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Searching... Hardwood Creek Library (Forest Lake) | PICTURE BOOK STE | Searching... Unknown |
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Summary
Summary
Pete's father starts kneading the dough. Next, some oil is generously applied. (Its really water.) And then some tomatoes. (They're really checkers.) When the dough gets tickled, it laughs like crazy.
Author Notes
William Steig was born in Brooklyn, New York, on November 14, 1907, and spent his childhood in the Bronx. Steig found an outlet for his talent by creating cartoons for the high school newspaper. After high school graduation, Steig spent two years at City College, three years at the National Academy, and five days at the Yale School of Fine Arts before dropping out.
During his early days as a free-lance artist, he supplemented his income with work in advertising, although he intensely disliked it. He illustrated for the The New Yorker, beginning in 1930. During the 1940s, Steig's creativity found a more agreeable outlet when he began carving figurines in wood; his sculptures are on display as part of the collection in the historic home of Franklin D. Roosevelt in Hyde Park, New York, and in several museums in New England. In 1967, Bob Kraus, a fellow cartoonist at The New Yorker, was in the process of organizing Windmill Books, an imprint for Harper & Row. Kraus suggested that Steig try writing and illustrating a book for a young audience. The result was Steig's letter-puzzle book entitled C D B!, published in 1968.
Roland the Minstrel Pig, was published the same year. With his very next title, Sylvester and the Magic Pebble, he won the Caldecott Medal. The Amazing Bone was also a Caldecott Honor Book.In 1972, Steig published his first children's novel, Dominic, which won the Christopher Award. Abel's Island followed and was a Newberry Honor Book.
William Steig died in October 3, 2003 in Boston Massachusettes.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
Mr. Steig (The Toy Brother) introduces a game guaranteed to produce a good mood. On a rainy day, title character Pete flops down on the couch in an attitude of despair. His father notices, and "he thinks it might cheer Pete up to be made into a pizza." Pete allows himself to be carried into the kitchen, where he is kneaded and tossed like dough. "Next, some oil is generously applied. (It's really water.)... And then some tomatoes. (They're really checkers.)" Pizza-Pete bakes on the couch, (a.k.a. the pizza oven), but when it's time to cut slices (with a karate-chop gesture), "the pizza runs away and the pizza-maker chases him." Steig evidently has played pizza before. He substitutes talcum powder for flour and paper scraps for mozzarella; he notes that pizzas struggle when tickled. The text resembles a set of directions, with each step wryly presented as a concise sentence and plainly printed in sans serif capital letters. In keeping with his story's simplicity, Steig creates compact line drawings that are detailed with wild watercolor patterns but symmetrically placed in a spacious white background. The amiable quality of Steig's easy pizza recipe will amuse chef and entrée alike. All ages. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Younger) Young Pete, a soulmate of the formidable sulker Spinky, moodily contemplates a rain-drenched landscape when his understanding father decides to cheer him up by transforming him into a pizza. The recipe: plenty of kneading, stretching, twirling, and decorating with delicacies such as cheese (in reality pieces of paper) and tomatoes (checkers), plus tickling and obviously lots of love. Result: one happy small boy and a great book to share with would-be pizzas of all ages. As always, the illustrations develop characters and situations with telling economy. The small, square format is a departure for Steig, with a distinctive upper-case, sans serif typeface that somehow-and appropriately-suggests instructions to a game. By the way, don't overlook the wordplay in the title. m.m.b. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Ages 3-5. Steig recalls a game he played long ago with his youngest daughter, turning it into one of the most joyously appealing picture books he's done in recent years. "Pete's in a bad mood. Just when he's supposed to play ball with the guys, it decides to rain." Enter Pete's parents, who cheer him up by pretending to turn him into a pizza. As Mother looks on, Pete is kneaded, tossed in the air, and sprinkled with flour (talcum powder) by his father, who joins his son in growing ever more delighted by the inspired goofiness and abandon of the game. Steig's watercolor-and-ink-line illustrations, set against spacious, bright white backgrounds, are alive with pattern but sparingly detailed, making the action of the characters the sole focus of attention. Father and Mother (with tightly curled hair and flower-print dress and choker) look more like Pete's grandparents than like his parents, but that will cause only momentary pause in the excellent fun. It's no stretch to imagine little ones begging for their own special "pizza parties." (Reviewed October 1, 1998)0062051571Stephanie Zvirin
School Library Journal Review
PreS-Gr 3-When Pete is in an especially bad mood because it is raining and he can't play ball with his friends, his father decides that it might cheer his son up "to be made into a pizza." The boy is placed on the kitchen table where he is kneaded, tossed, and covered with various toppings including oil (water), tomatoes (checkers), and cheese (pieces of paper). His mother comments that she doesn't like tomatoes, eliciting some giggles from Pete. He is then placed in the oven (the couch) and eventually returned to the table to be sliced. At this juncture, he runs away and is pursued by his father who captures and hugs him. By now the sun is shining and Pete goes outside to look for his friends. The interplay between father and son is both entertaining and endearing. The man says, after tickling Pete, "Pizzas are not supposed to laugh!" and Pete responds, "Pizza-makers are not supposed to tickle their pizzas!" Steig's spare line drawings and zany watercolor paintings are centered against a large white background. The wry text is printed in all capital letters, making it look almost like a recipe. From its tongue-tantalizing title to its understated but delightful ending, Pete's a Pizza is a tour de force.-Tom S. Hurlburt, La Crosse Public Library, WI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Steig (Toby, Where Are You?, 1997, etc.), inspired by a game he used to play with his daughter, turns a rainy day into a pizza party, starring a caring father and his feeling-blue son, Pete. Just when Pete was set to go play ball with his friends, it starts to rain. His melancholy is not lost on his father: ""He thinks it might cheer Pete up to be made into a pizza."" Which is just what the father proceeds to do. Pete is transported to the kitchen table where he is kneaded and stretched, tossed into the air for shaping, sprinkled with oil and flour and tomatoes and cheese (water, talcum, checkers, and bits of paper). He then gets baked on the living room couch and tickled and chased until the sun comes out and it is time to speed outside, a pizza no more, but happy. What leaps from the page, with a dancer's grace, is the warmth and imagination wrapped in an act of kindness and tuned-in parenting. As always, Steig's illustrations are a natural--an organic--part of the story, whether Pete's a pizza, or not. Copyright ©Kirkus Reviews, used with permission.