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Summary
Summary
Let Scholastic Bookshelf be your guide through the whole range of your child's experiences-laugh with them, learn with them, read with them! Eight classic, best-selling titles are available now!Category: Making Friends"What we have here is a bad case of stripes. One of the worst I've ever seen!"Camilla Cream loves lima beans, but she never eats them. Why? Because the other kids in her school don't like them. And Camilla Cream is very, very worried about what other people think of her. In fact, she's so worried that she's about to break out in...a bad case of stripes!"Shannon's story is a good poke in the eye of conformity...and his empathetic, vivid artwork keeps perfect pace with the tale."-Kirkus Reviews, starred review
Author Notes
David Shannon was born October 5, 1960, Washington, D.C. He is an American author and illustrator. He graduated from the Art Center College of Design and now lives in Los Angeles. In 1998 he won the Caldecott Honor for his No, David!. He also wrote A Bad Case of Stripes, How Georgie Radbourn Saved Baseball, and The Amazing Christmas Extravaganza. He has also illustrated Audrey Wood's The Bunyans, various books by Jane Yolen including The Ballad of the Pirate Queens and Encounter, as well as Melinda Long's How I Became a Pirate and Pirates Don't Change Diapers.
Shannon currently lives in Los Angeles with his wife and daughter.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
K-Gr 2A highly original moral tale acquires mythic proportions when Camilla Cream worries too much about what others think of her and tries desperately to please everyone. First stripes, then stars and stripes, and finally anything anyone suggests (including tree limbs, feathers, and a tail) appear vividly all over her body. The solution: lima beans, loved by Camilla, but disdained for fear they'll promote unpopularity with her classmates. Shannon's exaggerated, surreal, full-color illustrations take advantage of shadow, light, and shifting perspective to show the girl's plight. Bordered pages barely contain the energy of the artwork; close-ups emphasize the remarkable characters that inhabit the tale. Sly humor lurks in the pictures, too. For example, in one double-page spread the Creams are besieged by the media including a crew from station WCKO. Despite probing by doctors and experts, it takes "an old woman who was just as plump and sweet as a strawberry" to help Camilla discover her true colors. Set in middle-class America, this very funny tale speaks to the challenge many kids face in choosing to act independently.Carolyn Noah, Central Mass. Regional Library System, Worcester, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
On this disturbing book's striking dust jacket, a miserable Betty-Boop-like girl, completely covered with bright bands of color, lies in bed with a thermometer dangling from her mouth. The rainbow-hued victim is Camilla Cream, sent home from school after some startling transformations: "when her class said the Pledge of Allegiance, she turned red, white, and blue, and she broke out in stars!" Scientists and healers cannot help her, for after visits from "an old medicine man, a guru, and even a veterinarian... she sprouted roots and berries and crystals and feathers and a long furry tail." The paintings are technically superb but viscerally troublingespecially this image of her sitting in front of the TV with twigs and spots and fur protruding from her. The doe-eyed girl changes her stripes at anyone's command, and only nonconformity can save her. When she finally admits her unspeakable secretshe loves lima beansshe is cured. Shannon (How Georgie Radbourn Saved Baseball) juggles dark humor and an anti-peer-pressure message. As her condition worsens, Camilla becomes monstrous, ultimately merging with the walls of her room. The hallucinatory images are eye-popping but oppressive, and the finalewith Camilla restored to her bean-eating selfbrings a sigh of relief. However, the grotesque images of an ill Camilla may continue to haunt children long after the cover is closed. Ages 5-9. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
A girl obsessed with what people think about her contracts an ailment that literally turns her into whatever anyone--classmates, doctors, etc.--decides she should be. The story is heavy-handed, but the girl's graphically depicted symptoms, from multicolored stripes to twigs and other spiny appendages protruding from her body, contribute to the dark comedy of the retro-style paintings. From HORN BOOK Fall 1998, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Camilla Cream wants to fit in, so she conforms, denying herself the things she craves--lima beans, for example--if the other kids frown upon them. She wakes up one morning covered head to toe with party-colored stripes--not the state of affairs aspired to by a conventionalist, but it's only the beginning of her troubles. Her schoolmates call out designs and Camilla's skin reacts: polka dots, the American flag--""poor Camilla was changing faster than you could change channels on a T.V."" Specialists are called in, as are experts, healers, herbalists, and gums. An environmental therapist suggests she ""breathe deeply, and become one with your room."" Camilla melts into the wall. It takes a little old lady with a handful of lima beans to set Camilla to rights. Shannon's story is a good poke in the eye of conformity--imaginative, vibrant, and at times good and spooky--and his emphatic, vivid artwork keeps perfect pace with the tale. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Ages 6^-8. Camilla, who loves lima beans but won't eat them because it's not cool, finds that deferring to others isn't all it's cracked up to be. In fact, her desire to please and be popular causes her some spectacular problems: she suddenly breaks out in stripes, then stars, then turns "purple polka-dotty" at the behest of a delighted classmate. Her weird mutations, which stymie doctors and send the media into a frenzy, become more and more extreme until she finally blends into the walls of her room--her lips the red-blanketed mattress on her bed, her eyes the paintings on the wall. Will she never be herself again? Shannon's over-the-top art is sensational, an ingenious combination of the concrete and the fantastic that delivers more than enough punch to make up for the somewhat heavy hand behind the story, and as usual, his wonderfully stereotypic characters are unforgettable. The pictures are probably enough to attract young browsers (Camilla in brilliant stripped glory graces the jacket), and the book's irony and wealth of detail may even interest readers in higher grades. Try this for leading into a discussion on being different. --Stephanie Zvirin
