Weekly Review
Lalouche does not start out mighty in the least. A humble postman in 19th-century Paris, "He was small, Lalouche, and rather bony," writes Olshan (Finn), whose effortless prose has a giddy Gallic lilt throughout. And yet, Lalouche's "hands were nimble, his legs were fast, and his arms were strong," qualities that serve him well when he is replaced on his route by an electric autocar and instead finds employment as sparring partner at the Bastille Boxing Club. Soon, the wiry, speedy Lalouche is a boxing champion and the toast of tout-Paris, vanquishing such deliciously named foes as the Anaconda, the Pointillist, and the Misanthrope. It's easy to imagine a book about an unprepossessing civil servant and the belle epoque craze for la boxe francaise as having a rarified appeal at best, but Olshan and Blackall (Edwin Speaks Up) have created a bona fide knockout. Lalouche is an endearingly oddball hero, and Blackall takes her always-exquisite ink-and-watercolor artwork to another level, creating three-dimensional cut-out scenes that have the intensity of silent film and the magic of an exquisitely crafted toy theater. C'est formidable! Ages 4-8. Illustrator's agent: Nancy Gallt, Nancy Gallt Literary Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Small, bony Lalouche is a humble and solitary Parisian postman, contentedly delivering mail at the turn of the last century. His only companion in life is his pet finch, Genevieve. When he is made redundant by the technology of the electric autocar, he is desole (a glossary is appended). A poster catches his eye. "Are you nimble? Are you fast? Are you strong?" Lalouche is all three, and thus begins his career as a boxer. The Grecque, the Piston, Ampre, even the undefeated fight sensation the Anaconda -- Lalouche vanquishes them all. Plausible? An intriguing author's note informs us that "la boxe franaise favored speed and agility over brute strength." The stylishly funny text demands to be read aloud, to release our inner Francophones and for a chance to proclaim, "For country, mail, and Genevive!" We can almost hear the accordion in the background. The jaunty, kindly pictures in cut-paper collage cast lovely shadows, and the book design gives us ringside seats. sarah ellis (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* In Paris, at the turn of the last century, lived a postman named Lalouche. Skinny but nimble bony but with strong arms he resides with his finch, Genevieve. One day Lalouche turns up at the post office only to learn that an electric auto will replace him on his route. Mon dieu! Who will pay for his rented room? How will he feed Genevieve? When a poster for a boxing club catches his attention, Lalouche has an idea. He shall become a boxer! The club manager is dubious, but what Lalouche lacks in strength, he makes up for in his ability to twist, turn, leap, and squirm. Soon he has beaten the burly stars of the ring: the Anaconda, the Grecque. But when the electric cars prove a bust, he is thrilled to return to his job as postman. The text is more action-packed idea than story, but it neatly serves its purpose as a vehicle for Blackall's amazing artwork. The illustrations, made with Chinese ink and watercolors, are cutouts arranged in layers and then photographed. This gives the spreads a 3-D look, with the effect being more of looking at a diorama than a page in a book. Wonderful details abound, from the expressions on the boxers' faces to the finch flying around the ring. The final scene of Lalouche on the balcony of his new Paris apartment is a delight artistically and emotionally. But we're not quite done: the endpapers feature posters of France's most powerful pugilists in all their punchy glory. Tres bien!--Cooper, Ilene Copyright 2010 Booklist
School Library Journal Review
K-Gr 3-Lalouche is a Parisian postman living more than 100 years ago. Though diminutive, he is blessed with strong arms, nimble fingers, and fast legs. When he is sacked, thanks to the invention of an electric automobile, he must find a way to support himself and his beloved pet finch, Genevieve. Desperate, Lalouche joins the Bastille Boxing Club. Because he is so small, he is repeatedly underestimated as he continues to win matches against much bigger opponents, including gigantic Anaconda. It is when he fights "for country, mail, and Genevieve" that readers learn, "one should never underestimate a man who loves his finch." The story, along with the language, is entertaining; names like Diamond Jacques and the Grecque, and words like "tomfoolery," will keep readers and listeners amused. Some French is sprinkled throughout, e.g., "C'est impossible," and a glossary helps with translation. The illustrations are outstanding-Blackall has outdone herself. The ink-and-watercolor artwork was cut out, arranged in layers, and photographed, resulting in an eye-catching, textured, three-dimensional effect that children will love poring over. The text and pictures work expertly together, moving the story forward in clever and funny ways; Lalouche's facial expressions alone should elicit giggles from readers. An author's note about the history of French boxing and the invention of the electric car further enhance this captivating tale with a wonderful moral: small people are capable of great feats.-Laura Lutz, Pratt Institute, New York City (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
While he has no difficulty overcoming much larger and fiercer opponents in the boxing ring, the eponymous hero of this quirky collaboration may nonetheless struggle to find an appreciative audience. Lalouche is a postman in late-19th-century Paris. Slight but strong, he enjoys his work, adores his pet finch, Genevive, and appreciates his small apartment, even if it doesn't have a view. Naturally, he is devastated when his superior informs him that he's being replaced. Determined to find work, he responds to an advertisement for sparring partners, and the rest is history (though there's a bit of mockery to endure before he triumphs). Luckily enough, the postal service's new "fleet of electric autocars" don't work out as expected, so by the happy ending, Lalouche is back to pounding the pavement and chatting with old friends on his regular route. Olshan's understated text flows smoothly, with occasional French phrases that emphasize the continental charm of his offbeat narrative. Blackall's ink-and-watercolor illustrations, meanwhile, combine exaggerated size differences and unusual angles with a collagelike style to create a gently humorous, old-fashioned, scrapbook feel. Illustrations of Lalouche's opponents are particularly amusing, including those that decorate the endpapers. Blackall's personal collection of pictures of old-time boxers apparently inspired Olshan's narrative; though thoroughly accomplished, it nonetheless has a very adult feel. It remains to be seen whether young listeners will consider Lalouche a real contender. (author's note) (Picture book. 6-8)]] Copyright Kirkus Reviews, used with permission.
