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Summary
Summary
From the creator of Good Night, Gorilla comes another bedtime adventure!
What a lovely day at the fair. Children lining up for pony rides . . . moms and dads in a pie-eating contest . . . babies chasing butterflies . . . babies heading for the trees . . . I SAY! Where are those babies GOING? Only a small boy sees them leaving and follows as the babies chase butterflies in trees, frogs in a bog, even bats in a cave, ignoring pleas to come back. But not to worry, our hero saves the day, making sure that all the babies get home safely from their appealing adventures.
Caldecott Medal winner Peggy Rathmann has created a highly original story told in a lilting text and a bold new style with classic black silhouettes against stunning skies of many colors that change and glow as afternoon turns into evening.
Author Notes
Caldecott-medalist Peggy Rathmann was born in St. Paul, Minnesota, and grew up in the suburbs with two brothers and two sisters. "In the summer we lolled in plastic wading pools guzzling Kool-Aid. In the winter we sculpted giant snow animals. It was a good life."
Ms. Rathmann graduated from Mounds View High School in New Brighton, Minnesota, then attended colleges everywhere, changing her major repeatedly. She eventually earned a B.A. in psychology from the University of Minnesota.
"I wanted to teach sign language to gorillas, but after taking a class in signing, I realized what I''d rather do was draw pictures of gorillas."
Ms. Rathmann studied commercial art at the American Academy in Chicago, fine art at the Atelier Lack in Minneapolis, and children''s-book writing and illustration at the Otis Parsons School of Design in Los Angeles.
"I spent the first three weeks of my writing class at Otis Parsons filching characters from my classmates'' stories. Finally, the teacher convinced me that even a beginning writer can create an original character if the character is driven by the writer''s most secret weirdness. Eureka! A little girl with a passion for plagiarism! I didn''t want anyone to know it was me, so I made the character look like my sister."
The resulting book, Ruby the Copycat , earned Ms. Rathmann the "Most Promising New Author" distinction in Publishers Weekly ''s 1991 annual Cuffie Awards. In 1992 she illustrated Bootsie Barker Bites for Barbara Bottner, her teacher at Otis Parsons.
A homework assignment produced an almost wordless story, Good Night, Gorilla , inspired by a childhood memory.
"When I was little, the highlight of the summer was running barefoot through the grass, in the dark, screaming. We played kick-the-can, and three-times-around-the-house, and sometimes we just stood staring into other people''s picture windows, wondering what it would be like to go home to someone else''s house."
That story, however, was only nineteen pages long, and everyone agreed that the ending was a dud. Two years and ten endings later, Good Night, Gorilla was published and recognized as an ALA Notable Children''s Book for 1994.
The recipient of the 1996 Caldecott Medal, Officer Buckle and Gloria , is the story of a school safety officer upstaged by his canine partner.
"We have a videotape of my mother chatting in the dining room while, unnoticed by her or the cameraman, the dog is licking every poached egg on the buffet. The next scene shows the whole family at the breakfast table, complimenting my mother on the delicious poached eggs. The dog, of course, is pretending not to know what a poached egg is. The first time we watched that tape we were so shocked, we couldn''t stop laughing. I suspect that videotape had a big influence on my choice of subject matter."
Ms. Rathmann lives and works in San Francisco, in an apartment she shares with her husband, John Wick, and a very funny bunch of ants.
copyright 2000 by Penguin Putnam Books for Young Readers. All rights reserved.
Caldecott-medalist Peggy Rathmann was born in St. Paul, Minnesota, and grew up in the suburbs with two brothers and two sisters.
"In the summer we lolled in plastic wading pools guzzling Kool-Aid. In the winter we sculpted giant snow animals. It was a good life."
Ms. Rathmann graduated from Mounds View High School in New Brighton, Minnesota, then attended colleges everywhere, changing her major repeatedly. She eventually earned a B.A. in psychology from the University of Minnesota.
"I wanted to teach sign language to gorillas, but after taking a class in signing, I realized what I''d rather do was draw pictures of gorillas."
Ms. Rathmann studied commercial art at the American Academy in Chicago, fine art at the Atelier Lack in Minneapolis, and children''s-book writing and illustration at the Otis Parsons School of Design in Los Angeles.
"I spent the first three weeks of my writing class at Otis Parsons filching characters from my classmates'' stories. Finally, the teacher convinced me that even a beginning writer can create an original character if the character is driven by the writer''s most secret weirdness. Eureka! A little girl with a passion for plagiarism! I didn''t want anyone to know it was me, so I made the character look like my sister."
The resulting book, Ruby the Copycat , earned Ms. Rathmann the "Most Promising New Author" distinction in Publishers Weekly ''s 1991 annual Cuffie Awards. In 1992 she illustrated Bootsie Barker Bites for Barbara Bottner, her teacher at Otis Parsons.
A homework assignment produced an almost wordless story, Good Night, Gorilla , inspired by a childhood memory.
"When I was little, the highlight of the summer was running barefoot through the grass, in the dark, screaming. We played kick-the-can, and three-times-around-the-house, and sometimes we just stood staring into other people''s picture windows, wondering what it would be like to go home to someone else''s house."
That story, however, was only nineteen pages long, and everyone agreed that the ending was a dud. Two years and ten endings later, Good Night, Gorilla was published and recognized as an ALA Notable Children''s Book for 1994.
The recipient of the 1996 Caldecott Medal, Officer Buckle and Gloria , is the story of a school safety officer upstaged by his canine partner.
"We have a videotape of my mother chatting in the dining room while, unnoticed by her or the cameraman, the dog is licking every poached egg on the buffet. The next scene shows the whole family at the breakfast table, complimenting my mother on the delicious poached eggs. The dog, of course, is pretending not to know what a poached egg is. The first time we watched that tape we were so shocked, we couldn''t stop laughing. I suspect that videotape had a big influence on my choice of subject matter."
Ms. Rathmann lives and worksin northern California, on a ranch she shares with her husband, John Wick.
copyright 2000 by Penguin Putnam Books for Young Readers. All rights reserved.
Reviews (5)
Publisher's Weekly Review
Rathmann (Officer Buckle and Gloria) makes an innovative departure from her usual prose and pictures in this rollicking rhyming tale, illustrated in needle-sharp, atmospheric silhouettes against twilight skies. The initial spreads picture a lively neighborhood picnic and pie-eating contest with fluttering banners and an all-ages crowd. In voiceover, a parent reminisces about how "you" represented here as a boy in a firefighter's helmet had to "save the day ... When the babies crawled away!" The speaker admits she was caught off-guard: "We moms and dads were eating pies, The babies saw some butterflies And what do you know? Surprise! Surprise! The babies crawled away!" The adults do not witness their five babies' escape. But the alert boy notices, vainly tugs at his mother's shirt, then chases the runaways into a thicket: "You hollered, `Hey! You babies, stay!' But none of them did. And some of them hid." The babies' shadowy figures never seem endangered; they blend with the tangled shapes of the branches, creating a hide-and-seek puzzle for their pursuer and for readers. Yet the boy senses their peril and consistently comes to the rescue. Rathmann's signature palette of zingy pink, lemon yellow and robin's egg blue deepen to sunset colors that imply time is tight; the flattened foreground includes a hillside with every blade of grass in stark relief, and the cavorting shapes of the children. Rathmann's poem never misses a beat, and her triumphant finale does not pass judgment on the parents; instead she praises the sleepy, baby-wrangling hero. Ages 2-6. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Preschool) While the grownups are taking part in a pie-eating contest, only a preschooler-ish boy wearing a firefighter helmet notices when ""the babies"" crawl away, following a swarm of butterflies. The rhyming story of the babies' adventure is told inside the framework of a mother reminding her son, the preschool boy with the hat, what happened: ""Remember the way / You tried to save the day? / You hollered, 'HEY! / You babies, STAY!' / But none of them did. / And some of them hid. / I SAY! / What a day / When the babies crawled away!"" The babies crawl after bees and frogs and bats, all with the boy following, trying to avert disaster. They finally get tired and hungry, so he ""mashed them some blackberries / With droplets of dew"" and lets them take a little nap before he figures out a way to get them all back to their parents. After a joyous celebration with fireworks, he then gets to fall a sleep in his mother's arms. Rathmann uses an old-fashioned style of illustration in a new and dramatic way, telling the story through black silhouettes set against a glowing neon sky. The style isolates the important parts of the tale, highlighting each gesture and detail Rathmann wants us to see and eliminating everything extraneous. There are many repeating motifs for children to seek out in each spread, and viewers will notice many details missed earlier when they go through the book a second time. The theme of this fresh, original book appeals, too, as the young would-be firefighter gets to be the hero. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
PreS-Gr. 1. Caldecott Medal-winner Rathman tries something different here, but she isn't altogether successful. The exuberant text is directed to a young boy with the rescuing sensibility of Holden Caufield, who catches wandering babies: Remember the way / You tried to save the day? / You hollered, HEY! / You babies, Stay! Alas, none of them do; instead they crawl off to chase bees and scramble onto a ledge. The fun is in the oversize pictures with silhouette images set against gloriously colored, subtly shaded backgrounds. These illustrations, reminiscent of the art in Jan Pienkowski's books about Christmas and Easter, may be difficult for little children to absorb. Not only must kids read details into the flat, black silhouettes, but they will also find that some objects are so small they are hard to discern. In addition, though the text is peppy, it can be difficult to read aloud. Is the book worth buying? Yes. The conceit is clever, the artwork is creative and lovely, and children with patience and imagination will find a bit more to see than they might find in a book with conventional art. --Ilene Cooper Copyright 2003 Booklist
School Library Journal Review
PreS-Gr 1-A pint-sized do-gooder goes to great lengths to round up a bunch of renegade babies who have wandered off and returns them to their parents. Marvelous backlit silhouettes convey the drama and the humor in this sublime slice of inspired silliness. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Caldecott Medalist Rathmann scores again with this rhymed tale of a child's struggles to chaperone a wayward flock of errant babies, illustrated in vivacious, finely-cut silhouettes. With the parents distracted by a pie-eating contest, only a small lad in a firefighter's helmet notices that five babies have crawled away from the picnic. Fruitlessly waving an admonitory finger, he follows as they clamber into a thick stand of trees, through a bog, into a cave, and over a cliff, collapsing at last for a nap in their exhausted pursuer's lap before letting him lead them back to joyful reunions. Posed against brilliantly lambent skies, each opaque, realistically rendered figure, from babies to butterflies and blades of grass, stands out distinctly; even the youngest viewers will have no trouble keeping track of who's up to what. Rathmann tucks in plenty of visual byplay and jokes, and brings the episode to a cozy close with the lad curled up in his own mother's lap. At least as inventive and captivating as 10 Minutes Till Bedtime, this is bound to be a similar hit with children. (Picture book. 5-8) Copyright ©Kirkus Reviews, used with permission.